Sentences with phrase «in twentieth century art»

For the last four decades Perlstein has been building a collection addressing key moments in twentieth century art where the understanding contemporary art has been stretched and reworked by artists.

Known for working in a figurative style when others were beginning to experiment with abstraction, Neel has been hailed as an important figure in Twentieth Century art history.

Louis's Veil paintings occupy a pivotal place in twentieth century art, providing a crucial link between Abstract Expressionism and Minimalism.

This exhibition, drawn entirely from the deep holdings of the Whitney Museum's permanent collection, will focus on the tension and overlap between two strong currents in twentieth century art.

While living in New York City afforded them unparalleled opportunities to see art and connect with artists firsthand, the works in Breaking Ground: The Donald and Maria Cox Collection serve as a visual diary of their interests and innovations in twentieth century art.

From the graceful silence sought after by the Zero artists to the visual effects attaching by the Kinetic artists, and the innovative techniques of Pino Pinelli and Mimmo Rotella, Rethinking Space unites the various strands of Italian art of the 1950s and 1960s and beyond to provide a complete overview of one of the most fruitful times in twentieth century art history.

In combining steadfast loyalty to observed reality with deft exploration of fundamental aesthetic concerns, Avery's was a unique and influential vision in twentieth century art.

His most recent collection of essays, Formalism and Historicity: Models and Methods in Twentieth Century Art, was published by MIT Press in 2015.

1963 28th Biennial Exhibition of Contemporary Painting, The Corcoran Gallery of Art, Washington, DC Art and Writing, Stedelijk Museum, Amsterdam, Holland; Staatliche Kunsthalle, Baden - Baden, Holland Recent Acquisitions, Whitney Museum of American Art, New York, NY The Classic Spirit in Twentieth Century Art, Sydney Janis Gallery, New York, NY

1978 Perceptions of the Spirit in Twentieth Century Art, University Art Museum, Berkely, CA; Art Institute of San Antonio, San Antonio, TX; Columbus Art Museum, Columbus, OH Northwest Traditions, Seattle Art Museum, Seattle, WA 26th Annual Exhibition, Museum of Art of Ogunquit, Ogunquit, ME George Twutakawa & Morris Graves: Paintings, Drawings & Sculpture, Olin Gallery, Whitman College, Walla Walla, WA

The composition is dominated by a large expanse of wood painted with the artist's iconic cadmium red, resulting in an area that resonates and reverberates with an intensity of color that is unrivalled in twentieth century art, except perhaps by the forces of color created by Mark Rothko on his large - scale canvases.

Not exact matches

When we talk about the key shifts of the twentieth century — those involving politics, trade, consumption, art — we leave out what is surely the most astonishing physical change in all of human history, one that has happened mostly during the last century: the doubling of the human life span in much....

The twelve - song album includes nineteenth - and twentieth - century bluegrass classics, such as Jefferson Hascal's «Angel Band» (prominently featured in the Cohen Brothers» O Brother, Where Art Thou?)

God is not left without witnesses, however, and the urge to create religious statements and the evidence that the power of the gospel still gripped persons outside of systems led to the fact that a great body of religious art was produced in the nineteenth and early twentieth centuries outside of official religious circles.

The only unique art form to emerge in the twentieth century is the motion picture.

(Both Schonied and Joachimides are quoted in German Art in the Twentieth Century.

As scholar Georg Bassmann (in German Art of the Twentieth Century) persuasively contends, had Hitler and Goebbels looked favorably on modern art, their support of it could have provided Nazism a bridge to the «liberal educated middle class.&raqArt of the Twentieth Century) persuasively contends, had Hitler and Goebbels looked favorably on modern art, their support of it could have provided Nazism a bridge to the «liberal educated middle class.&raqart, their support of it could have provided Nazism a bridge to the «liberal educated middle class.»

The first three decades of the twentieth century, a time characterized by the arrival of the culture of modernity, was a period of great change not only for women but also in the realms of economics, politics, the arts, science, and social and religious thought.

Park City will also play host to the premiere of the bizarrely enticing Manifesto, in which Cate Blanchett does «reenactments» in «an homage to the twentieth century's most impassioned artistic statements and innovators, from Futurists and Dadaists to Pop Art, Fluxus, Lars von Trier and Jim Jarmusch.»

A top - notch actress who managed to remain a complete unknown as far as the general moviegoing public was concerned (spending over a decade starring in numerous art - house flicks for ex-husband Nicolas Roeg probably had a lot to do with that), Theresa Russell enjoyed a soupçon of mainstream success when she co-starred in Twentieth Century Fox's production of Black Widow, an ever - so - modest box office hit ($ 25 million) back at the start of» 87.

-- Neil Printz, art historianNo artist of the second half of the twentieth century was more famous — or in the end more famously misunderstood — than Andy Warhol: at once the most accessible and enigmatic, straightforward and elusive, naive and savagely ironic artist of his time.

«If I had to keep just one film to give future generations the idea of what the art of cinema was in the twentieth century, I would choose The Little Theater [of Jean Renoir], because all of Renoir is contained in it, and because Renoir contains all of cinema.»

PHILADELPHIA, PA - MARCH 10: «Rocky» Director John G. Avildsen Receives City Of Philadelphia Special Citation in celebration of the 90th Anniversary of Metro - Goldwyn - Mayer Studios and the release of THE ROCKY HEAVYWEIGHT COLLECTION on 4k Blu - ray from Twentieth Century Fox Home Entertainment, at Philadelphia Museum of Art on March 10, 2014 in Philadelphia, Pennsylvania.

Today, as explained on the site, ArtThink provides «in - depth investigation of twentieth - and twenty - first - century art and artists by using SFMOMA's award - winning interactive programs, Making Sense of Modern Art and Voices and Images of California Art, as the basis for stuart and artists by using SFMOMA's award - winning interactive programs, Making Sense of Modern Art and Voices and Images of California Art, as the basis for stuArt and Voices and Images of California Art, as the basis for stuArt, as the basis for study.

Once known as the «richest town in the world,» Brookline became known in the nineteenth and early twentieth century as the home of significant figures in the worlds of arts and culture: architect Henry Hobson Richardson, landscape architect Frederick Law Olmsted, poet Amy Lowell, and novelist Saul Bellow all called Brookline home.

After earning a B.F.A. in Film from NYU's Tisch School of the Arts, he worked in the film industry before moving to the U.K., where he completed a doctorate in Twentieth - Century English Literature at the University of Oxford.

In a gracefully detailed interpretative narrative that stretches from ancient Greek and Roman mosaics to twentieth - century paintings, art historian Ebert - Schifferer presents the long and fascinating history of the still life, a highly symbolic genre.

Overlooked in most Western art surveys, Latin American art, the fruit of violent collisions among diverse indigenous, European, and African cultures, is revealed as provocative and vibrant in Barnitz's well - illustrated and groundbreaking overview of its dazzling twentieth - century flowering.

Kinetic art emerged throughout the twentieth century and had its major developments in the 1950s and 1960s.

Aby M. Warburg (1866 — 1929) is recognized not only as one of the century's preeminent art and Renaissance historians but also as a founder of twentieth - century methods in iconology and cultural studies in general.

Comic books are an original American art form, created in the early days of the twentieth century.

In fact, at one point in the early twentieth century, dogs that were represented in art and entertainment as the classic family canine often looked like the pit bull terriers that we see today in our societIn fact, at one point in the early twentieth century, dogs that were represented in art and entertainment as the classic family canine often looked like the pit bull terriers that we see today in our societin the early twentieth century, dogs that were represented in art and entertainment as the classic family canine often looked like the pit bull terriers that we see today in our societin art and entertainment as the classic family canine often looked like the pit bull terriers that we see today in our societin our society.

The Museum of the Twentieth Century is located in the Palazzo dell» Arengario and displays approximately four hundred of the nearly four thousand Italian 20th - century works of art belonging to the Civiche Raccolte d' Arte miCentury is located in the Palazzo dell» Arengario and displays approximately four hundred of the nearly four thousand Italian 20th - century works of art belonging to the Civiche Raccolte d' Arte micentury works of art belonging to the Civiche Raccolte d' Arte milanesi.

This spring, the Philadelphia Museum of Art will present an exhibition exploring the creative responses of American artists following the rapid pace of change that occurred in the US during the early decades of the twentieth century.

The priority of the radical revolutionary implication of the term «avant - garde» rather than the purely esthetic one more usually applied in the twentieth century, and the relation of this political meaning to the artistic subsidiary one, is again made emphatically clear in this passage by the Fourierist art critic and theorist Laverdant, in his De la Mission de l'art et du rôle des artistes of 1845:

There are books on shelves, in file containers along the stairway, piled in laundry baskets — and they reflect the range of his interests: Painting in the Twentieth Century, Rebels against Slavery, The End of Blackness, Invisible Man, Theories of Modern Art, African Art, Against Race, A Rumor of Revolt, A Different Mirror: A History of Multicultural America, The Salt Eaters, Of Grammatology, Black Empire, A Commentary on Heidegger's «Being and Time», The Future of the Race.

with text by Yve - Alain Bois and Rosalind Krauss, in French) Screen, Friedrich Petzel Gallery, New York, USA (curated by Joshua Dechter) Twentieth Century American Sculpture at the White House: Exhibition IV, The Jaqueline Kennedy Garden, The White House, Washington D.C., USA (curated by Marcia Tucker and Hillary Rodham Clinton) Bringing It All Back Home, Gracie Mansion / Fred Dorfman Projects, New York, USA Small Truths: Repetition and the Obsessional in Contemporary Art, John Hansard Gallery, University of Southampton, England (cat.

AT THE HEIGHT of the Abstract Expressionist movement, which has been referred to as the «Triumph of American Painting,» 1 a somewhat younger generation of painters, while interested in and often respectful of their predecessors, formed the conviction that an art based on the depiction of the natural world could make a serious and ambitious statement in the latter part of the Twentieth Century.

Informed by both his time working in Brancusi's Paris studio in the late 1920s and travels between the United States and Japan, Noguchi pursued a holistic approach to his sculpture, design, and public works that spanned a range of influences and impacted the development of twentieth - century art.

Traveled to Musée Marmottan Monet, Paris (February 12 — May 11, 2008) Be — Bomb: The Transatlantic War of Images and all that Jazz in the 1950s, Museu d'Art Contemporani de Barcelona (MACBA), Spain (October 5, 2007 — January 7, 2008) Contemporary and Cutting Edge: Pleasures of Collecting, Part III, Bruce Museum, Greenwich, Connecticut (September 29, 2007 — January 6, 2008) Twentieth - Century American Women Artists from the Frances Lehman Loeb Art Center, Vassar College, Gallery at the Park Avenue Bank, New York, New York (September 17 — November 2) Americans in Paris: Abstract Painting in the Fifties, Tibor de Nagy Gallery, New York (July 16 — September 29) French Kiss, JGM Galerie, Paris, France (May 25 — July 13) When Art Worlds Collide: The 60s, Woodward Gallery, New York (May 17 — July 14) An Architect Collects: Robert D. Kleinschmidt and a Lifetime of Fine Arts Acquisitions, Krannert Art Museum and Kinkead Pavilion, University of Illinois at Urbana - Champaign (April 20 — July 29) Gestes, Signes, Traces, Espaces: Figures de la peinture moderne française dans les collections publiques normandes, Musée d'art moderne André Malraux, Le Havre, France (February 17 — April 30).

«It is the excitements of this conjunction between a Romantic nineteenth - century Briton and an abstract expressionist twentieth - century American that the exhibition seeks to evoke, revealing the fellowship that the two artists share in paint across their temporal divide, and the vibrant correspondences which uncover something of the timeless cerebral foundations of landscape art.

The great Dionysian mainstream of Twentieth - Century Art, inspired by Henri Matisse and Pablo Picasso runs hot through the works of the artists included in this exhibition.

Their influence, like that of all of the artists in the exhibition, goes beyond their immediate creative circles and the geography of Los Angeles and is critical to a more complete and dynamic understanding of twentieth - century American Art.

Harald Szeemann: Museum of Obsessions Edited by Glenn Phillips and Philipp Kaiser With Doris Chon and Pietro Rigolo The Swiss curator Harald Szeemann is arguably one of the most influential figures in twentieth - century art.

It is the one «American» Piero that gives a clear taste of an aspect of his art that made him a particularly exciting figure for painters and writers in the early twentieth century — when he crowds together a number of figures in a tight space, making them feel full - bodied yet flat, like overlapping cards you hold in your hand in a game.

As curator of the El Paso Museum of Art in El Paso, Texas he has curated one - person exhibitions, authored artist essays for the Encyclopedia of Twentieth Century Photography, as well as numerous other publications for the El Paso Museum of Art.

Likening her to twentieth - century predecessors, such as Henri Rousseau and Florine Stettheimer, who found renewal «in the bright colours and crude shapes of an art that seems artless,» Jones sees in Wylie's work «a way forward for painting in this century.»

Taken together, Knowles's art places him squarely in the tradition of Laurie Anderson, Joseph Beuys, Stuart Sherman, Paul Thek, and other twentieth - century artists who opened a large window on do - it - yourself production, interiority and the shifting registers with which an artist's voice can enunciate in social settings.

Focusing mainly on twentieth century abstract and minimal art, the Collection's exhibitions, hosted in the Daimler Contemporary gallery, are always well put together with a strong art historical message and a clear concept.

Just as the Suprematist paintings anticipate most developments in abstract painting throughout the rest of the twentieth century, so these startling medleys of words and images anticipate much of subsequent conceptual art.