Sentences with phrase «in this exhibition reflect»

All of the works in this exhibition reflect the realities of how life unfolds: looking forward, but through tinted glass revealing as much about what's behind as what could lie ahead.

While the drawings and prints in the exhibition reflect the purity of his mark - making, his deadpan humor comes across especially in a series of drawn - on polaroid images of his fingernails.

The variety of artworks in the exhibition reflect the many viewpoints of artists and collectives at work from 1963 to 1983.

In addition, the works included in this exhibition reflect each artist's interest in the home and studio as a subject.

The works in this exhibition reflect the artist's belief that «art is made from other art.»

«While contemporary kõgei remains rooted in centuries of cultural history, the work of the artists in this exhibition reflects a decisive and somewhat controversial shift from that of their peers.

The works of art in this exhibition reflect both the diversity of artistic practices and the pursuit of beauty amid the transient pleasures of what came to be called the ukiyo or «the floating world,» where entertainment, recreation, fashion, enjoyment, and, above all, beauty provided an escape from mundane, everyday life.

The artworks in this exhibition reflect Jonathan's interest in the (in) stability of sculptural forms and in particular the emergence of firstly, a new form that has no formal antecedents (e.g. Groundless Grid 2017,» 88» 2014); secondly a new form produced by the reformation of a pre-existing form (e.g. Folded Door 2007 - 15, Ideograms 2017); thirdly, a new form produced by memory images of pre-existing form (e.g. Marble Mattress 2014) and fourthly, a new form produced on the surface of a pre-existing form (e.g. Machine Gestures 2015).

Schneemann's film Meat Joy (1964) in this exhibition reflects discourse around the body, sexuality and gender in an erotic ritual, in which flesh becomes material and the body becomes the medium.

The range of work in the exhibition reflects the diversity of Sculptors Guild membership, revealing remarkable combinations of materials and techniques, from traditional wood and metals to neon and 3D prints.

Collectively, the works in the exhibition reflect on the intimate nature of drawing.

Rail: The «Un-Motherwellian» Motherwell you present in your exhibition reflects those influences.

The works in this exhibition reflect a variety of responses to questions of identification and identity.

Prints created by Austrian, German, and Swiss artists included in this exhibition reflect the dramatic shifts in taste in the arts during a time of significant cultural and political transformation throughout the German - speaking regions of Central Europe during the Romantic period.

Not exact matches

Ronald Holman, Exhibition Director, said: «The success of this year's trade event in Barcelona reflects the incredible growth in this exciting and dynamic sector.

These exhibitions included students» own photographs and words that captured their ways of seeing, discussing and reflecting upon the significance of physical activity in their everyday lives.

In addition to quarterly PBL exhibitions, student further share and reflect on their learning through Student Led Conferences (SLCs).

The exhibition areas, events and conferences reflect the latest developments, and they show you today how content will be delivered in the future.

Curated by FOR - SITE Foundation Executive Director Cheryl Haines, the thematic, site - responsive exhibition will be installed in former military structures overlooking the San Francisco Bay — some open to the public for the first time — and brings together work by 16 contemporary artists and collectives from around the globe to reflect on the human dimensions and increasing complexity of national security, including the physical and psychological borders we create, protect, and cross in its name.

Site - Responsive Exhibition Convenes 16 International Artists To Reflect On Human Impact And Increasing Complexity Of National Security In Our Time (June 23, 2016)

The aquarium is known for its location — right on the Monterey Bay with views of sea otters and seals from the aquarium's windows — as well as the sea otter exhibit, the giant kelp forest (reflecting what's in the waters of the bay) and its special exhibitions that currently includes a show of cephalopods.

This year's exhibition expanded to more than 5,000 exhibitors from over 190 countries, reflecting a general recovery and sense of optimism in the marketplace.According to Fiona Jefferey, WTM has always mirrored ups and downs of the industry.

Reed Travel Exhibitions Chairman World Travel Market Fiona Jeffery said: «Mobile apps are part and parcel of most peoples» everyday lives, and the travel industry's interest in apps reflects this.

His return to Sydney in 1967 contributed to a generational shift towards minimal geometric abstraction that was reflected in his first solo show at Gallery A and the ground breaking exhibition «The Field» in 1968.

World Travel Market exhibition director Simon Press said: «The Technology and Online Travel region of World Travel Market is the fastest growing in the exhibition, so its event program has increased in 2010 to reflect this.

Tom Bramwell, editor, Eurogamer: For most people who attend E3, it is a frenzy of appointments to hear product pitches and discussions conducted in dark, imposing exhibition halls full of ludicrously expensive fibreglass dioramas that have been designed to reflect product features - usually science fiction, military or fantasy settings - while providing space to house demo units.

Site - specific installations, moving images, and theater prevailed in this exhibition, which reflected Raqs's ongoing concern with geopolitics, the history of colonialism, and the individual in late capitalist society.

Opening: Mark Reynolds at Pierogi Geometer Mark Reynolds» first exhibition of drawings reflects the artist's lifelong commitment to «drawing and visually constructing geometries,» according to a release, in the styles of geometric abstraction, hard - edge painting, minimalism, and others.

This exhibition features tough but humorous sculpture, unapologetic and brash, political yet ambiguous, considered yet painterly, and reflects on Harvey's concerns of national identity and masculinity - «It is partly to wrest something from the all - pervading guilt over colonial misdemeanours and also in part to ironize an overly romantic valuation of the past.

In 2013, Grachos led a successful rebranding of the recently merged institutions — the Austin Museum of Art (AMoA) and Arthouse — as The Contemporary Austin, encapsulating the museum's mission of reflecting the spectrum of contemporary art through exhibitions, commissions, education, and the collection.

In Hong Kong, Emin will present a continuous exhibition of painting, embroidery and neon across White Cube's and Lehman Maupin's galleries, reflecting the diversity of her practice.

The exhibition brings together a selection of nine paintings on monochrome stone (slate and white marble) by Italian painters such as Sebastiano del Piombo, Titian, Daniele da Volterra and Leandro Bassano, which reflect the consolidation of a new approach to artistic techniques that emerged in the early decades of the 16th century.

The Gallery's curated exhibition History, Painting connects three painters whose work reflects three distinct movements in American social activism over a period of three decades.

From installation and video to sculpture, painting and photography, the variety of work on display reflects the diverse perspective of the artists featured in the exhibition.

TALK One of the most compelling art panels of the year, Thelma Golden, Hilton Als and Huey Copeland gather Dec. 12 to discuss «Black Male: Representations of Masculinity in Contemporary American Art» and reflect on the perception of black men and the state of the art world two decades since the Whitney Museum of American Art exhibition opened in November 1994.

The way I became aware of these exhibitions had an Alice in Wonderland Secret Garden feel to it that reflects the stealth approach.

The exhibition's title aims to reflect Borgmann's prescience in acquiring works by a new generation of artists.

The artist conceived and re-conceived the exhibition in his Los Angeles studio, eventually presenting paintings, sculptures and video the reflect his individual voice, collapse the division between artist and ordinary people, and emphasize his belief in the social and cultural influence of art, particularly in this historic, political moment.

This exhibition is a snapshot in time, reflecting many overlapping narratives of art, some in full swing by 1984, some merely beginning.

In addition, exhibitions by artist John Biggers and his students from the then - fledgling Texas Negro College (now Texas Southern University) reflected Houston's receptiveness to new ideas.

After the pivotal show Live in your Head, held at the WHITECHAPEL GALLERY in 2000, the exhibition PICTURE THIS reflects the artistic legacy of the artists Michael Craig - Martin, Gerard Hemsworth,... Continue reading →

Reflecting on some of the most arresting and important installations of the previous decade, resulted in the exhibition Outbound: Passages from the Nineties.

Curated by Kitty Scott, the AGO's Carol and Morton Rapp Curator, Modern & Contemporary Art, this exhibition marks Gates» first major solo exhibition in Canada, and reflects the AGO's ongoing engagement with contemporary art and commitment to working with living artists.

Inspired, in part, by the fact that a number of her most recent and compelling photographs are of children, the exhibition also reflects an important aspect of her creative process: Goldin continually re-edits her work as she adds new images to her oeuvre.

«The Bronx Museum of the Arts is one of the city's more animated and resilient cultural spaces... and because the Bronx Museum's exhibitions reflect its constituency, this institution is an important player in shaping New York art of both the present and the future.»

The exhibition will display a selection of 218 pieces reflecting various artistic disciplines, in which painting is specifically represented.

2007 — Representation 2007, Jenkins Johnson Gallery, NYC 2006 — 10 Years — A Retrospective, Dolby - Chadwick Gallery, San Francisco 2005 — Domestic Disturbance, Evanston Art Center, Evanston, IL 2005 — Sinister, Tarble Art Center, Eastern Illinois University, Charleston, IL 2004 — The Reflected / Refracted Self, Carl Hammer Gallery, Chicago 2004 — The Artist as Collector, Northern Indiana Arts Association, Munster, IN 2004 — American Realism, Plus One Plus Two Galleries, London 2004 — Meat Market, Lyonswier Gallery, NYC 2003 — Group Show, Dolby - Chadwick Gallery, San Francisco 2002 — Here and Now, Cultural Center, Chicago (catalogue) 2002 — Harboring Beauty, Gesheidle Gallery, Chicago 2002 — Art Chicago, Chicago 2002 — San Francisco International Art Exposition, San Francisco 2001 — Snowglobe Invitational, Gescheidle, Chicago 2001 — Pin - up, Lyonswier Gallery, NYC 2001 — Welcome to My Dollhouse, Zolla - Lieberman Gallery, Chicago 2001 — Subject Matters, Standard Gallery, Chicago (catalogue) 2001 — Artists / Alumni, Block Museum, Northwestern University, Evanston, IL (catalogue) 2001 — Narrative Sampler, Lyonswier Gallery, Chicago 2000 — Les Chemical Carnales, Hyde Park Art Center, Chicago 2000 — Shake the Coat, North Park University, Chicago 2000 — Union League Civic and Arts Foundation Scholarship Exhibition, Chicago 1999 — Union League Civic and Arts Foundation Scholarship Exhibition, Chicago 1999 — Votive Offerings, Hyde Park Art Center, Chicago

Another influential sculptor in the exhibition is the aforementioned Donald Judd, who consistently strove in his works to reflect the idea that art shouldn't be tied to any form of representational interpretation.

While related works such as the Hotel Grand series of gouaches, the bronze I Wanted You More (which mirrors the pose in the photograph) and the neon texts all address the perplexing inability to recall sexual intimacy, Emin further extends the theme of the exhibition — in works such as I waited and sat by your side and GONE — to reflect an altogether different kind of loss, that of bereavement.

There are currently several small one - person and group exhibitions of women artists and installations of discrete works by women artists scattered around MoMA although perhaps secreted might more accurately reflect the stealth approach to the serious engagement with curation, presentation, and acquisition of works by women artists that the museum is currently engaged in.