Sentences with phrase «in white acrylic paint»

In one piece, Saban casts a king - size bed sheet in white acrylic paint and mounts the flowing form on a large canvas.

In «Finding What's Left» (2013), for instance, Middlebrook has allowed the wood to remain in a roughly hewn shape, onto which he has applied chevrons in white acrylic paint.

Not exact matches

For the cost of $ 4 for adults, $ 3 for senior citizens and children between the ages of 6 and 12, visitors will see men in top hats and women in flowing, floor - length dresses displaying and demonstrating their crafts, which include wood carvings, photography, quilts, white oak baskets, suede cloth, handwoven rugs, Chinese brush paintings, stained glass, pottery, jewlery, metal sculputure and watercolor, acrylic and oil paintings.

I used Annie Sloan chalk paint in Old White, but you could really use any white paint or an acrylic craft paint that you have on White, but you could really use any white paint or an acrylic craft paint that you have on white paint or an acrylic craft paint that you have on hand.

Then after the paint dried, I took some 2 ″ letter stencils I got from Michael's along with some acrylic paint in white and stenciled on what I wanted to write...

I mixed a custom colour using Annie Sloan Chalk Paint in Antibes and Old White with a little bit of turquoise acrylic paint added, I got as close to the colour of the handles as I could.

I used FoldkArt acrylic paint from JoAnn's in Green Sea and Wicker White.

You will also need paint in red, white, and blue; I used a combo of my homemade chalk paint and some acrylic paint I had lying around.

For the paint I'm using some leftover Behr premium high gloss 100 % acrylic latex paint in white.

In this episode we use: Acrylic paint (white, black, orange, red, green) Light blue paper Paint brush Paint trays Water Paper -LSB-...]

In 1966, Redstone decided that, in order to bring discipline to her work, she would paint only with 90 - and 45 - degree angles in gray, white and primary color acrylicIn 1966, Redstone decided that, in order to bring discipline to her work, she would paint only with 90 - and 45 - degree angles in gray, white and primary color acrylicin order to bring discipline to her work, she would paint only with 90 - and 45 - degree angles in gray, white and primary color acrylicin gray, white and primary color acrylics.

Superficie Bianca (White Surface), painted in white acrylic, is a typical example: the viewer encounters rhythmic indentations and protrusions, a delicate topography of peaks and valWhite Surface), painted in white acrylic, is a typical example: the viewer encounters rhythmic indentations and protrusions, a delicate topography of peaks and valwhite acrylic, is a typical example: the viewer encounters rhythmic indentations and protrusions, a delicate topography of peaks and valleys.

The exhibition at Lisson Gallery includes Untitled (White Multiband, Vertical Strokes)(2003), incorporating glass microspheres in acrylic on canvas; multiple works from the innovative White Band series; and recent paintings from the Black Band series; alongside the lightbox Untitled (Electric Light)(1968/2017), composed of argon and Plexiglas.

In her Let us now Praise Famous Men (2012) series of acrylic paintings, Ruyter appropriated Depression - era black and white photographs from the archive of the Farm Security Administration / Office of War Information in the Library of CongresIn her Let us now Praise Famous Men (2012) series of acrylic paintings, Ruyter appropriated Depression - era black and white photographs from the archive of the Farm Security Administration / Office of War Information in the Library of Congresin the Library of Congress.

That white, red, or gold leaf starts to look more garish on second glance, and in fact Kuo paints in acrylic.

«Red Tondo» is a circular, abstract acrylic on canvas painting executed in primary red, yellow, blue and white by Abstract Artist Ilya Bolotowsky.

Painted with acrylic and wax crayon in bright shades of yellow, pink, red, white and crimson, the central image (no. 88) calls to mind an abundance of different - colored blossoms.

erwin wurm leaves a physical mark on deformed domestic objects triple seat (fauteuil white), 2015 polyester, wood, acrylic paint 15 kgs 60 x 87 x 96 cm (23,62 x 34,25 x 37,8 in) ed.

Precisely painted squares and rectangles in orange, rust red, green, mauve and white dance, overlap and swirl on a washed grey - mauve ground in this intimate 24 inches square acrylic...

Black - and - white photograph of cast concrete sculptures with acrylic paint in artist studio, 8 1/2 x 11 in.

Using the gallery's main exhibition space as her canvas, the artist masked the floor with a large foam stencil, painting over it and the surrounding walls in sprayed - on, bright acrylic paints, before lifting the stencil to create large, white, disconcerting voids upon entering the space.

James White The Mirrors, 2015 oil and varnish on acrylic sheet in Perspex box frame painting: 48 7/8 x 58 7/8 inches (124.1 x 149.5 cm) framed: 50 5/8 x 60 1/2 x 2 3/4 inches (128.6 x 153.7 x 7 cm) JWh - 43

James White STILL # 4, 2015 oil and varnish on acrylic sheet in Perspex box frame painting: 21 5/8 x 17 11/16 inches (54.9 x 44.9 cm) framed: 23 x 19 x 2 3/8 inches (58.4 x 48.3 x 6 cm) JWh - 48

Consisting of five sections of blue strips of Chinese paper, with white stripes running vertically from top to bottom, the installation's austerity is enhanced and offset by the contrast in acrylic colors (the paper has been painted blue and white).

Modern, abstract acrylic painting on canvas in bright teal green, creamy white and black.

abstract three - dimensional wall sculpture, acrylic and wood on panel carved strips of wood dyed and painted in shades of light blue, teal, aqua, white and grey 30 x 36 x 2.5 inches, c...

James White And Another (Hotel), 2015 oil and varnish on acrylic panel in perspex box frame painting: 33 1/2 x 33 1/2 inches (85.1 x 85.1 cm) framed: 34 7/8 x 34 7/8 x 2 1/8 inches (88.5 x 88.5 x 5.5 cm) JWh - 31

abstract three - dimensional wall sculpture, acrylic and wood on panel carved pieces of wood painted in shades of white, grey and beige with an accent of mint green.

Since the mid-1960s, Corse has developed an innovative technique that involves mixing acrylic paint with tiny glass beads commonly used in the white lines of lane dividers on highways and painting vertical bands onto the canvas.

MR. CLOSE: More just the nine foot high, black and white paintings made in acrylic.

Following from this, he created a series of site - specific installations inspired by the Mysterious Garden series, further deconstructing the paintings into lines and geometries that form the MB series; «MB series of installations come from an inspiration when I took a moment to look around my studio whilst I stared at the acrylic paintings, and a white coat stand caught my eyes and inspired me that the digitally invented morphemes for the paintings are hidden in the coat stand.»

In 1968, she began to embed glass microspheres, tiny reflective beads commonly used to brighten highway signs, in her paintings by mixing them with white acrylic painIn 1968, she began to embed glass microspheres, tiny reflective beads commonly used to brighten highway signs, in her paintings by mixing them with white acrylic painin her paintings by mixing them with white acrylic paint.

Mary Corse's large white - on - white glass canvases have glass micro-beads embedded in the acrylic paint to create a surface that shifts dramatically with the light.

Stripping vintage lengths of 16 - and 35 - mm film of their emulsion and dissolving the murky material into clear acrylic paint which he then airbrushes onto canvas, Zilm collapses entire films — close - ups, slow pans, fast tracking shots, high angles, medium angles, reverses, zooms, aerial shots, encoded soundtracks — into mysterious black - and - white paintings that appear to be film stills in their own right.

Like a scientist growing cultures in a lab, Jaq Chartier methodically arranges her inks, stains, and dyes to interact with layers of white paint and acrylic resin on immaculately prepared wood panels.

On the ground right: Martin Kippenberger Richter - Modell (interconti), 1987 a 1972 Gerhard Richter painting, wood frame, metal legs From right to left: Lucio Fontana — Hisachika Takahashi Concetto spaziale, Attese, 1966 oil on canvas; Louise Lawler Chandelier, 2007 cibachrome mounted on museum box Elad Lassry Man (Selfie), 2014 c - print photograph; Sturtevant Duchamp Man Ray Portrait, 1966 black and white photograph; Louise Lawler Marilyn, 1999 cibachrome, museum mount; Sturtevant Warhol Marilyn (study for Warhol diptych), 1973 silkscreen and acrylic on canvas; Maurizio Mochetti Mochetti di Mochetti (Jean Harlow), 1976 Conté de Paris on paper; Pierre Huyghe De Hory Modigliani, 2007 oil on canvas; Cy Twombly Copy of a Picasso, 1988 acrylic on canvas; Jean - Auguste - Dominique Ingres Autoportrait de Raphael, 1820 — 1824 oil on canvas; Francis Bacon four slashed canvas oil on canvas; Asger Jorn Brotherhood Above All, 1962 oil on canvas; Asger Jorn The Sweet Life II, 1962 oil on canvas Asger Jorn Rutting Stag in the Royal Forest, 1960 oil on canvas; Background wallpaper: Sara Cwynar 72 Pictures of Modern Paintings, 2016 wallpaper On the ground left: Vija Celmins To Fix the Image in Memory XIII, 1977 — 1982 tones and painted bronze

Paintings # 650 to # 656, made with acrylic, alkyd, and oil on polyester, display gestural paint strokes in unearthly pale colors, mostly on a white background.

Often Herrera has made use of a single color against the raw white paper to create special tension, but in many of the works on view, Herrera fills each of the dimensions with acrylic paint to create bold geometrical structures.

The exhibition at Lisson Gallery will include Untitled (White Multiband, Vertical Strokes)(2003), incorporating glass microspheres in acrylic on canvas; multiple works from the innovative White Band series; and recent paintings from the Black Band series; alongside the lightbox Untitled (Electric Light)(1968/2017), composed of argon and Plexiglas.

Now Kusama works in acrylics, and these recent meshes of painted loops are executed both in the earlier palette of grey - white and also in combinations of brilliantly unmixed colours — green on a background of bright pink, blue on yellow or rich reds and yellows.

The white areas of this pattern appear to be the uncovered acrylic gesso primer and the black pattern was probably created using a scrunched up rag that was dipped in black emulsion paint and then dabbed all over the stretched canvas.

The canvas is covered in a variable black and white pattern in which the acrylic paint is mottled, marbled and dripped in cloudy formations, as well as dragged in broad horizontal and vertical bands.

Four feature in the KGC show, alongside the new works she calls DNA paintings, composed of bands of white and bands of small black acrylic squares.

Of Lee Bae's works that we have seen in the past few years, his black and creamy white paintings done in acrylic are the most prevalent.

Painted in 1973, the year he died, one acrylic painting on paper suspends a white disc against a roan ground above a trembling spray of black paint.

The yellow, white, gray and raw canvas grid painting, Untitled (1975, acrylic, pencil and matte medium on canvas, 60 x 60 inches), will be on view in the exhibition.

Abstract painting on paper in turquois - black acrylic colors handmade frame (4.5 cm) with white - gilt decorations, anti-reflecting glass Ricardo Santamaría — Biography born 1920 in Zara...

Central to the exhibition is a group of gradient paintings made exclusively with black and white acrylic exterior house paint that has been blended and forced through sheets of burlap laid face - down on a variety of objects and surfaces (from plastic tiles and garbage bags to silkscreened enlargements of Hagen's own high school drawings) that act as molds, effectively casting the paint, or becoming embedded elements in the surface of the works themselves.

Painted in acrylic on heavy white paper, Untitled from the artist's Mandala series (1976 — 1977), features a loosely rectangular form, positioned slightly off - center and surrounded by splashes of liquid color.

«Mann and Maus,» 1991 - 92 (polyester resin and paint) by Katharina Fritsch, with «White Squad II,» 1982 (acrylic on canvas) by Leon Golub, in the background at right.