Not exact matches
like the pagan I worship a God who can be touched; and I do indeed touch him — this God — over the whole surface and
in the depths of that
world of matter
which confines me: but to take hold of him as I would wish (simply
in order not to stop touching him), I must go always on and on through and beyond each undertaking, unable to rest
in anything, borne onwards at each moment by creatures and at each moment going beyond them,
in a continuing welcoming of them and a continuing detachment from them; like the quietist I allow myself with delight to be cradled
in the divine
fantasy: but at the same time I know that the divine will, will only be revealed to me at each moment if I exert myself to the utmost: I shall only touch God
in the
world of matter, when, like Jacob, I have been vanquished by him.
Please join the rest of us
in the real
world, not the
fantasy land
in which you apparently currently reside.
The
world may or may not be as tidy as it is often possible to conceive it to be; but it is part, and surely a legitimate part, of our inheritance from the successes of science, quite apart from anything else, that given two otherwise satisfactory interpretations of
which one is simpler then that simpler one is preferable even if there is no means of judging — by appeal to evidence, say — that it is not,
in respect of its greater simplicity, mere plausible
fantasy.
Fantasy is a pleasant distraction, and sometimes daydreaming even produces ideas
which bring solid results, but to live there
in that
fantasy world, with no evidence of any glimmer of reality to it, just doesn't work.
The problem with bisexuality
in my life (and I can speak only for myself) is that it has been grounded too much
in my utopic
fantasy of the way things «ought» to be and too little
in the more modest recognition of myself as a participant
in this society at this time
in this
world,
in which I have both a concrete desire for personal intimacy with someone else and a responsibility to participate
in, even witness to, the destruction of unjust social structures — specifically, the heterosexual box.
Instead of investing theological significance
in a theory about how the mind intuits objects of sense data, or about the reality of the
world external to consciousness, or about the extent to
which the mind is creative
in producing experience, Green focuses on the role of imagination, a term
which refers
in ordinary conversation to
fantasy and illusion, but
which also refers to discovery, illumination and reality.
It is for these reasons that Berger considers it the «paramount reality» — the
world in which we spend much of our time and to
which we inevitably return after brief excursions into the alternative realities of
fantasy, sleep, or philosophical reflection.
So I will simply remark on several qualities of the created (
in Tolkien's terms, «subcreated»)
world in which fantasy characters live and move and have their being.
What a
fantasy world we live
in, if the belief
in some made up zombie deity isn't bad enough then you have the holidays
which are inspired completely by said zombie deity.
We know that television entertains us, a companion ever ready with the escape and
fantasy we sometimes need, but also that it cultivates a mean
world full of violence, that its values and stories demean and dehumanize us, and that its religious impact is the very antithesis of the Christian faith
in which most people
in our society profess to believe.
The reconstruction of «that
which was» may rationally appear to be merely a
fantasy for idle minds; but
in fact the meticulous work accomplished
in the past hundred years by the collectors of fossils, the results
which they have patiently recorded
in innumerable papers and
in barbarous language, perfectly incomprehensible to non-initiates, the paraphernalia of systematized knowledge and the clutter on the museum shelves, all this has made a contribution of the utmost importance to the
world's thinking.
we were awful for 60 mins and fortunate to be just one down and the good... we took a point from being decent for 30 mins all but securing third place... As for realism it's simple... There is no way a real arsenal fan could watch that performance and be confident that we will be challenging for title
in 12 months time... So if that is what we want the realist fan asks what needs to change... and if we rule out the first best option...
which as a realist I do... to get rid of wenger... then
in our second best
world it's a matter of where we need to strengthen... Sadly at the point realism breaks down because
in the absence of first best option we are
in the
fantasy world of the cheese eating surrender monkey where 11 yr olds are zee future of zee club
In a world in which beat writers write about prospects regularly to keep up with the churn of the internet, in a world with fantasy leagues that make players scout maternity wards, and in a world in which the last three World Series winners have all served as a proof of concept for developing young stars and keeping them together, the fans agree with the GM
In a
world in which beat writers write about prospects regularly to keep up with the churn of the internet, in a world with fantasy leagues that make players scout maternity wards, and in a world in which the last three World Series winners have all served as a proof of concept for developing young stars and keeping them together, the fans agree with the
world in which beat writers write about prospects regularly to keep up with the churn of the internet, in a world with fantasy leagues that make players scout maternity wards, and in a world in which the last three World Series winners have all served as a proof of concept for developing young stars and keeping them together, the fans agree with the GM
in which beat writers write about prospects regularly to keep up with the churn of the internet,
in a world with fantasy leagues that make players scout maternity wards, and in a world in which the last three World Series winners have all served as a proof of concept for developing young stars and keeping them together, the fans agree with the GM
in a
world with fantasy leagues that make players scout maternity wards, and in a world in which the last three World Series winners have all served as a proof of concept for developing young stars and keeping them together, the fans agree with the
world with
fantasy leagues that make players scout maternity wards, and
in a world in which the last three World Series winners have all served as a proof of concept for developing young stars and keeping them together, the fans agree with the GM
in a
world in which the last three World Series winners have all served as a proof of concept for developing young stars and keeping them together, the fans agree with the
world in which the last three World Series winners have all served as a proof of concept for developing young stars and keeping them together, the fans agree with the GM
in which the last three
World Series winners have all served as a proof of concept for developing young stars and keeping them together, the fans agree with the
World Series winners have all served as a proof of concept for developing young stars and keeping them together, the fans agree with the GMs.
The
fantasy world you live
in Arsenal must be owned by Roman and not $ ilent $ tan, the lack of money is the issue
which people like you ignore until it suits your needs to moan like a bitch!
Instead, they log many many hours
in fantasy worlds with stuffed animals, and putting on costumes for a show,
which is great stuff, but the construction toys are all collecting dust.
Assume there was a
fantasy world in which a ruler was elected to become «king».
As Ian Leslie pointed out
in a recent essay
in the New Statesman, most people would love to see a
world free from nuclear weapons, but disarmament — even
in the complete
fantasy world in which it is mirrored by all other
world powers — wouldn't create this
in a meaningful way.
«The mayor seems to be lost
in his own
fantasy world of education, the one where reality doesn't apply,» declared UFT President Michael Mulgrew
in response to the mayor's State of the City speech on Jan. 12,
in which, among other proposals, he threatened to fire half the staffs
in 33 schools receiving federal School Improvement Grant support.
I love
fantasy books, particularly those set
in the
world we know, and I also really enjoy reading (and writing) books
which are part of a series, because the longer you spend with characters, the more they feel like friends.
There's also a Virtual Sex
World in which you can create an online persona and explore your wildest
fantasies online along with other members.
The first
fantasy film that Mr McClure starred
in which lead to him starring
in three more out of this
world flicks that are all slightly similar...
in visual style at least.
It would have been a bit more interesting to see more of the
fantasy characters and their
world in which they live
in.
British novelist Mary Stewart's beloved «The Little Broomstick» predates J.K. Rowling's hit Harry Potter series by more than a quarter - century,
which means the source material is original, even if its gorgeous big - screen adaptation feels a bit derivative
in places — and derivative of not just Rowling's more richly imagined
fantasy world, but also Ghibli's own «Kiki's Delivery Service,»
which presents a similar plot,
in reverse: There, a young witch with a flying broom loses her powers, whereas
in this case, young Mary discovers a magical broom that whisks her away to Endor College, where she's celebrated for her newfound abilities.
Contrast is a 2D / 3D puzzle platformer
in which you can shift between the striking 3D
fantasy world and the mysterious 2D shadowscape.
Only
in the vaguest of terms are we given to understand how the Angulos» Hollywood
fantasies fed into and inspired their rebellion or, conversely, the degree to
which the violence
in the movies they watched might have reinforced their parents» skewed idea of the dangers posed by the outside
world.
I find
in it a seriously deranged, idealized
fantasy in which an adorable little kid is given the weight of the
world to carry and does so with no real ramifications for himself.
Level - 5 also showcased a trailer for its upcoming cross-media franchise Snack
World, which looks to be a very bizarre fantasy 3DS RPG in a world that crosses smartphones and shopping marts with dragons and Me
World,
which looks to be a very bizarre
fantasy 3DS RPG
in a
world that crosses smartphones and shopping marts with dragons and Me
world that crosses smartphones and shopping marts with dragons and Medusa.
Mary and the Witch's Flower Rated PG for some action and thematic elements Rotten Tomatoes Score: 85 % Available on Disc and Streaming Written and directed by Hiromasa Yonebayashi (former key animator at Studio Ghibli) Mary and the Witch's Flower is a hand - drawn animated
fantasy which follows a young girl who discovers a hidden
world in the clouds where she is enrolled to become a witch
in training, only to reveal secrets hidden by those she knows on Earth.
None that exists, any more than the
worlds of
which Suzy reads
in her beloved
fantasy novels.
It's a
fantasy in which the hero is rewarded and praised for alienating themselves from the real
world and dedicating an inordinate amount of time to absorbing pop culture.
Other highlights
in this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mos
in this strand include: Miguel Gomes» mixes
fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical
in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mos
in the epic ARABIAN NIGHTS; the
World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set
in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mos
in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING
IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mos
IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen
in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mos
in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed
in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mos
in «Tondoscope» — a circular frame
in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mos
in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief
in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mos
in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW,
which combines taut, low - key realism with incisive psychological and ethical insights
in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mos
in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Moss.
The game has large
world maps
which the characters travel across, like
in Final
Fantasies 7, 8 and 9.
With a week to go until its release, a new six - and - a-half minute featurette for The Hobbit: The Battle of the Five Armies entitled «Completing Middle - earth»,
which sees director Peter Jackson and the cast and crew discussing the epic conclusion to Jackson's time
in J.R.R. Tolkien's
fantasy world... The Hobbit: The Battle of the Five Armies -LSB-...]
The feature films nominated for Best Film this year are «Frank»
which gives an insight into the weird and wonderful
world of the enigmatic musician; the gritty urban family drama of «Glassland»; the raw, moving and honest «I Used to Live Here»; the feel good true - life story of «Noble»; the poignant and sensitive exploration of mental health
in «Patrick's Day», and the beautiful Irish animated
fantasy «Song of the Sea»; Three of the Best Films also get nominations for Best Director; Lenny Abrahamson for «Frank»; Gerard Barrett «Glassland» and Terry McMahon for «Patrick's Day», with John Carney also
in that category for the musical drama «Begin Again».
The Underworld - like story, a «contemporary
fantasy thriller
in which the original monster of Victor Frankenstein stands between the human race and an uprising of supernatural creatures determined to overthrow the
world,» was originally going to be directed by Underworld: Rise of the Lycans director Patrick Tatopoulos.
From Slamdance, we have three documentaries — The Modern Jungle (
which analyzes the relationship between filmmaker and subject among dirt - poor peasants
in Chiapas), Strad Style (about an unlikely violin maker and his quest to recreate a renowned 18th - century instrument) and Supergirl (a tale of the strongest 12 - year - old girl
in the
world)-- and three narratives — Dave Made a Maze (a demented
fantasy about an out - of - control labyrinth), Future ’38 (a clever sci - fi look forward from 1938 to the year 2018) and Weather House (a hypnotic meditation on the end of the
world).
Steve Carell could compete
in two rival films: Robert Zemeckis's «The Women of Marwen,» based on the 2010 documentary «Marwencol» about a designer who creates a miniature
fantasy world as a way to recover from a devastating attack, and «Beautiful Boy,»
in which he plays the father of a drug addict (Timothée Chalamet).
In something like Kill Bill, which plays like a complete fantasy taking place in a fantastical world, where airplanes come equipped with places to hold your samurai sword, it's different because I'm coming from a complete genre plac
In something like Kill Bill,
which plays like a complete
fantasy taking place
in a fantastical world, where airplanes come equipped with places to hold your samurai sword, it's different because I'm coming from a complete genre plac
in a fantastical
world, where airplanes come equipped with places to hold your samurai sword, it's different because I'm coming from a complete genre place.
«If you don't stand for something, you'll fall for anything,» the wise, old Wise Man (Scott Glenn) tells his team of ass - kicking, sexualized cherubs before they enter into an imaginary battle that's meant to show how empowered they are
in a
fantasy -
world escape from another
fantasy world where men degrade them,
which is, apparently, a step up from the real
world where the men abuse them.
What's interesting as you work backwards through films we've made about traveling to Mars is: the further back
in time you go (and therefore, the less scientific knowledge about the planet with
which the filmmakers would have been working), the more Mars ceases to be a cold, inhospitable ball of red mud and becomes a brash, romantic
fantasy world onto
which stories more and more achingly mythic can be grafted.
Monster Hunter
World is the first game
in the long - running action RPG franchise
which properly caters to both hardcore fans enamoured with its endlessly deep gameplay systems and newcomers intrigued with the premise of hunting down exotic
fantasy monsters — thanks to smart streamlining of its more obtuse elements and substantial improvements to its online multiplayer options
which make progression a lot easier for newcomers or those who don't have 50 hours a week to sink into the game on their own.
As far as Drew Goddard goes, the man has plenty of experience
in the sci - fi,
fantasy and horror realms, having written Cloverfield,
World War Z, The Martian and The Cabin
in the Woods (
which he also directed).
Set
in a parallel
world to ours, one populated by criminals who live by a strict set of rules, conventions, and etiquette, it is a dark
fantasy of violence
in which the hero isn't the pacifist, it's the guy who really loves his... Read More»
When it comes to science fiction,
fantasy, and horror
in the literary
world there seems to be one name
which stands above so many others, Ray Bradbury.
In the campaign,
which features five TV commercials, Nissan uses the
fantasy world of «Star Wars: The Last Jedi» to help consumers understand high - tech features like ProPILOT Assist, Automatic Emergency Braking (AEB) and Blind Spot Warning tec...
A historical
fantasy set
in 1918 flu - ravaged Philadelphia, The Infinite Now by Mindy Tarquini (Hindsight, 2016) follows Fiora, a young immigrant struggling to learn the intricacies of time bending, teamwork and living
in a
world which seems as hell - bent on breaking her spirit as she is to keep it.
She's currently working on a reader - driven blog serial
in the dark
fantasy or paranormal genre,
which you can find here, the second book
in the Seeds trilogy titled The Reaping, and an
in - between novella set
in the same
world, as yet untitled.
The author of Dreams of the Compass Rose brings to life a unique
fantasy world in which lost colors hold the key to salvation.
A unique
fantasy world in which lost colors hold the key to salvation....
Sterlin transports listeners to a
fantasy -
world Regency England
in which the young Sorcerer Royal seeks to restore the country's stores of magic.