Sentences with phrase «in traditional gallery spaces»

Along with works in traditional gallery spaces, De Maria began creating pieces in unexpected locations.

According to Peter Hionas, «In the traditional gallery space, people love visiting the «backroom» in search of something New - historical, lesser - known works or a piece fresh from the artist's studio.

Not exact matches

Teams of 150 - 180 students work with teachers in shared learning spaces with cutting - edge technologies that shift between traditional classrooms, Makeries, Collaboratories, The Gallery, and The Loft to support a student - centered approach to instruction.

Missions are selected from a map of our Solar System, Mass Effect - style, and even feature side quests in addition to your main missions, which can either be space dogfighting or more traditional COD campaign fare, with the usual corridor shooting gallery.

These tapestries, woven in mohair on traditional looms to monumental scale will be on view in the new Goodman Gallery project space, at Arts on Main, downtown Johannesburg, Main Street.

Flying Cube, a white cube floating in the center of the exhibition space, challenges gravity and activates the traditional gallery space.

Building on Artists Space's history as an institution whose program has increasingly emphasized community participation and political organization (see last year's Decolonize This Place, which turned the gallery into a weekly activist meeting hub), Coop Fund foregoes traditional media like painting or sculpture in favor of video, art - science hybrids, updated junk sculpture, and institutional critique, making an implicit statement about these media that, for their associations with high - modernist seriousness, are appropriate to a politically engaged exhibition.

A visit to the three spaces of the Paul Kasmin Gallery in Chelsea in New York City offers an enlivening education in the power of three of the backbones of traditional art - making: painting, drawing, and sculpture.

Ballroom Marfa is an independent contemporary cultural arts space which supports emerging and established artists working in the visual arts, film, music and performance and in particular, on projects that would be impossible to stage in traditional gallery or museum settings.

In more traditional gallery spaces, Martin has blurred the distinction between the art object and the viewer, placing paintings on floors, ceilings, and displayed among household objects.»

For this project we encourage you to consider: how can we use and encounter art directly, outside of traditional gallery spaces or studios, as a means to communicate ideas and issues in our everyday lives?

Throughout the gallery the visitor experiences differing gallery spaces which will provide a varied experience and provide functional flexibility and a varied palette with which the curatorial team can work, catering for the display of work in an intimate, traditional as well as a large public spectacle capacity.

In 2001, Sean Kelly gallery presented an exhibition that included works inspired by the indigenous architecture of the Caribbean Island of Nevis, traditional Japanese architecture and an imagined gallery space.

The exhibition will include works from 1999 to the present which are being shown in New York for the first time., Casebere's latest works are inspired by Thomas Jefferson's utopian Monticello, the indigenous architecture of the Caribbean island of Nevis, traditional Japanese architecture and an imagined gallery space.

21c erases the boundaries found in a traditional museum, with curated exhibitions installed in dedicated galleries, as well as works of art featured in unexpected spaces.

In addition to a long career of exhibition in traditional museums and galleries, he is a respected innovator and pioneer for his projects engaging with public space, which can now be found in over fourteen countries around the worlIn addition to a long career of exhibition in traditional museums and galleries, he is a respected innovator and pioneer for his projects engaging with public space, which can now be found in over fourteen countries around the worlin traditional museums and galleries, he is a respected innovator and pioneer for his projects engaging with public space, which can now be found in over fourteen countries around the worlin over fourteen countries around the world.

And Matthias Küper Galleries Beijing presents «Draftsmanship» with Cai Dongdong, curated by Kang Xueru, a show on photography and installation, questioning the traditional art display in a gallery space.

Founded in 2010 in partnership with Hunter College, The Artist's Institute is an exhibition space and research institute in New York City that dedicates seasons to artists twice a year, providing a platform for sustained inquiries outside the confines and rhythms of traditional galleries and exhibition spaces.

The group challenged the traditional parameters of moving image in the 1980s, working across television, cinema and gallery spaces as a way of examining the multiple identities of diaspora in Britain.

In a city like Amman, for instance, there are relatively few commercial art galleries that are showing work outside of more traditional, maybe academic styles, but then there's also Darat al Funun, an experimental space that holds an important collection in the region, hosts residencies and workshops, and commissions works by young artistIn a city like Amman, for instance, there are relatively few commercial art galleries that are showing work outside of more traditional, maybe academic styles, but then there's also Darat al Funun, an experimental space that holds an important collection in the region, hosts residencies and workshops, and commissions works by young artistin the region, hosts residencies and workshops, and commissions works by young artists.

In turn, both works act as interventions of the traditional gallery space.

Exploring the differences between institutional or traditional galleries and the kind of aesthetic space many people have access to in their own front yard, Outside Gallery provides a new platform for contemporary art.

In doing so, he not only makes himself accessible to whatever public encounter will come his way, but he also collapses the traditional museum boundaries of private office space and public gallery space, thus foregrounding the participatory nature of his art - making practice.»

Orozco was featured at Documenta XI (2002), where his sensuous terra - cotta works explored the elegance and logic of traditional ceramics — a pointed commentary on Mexican craft and its place in a «high art» gallery space.

It was also successful in mobilising both the traditional arts venues, such as Limerick City Gallery and the Hunt Museum, as well as some fascinating slack spaces across Limerick city, from Cleeve's Condensed Milk Factoy to the Sailor's Home on O'Curry Street.

He views graffiti as a vital method of communication, one that keeps him in touch with a larger, more diverse audience than can be reached through the traditional spaces of a gallery or museum.

In February, West Berlin gallery ARNDT will be moving to a new space on Fasanenstrasse in Charlottenburg, which is the location of several traditional galleries and auction houseIn February, West Berlin gallery ARNDT will be moving to a new space on Fasanenstrasse in Charlottenburg, which is the location of several traditional galleries and auction housein Charlottenburg, which is the location of several traditional galleries and auction houses.

The intention is to create what the artist calls a «suspended» and constructed array of forms in tiers that build outward into the gallery space from the traditional picture plane.

The Kanter - McCormick Gallery will become a curatorial laboratory for five quick - and - dirty shows proposed by participants involved in the Art Center's Oakman Clinton School & Studios, engaging the traditional «white cube» gallery as a learning space while highlighting connections among Oakman Clinton School & Studios faculty, students, and the broader Chicago arts comGallery will become a curatorial laboratory for five quick - and - dirty shows proposed by participants involved in the Art Center's Oakman Clinton School & Studios, engaging the traditional «white cube» gallery as a learning space while highlighting connections among Oakman Clinton School & Studios faculty, students, and the broader Chicago arts comgallery as a learning space while highlighting connections among Oakman Clinton School & Studios faculty, students, and the broader Chicago arts community.

For one - night only traditional Irish dance will be transported from the South West coast of Ireland to Location One's Gallery space in New York City.

VITRINE, London continues to push boundaries in an attempt to break away from the traditional ideas of gallery space.

2012 Alumnus Artist - in - Residence Matthew Steele explores a new medium, new dimensions, and the boundaries of traditional gallery spaces.

Maguire's preoccupations draw him to the margins of the art world — alternative space, prisons, women's shelters, and mental homes — making shows in traditional gallery and museum spaces something of a rarity.

How does a man so successful in his independent ways decide to take that one step further and open a traditional gallery space?

Selected Exhibitions 2009 Zenith Gallery, Washington, DC, For Real, group exhibit 2008 Zenith Gallery, Washington, DC, What Remains: The American Landscape Portfolio Edition, solo exhibit Zenith Gallery, Washington, DC, Trees of Life, 30th Anniversary Show, group exhibit 2007 Zenith Gallery, Washington, DC, What Remains: The American Landscape, solo exhibit 2006 Zenith Gallery, Washington, DC, 28th Anniversary Exhibition, group exhibit 2005 Zenith Gallery, Washington, DC, Into the Minds of Nine, group exhibit Zenith Gallery, Washington, DC, La vie quotidienne: Scenes from Paris to Provence, solo exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 22nd Annual Portrait Show 2004 Land Trust of Virginia, Middleburg, VA, Vanishing Landscapes 2004, group exhibit Parker Gallery, Washington, DC, Beyond Brittany: 1977 - 1979, group exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 21st Annual Portrait Show Zenith Gallery, Washington, DC, Zenith Style: Art & Craft for Home & Office, group exhibit Zenith Gallery, Washington, DC, This Land is Your Land, This Land is My Land, group exhibit 2003 Bermuda National Gallery, Hamilton, Bermuda, Inside & Out, House & Home, group exhibit Zenith Gallery, Washington, DC, Near and Far: Recent Landscape Paintings, solo exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 20th Annual Portrait Show 2002 Land Trust of Virginia, Middleburg, VA, Vanishing Landscapes Zenith Gallery, Washington, DC, The Dog Days of Summer Zenith Gallery, Washington, DC, New Artists... New Space, Summer Show 2002 2002 Hilligoss Galleries, Chicago, IL, Oil Painters of America, Eleventh Annual National Juried Exhibition of Traditional Oils Francesca Anderson Fine Art, Portraits North, Lexington, MA, 19th Annual Portrait Show 2001 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour Northern Virginia Fine Arts Association, Alexandria, VA, Contemporary Realism: A Survey of Washington Area Artists Zantman Art Galleries, Palm Desert, CA, Oil Painters of America, Tenth Annual National Juried Exhibition of Traditional Oils Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Francesca Anderson Fine Art, Portraits North, Lexington, MA, 18th Annual Portrait Show 2000 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour Rock Creek Gallery, Washington, DC, Studio 310 Reunion Francesca Anderson Fine Art, Portraits North, Lexington, MA, 17th Annual Portrait Show Spectrum Gallery, Washington, DC, Spectrum Plus Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Zenith Gallery, Washington, DC, Zenith Gallery at 22 1999 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour, recipient of the Steven L. Aschenbrenner Collector's Award Zenith Gallery, Washington, DC, New Works for the Millenium Francesca Anderson Fine Art, Portraits North, Lexington, MA, 16th Annual Portrait Show Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape 1998 Byrne Gallery, Middleburg, VA, Lightmotifs, solo exhibit Mystic Maritime Gallery, Mystic, CT, 19th Annual International Marine Art Exhibition Francesca Anderson Fine Art, Portraits North, Lexington, MA, 15th Annual Portrait Show Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape 1997 Arts Club of Washington, Washington DC, Luminous Journeys, solo exhibit Ballantyne & Douglass Fine Art Gallery, Cannon Beach, OR, featured artist The Artists» Museum, Washington, DC Francesca Anderson Fine Art, Portraits North, Lexington, MA, 14th Annual Portrait Show Morgan Peyton Fine Arts, Charleston, WVA, Journeys through the Virginias, solo exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit Howard / Mandville Gallery, Edmonds, WA, Paintings of the American Landscape 1996 Howard / Mandville Gallery, Kirkland, WA, Pleasures of the Garden Francesca Anderson Fine Art, Portraits North, Lexington, MA, 13th Annual Portrait Show Howard / Mandville Gallery, Edmonds, WA, 2nd Annual Paintings of the American Landscape Gallery 4, Alexandria, VA, Landscapes Cudahy Gallery, Richmond, VA, 15th Anniversary Celebration Charles County Community College, La Plata, MD, Landscapes, solo exhibit 1995 Cudahy Gallery, Richmond, VA, Landscapes 1994 Hollis Taggart Gallery, Washington, DC, Portraits Montgomery County College, Rockville, MD, George Washington Faculty Exhibit DeMatteis Gallery, Annapolis MD, The Figure Fine Arts Gallery, Georgetown University, Washington, DC, Portraiture, co-curator 1993 Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1992 Fine Arts Gallery, Georgetown University, Washington, DC, faculty exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1991 Fine Arts Gallery, Georgetown University, Washington, DC Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1989 Plum Gallery, Kensington, MD, Capital Image 1989 Cudahy Gallery, Richmond, VA, National Portrait Exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1988 Fine Arts Gallery, Georgetown University, Washington, DC, Images of Georgetown, A Bicentennial Celebration 1986 Dimock Gallery, George Washington University, Washington, DC, Alumni Juried Exhibition 1985 Gallery 4, Alexandria, VA, Washington Landscapes Plum Gallery, Kensington, MD, The Capitol Image Today 1985 The Times Journal Co., Springfield, VA, In and Around Washington 1984 St. Petersburg Historical Society, St. Petersburg, FL 1984 Dimock Gallery, George Washington University, Washington, DC, Alumni Juried Exhibition Strathmore Hall, Rockville, MD, Metro Art Fairfax County Council of the Arts, Fairfax, VA, juried exhibit curated by Michael Botwinick, director, Corcoran Gallery of Art, Washington, DC World Bank Art Society, Washington, DC 1983 Arlington Arts Center, Arlington, VA, Areawide Painting Exhibition, juried by Frederick Brandt, curator, Virginia Museum of Fine Arts, Richmond, VA American Artists Professional League, New York, NY, Juried Grand National Exhibition Twentieth Century Gallery, Williamsburg, VA

«Un Jardin d'Hiver» parodies a traditional museum or gallery space modelled on the late 19th - century palm court, once popular in wealthy European homes.

He said that they were excited to invest more heavily in pop - up exhibitions like ones they recently organized in Berlin (at Galerie Neu) and in Tokyo, citing concepts like CONDO, in which young galleries in two cities trade spaces for an exhibition each year, as interesting alternatives to traditional art fairs if maybe not «the grand solution.»

CR: As well as 3 traditional gallery spaces in London, Shanghai and Hong Kong, the touring exhibition will also take place in a bookstore in Riga (Latvia), which is quite an non-traditional space for Digital Art.

The newest gallery in the burgeoning art scene of Bushwick, Space 776 has been exceedingly successful in creating a space for a wide range of artist whose medium of work stretches from live multimedia performances to traditional oil painSpace 776 has been exceedingly successful in creating a space for a wide range of artist whose medium of work stretches from live multimedia performances to traditional oil painspace for a wide range of artist whose medium of work stretches from live multimedia performances to traditional oil painting.

«We were inspired by galleries that were making creative use of unconventional space in cities outside the traditional «art capitals», such as the recently - closed Appendix gallery in Portland, as well as Young World in Detroit,» says Clough and Carroll in an email interview with AFC.

Though McGee views graffiti as a vital method of communication, one that keeps him in touch with a larger, more diverse audience than can be reached through the traditional spaces of galleries or museums, he makes fine use of traditional exhibition spaces, using them not only to communicate a subcultural point of view to gallery goers but also to point out ways in which space can be reclaimed.

Behind an impressive Edwardian terracotta facade, and topped with a landmark gold spire, in the traditional seaside town of Llandudno, the original turn of the century galleries are merged with stunning modern spaces in an award - winning architectural design.

In the second building, a more traditional set of gallery spaces shows a field of dreams: installations, objects, drawings, paintings, and snippets of Jonas» recent performance at the Venice Biennale.

This kind of Minimalist approach, creating discomfort in the gallery space, tries to access that aspect of our humanity that is otherwise not available in a traditional gallery setting.

Sahib became interested in the domestic past of the Brussels gallery and has covered the ground floor space with black carpet, in an attempt to emulate a traditional family environment.

In addition, the museum has a programmatic dedication to the many hybrid forms that emerge from the increasing integration of film and visual arts, at the exact moment when a growing number of independent, adventurous filmmakers («auteurs») are tempted to seek refuge in the traditional spaces of visual art such as museums, galleries, and biennials, for reasons connected to the intensified commercialization of the film circuit throughout the 1980s and»90In addition, the museum has a programmatic dedication to the many hybrid forms that emerge from the increasing integration of film and visual arts, at the exact moment when a growing number of independent, adventurous filmmakers («auteurs») are tempted to seek refuge in the traditional spaces of visual art such as museums, galleries, and biennials, for reasons connected to the intensified commercialization of the film circuit throughout the 1980s and»90in the traditional spaces of visual art such as museums, galleries, and biennials, for reasons connected to the intensified commercialization of the film circuit throughout the 1980s and»90s.

«When we first went into them in the mid-90s, we saw the incredible possibilities of those raw spaces, which were closer to the kind of environments that artists were actually working in than the white cube space of the traditional gallery.

[9] During this period, exponents of land art rejected the museum or gallery as the setting of artistic activity and developed monumental landscape projects which were beyond the reach of traditional transportable sculpture and the commercial art market, although photographic documentation was often presented in normal gallery spaces.