Sentences with phrase «in this exhibition by»

Nineteen universities from Japan participated in the exhibition by holding a booth or distributing promotional materials, and representatives from each university responded to inquiries from participants.

Shields» signature format of a color - drenched field inscribed by stitching and sewing is represented in the exhibition by an important early work titled Sandbar 12, from 1969.

She began painting in the 1920s but it was not till the early 1930s that she really got into her stride, a period represented in the exhibition by her sober portrait Martin Jay (1932).

Time Frame takes its departure from Robert Smithson's sculptural refractions of the late 1960s, and the artist is represented in the exhibition by the 16 mm film Swamp (1971), made in collaboration with Nancy Holt, dealing with the limitations of perception.

The intensity and duration of Sanín's process is demonstrated in the exhibition by two recent, complete suites of drawings.

Schiele is represented in the exhibition by thirty - eight paintings and forty works on paper.

Jack Tworkov (represented in the exhibition by The Wheel, 1953) spoke in an interview about Rothko, for whom he had great respect and personal compassion: «Rothko, in one conversation, said that it was a very great struggle for him to find himself as a painter and that he risked something in developing this new form that he had.

Beaucage brings about this reversibility in the exhibition by choosing a series of paintings that mixes the plot in a non linear fashion, including molly induced moments and cinematic tropes in 3D.

Pivotal to the artist's oeuvre was his shift in 1960 to the employment of white monochrome surfaces and geometric, grid - based compositions, represented in the exhibition by works including Relief, 1964; 48 Squares, 1965; 2 Richtingen Om en Om (2 Directions On and On), 1967; as well as R70 - 28, 1970 (collection of The Museum of Modern Art, New York).

A selection of Abramović's performance works will be reperformed in the exhibition by specially - trained performance artists.

The title, Picture Fiction, which comes from a work in the exhibition by Robert Cumming, distills Josephson's skill at bending the truth in order to expose the inner workings of photographic images.

Jonquil (2017) and Narcissus (2017), two works in the exhibition by Sanford Biggers, amalgamate references from the Trans - Atlantic slave trade, Greek myth and Japanese origami, reaching across time and place in a nuanced flattening of history.

Representative examples from these projects are joined in this exhibition by Conrad's last sculptures and installations, which evoked and critiqued what he perceived as an emerging culture of surveillance, control, and containment.

A Constellation traces connections among twenty - six artists of African descent: eight who emerged in the mid - to late twentieth century, and who are represented in the exhibition by works from the Studio Museum's permanent collection, and eighteen younger artists whose works are being shown at the Studio Museum for the first time.

That great work is represented in the exhibition by Rubens's magnificent oil sketch, borrowed from the Courtauld Gallery.

Her work has been included in exhibitions by such institutions as the Museum of Contemporary Art Detroit, University of Michigan Museum of Modern Art, the Kunsthalle Detroit Museum of Contemporary Art, and the Fort Worth Community Arts Center.

Fifteen countries will be represented in the exhibition by more than one hundred artists, with 260 works in photography, video, and other experimental mediums.

Two paintings in the exhibition by Frans Post and a book by Willem Piso predate the nineteenth century, but most of the works in the exhibition were made during the 1830s,»40s, and»50s, the years following the Latin American wars of independence.

Grooms also staged his signature performance, The Burning Building (1959), there, represented in the exhibition by a slideshow of photos by John Cohen.

In conversation, Bourgeois has referred to the two structures in this exhibition by another name: «Fragile Houses.»

The acquisition of most works in this exhibition by Fundación Botín started out in the beginning of the twenty - first century.

Among her concerns: the museum's decision to bring in the exhibition by Mr. Durham, which began at the Hammer Museum in Los Angeles and is moving to the Whitney Museum of American Art later this year.

Pratt alumna Carrie Moyer, B.F.A. Painting» 85, is also among the 35 artists who were chosen from more than 100 nominees to participate in the exhibition by the Academy, which is the country's most prestigious honorary society of architects, artists, writers, and composers.

Her photomontages are cut from her extensive collection of Ebony and Jet magazines, and accompanied in this exhibition by painting and sculpture too.

If you would like to participate in this exhibition by lending or creating artworks, please contact Kathy Grayson at Deitch Projects: 212 343 7300, [email protected].

I highly recommend you preview these fresh and original new works that we will present in this exhibition by special preview now if it all possible.

Jefferson, Lobdell and Strong (who studied with Jefferson and Lobdell), are each represented in the exhibition by five or six significant pieces, plus smaller representational works.

The eighty works in the exhibition by artists such as Paul Gauguin, Camille Pissarro, and Jean - François Millet, represent both a celebration of the pre-industrial conditions of rural life, labor and landscape, and an artistic primitivism of deliberately crude print - making techniques and styles.

Sam Gilliam (American, b. 1938) An American color field painter, Gilliam is represented in the exhibition by Eiler Blues (1978), a wall - size oil painting with embedded objects on stitched and unstretched awning canvas.

Originally conceived by curator Hans Ulrich Obrist and artist Christian Boltansky in 1995, the show encourages visitors to participate in the exhibition by touching and even taking home works of art.

Claes Oldenburg (American, b. Sweden 1929) Claes Oldenburg is represented in the exhibition by the screenprint Architect's Handkerchief (1997), which visualizes a proposed sculpture for the city of MÃ 1/4 nster, Germany.

Don't miss, among others, Jessica Dickinson's crudely elegant abstractions at Altman Siegel... on the same floor at 49 Geary St., Fraenkel Gallery's presentation of «Six New Animations,» ingeniously constructed by Christian Marclay from photographs of the sidewalk on strolls about town... more video, the best work in an exhibition by Argentine Mexican performance art master Miguel Angel Rios at Gallery Wendi Norris... «Teresita Fernández: Small American Fires,» burning intensely at Anthony Meier Fine Arts... and the small but museum - class retrospective of the optically challenging, intellectually exciting paintings of Bridget Riley at John Berggruen Gallery.

Not exact matches

Hundreds gather in the New York Crystal Palace, the iron - and - glass exhibition hall at the center of the World's Fair, to watch a man standing on a platform four stories high, suspended by a single taut rope.

Now, the Palace has opened «The White Garden» in its Sunken Garden to complement the exhibition, «planted with flowers and foliage inspired by memories of the Princess's life, image and style,» according to the Palace's website.

A report by the Center for Exhibition Industry Research (CEIR) stated that 81 percent of trade show attendees surveyed said they had buying authority; to capitalize on this opportunity yourself, you'll want to invest heavily in early outreach.

The exhibition, organized by the Victoria and Albert Museum in London, opened in 2013 and had already sold a record number of tickets even before the artist's death.

In Italy, women will enjoy free entry to the country's museums and cultural sites, which will devote themselves to exhibitions that «celebrate the feminine world» by highlighting art by and about women.

I READ with some disquiet the comments by your columnist Ann Macbeth in the 18 to 31 May edition about the proposed Perth Convention and Exhibition Centre complex.

Instead of sending Indians to the target country, the Indian government encourages foreign buyers, trade representatives, and journalists to visit trade fairs, exhibitions, and companies in India by providing financial support.

By: Simone Liedtke 28th October 2016 The inaugural PowerEx trade show, held last month alongside the biennial Electra Mining Africa at the Johannesburg Expo Centre, in Nasrec, has been declared a success by the show's organiser, Specialised Exhibitions MontgomerBy: Simone Liedtke 28th October 2016 The inaugural PowerEx trade show, held last month alongside the biennial Electra Mining Africa at the Johannesburg Expo Centre, in Nasrec, has been declared a success by the show's organiser, Specialised Exhibitions Montgomerby the show's organiser, Specialised Exhibitions Montgomery.

The aim was not to simply produce a beautiful exhibition and magazine feature but, by meeting some of the individuals beyond the headlines and newsreel footage, to connect hardened hearts in the with real people who are part of the crisis.

The way the celebration was gradually taken over and exploited for propaganda purposes by Hitler's Nazis is detailed in a new exhibition.

Does the age really need a ridiculous exhibition by a religious enthusiast in order to get something to laugh at, or does it not need rather that such an enthusiastic figure should remind it of that which has been forgotten?

In the summer of 2007, he was invited to submit three drawings to an exhibition sponsored by the town of Tallerud.

The rich succession of the country's national styles, including Moorish, was celebrated in Budapest with a renowned exposition a century ago, and is being recalled this year by the city's splendid exhibitions and performances in its «Farewell to the XXth Century.»

Many allusions to German culture and history in his work are likely to go unrecognized by the first - time American viewer, especially anyone who has not read some of the growing critical literature on Kiefer or the excellent guide by Mark Rosenthal to the Kiefer exhibition now touring the United States.

A giant Bible is returning to Britain after more than 1,300 years to go on display, alongside the oldest surviving will written by a woman, in an exhibition on treasures of the Anglo Saxon world.

This is a roundabout way of defending why one could believe in the resurrection of the body and not be troubled by Bodies: The bodies you see at the exhibition aren't bodies in any meaningful sense.

What the process paradigm generalizes as the principle that «the many become one, and are increased by one,» Kauffman conceptualizes as spontaneous exhibitions of new degrees of order that may play as fundamental a role in shaping evolution as does the Darwinian process of natural selection.

This exhibition of his work, «Souvenirs from the Waste Land,» includes eight paintings inspired by collector Roberta Green Ahmanson's extensive private postcard collection in Los Angeles.