Sentences with phrase «in this fantasy world which»

Not exact matches

like the pagan I worship a God who can be touched; and I do indeed touch him — this God — over the whole surface and in the depths of that world of matter which confines me: but to take hold of him as I would wish (simply in order not to stop touching him), I must go always on and on through and beyond each undertaking, unable to rest in anything, borne onwards at each moment by creatures and at each moment going beyond them, in a continuing welcoming of them and a continuing detachment from them; like the quietist I allow myself with delight to be cradled in the divine fantasy: but at the same time I know that the divine will, will only be revealed to me at each moment if I exert myself to the utmost: I shall only touch God in the world of matter, when, like Jacob, I have been vanquished by him.
Please join the rest of us in the real world, not the fantasy land in which you apparently currently reside.
The world may or may not be as tidy as it is often possible to conceive it to be; but it is part, and surely a legitimate part, of our inheritance from the successes of science, quite apart from anything else, that given two otherwise satisfactory interpretations of which one is simpler then that simpler one is preferable even if there is no means of judging — by appeal to evidence, say — that it is not, in respect of its greater simplicity, mere plausible fantasy.
Fantasy is a pleasant distraction, and sometimes daydreaming even produces ideas which bring solid results, but to live there in that fantasy world, with no evidence of any glimmer of reality to it, just doesn't work.
The problem with bisexuality in my life (and I can speak only for myself) is that it has been grounded too much in my utopic fantasy of the way things «ought» to be and too little in the more modest recognition of myself as a participant in this society at this time in this world, in which I have both a concrete desire for personal intimacy with someone else and a responsibility to participate in, even witness to, the destruction of unjust social structures — specifically, the heterosexual box.
Instead of investing theological significance in a theory about how the mind intuits objects of sense data, or about the reality of the world external to consciousness, or about the extent to which the mind is creative in producing experience, Green focuses on the role of imagination, a term which refers in ordinary conversation to fantasy and illusion, but which also refers to discovery, illumination and reality.
It is for these reasons that Berger considers it the «paramount reality» — the world in which we spend much of our time and to which we inevitably return after brief excursions into the alternative realities of fantasy, sleep, or philosophical reflection.
So I will simply remark on several qualities of the created (in Tolkien's terms, «subcreated») world in which fantasy characters live and move and have their being.
What a fantasy world we live in, if the belief in some made up zombie deity isn't bad enough then you have the holidays which are inspired completely by said zombie deity.
We know that television entertains us, a companion ever ready with the escape and fantasy we sometimes need, but also that it cultivates a mean world full of violence, that its values and stories demean and dehumanize us, and that its religious impact is the very antithesis of the Christian faith in which most people in our society profess to believe.
The reconstruction of «that which was» may rationally appear to be merely a fantasy for idle minds; but in fact the meticulous work accomplished in the past hundred years by the collectors of fossils, the results which they have patiently recorded in innumerable papers and in barbarous language, perfectly incomprehensible to non-initiates, the paraphernalia of systematized knowledge and the clutter on the museum shelves, all this has made a contribution of the utmost importance to the world's thinking.
we were awful for 60 mins and fortunate to be just one down and the good... we took a point from being decent for 30 mins all but securing third place... As for realism it's simple... There is no way a real arsenal fan could watch that performance and be confident that we will be challenging for title in 12 months time... So if that is what we want the realist fan asks what needs to change... and if we rule out the first best option... which as a realist I do... to get rid of wenger... then in our second best world it's a matter of where we need to strengthen... Sadly at the point realism breaks down because in the absence of first best option we are in the fantasy world of the cheese eating surrender monkey where 11 yr olds are zee future of zee club
In a world in which beat writers write about prospects regularly to keep up with the churn of the internet, in a world with fantasy leagues that make players scout maternity wards, and in a world in which the last three World Series winners have all served as a proof of concept for developing young stars and keeping them together, the fans agree with the GMIn a world in which beat writers write about prospects regularly to keep up with the churn of the internet, in a world with fantasy leagues that make players scout maternity wards, and in a world in which the last three World Series winners have all served as a proof of concept for developing young stars and keeping them together, the fans agree with theworld in which beat writers write about prospects regularly to keep up with the churn of the internet, in a world with fantasy leagues that make players scout maternity wards, and in a world in which the last three World Series winners have all served as a proof of concept for developing young stars and keeping them together, the fans agree with the GMin which beat writers write about prospects regularly to keep up with the churn of the internet, in a world with fantasy leagues that make players scout maternity wards, and in a world in which the last three World Series winners have all served as a proof of concept for developing young stars and keeping them together, the fans agree with the GMin a world with fantasy leagues that make players scout maternity wards, and in a world in which the last three World Series winners have all served as a proof of concept for developing young stars and keeping them together, the fans agree with theworld with fantasy leagues that make players scout maternity wards, and in a world in which the last three World Series winners have all served as a proof of concept for developing young stars and keeping them together, the fans agree with the GMin a world in which the last three World Series winners have all served as a proof of concept for developing young stars and keeping them together, the fans agree with theworld in which the last three World Series winners have all served as a proof of concept for developing young stars and keeping them together, the fans agree with the GMin which the last three World Series winners have all served as a proof of concept for developing young stars and keeping them together, the fans agree with theWorld Series winners have all served as a proof of concept for developing young stars and keeping them together, the fans agree with the GMs.
The fantasy world you live in Arsenal must be owned by Roman and not $ ilent $ tan, the lack of money is the issue which people like you ignore until it suits your needs to moan like a bitch!
Instead, they log many many hours in fantasy worlds with stuffed animals, and putting on costumes for a show, which is great stuff, but the construction toys are all collecting dust.
Assume there was a fantasy world in which a ruler was elected to become «king».
As Ian Leslie pointed out in a recent essay in the New Statesman, most people would love to see a world free from nuclear weapons, but disarmament — even in the complete fantasy world in which it is mirrored by all other world powers — wouldn't create this in a meaningful way.
«The mayor seems to be lost in his own fantasy world of education, the one where reality doesn't apply,» declared UFT President Michael Mulgrew in response to the mayor's State of the City speech on Jan. 12, in which, among other proposals, he threatened to fire half the staffs in 33 schools receiving federal School Improvement Grant support.
I love fantasy books, particularly those set in the world we know, and I also really enjoy reading (and writing) books which are part of a series, because the longer you spend with characters, the more they feel like friends.
There's also a Virtual Sex World in which you can create an online persona and explore your wildest fantasies online along with other members.
The first fantasy film that Mr McClure starred in which lead to him starring in three more out of this world flicks that are all slightly similar... in visual style at least.
It would have been a bit more interesting to see more of the fantasy characters and their world in which they live in.
British novelist Mary Stewart's beloved «The Little Broomstick» predates J.K. Rowling's hit Harry Potter series by more than a quarter - century, which means the source material is original, even if its gorgeous big - screen adaptation feels a bit derivative in places — and derivative of not just Rowling's more richly imagined fantasy world, but also Ghibli's own «Kiki's Delivery Service,» which presents a similar plot, in reverse: There, a young witch with a flying broom loses her powers, whereas in this case, young Mary discovers a magical broom that whisks her away to Endor College, where she's celebrated for her newfound abilities.
Contrast is a 2D / 3D puzzle platformer in which you can shift between the striking 3D fantasy world and the mysterious 2D shadowscape.
Only in the vaguest of terms are we given to understand how the Angulos» Hollywood fantasies fed into and inspired their rebellion or, conversely, the degree to which the violence in the movies they watched might have reinforced their parents» skewed idea of the dangers posed by the outside world.
I find in it a seriously deranged, idealized fantasy in which an adorable little kid is given the weight of the world to carry and does so with no real ramifications for himself.
Level - 5 also showcased a trailer for its upcoming cross-media franchise Snack World, which looks to be a very bizarre fantasy 3DS RPG in a world that crosses smartphones and shopping marts with dragons and MeWorld, which looks to be a very bizarre fantasy 3DS RPG in a world that crosses smartphones and shopping marts with dragons and Meworld that crosses smartphones and shopping marts with dragons and Medusa.
Mary and the Witch's Flower Rated PG for some action and thematic elements Rotten Tomatoes Score: 85 % Available on Disc and Streaming Written and directed by Hiromasa Yonebayashi (former key animator at Studio Ghibli) Mary and the Witch's Flower is a hand - drawn animated fantasy which follows a young girl who discovers a hidden world in the clouds where she is enrolled to become a witch in training, only to reveal secrets hidden by those she knows on Earth.
None that exists, any more than the worlds of which Suzy reads in her beloved fantasy novels.
It's a fantasy in which the hero is rewarded and praised for alienating themselves from the real world and dedicating an inordinate amount of time to absorbing pop culture.
Other highlights in this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth MosIN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Moss.
The game has large world maps which the characters travel across, like in Final Fantasies 7, 8 and 9.
With a week to go until its release, a new six - and - a-half minute featurette for The Hobbit: The Battle of the Five Armies entitled «Completing Middle - earth», which sees director Peter Jackson and the cast and crew discussing the epic conclusion to Jackson's time in J.R.R. Tolkien's fantasy world... The Hobbit: The Battle of the Five Armies -LSB-...]
The feature films nominated for Best Film this year are «Frank» which gives an insight into the weird and wonderful world of the enigmatic musician; the gritty urban family drama of «Glassland»; the raw, moving and honest «I Used to Live Here»; the feel good true - life story of «Noble»; the poignant and sensitive exploration of mental health in «Patrick's Day», and the beautiful Irish animated fantasy «Song of the Sea»; Three of the Best Films also get nominations for Best Director; Lenny Abrahamson for «Frank»; Gerard Barrett «Glassland» and Terry McMahon for «Patrick's Day», with John Carney also in that category for the musical drama «Begin Again».
The Underworld - like story, a «contemporary fantasy thriller in which the original monster of Victor Frankenstein stands between the human race and an uprising of supernatural creatures determined to overthrow the world,» was originally going to be directed by Underworld: Rise of the Lycans director Patrick Tatopoulos.
From Slamdance, we have three documentaries — The Modern Jungle (which analyzes the relationship between filmmaker and subject among dirt - poor peasants in Chiapas), Strad Style (about an unlikely violin maker and his quest to recreate a renowned 18th - century instrument) and Supergirl (a tale of the strongest 12 - year - old girl in the world)-- and three narratives — Dave Made a Maze (a demented fantasy about an out - of - control labyrinth), Future ’38 (a clever sci - fi look forward from 1938 to the year 2018) and Weather House (a hypnotic meditation on the end of the world).
Steve Carell could compete in two rival films: Robert Zemeckis's «The Women of Marwen,» based on the 2010 documentary «Marwencol» about a designer who creates a miniature fantasy world as a way to recover from a devastating attack, and «Beautiful Boy,» in which he plays the father of a drug addict (Timothée Chalamet).
In something like Kill Bill, which plays like a complete fantasy taking place in a fantastical world, where airplanes come equipped with places to hold your samurai sword, it's different because I'm coming from a complete genre placIn something like Kill Bill, which plays like a complete fantasy taking place in a fantastical world, where airplanes come equipped with places to hold your samurai sword, it's different because I'm coming from a complete genre placin a fantastical world, where airplanes come equipped with places to hold your samurai sword, it's different because I'm coming from a complete genre place.
«If you don't stand for something, you'll fall for anything,» the wise, old Wise Man (Scott Glenn) tells his team of ass - kicking, sexualized cherubs before they enter into an imaginary battle that's meant to show how empowered they are in a fantasy - world escape from another fantasy world where men degrade them, which is, apparently, a step up from the real world where the men abuse them.
What's interesting as you work backwards through films we've made about traveling to Mars is: the further back in time you go (and therefore, the less scientific knowledge about the planet with which the filmmakers would have been working), the more Mars ceases to be a cold, inhospitable ball of red mud and becomes a brash, romantic fantasy world onto which stories more and more achingly mythic can be grafted.
Monster Hunter World is the first game in the long - running action RPG franchise which properly caters to both hardcore fans enamoured with its endlessly deep gameplay systems and newcomers intrigued with the premise of hunting down exotic fantasy monsters — thanks to smart streamlining of its more obtuse elements and substantial improvements to its online multiplayer options which make progression a lot easier for newcomers or those who don't have 50 hours a week to sink into the game on their own.
As far as Drew Goddard goes, the man has plenty of experience in the sci - fi, fantasy and horror realms, having written Cloverfield, World War Z, The Martian and The Cabin in the Woods (which he also directed).
Set in a parallel world to ours, one populated by criminals who live by a strict set of rules, conventions, and etiquette, it is a dark fantasy of violence in which the hero isn't the pacifist, it's the guy who really loves his... Read More»
When it comes to science fiction, fantasy, and horror in the literary world there seems to be one name which stands above so many others, Ray Bradbury.
In the campaign, which features five TV commercials, Nissan uses the fantasy world of «Star Wars: The Last Jedi» to help consumers understand high - tech features like ProPILOT Assist, Automatic Emergency Braking (AEB) and Blind Spot Warning tec...
A historical fantasy set in 1918 flu - ravaged Philadelphia, The Infinite Now by Mindy Tarquini (Hindsight, 2016) follows Fiora, a young immigrant struggling to learn the intricacies of time bending, teamwork and living in a world which seems as hell - bent on breaking her spirit as she is to keep it.
She's currently working on a reader - driven blog serial in the dark fantasy or paranormal genre, which you can find here, the second book in the Seeds trilogy titled The Reaping, and an in - between novella set in the same world, as yet untitled.
The author of Dreams of the Compass Rose brings to life a unique fantasy world in which lost colors hold the key to salvation.
A unique fantasy world in which lost colors hold the key to salvation....
Sterlin transports listeners to a fantasy - world Regency England in which the young Sorcerer Royal seeks to restore the country's stores of magic.
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