Sentences with phrase «in urban public spaces»

Part I will focus on street photography, defined as spontaneous photographs taken in urban public spaces.

Not exact matches

Amazon's wish list includes an initial 500,000 square feet of space in an urban or suburban area, with access to highways, airports and public transportation, as well as a qualified technology workforce in the area.

Consider the modern movement in architecture and urban planning, which, in its rationalism and functionalism, has left cities and public spaces very unbeautiful indeed.

Urbanists have for some time now been drawing attention to the «over-scripting» of public space in modern urban regeneration schemes, so that all conflicts and loose ends are designed out of the development, and people are subtly organised and choreographed into patterns of use and timetables decided by others.

A new University of Washington study finds that urban crops in Seattle could only feed between 1 and 4 percent of the city's population, even if all viable backyard and public green spaces were converted to growing produce.

Because it wasn't glorious enough to be the most coveted kitchen ceramics brand in the Bay Area, the overachievers at Sausalito - based Heath Ceramics recently added on The Boiler Room — an urban, Mission district space that's part gallery, part event venue, where the brand hosts social and cultural gatherings and exhibits for the public.

About Blog Urban Jungle Bloggers is all about living with plants — in your home, in other interiors, in public spaces.

About Blog Urban Jungle Bloggers is all about living with plants — in your home, in other interiors, in public spaces.

The explosive growth of the conservative Christian school movement in the 1970s and 1980s was a response to the events and trends of the turbulent»60s: the consolidation of a secular science curriculum after the Soviet Union raced ahead in space exploration; the rise of the counterculture and the rioting in urban areas; and the Supreme Court decisions that restricted prayer and Bible reading in public schools.

Particularly in urban communities with limited high - quality options, families will often apply to multiple public charters hoping to get a space for their child.

The good news there, said Tim Nicolette, 38, who took over last August as executive director of the Massachusetts Charter Public School Association, is that there's still space for some 10,000 new charter seats in urban districts.

This means that all schools large and small, urban and rural, public and private, brick and mortar or virtual, need to provide access to teaching expertise in the library as well as best resources, technologies and physical and virtual learning spaces to support learner needs as they evolve.

Soofa, a spinoff of MIT, has joined forces with Visionect to activate public spaces in Boston with the most advanced in urban street furniture: the solar - powered Soofa Sign.

About Blog Urban Jungle Bloggers is all about living with plants — in your home, in other interiors, in public spaces.

Planning for the integration of canines into our urban and suburban public and private spaces may well have long reaching positive benefits to people living in those areas, even if they are not themselves dog owners.

Field Operations, best known for leading the design and construction of the High Line in New York City, is celebrated for its work transforming urban sites into treasured public spaces.

Emerging from Hamburg's staid residential area is an urban - chic statement in style, where private spaces are sanctuaries and public areas bubble with fun and possibility.

About Blog Urban Jungle Bloggers is all about living with plants — in your home, in other interiors, in public spaces.

During the last years she was involved in projects all over Europe and has participated in different festivals, such as Prague theatre festival 4 days in motion, urban development and public space festival reSITE in Prague or street games festival Playpublik in Berlin.

In the last years she was involved in projects all over Europe and has participated in different festivals, such as Prague theatre festival 4 days in motion, urban development and public space festival reSITE in Prague or street games festival Playpublik in BerliIn the last years she was involved in projects all over Europe and has participated in different festivals, such as Prague theatre festival 4 days in motion, urban development and public space festival reSITE in Prague or street games festival Playpublik in Berliin projects all over Europe and has participated in different festivals, such as Prague theatre festival 4 days in motion, urban development and public space festival reSITE in Prague or street games festival Playpublik in Berliin different festivals, such as Prague theatre festival 4 days in motion, urban development and public space festival reSITE in Prague or street games festival Playpublik in Berliin motion, urban development and public space festival reSITE in Prague or street games festival Playpublik in Berliin Prague or street games festival Playpublik in Berliin Berlin.

It is part of a worldwide movement to engage a broad public in a conversation about architecture, public space, and the future of urban life.

Many of Caycedo's projects are enacted and exist solely in public space as a form of urban intervention.

Dan Fenelon, whose signature «urban tribal» style is instantly recognizable on murals at the Montclair Library, Luna Stage in West Orange, and other public spaces throughout the country, trained at the School of the Museum of Fine Arts, Boston.

Offered each semester, the Social Practice Workshop immerses students in the discourse of socially engaged practices, providing opportunities to work contextually in a variety of public spaces, including urban environments and specific regional communities, as well as online social spaces and institutional structures.

Temporary works in public media space (TV, billboards, urban screens, print media, etc.) Günther Selichar realized in USA, China and various European countries.

Continuing his research on the recent history of architecture, the industrial sanitization of materials and the intimate, domestic vulnerabilities of inhabitants of particular urban spaces, Burr has created this outdoor public installation comprised of 18 dark steel structures in an intricate spatial arrangement throughout SCAD Museum of Art Ruins.

Madrid Abierto Public Sculpture Competition, Madrid, ES 2005 Go - Between, Magazin4 / Bregenzer Kunstverein, Curated by Dr. Wolfgang Fetz and Peter Lewis, Bregenz, AT 2005 Library, Librarie, Institute of Contemporary Art, Curated by IDEA London, UK 2005 New Economy, Columbia University Art Gallery, Curated by Eric Angles, New York, NY, US 2005 CAC TV, Contemporary Arts Center, Curated by Raimundas Malašauskas, Vilnius, LT 2004 Synesthesia, a Neuroaesthetics Exhibition, Institute of Contemporary Art, Curated by Chloe Vaitsou, London, UK 2004 Everything is Connected, He, He, He, Astrup Fearnley Museum of Modern Art, Curated by Gunnar Kvaran, Oslo, NO 2004 Silent: A State of Being, Madrid Abierto Public Sculpture Competition, Curated by Jorge Diaz, Madrid, ES 2003 Harlem Postcards, The Studio Museum in Harlem, Curated by Christine Kim, New York, NY, US 2003 Fröhliche Wissenschaft, Brandenburgischer Kunstverein, Curated by Wilfried Dickoff, Potsdam, DE 2001 Bitstreams, Whitney Museum of American Art, Curated by Larry Rinder, New York, NY, US 2001 Urban Pornography: Project Room, Artists Space, Curated by Lauri Firstenberg, New York, NY, US 2001 Optical Verve, Ottawa Art Gallery, Curated by Sylvie Fortin, Ottawa, CA 1997 Making It Real, Aldrich Museum of Art, Curated by Vik Muniz, Ridgefield, Colorado, US.

A dance exchange developed in response MK's urban setting focuses on young people and their ownership of public space.

Most projects are set in, and explore, urban public spaces.

Offsite is the Vancouver Art Gallery's outdoor exhibition space in the heart of urban Vancouver that offers a rotating program of innovative public art projects.

the Berlin - based artist collective Club Real aims to explore these questions and some of the city's projects in order to widen the perspective on the possibilities and limitations of participation in art and art interventions in public urban spaces, using the concept of «disturbances of every day life» and presentations as a form of intervention.

In a city that is becoming more and more dense and utilized, the Berlin - based artist collective Club Real aims to explore the above questions and some of the city's projects in order to widen the perspective on the possibilities and limitations of participation in art and art interventions in public urban spaces, using the concept of «disturbances of every day life» and presentations as a form of interventioIn a city that is becoming more and more dense and utilized, the Berlin - based artist collective Club Real aims to explore the above questions and some of the city's projects in order to widen the perspective on the possibilities and limitations of participation in art and art interventions in public urban spaces, using the concept of «disturbances of every day life» and presentations as a form of interventioin order to widen the perspective on the possibilities and limitations of participation in art and art interventions in public urban spaces, using the concept of «disturbances of every day life» and presentations as a form of interventioin art and art interventions in public urban spaces, using the concept of «disturbances of every day life» and presentations as a form of interventioin public urban spaces, using the concept of «disturbances of every day life» and presentations as a form of intervention.

Like much of Gaillard's work, the film is a meditation on the ways in which traumatic events of recent history can be read in — or have been memorialised by — urban or «natural» landscapes, architecture and public space.

His sculptures are found in the most important public collections and sited in urban spaces all over the world.

Organized by Kultura Medialna and curated by Maria Veits for their annual Construction Arts Festival, the exhibition draws on the current political and cultural concerns of Dnepr, the largest city in proximity to the occupied Ukrainian territories and Crimean annexation and addresses disputable territories, belonging and ownership of the public space and its reshaping by various social groups, urban planning and attempts to create a dialogue in and about public spaces between communities, governments and activists.»

Examples include Patio Taller, a performance space and grass - roots educational center in the industrial zone of San Antón that organizes a «theater of the oppressed» to address issues affecting their community; the collective transformation of the hillside town of El Cerro, Naranjito into a living mural that is socially and artistically charged; intergenerational workshops known as Escuelas Oficios (Trade Schools) that are recuperating artisanal traditions threatened by modernization and colonialism, such as weaving, lace making, and basketry; the revitalization of blighted properties and neighborhoods through participatory urban design of community centers, public parks, urban gardens, and food cooperatives; and the aesthetic and physical reclaiming of public space through movement by artist Noemí Segarra.

Lord's interest in architecture and urban public space has led to the production of a series of works in video that document and explore issues that engae with urban geography and planning.

His performative public sculptures and urban choreographies, have been shown in many public spaces and galleries including Eastern Illinois University, Arizona State University, A+D Gallery at Columbia College, and in solo exhibitions and projects at Arrowhead Gallery at Waubonsee Community College, Chicago Artists Coalition, and the Chicago Department of Special Events & Cultural Affairs (DCASE).

He explains: «Seemingly dropped out of nowhere, they are reshaping urban space by filling in the borders between domestic and public experience.

Site95 curated projects include: the «Dead in August» series in New York, «P2V: P. Scott Cunningham and Antoine Lefebvre» at Dimensions Variable, Miami, «Trombly Rodriguez: The Fabric of a Space» at the Abrons Arts Center, New York, «Urban Interactions» at the Hillyer Art Space, Washington DC, and outdoor public commissions in Miami, Florida with Patrick McDonough and Sam Trioli.

Using the mechanics of rehearsal and re-enactment in urban environments, Alÿs comments on the politics of public space with both solitary actions and large - scale collaborations, where the culmination of many small acts achieves mythic proportions.

These unique artworks can be found in print, in urban gallery spaces, on city streets, and in public and private collections.

The city of Zurich sees art in public space as an important element of urban life.

Site95 curated projects include: «P2V: P. Scott Cunningham and Antoine Lefebvre» at Dimensions Variable, Miami, «Trombly Rodriguez: The Fabric of a Space» at the Abrons Arts Center, New York, «Urban Interactions» at the Hillyer Art Space, Washington DC, and outdoor public commissions in Miami, Florida with Patrick McDonough and Sam Trioli.

Jakob Kolding's work takes public space as its subject: the ramifications of architecture and urban design, the ways in which the controlled environment influences behavior.

As part of their Shifting Impressions exhibition at Cuchifritos Gallery + Project Space in Essex Street Market, these artists ask the public to engage in a tactile way with the details of the urban landscape.

These works present an investigation of methods of social action, from rehearsals and re-enactments in urban environments that address the politics of public space to large - scale communal participation where the culmination of many small acts achieves mythic proportions.

2006 The Downtown Show, The New York Art Scene 1974 - 1984, New York University Grey Art Gallery, New York, US Onestar Shop by Hans Schabus, Art Metropole, Toronto, CA Public Space / Two Audiences, Works and Documents from the Herbert Collection, Museu d'Art Contemporani de Barcelona, ES Draft Deceit, Kunstnernes Hus, NO Location Shots, Galerie Erna Hecey, Brussels, BE Pierre Huyghe: Celebration Park, Musée d'Art Moderne de la Ville de Paris / ARC, FR Cerealart, Cerealart Lounge Pier 90, The Armory Show, New York, US Artists for Chinati, Phillips de Pury & Company, New York, US The Early Show: Video from 1969 - 1979, curated by Constance De Jong, The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, US Onestar Press, The First Five Years, The Engholm Engelhorn Gallerie, Vienna, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, FR

We believe in a decentralised and rhizomatic connection between art, design, sciences, participation, urban / public space and local activism.

Using the Schuylkill River Banks Park as studio space, participating artists will have the opportunity to explore new or extend current working methods, develop process - oriented projects, and respond to a compelling intersection of urban and natural spaces in the public realm.