Sentences with phrase «in traditional animation»

Rather than being drawn anew in each frame as in traditional animation, Laric's subjects are digitally plotted by the same stark, vectorized line, which moves continually between sequences.

In traditional animation there is a technique called a «smear.»

One thing that can be said for the movie is that something exciting is constantly unfolding on the screen, amplified by beautifully animated scenery that fully realizes the potential of computer use in traditional animation (courtesy of the «deep canvas process» that was cultivated for this film).

Check out those fields of flowers, all painstakingly hand - drawn in traditional animation.

Not exact matches

For 30 years, Michael has worked with many Chicago facilities for corporate, commercial and gaming production, in both traditional and digital media for print, illustration, design, multi-media and broadcast animation.

About Blog Ann Telnaes creates editorial cartoons in various mediums - animation, visual essays, live sketches, and traditional print - for the Washington Post.

There's so much pleasure in the ambitious production design too, from the exquisite puppets and sequences influenced by traditional shadow play to animation inspired by Japanese woodblocks and Alexandre Desplat's striking, non-orchestral score, which is fully in tune with the film's setting.

Characters might portray that traditional Rockstar animation jerk in cut - scenes, always seeming to miss a few frames here and there, but in - game everything flows wonderfully smoothly, Marston and his horse a spectacular (albeit expected) highlight.

The animation here is colorful and crisp, a blend of traditional hand - drawn artistry, which looks almost rotoscoped in its smoothness of motion, and computer - generated work, allowing for the camera to move around the expanse of the palace or the maelstrom.

● ABU (Father), by Arshad Khan, explores Khan's upbringing in a modern yet traditional Muslim family in Pakistan where he couldn't confide his attraction to boys, and his moving journey to self - acceptance, told through home movies, animation, film clips, and pop songs, that began after the family immigrated to Canada.

The CGI Tinker Bell films show off some dazzling animation and some of the vistas are breathtaking in high definition, even if these landscapes generally lack realism or the authenticity of the traditional animation that birthed Disney's Peter Pan.

In an era of high - tech CGI, Park uses the beloved traditional form of stop - motion animation.

Traditional cel animation is a bit of a dying art in America these days.

Between The Tale of the Princess Kaguya and The Wind Rises, Studio Ghibli has continued to prove again and again that traditional animation still has a place in the modern animated feature landscape.

Chicken Little marks the first wholly Disney produced animated film since their pledge to ditch traditional hand - drawn animation in favor of 3D computer graphics - laden vehicles.

There's something a little thrilling in watching how co - writer / director Sarah Smith and her team of animators at Aardman Studios (mostly known for their clay animation efforts — this one is entirely computer - animated but maintains the typical look of their traditional characters) imagine Santa embracing technology.

Even more than in Mr. Fox, the mix of stop - motion, CGI, and traditional animation produces jaw - dropping effects that bear an artisan's touch.

In Me and My Shadow, which will be released on November 8, 2013, the studio will pioneer a groundbreaking combination of both CG and traditional animation techniques seamlessly together throughout the film.

Kaputt (Broken - The Women's Prison at Hoheneck, Alexander Lahl & Volker Schlecht, 2016) Using traditional hand - drawn animation techniques, this documentary short brings the horrors that went on in an East German prison to life with stark imagery and elegant transitions from one scene to another.

Unfolding with a mix of traditional and stop - frame animation, the tale is infested with the kind of dry humor and cynicism found in some of his other projects (Moonrise Kingdom and Fantastic Mr. Fox).

by Ian Pugh Disney has resurrected its traditional (i.e., 2 - D) animation department only to plunder plots and themes from its own vault, but because we're all familiar with what Disney represents in this day and age, we're meant to accept it with a wink and a nod.

Jessica Oreck's fantastical work combines animation, traditional storytelling, and contemporary nonfiction filmmaking styles to recount the Slavic folktale of the frightful Baba Yaga, a witch said to live in a woodland hut perched on chicken legs who roasts her guests for dinner.

The Lord of the Rings: Remastered Deluxe Edition (Warner)-- Ralph Bakshi's 1978 animated feature film combines traditional cel animation with live action reference footage in his attempt to get J.R.R. Tolkien's sprawling fantasy adventure epic on the big screen.

The animation quality is not what it is today, but the New York city locations are nicely composed, and computers were used to augment the traditional cell animation in the scenes of street traffic.

This rendition does try to mollify some of the political incorrectness of the «savages» portrayed in Disney's animation, by presenting a multi-ethnic cast of characters adorned in tribal costumes that seem inspired by traditional African dress, yet created out of made - in - China embellishments.

Since dwindling returns led them to give up on the traditional method relied upon in some form for eighty years, Disney's feature animation department has made three CGI films: Chicken Little, Meet the Robinsons, and Bolt.

Without a doubt, this is the best traditional animation has looked in a high definition release.

The «one - size - fits - none», «fire - and - forget» approach of almost all of today's corporate eLearning — be it traditional, video - based, microlearning or some combination — needs to be relegated to some forgotten decade where outcomes don't matter, and the quality of education is measured by how many people are registered in the LMS and how much animation you can pack into your course.

I am an Art and Design teacher specialising in traditional and digital illustration, animation and painting.

On the basis of these findings, we conclude that it is advisable to use computer animations in molecular genetics, especially when teaching about dynamic processes; however, engaging students in illustration activities can still improve achievement, inclusion, and differentiation in comparison to traditional instruction.

Three comparable groups of eleventh - and twelfth - grade students participated: the control group (116 students) was taught in the traditional lecture format, whereas the experimental groups received instructions that integrated a computer animation (61 students) or illustration (71 students) activities.

The animations go a long way in making even the most avid traditional reader of printed books adjust to the digital versions.

These ebooks feature two - page spreads and page - turn animations in the iPad and Kindle Fire to give you the experience of reading a traditional print book.

In his script, Moore describes the integration of small sections of animation and discusses these in relation to the way «traditional» special effects and animation techniques can further extend the diegetic space of the world without interrupting the overall flow of storytelling for the readeIn his script, Moore describes the integration of small sections of animation and discusses these in relation to the way «traditional» special effects and animation techniques can further extend the diegetic space of the world without interrupting the overall flow of storytelling for the readein relation to the way «traditional» special effects and animation techniques can further extend the diegetic space of the world without interrupting the overall flow of storytelling for the reader.

In Hellblade: Senua's Sacrifice, the visions that the main character experiences will blend traditional game animation with live - action sequences to convey her...

My background is in traditional media — you can see my drawings and paintings here — but if your readers have seen anything of mine, it's probably Vectorpark, a collection of interactive animations that I've gradually added to over the past 7 or 8 years.

Everyone opened the letters and they are thinking about Kirby Anime back on the air with a ReBoot and a theatrical film by Toho Co. Ltd, Paper Mario, Mario Party 10 and Kirby game like Kirby's Return to Dreamland on Wii U, an R rated traditional film by Walt Disney Animation Studios, Tom & Jerry, 3 shows by Klasky Csupo Rugrats, Wild Thornberrys and All Grown Up being moved to Disneytoon Studios with a Reboot while Tom & Jerry has a reboot for Cartoon Network in 2013, Rareware joining forces with Retro Studios, The Grim Adventures of Billy & Mandy: Halloween Bash 2 in Finals Wars in cinemas, Mewtwo, Solid Snake, Sonic the Hedgehog, Shadow the Hedgehog, Metal Sonic, Ty the Tasmanian Tiger, Rayman, Banjo and Kazooie, Conker, The Powerpuff Girls Blossom, Bubbles & Buttercup for Super Smash Bros. 4 for Wii U and Nintendo 3DS.

The decision to do this is intentional, of course; unlike excuses of a «Cinematic Experience», Guilty Gear's characters move at a frame rate that is more in keeping with that of traditional animation and anime in particular.

The Image Metrics process enables artists to create believable facial animation that captures the subtleties of human facial movement in a fraction of the time needed for traditional methods.

The removal of the traditional weapon setup in favour of storing the weapons on the shoulders is an interesting development too, as you have to plan weapon switches ahead as the animation is quite long.

In fact, Studio MDHR used traditional hand drawn cel animation, watercolor backgrounds, and original jazz recordings to faithfully recreate the look and feel of the era.

Characters might portray that traditional Rockstar animation jerk in cut - scenes, always seeming to miss a few frames here and there, but in - game everything flows wonderfully smoothly, Marston and his horse a spectacular (albeit expected) highlight.

The opening CG animation roughly details some sort of «special» off - shoot Tekken Tournament, much in the same vein as the traditional Tekken event from the mainstream franchise.

In his innovative Moving Paintings collection, Steve Matson combines traditional painting with cinematography, visual effects, digital painting, animation, music and sound effects.

provides students with the opportunity to explore traditional and digital skills related to creative designers, artists, and storytellers in motion graphics, modeling, animation, visual effects and concept art for film, television, video games and advertising industries.

The Digital Media Minor provides students with the opportunity to explore traditional and digital skills related to creative designers, artists, and storytellers in motion graphics, modeling, animation, visual effects and concept art for film, television, video games and advertising industries.

Combining traditional painting techniques with contemporary design, illustrative styles and animation, Barton evokes femininity in both form and spirit.

The film / video curriculum includes courses in documentary, traditional and digital filmmaking, contemporary issues in film and video, animation, storyboarding, and screenwriting.

Modeling her CG animations on the allegorical paintings of Casper David Fredrich, Fu continues her aspirations in the sublime from her painting background into experimental digital media, exploring the nature of physical and metaphysical limits, as the work also mirrors the fundamental aspect of Chinese Traditional Landscape Painting, which often presents a type of virtual space where the significance of the individual and linear perspective is blurred into a voluminous landscape.

His practice works across many disciplines and mediums, employing drawing, design, installation, CG, traditional animation, video, sound, performance, and cinema in attempts to subvert modern technologies in order to describe the ineffable.