Sentences with phrase «in voiceover narration»

In a voiceover narration, Gomes explains that, considering the dire straits of Portugal's economy, he couldn't imagine not beginning this film in solidarity with the struggles of the 600 workers who have been laid off.

In her voiceover narration, esteemed actor Robyn Nevin reads Taoist quotations with seamless poise, letting us in on a quiet yet turbulent period of Australia's not so recent past.

In her voiceover narration, esteemed actor Robyn Nevin...

«I hate summer vacation,» intones an adult Bobby in voiceover narration, a device that the film's director, British TV vet Jim Loach, uses to state the obvious.

In voiceover narration, Hiccup (voiced by Jay Baruchel), our teenaged pipsqueak of a protagonist, introduces us to Berk, an island located on «the Meridian of Misery.»

Panh notes in his voiceover narration that thoughts, unlike pictures and documents, can never be taken away.

First Cousin Once Removed benefits from the clarity provided by Honig's published poetry, which surfaces in voiceover narration and words on the screen, rendering the undulations of his life in sweeping abstractions.

Not exact matches

Yamaha's exclusive Clear Voice technology results in crisp, clean sound that will make TV narrations, podcasts, and voiceovers sound lifelike and crystal clear.

Writer / director Welles does not appear on camera, but his voiceover narration superbly sets the stage for the movie's action, which fades in valentine fashion on Amberson Mansion, the most ostentatious dwelling in all of turn - of - century Indianapolis.

If Sono's intention was to get his viewers to examine the subtleties of the film, perhaps he could have kept the voiceover out of it, one of the most overbearing narrations in any recent film.

The personal overwhelms any deeper consideration of the professional in Creation; gimmicky, surface - level grieving and hand - wringing gives way to pitched, plaintive and downright grating voiceover narration, and one just knows at some point that Connelly will look beautiful but get all emotional, screaming and crying about how she's had enough and can't take it anymore.

Also removed: a prologue in which medical scans of Lake's brain were accompanied by voiceover narration explaining his condition, a tip of Schrader's hat to the stomach X-ray opening of Kurosawa's Ikiru (a film, and filmmaker, one doubts Schrader's backers have ever heard of).

While his aesthetics are slightly uneven (using voiceover narration in the prologue and title cards in the epilogue), he is one to keep an eye out for.

Riffing on the narration - plus - archival - footage technique in «The Price of Gold,» director Craig Gillespie (Lars and the Real Girl) weaves talking - head voiceovers into flashback scenes.

In the course of his research, Lipman finds unexpected visual and thematic rhymes between past and present, cutting together archival clips and present - day interviews with a musician's sense of rhythm, often letting his voiceover narration drop out of the mix as the images and sounds tell their own story.

Minac re-creates these moments by placing actors in costume and play out the scene with voiceover narration from the survivor.

Many critics have complained about the voiceover narration in the movie.

Like «Wonder Years», «Scrubs» employs a voiceover track, by J.D., though this is naturally done sans nostalgia since both the show and narration are set in the present.

While Brad may be in a constant battle against himself, an internal battle White reveals through near constant voiceover narration — a tricky device best - suited to the first - person novel and not a cinematic character study — White repeatedly opts for the mundane observation, the banal realization.

There's something fundamentally powerful about the film's (and book's) understanding of humankind as the push - and - pull between enslavement and freedom, though the directors are better off expressing its themes in a flurry of gorgeous images than in the overly explicit voiceover narration.

By the time Barry, in his gleeful voiceover narration, says, «The money was coming in faster than I could launder it,» I felt like I'd seen this all before, and better.

Garland emulates the first - person narration of the novel with Kathy's voiceover in the film.

Tesla at war with Edison's gang of hired goons in a wintry Overlook wonderland is a wondrous fantasia; a story told through twin diaries and a voiceover narration by consummate artist Caine shouldn't work as well as it does (and yet doesn't quite work as well as it might).

It briefly starts in the middle, then returns to the beginning, always proceeding with voiceover narration (some of it wall - breaking) by Spade as Kuzco.

It doesn't alter much of the first cut (the runtime difference is only a minute), but as the back of the DVD reads, this edition «omits Deckard's voiceover narration, develops in slightly greater detail the romance between Deckard and Rachael (Sean Young) and removes the «uplifting» finale.»

It's too late: it transpires that Frances's voiceover narration (articulated with a breezy omniscience at odds with her neediness) is Legend's equivalent of Joe Gillis's narration in Sunset Boulevard.

The first, dread - and tension - inducing scene practically functions as a master - class in tone - setting and world - building on a modest budget, achieved through a relatively straightforward combination of visual composition, natural lighting, and production design and not exposition (e.g., dialogue, voiceover narration).

I can't participate in any kind of lengthy discussion about Lovely Bones, there are just so many more things I would rather be doing... but on your point Kurt about voiceover narration hammering things home... how about its reference to the title of the movie... My God.

Reeves breaks that silence with on - the - nose narration that, at times, invites unfavorable comparisons to Harrison Ford «s stilted voiceover in the first cut of «Blade Runner.»

Filmmaker Richard Levine, working from his own screenplay, delivers an opening stretch that admittedly doesn't hold much potential, as the writer / director places an excessive emphasis on narration from both Tucci and Timlin's respective characters - with the seemingly ceaseless voiceover making it initially impossible to work up any interest in the characters and their exploits (ie neither Ted nor Angela are developed beyond their most obvious attributes).

This new version omits Deckard's voiceover narration, develops in slightly greater detail the romance between Deckard and Rachael (Sean Young) and removes the «uplifting» finale.

That said, while in no way begrudging John Huston's prologue narration and John Hurt's standout rendering of the Horned King, I respect an old school Disney movie that uses professional voiceover actors and not the boldface names of the moment to bring its characters to life, notably the great John Byner as Gurgi, a Gollum - like troublemaker.

His voiceover narration just as pedestrian as everything else here, Bobby Marks (Blake Cooper from «The Maze Runner») recounts how he dreaded his New York family's summer forays to a lakeside cabin in small - town Rhode Island, where all the available outdoor activities seemed designed to humiliate his athletically challenged, pudgy self.

Scorsese himself seems less interested in screenwriters Jay Cocks, Steven Zaillian and Kenneth Lonergan's plot concerns than the real - life events; the power of the film's climax derives largely from his stunning recreation of the 1863 Civil War Draft Riots than the resolution of the Amsterdam - Bill conflict, and the needless voiceover narration provided by DiCaprio (reportedly an addition that came late in the long post-production — and does that ever show) revels largely in extraneous historical details.

The film is narrated by Ruthie, and the overstating - the - obvious voiceover narration sounds like it is geared towards a YA audience: «Bullies exist in every small town.

Finally, someone let him direct his own script, and the result was Kiss Kiss Bang Bang, a riotous riff on the hard - boiled works of Raymond Chandler (chapter titles are all from Philip Marlowe novels: Lady in the Lake, The Simple Art of Murder, The Little Sister, etc), that nimbly satirizes the movie business, detective - movie plotting (there are always two cases that implausibly tie up together), the action hero as idiot and the conventions of the film noir voiceover («Oh shit, back up, back up, I forgot to mention — Jesus, this is terrible narration, it's like my dad telling a joke and saying, oh, I should have told you the cowboy's horse is blue...»).

The film is pieced together from outtakes from the long - time documentary filmmaker / cinematographer's extensive body of work, but beyond occasionally hearing her voice behind the camera (and one shot towards the end in which we finally see her face as she points the camera toward herself), Johnson forgoes the safety net of voiceover narration to tie all this footage together.

The incredibly lazy device of voiceover narration assures girls in the audience Cassie is just like them, so the film's extended metaphor about surviving adolescence will resonate more quickly.

Voiceover narration, almost always a sure sign a filmmaker can't establish themes through actual storytelling, informs audiences at the movie's beginning that «Some people say there's no beauty left in the world.»

The newish category split into two categories in 2014 to have a separate award for voiceover narration as opposed to voice acting (in short, the Emmys have way too many categories).

That willful self - deception is beautifully summed up by a single sequence in which Harley, in rare voiceover narration, sighs about the worlds Ilya opened up for her, and about how there was «an elegance» to him, while the pictures tell the story of two lank - haired dullards stealing bottles of 5 - Hour Energy from drugstores to fence to kiosk vendors.

Jung's rise up the ranks and his various indulgences in all a big - time drug dealer's life has to offer give Blow an inevitable resemblance to other dark dramas that touch on drug use; with its voiceover narration and the presence of Ray Liotta (who plays Jung's working class father Fred), GoodFellas is a clear influence on Demme and screenwriters David McKenna and Nick Cassavetes (adapting the book by Bruce Porter).

Mattie's wry, sanctimonious narration doesn't make the leap to the screen barring some voiceover (from older Mattie, played by Elizabeth Marvel) in the prologue and epilogue.

Female voiceover talent specializing in narration for e-learning, corporate videos, mobile learning and mobile apps.

J. Christopher Dunn (Chris) is a non-union voice actor in Seattle with a versatile vocal range and experience with creating voiceover and narration for commercial, corporate and technical clients.

Hi, I'm Michael Day, a voiceover talent specializing in friendly and engaging E-learning narration.

Titles such as these are no longer limited to words on a digital page, as the interactivity of the title means actual screenshot footage, voiceover narration from the actors in the movie, and the ability to bring the story to life through bonus features, a crucial step in the process of developing a reading fluency by drawing on prior knowledge and a high - interest subject to the young reader.

Karen has completed extensive specialized training in voiceover and audiobook narration technique, as well as in digital audio production.

In addition to coaching at Edge Studio, she is an adjunct professor of narration and commercial voiceover at NYU's Digital Design and Film School and has taught Voice and Speech III at NYU's Tisch School for the Arts.

Selections include classic movie themes from Touch of Evil, Laura, Chinatown, Vertigo, Taxi Driver, Blues In The Night, Twin Peaks, Toute Une Vie, High Wall, The Long Goodbye and Stormy Weather, modern standards Estate, Caravan, Here's Looking At You and Golden Lady, and two originals: Film Noir (from a poem by Dana Gioia) and Crime Scenes, a San Francisco - inspired jazz suite with voiceover narration in the hardboiled style of Dashiell Hammett and Raymond ChandleIn The Night, Twin Peaks, Toute Une Vie, High Wall, The Long Goodbye and Stormy Weather, modern standards Estate, Caravan, Here's Looking At You and Golden Lady, and two originals: Film Noir (from a poem by Dana Gioia) and Crime Scenes, a San Francisco - inspired jazz suite with voiceover narration in the hardboiled style of Dashiell Hammett and Raymond Chandlein the hardboiled style of Dashiell Hammett and Raymond Chandler.