To probe the structure's role
in unconscious memory, Deborah Hannula and Charan Ranganath of the University of California, Davis, made use of tell - tale eye movements.
A traumatic experience prolonged
in unconscious memories may be brought up to conscious awareness and thus re-entertained without the shackle of the past.
Not exact matches
They constitute a tremendous complex of instincts and inherited traits, family and cultural background, education, and all the aspects of the individual's own past experience which remain
in his
memory and
in his
unconscious as continuing motivating forces.
Perhaps it would be better after all to locate the
memory itself
in the soul's
unconscious!
In the dim recesses of my largely unconscious perceptions and memories they are present; but I was not present in even the dimmest of the recesses of their memories or perception
In the dim recesses of my largely
unconscious perceptions and
memories they are present; but I was not present
in even the dimmest of the recesses of their memories or perception
in even the dimmest of the recesses of their
memories or perceptions.
Whitehead did not speculate on the precise location of
memory within the animal organism, but the most plausible extension of his theory suggests rather that
memories are maintained for the soul by other occasions, thereby freeing the soul for its adventure into novelty.2 The way
in which the conscious ego draws upon the ocean of
unconscious feeling which sustains it may well reflect the way the soul draws upon other living occasions.
I've always considered Jung's idea of the «Collective
Unconscious» and Plato's discussion of
memory in Meno quite interesting, with the idea that we have access to information beyond what we've personally experienced and that we are not born completely tabula rasa, that education is not one person giving someone else some bit of information, but rather simply reminding them of something they already knew since before being born.
As he discovered, it is through the repressed
memories, wishes, conflicts, and impulses
in the
unconscious that painful experiences and unfinished growth from the early years continue to cripple the ability of many people to live creatively
in the present.
Among the defenses frequently encountered
in counseling and therapy are repression (of painful
memories into the
unconscious); fixation (at a safer - feeling growth stage); regression (to an earlier, safer - feeling.
Finally, by means of past experiences and
unconscious memories «the instinctive apprehension of a tone of feeling
in ordinary social intercourse» to which Whitehead also appeals is explicable without reference to unmediated feelings.
When our child does something that pushes our buttons, such as dropping food on the floor on purpose, or hitting a sibling, it can trigger
unconscious memories of our own childhood and how we were treated
in a similar situation.
A new Northwestern Medicine and Hines VA Hospital study shows the voices of loved ones telling the patient familiar stories stored
in his long - term
memory can help awaken the
unconscious brain and speed recovery from the coma.
Psychologist Richard Bryant of the University of New South Wales
in Australia studied individuals who had been
in such a serious accident that they had been knocked
unconscious and had no
memory of the event.
¿
In a way, this is Freud ¿ s unconscious — things activated in our brain that are in fact memories that guide our behavior but are not consciou
In a way, this is Freud ¿ s
unconscious — things activated
in our brain that are in fact memories that guide our behavior but are not consciou
in our brain that are
in fact memories that guide our behavior but are not consciou
in fact
memories that guide our behavior but are not conscious.
Psychologist Richard Bryant of the University of New South Wales
in Australia studied individuals who had been
in such a serious accident that they'd been knocked
unconscious and had no
memory of the event.
While working on a film set
in 1987, a billboard prop collapsed and one of the beams struck her on the head, knocking her
unconscious and causing long - term damage to her neck, shoulders, and
memory.
When a man (Wes Bentley) wakes up strapped to a bed and with no
memory, he is greeted by a mysterious and sinister woman (Kate Bosworth) claiming to be his wife,
in Unconscious (aka Amnesiac), a new suspense thriller co-written by Mike Le (Dark Summer) and directed by Bosworth's husband, Michael Polish (Northfork).
Cognitive verbs require processing skills that are automatic (
unconscious) to free up working
memory space, the area
in the brain that holds new information and connects it to long - term
memory.
In order to categorize this class of memory errors, Bartlett suggested that human beings apparently possess generic knowledge in the form of unconscious mental structures (schemata) and that these structures produce schematized errors in recall when they interact with incoming informatio
In order to categorize this class of
memory errors, Bartlett suggested that human beings apparently possess generic knowledge
in the form of unconscious mental structures (schemata) and that these structures produce schematized errors in recall when they interact with incoming informatio
in the form of
unconscious mental structures (schemata) and that these structures produce schematized errors
in recall when they interact with incoming informatio
in recall when they interact with incoming information.
According to Sigmund Freud, repression, a fundamental function of the ego, keeps balance
in the individual by tamping down guilty or inappropriate urges,
memories and wishes to the level of the
unconscious, where they still affect behavior without the awareness of the individual.
As
in If I Stay, Forman tells an emotionally wrenching story that believably captures the mature depth and intensity possible
in teenage love as well as the infinite ways that grief of all kinds permeates daily life, from the wormholes of
memory that spin out from small moments to the
unconscious ways that past pain can influence present decisions.
Freud's notion of the absence of time
in the
unconscious, for example, and Proust's reflection that «a single minute released from the chronological order of time has recreated
in us the human being similarly released» lead to the same conclusion: the choice of individual reaction to events can not be a function of chance but must depend upon past experience, on the
memory of some analogous event.
Astelle (profession and race unknown, voiced by Masumi Tazawa): a young woman who has lost her
memories, and was found
unconscious in the ruins.
Often employing experimental methods and materials, she describes her work as «based on ideas from
memories and experiences that are a congregation of the conscious and
unconscious absorbed
in daily life.»
His subject matter has evolved from iconographic experiments
in individual and collective
memory in his early period, to explorations of cultural psychology and the social
unconscious, and the serendipity and instability that emerge within the painting process.
Major solo exhibitions include: Louise Bourgeois: Retrospective, Museum of Modern Art, New York, USA, touring (1982 — 1984); Louise Bourgeois: A Retrospective Exhibition, Frankfurter Kunstverein, Frankfurt, Germany, touring (1989 — 1991); American Pavilion, 45th Venice Biennale, Venice, Italy (1993); Louise Bourgeois:
Memory and Architecture, Museo Nacional Centro de Arte / Reina Sofia, Madrid, Spain (1999 — 2000); Louise Bourgeois: I Do, I Undo, I Redo, inaugural installation
in the Turbine Hall, Tate Modern, London, UK (2000); Louise Bourgeois, Guggenheim Museum Bilbao, Spain (2001 — 2002); Louise Bourgeois at the Hermitage, The State Hermitage Museum, St. Petersburg, Russia, touring (2001 — 2003); Louise Bourgeois: The Insomnia Drawings, The Whitney Museum of American Art, New York, USA (2003); Louise Bourgeois: Retrospective, Tate Modern, London, UK, touring (2007 — 2009); Louise Bourgeois: The Return of the Repressed, Fundación PROA, Buenos Aires, Argentina, touring (2011); Louise Bourgeois, National Gallery of Canada, Ottawa, Canada (2011 — 2013); Louise Bourgeois: Conscious and
Unconscious, Qatar Museums Authority, QMA Gallery, Katara, Doha, Qatar (2012); Sammlungshangung Bourgeois, Fondation Beyeler, Basel, Switzerland (2013 — 2014); Artist Rooms: Louise Bourgeois, A Woman without Secrets, Scottish National Gallery of Modern Art, Edinburgh, Scotland (2013 — 2014); Louise Bourgeois: Petite Maman, Museo del Palacio de Bellas Artes, Mexico City, Mexico (2013 — 2014); and Louise Bourgeois: I Have Been to Hell and Back, Moderna Museet, Stockholm, touring (2015).
From his signature «blackboard» paintings (which are oil on canvas) to the more representational landscape paintings
in this exhibition, Fisher constructs constellations of ideas, thoughts, and images much like the disjointed nature of the
unconscious and that of
memory.
Its goal, according to its founding father, the French writer Andre Breton -
in his 1924 Manifesto of Surrealism - was to fuse the
unconscious (the part of the human mind where
memories and instincts are stored) with the conscious, to create a new «super-reality» - a surréalisme.
He is particularly interested
in the ability of environmental forces outside his control to create a timeless quality to the work thereby allowing it to feel as if it has been
memory and is part of the collective
unconscious.
With the expansion of the patriarchal religions that focused on a male God majestically stationed
in Heaven ruling over the Earth and the Universe, the
memory of our planet's innate Divinity was repressed and banished into the collective
unconscious of humanity.»
R. v. James, 2014 SCC 5 (35373) Moldaver J.: ``... the trial judge's reliance on evidence that did not form part of the record may have coloured his thinking on the issue of consent, particularly
in assessing whether the complainant may have consented to sexual relations but forgot that she had done so due to
memory blackout, or, as she claimed, that she was
unconscious at all material times and never consented to sexual relations.
Main et al. (1985) went beyond the behavioral perspective by introducing a representational framework,
in which IWMs are considered to be «a set of conscious and / or
unconscious rules,» organizing attachment - related
memories, emotions and thought processes.