Sentences with phrase «in this lying photograph»

It looks much more fabulous in person than in this lying photograph... I swear!

Not exact matches

Among the stolen intel were 110,000 documents, videos, and photographs that Netanyahu claimed showed Iran lied about its nuclear ambitions and deceived powers involved in the 2015 nuclear deal, known as the JCPOA.

New Horizons is filled with photographs, maps and informative introductions to each of the nine areas it deals with (Europe, Scandinavia, the Caribbean, South America, Hawaii and the South Pacific, Asia and the Philippines, the Middle East, Africa and North America), but its main strength lies in the amazing wealth of detail produced by Pan American's far - flung offices.

He warned that it was forbidden for anybody to take photographs of the body of the late chief as it lies in state.

To me, Kratsman's photographs work in the same way: they force the viewer to think about what has been displaced and where the actual boundaries of political life lie.

A showdown between state Assemblyman David Weprin (D - Little Neck) and retired Republican businessman Bob Turner was set in motion after then - U.S. Rep. Anthony Weiner began a fall from grace when he lied about sending a lewd photograph of his crotch to his followers on Twitter.

Emily Cross and her colleagues at the Max Planck Institute for Human Cognitive and Brain Sciences in Leipzig scanned the brains of 18 people with functional MRI while showing them photographs of a contortionist in ordinary positions — stretching to one side, for example — and in contorted postures such as lying on her stomach with her toes touching her forehead.

Don't lie in your profile or fake your photograph.

According to Woman's Day magazine, the 10 most common things people lie about in their online dating profiles include height (guys fib significantly more), weight, physique, age, income, job type and title, lifestyle, hobbies and interests, connections to celebrities and photographs.

The best Soderbergh film since sex, lies, and videotape and similar to it in its use of secondary media and discussions of relationships and personal identity, what haunts the most in the weeks following a viewing is something as simple as a line and a photograph on a refrigerator.

There's a recurring motif of Moll being photographed as if she's upright, but in fact she's lying down and the shot has been up - ended, tilted at a right angle.

She identified the boy in a photograph seen in Bagshot's house (and in a copy of Rita Skeeter's book The Life and Lies of Albus Dumbledore), as Gellert Grindelwald, Dumbledore's brief friend.

As you can see form the photograph below, the potholes lie in the embrace of a valley.

In Here They Lie you must follow a critical path, though along the way there are side rooms where you'll find glowing boxes and drawers containing hints or clue like photographs which are accompanied by audio clips that will keep you thinking as you try and piece the story together.

Having garnered an international reputation as one of the leading artists to emerge from the New York Pictures Generation of the 1970s and 1980s, Simmons has thoughtfully and methodically moved through her various photographic series, such as Early Black and White Interiors, 1976 — 78, in which pseudo-realities are created by staging miniature spaces with dollhouse furniture and other banal props; and Walking & Lying Objects, 1987 — 91, a series of black - and - white photographs of inanimate objects animated with human legs.

While the photographs provide distant, externalized views of binary roles, the installations and sculptural tableaux provide a more «lived - in» experience, offering viewers insight into the possible worlds that lie beneath the veneer of Gaignard's characters.

Right inside the door is a tribute to the late Mladen Stilinović (1947 — 2016), a member of Zagreb's 1970s experimental art scene, rendered in photographs of the artist lying in bed for a performance series of his cheekily called Artist at Work (1978).

The South African sketches in chalk on the pavement, then poses lying against it in stop - action photographs and video that put him at the center not just of performance art, but of drawing.

In Sticky Pictures, Werner makes visible the source material of her paintings — not only the subject in the photograph, but also the photograph itself; the material quality of the printed image, its traces of weathering, handling and use, its physical presence as an object lying on the corner of a table or hanging loosely on a wall, in a space that might be a studiIn Sticky Pictures, Werner makes visible the source material of her paintings — not only the subject in the photograph, but also the photograph itself; the material quality of the printed image, its traces of weathering, handling and use, its physical presence as an object lying on the corner of a table or hanging loosely on a wall, in a space that might be a studiin the photograph, but also the photograph itself; the material quality of the printed image, its traces of weathering, handling and use, its physical presence as an object lying on the corner of a table or hanging loosely on a wall, in a space that might be a studiin a space that might be a studio.

The primary holdings lie in the areas of painting, ceramics, and prints, but there are growing collections of photographs, sculpture, and works on paper.

In this carefully staged photograph of the artist lying beneath one of his own canvases, the majority of the composition is devoted to the unswept studio floor, inverting the usual relationship between horizon and foreground.

More than a little of the considerable appeal emanating from Erin O'Keefe's photographs lies in the difficulty we encounter deciphering them.

Only visible for days until the next advertisement was placed on top, never to be seen again in its photographed form, Montrose L: 124 - 107 reveals a world of unintentional «non-made» street art that asks — what lies beneath that which forms desire?

This exhibition joins three important contemporary artists who have each incorporated reminiscences of Pollock into their works in very different ways: Thomas Demand's work Barn, is a photograph of a paper reconstruction based on the mythical barn used by Pollock as a painting studio; Peter Doig's painting, Daytime Astronomy, takes as its starting point a central figure lying in the grass in an open landscape - the figure is based on a photograph by Hans Namuth of Pollock lying in the same position; while Andreas Gursky's work Untitled VI is a photograph of a Pollock painting hanging in the Museum of Modern Art, New York.

The irony of this exhibition lies in the fact that The Arts Club refuses to let visitors photograph Starling's work — the audience is unable to integrate themselves within the practice on view.

The strength of these photographs lies in the photographic reproduction of a particular space and time within art history.

The exhibition is also accompanied by the release of two books — one featuring photographs from What Lies Beneath, and the other to commemorate Guest's exhibition, The Language of the Soul, shown in 2013.

My interest in Michelangelo Antonio's film BlowUp lies in its being a series of cinematic images about a series of photographs.

In a large - format 2011 photograph by Leslie Hewitt, a book, lying on the floor in an empty room, carries entire American histories in the single visible word of its title: «protest.&raquIn a large - format 2011 photograph by Leslie Hewitt, a book, lying on the floor in an empty room, carries entire American histories in the single visible word of its title: «protest.&raquin an empty room, carries entire American histories in the single visible word of its title: «protest.&raquin the single visible word of its title: «protest.»

Filling the central pavilion in the Giardini, and running the length of the Arsenale in the medieval dockyard, Viva Arte Viva begins with photographs of Austrian sculptor Franz West, having a nice lie down in 1973, and Zagreb conceptualist Mladen Stilinovi taking a nap in 1978.

The success of Carrillo's photographs lies in his approach — one of deep sensitivity and compassion — to his proud and humble subjects.

Four of the photographs — those referencing Richard Long, Ulrich Ruckriem, Bruce Nauman and Mierle Laderman Ukeles — depict Young in an active pose (such as walking or washing steps), while the other four — this work, the image referencing Kirsten Justesen and the two photographs referencing VALIE EXPORT — portray her in a more inactive state (lying or curled up on the ground).

In 2011, a print of Untitled # 96, which depicts Sherman as a lovelorn woman clutching a personal ad while lying on a kitchen floor became the most expensive photograph at the time fetching $ 3.89 million at Christie's.

These images of Vicious resonate with the photographs of Pollock buried beneath them, wherein Pollock is (partially) seen either standing over a canvas that has been spread out on the studio floor, hand extended with loaded brush — a performative gestural flourish is frozen in time — or else he is seen sitting or even lying down with cigarette in hand, his body seemingly relaxed in a post-creation, almost post-coital state of exhaustion.

Whereas the photograph's forensic conceit lies in its appeal to visual proof that the disputed event had indeed taken place (as if the body itself were able to speak its truth), Richter negates the photo's presumed self - evidence — he even negates his own painting's seizure of its mediatized image — and as everyone knew, the thing itself could easily have been staged to cover - up a state - sanctioned murder, a good bit of fake news, as it were.

Sherman adopted the personae of a teenage girl in this large, almost life - size photograph - lying supine on the floor, clutching a page torn from the newspaper classifieds.

The power of the photographs also lies in their skilful compositions and rich tonalities.

Part of the unconventional beauty of Ketuta Alexi - Meskhishvili's photographs lies in their blurring of the boundary between medium and motif; her approach to representation is intimately bound up with the inherent characteristics of the photographic medium.

In short, if your defence is that the illegal image (assuming that we are talking about something like a photograph and not something like a password) appeared on your computer by chance as the result of harmless computer activity, then your defence is a lie (or at best an honest mistake about what was done with your computer).

A celebrity was reported in the media as being addicted to drugs after she had publicly lied and denied her addiction, and also she was photographed shown entering a therapeutic drug treatment centre.

The main focus lies above the headboard, with a simple photograph in an ornate frame facing an elaborate and ornate glass chandelier.