Sentences with phrase «in white face paint»

Abe Lincoln's First Book is part of the first section of the show, «A More Perfect Union,» which is mounted near Jasper Johns» Flag 1 — a screen print of two American flags — and Lyle Ashton Harris» Miss America photo — a nude woman in white face paint.

Not exact matches

In a YouTube video he posted, Perce can be seen wearing a long fake beard, a white turban and green face paint, calling out provocative phrases like: «I am the prophet Mohammed!

No competing golfers were allowed to be present, but jammed into the flossy Painted Desert Room at the Desert Inn were 450 potential high spenders, plus Bob Hope, Bing Crosby, Phil Harris, Jimmie Durante and Joe E. Lewis, while red - faced, white - haired Walter Winchell kept a beady eye on the proceedings in his role as director of the Damon Runyon Cancer Fund for whose benefit the calcutta and tournament are held.

Your child can make these super cute Cat In The Hat sticks with cat face buttons, some red, white and black paint, some craft sticks and glue.

Always an outsider, then, and the often blank, white faces of the people in his paintings may represent a surprising distance between the workers and himself.

So yes, I'm basically a pair of white gloves and a painted face away from being in a mime costume (at least I'm set for Halloween!)

Strange images emerge from beneath the white paint: a stern - faced Christ in the throes of judgement; awed saints kneeling in admiration; the miserable damned being cast into the fires of hell.

In the video Tessa Thompson (Valkyrie) is present, with some white face paint - could this be part of her look for her debut in Thor: RagnaroIn the video Tessa Thompson (Valkyrie) is present, with some white face paint - could this be part of her look for her debut in Thor: Ragnaroin Thor: Ragnarok?

By the time she paints her face white, having announced that England is her only husband and finally taking to the screen in full Queenly regalia, she's made us understand from exactly what sacrifices that sort of iconic self - confidence came.

Still, there's something about this couple on screen that kind of works, partly because Hawkins and Hawke are remarkable together, and partly because director Aisling Walsh and screenwriter Sherry White let them make much of small things: The looks on their faces, say, when she starts popping bright, cheerfully painted cards in with his bills, and a New York visitor offers to pay more for her card than for his fish.

Bose, Bluetooth, LED Lights, Electric Sunroof, Sports Exhaust, Satellite Navigation, Park Assist + + + FREE NATIONAL DELIVERY + + + PART EXCHANGE WELCOME+FINANCE AVAILABLE ON REQUEST - SUBJECT TO STATUS+COMPANY DIRECTORS PACKAGES AVAILABLE+ALL VEHICLES PROFESSIONALLY VALETED AND READY - Porsche 911 991 Carrera S Endurance Racing Edition 7 Speed Manual registered October 2016 (66 reg) finished in White with Full Black Leather interior, BOSE Surround Sound System, Sport Chrono Package including Mode Switch, Sports Exhaust, GT Sport Steering Wheel, Interior Carbon Package including Door Trim Strips, Rear Axle Steering, ParkAssist in Front and Rear, 20 Inch Carrera S Wheels, LED Main Headlights including Porsche Dynamic Light System Plus, Semi-Electric Seats, Porsche Crest Embossed on Headrests, Illuminated Outer Door Sill Guards, Electric Slide and Tilt Sunroof, Suedecloth Headlining, Rev Counter Dial Face in Black, Sport Design Exterior Mirrors, Steering Code Model Designation Rear Painted, Wheel Centre with Full Colour Porsche Crest, Wheels Painted in High - Gloss Black, Porsche Dynamic Chassis Control including PASM Sports Suspension (20 mm lower, Guards Red Seat Belts, Touchscreen Satellite Navigation, Bluetooth, Not Yet Due a Service.

In 1970, he took a beautiful black - and - white photograph of his artist friend Michael Buthe — and then painted the face over with primary red, blue and yellow hues, a typically nose - thumbing gesture.

Despite this, one painting in particular is causing righteous furore: Dana Schutz's Open Casket (2016) crudely depicts the mutilated face of Emmett Till, a 14 - year - old African - American male brutally abducted and lynched by white supremacists in Mississippi on 28 August 1955, whose murderers were all acquitted.

Historians have argued that the work stands as a precedent both for the artist's own performances in the 1960s and for the explosion of performative work in that decade.20 Paul Schimmel astutely places Automobile Tire Print on a trajectory of performative works based on the notion of capturing an indexical trace, reaching back to Pollock's drip paintings, moving up through Rauschenberg's blueprints, and on to Piero Manzoni's Lineas (1959 — 61), Paul McCarthy's video Face Painting — Floor, White Line (1972, fig. 5), and Ulay and Marina Abramovic's 1977 performance Relation in Movement, in which they drove a van in a circle for sixteen hours, leaving a circle of oil drips and tire marks on a public plaza in Paris.21

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

A bold, black - and - white 1952 Franz Kline faces across the room from Robert Motherwell's polyptych «The Blue Painting Lesson: A Study in Painterly Logic (# 1 - 5),» from 1973.

Yet while all of the cities charted in these fragments are identifiable, the collaged pieces act as an abstracted gridded backdrop for the painted white circle at the work's center, a simple yet enigmatic form that suggests a face, a cloud, or a moon over a landscape.

LOS ANGELES — Michael Govan stood in a third - floor gallery scattered with paintings and crates at the Los Angeles County Museum of Art, his arms gesturing at blank white walls, his face furled in thought.

The resulting voids, which show through to the pristine white of the gallery walls, correspond to the faces of figures in Pietro Longhi's «Sala Longhi» 18th - century painting cycle.

The white pew facing Bridget Riley's Cascando (2015) in David Zwirner's rear gallery for the current exhibition of her recent paintings at Zwirner's London space, by contrast, feels more like a dare — a challenge to the sensorium.

Selected Group Exhibitions — Invitational & Juried: 2010 «Best in Show» Taubman Art Museum, Roanoke, VA 2010 «11th Annual Juried Show» Nelson Gallery, Lexington, VA 2010 «Bath County Art Show» Hot Springs, VA 2010 «Art with a Twist» Logan Gallery, Roanoke, VA 2010 «Paintings from Provence» Westlake Library, Moneta, VA 2010 «The Painted Garden» Beach Gallery, Virginia Beach, VA 2010 «Best in Show» Taubman Art Museum, Roanoke, VA 2008 Westlake Library, Smith Mountain Lake, Moneta, VA 2008 «Chica's Choice» North Gallery PVCC, Charlottesville, VA 2008 «Paint Lexington» Nelson Gallery, Lexington, VA 2008 «Bath County Art Show» Hot Springs, VA 2008 «Academy of Fine Arts Juried Art Exhibition» Lynchburg, VA 2007 «Pictorial Strategies» Andrews Gallery, W&M Univ., Williamsburg, VA 2006 — 2007 «Facets of Perception» Zeuxis traveling exhibition 2005 «The Black & White Show» Nelson Fine Arts Gallery, Lexington, VA 2005 «Bath County Art Show» Warm Springs, VA (H.M) 2005 «Mountains and Rivers» Warm Springs Galley, Warm Springs, VA 2005 «7 Views» Riverviews Artspace, Lynchburg, VA 2005 «Faces of the Fallen» Arlington National Cemetery, Washington DC 2005 «32nd Annual Juried Competition» Masur Museum of Art, Monroe, LA 2004 «Within Our Borders - The Virginia Landscape» Hermitage Foundation, Norfolk, VA 2004 «Past, Present, Future» Academy of Fine Arts, Lynchburg, VA 2004 «George Nick Selects» Concord Art Association, Concord, MA 2003 «Sense of Place» Art Museum of Western Virginia, Roanoke, VA 2003 «Bath County Art Show» Warm Springs, VA (Best in Show) 2003 «Light & Landscapes - Reflections of Italy» Wayne Art Center, Wayne, PA 2002 «Art Educators of Virginia» Jefferson Center Gallery, Roanoke, VA 2002 «3rd Annual Juried Art Show» Nelson Fine Arts Gallery, Lexington, VA 2002 «Plein - air Revisited» W&M Andrews Gallery, Williamsburg, VA 2002 «Larger than Life» Jefferson Center Gallery, Roanoke, VA 2002 «Bath County Art Show» Warm Springs, VA (H.M) 2002 «The Mountain Lake Hotel Workshop Exhibit» Lynchburg Fine Arts Center, VA 2002 «The Mountain Lake Hotel Workshop Exhibit» Jefferson Center, Roanoke, VA 2002 «Open Studio Tour» Roanoke, VA 2002 «Roanoke City Art Show» Roanoke, VA 2002 «Lynchburg Area Juried Art Show» Lynchburg, VA 2002 Staunton Augusta Fine Art Center, Staunton, VA 2002 «Artemis - Winter Lights» Roanoke, VA 2002 «Artists & Their Studios» Jefferson Center, Roanoke, VA 2002 «Since September 11, 2001» Jefferson Center, Roanoke, VA 2001 «Lynchburg Area Juried Show» Lynchburg Fine Arts Center, Lynchburg, VA 2001 «George Nick Selects» Concord Art Association, Concord, MA 2000 «Roanoke College Biennia», Roanoke College, Salem, VA 2000 «The Summer Show» Gross McCleaf Gallery,, Philadelphia, PA 2000 «Jane Piper & Philadelphia Colorists» State Museum of Pa, Harrisburg, PA 2000 «Landscape in Virginia» Va..

In Lute Music to a Heathen (2016), she paints a portrait of a black man seated facing sideways, looking away from his viewer; the sitter is dressed in black sleeveless t - shirt and trousers accentuated with a white belt, one hand tucked into his trouser as another holds up a small bird against a monochrome harlequin backgrounIn Lute Music to a Heathen (2016), she paints a portrait of a black man seated facing sideways, looking away from his viewer; the sitter is dressed in black sleeveless t - shirt and trousers accentuated with a white belt, one hand tucked into his trouser as another holds up a small bird against a monochrome harlequin backgrounin black sleeveless t - shirt and trousers accentuated with a white belt, one hand tucked into his trouser as another holds up a small bird against a monochrome harlequin background.

Where Close makes paintings that are nearly all face, John Coplans, who died last August at 83, detailed his aging flesh in headless, black - and - white self - portrait photographs that also function as formal abstractions.

John Martin's hellish painting of the destruction of Pompeii and Herculaneum faces off against a peaceful idyllic ruin by John Constable, and in between these two looms an ominous black and white photograph of a towering Nazi bunker on the Normandy coast.

At the center of each is a main character or narrator played by Reid Kelley, who appears costumed, bewigged, and practically unrecognizable, her face painted white with features defined in black.

Beverly McIver's paintings are a voyage in self - revelation from her earlier self - portraits in white face (the clown) to black face (confronting the black stereotype); to more recently, the unmasking of her skin, body and feelings as she explores her identity as an artist and as an African American.

It also indicates Kline's interests in tonal range, even where that range is superimposed, as on Nijinsky's made - up face, which is painted in white in Large Clown, with some wrinkles of worry and cheekbones of hunger in black.

Biography: Beverly McIver's paintings are a voyage in self - revelation from her earlier self - portraits in white face (the clown) to black face (confronting the black stereotype); to more recently, the unmasking of her skin, body and feelings as she explores her identity as an artist and as an African American.

For example, in the portrait that alludes to Frank Stella's work, Varejão painted black and white lines across her own face in the same style as some Native American tribes; in that which references Georgia O'Keefe, there is a mask over Varejão's head paying homage to a painting O'Keefe made in 1942 reflecting on the deities worshiped by the Hopi tribe.

At the time, horrifying photographs of Till's mutilated face, taken as he lay in an open casket with... read more... «Free speech: White artist paints Emmett Till, black artists protest»

In Lucian Freud's early painting Girl With a White Dog (1950 - 51), his first wife, Kitty Garman, sits in a lime - green dressing gown with a dog resting its long snouty face on her laIn Lucian Freud's early painting Girl With a White Dog (1950 - 51), his first wife, Kitty Garman, sits in a lime - green dressing gown with a dog resting its long snouty face on her lain a lime - green dressing gown with a dog resting its long snouty face on her lap.

Absolutely (2016) showed Donald Trump shooting golf balls into flame - colored skies; Rirkrit Tiravanija painted the phrase «The Tyranny of Common Sense Has Reached Its Final Stage» on November 9 editions of the New York Times; Blum & Poe placed Sam Durant's End White Supremacy (2008) on the wall facing one of the main entrances, forcing visitors to confront it as they walked in the fair.

A flash of light, picked out in white paint, illuminates his forehead, turning his face into a beacon, so that Cruse appears on the canvas like a guide in the gloam.

Commonly regarded as a Minimalist, Robert Ryman's work explores the manipulation of painting media, often in white or off - white paint on square canvas, to expose the face - value materiality of the applied substances.

Elsewhere, a video captures Paul McCarthy creeping across the studio floor leaving a line of paint in his wake (Face Painting — Floor, White Line (1972)-RRB-.

Central to the exhibition is a group of gradient paintings made exclusively with black and white acrylic exterior house paint that has been blended and forced through sheets of burlap laid face - down on a variety of objects and surfaces (from plastic tiles and garbage bags to silkscreened enlargements of Hagen's own high school drawings) that act as molds, effectively casting the paint, or becoming embedded elements in the surface of the works themselves.

The panel painting in the main gallery, Untitled (2017), addresses the topic of violence, with each panel making note of how violence begets violence, ending with two white police officers — both red in the face, as if about to pounce into action — standing above a sign reading «And - Niggers.»

three naked nymphets lounge in various positions in front of a blazing fire, while a fourth in the foreground sits in her underwear with her legs open talking on the telephone, her face painted white and purple and her expression innocent, happy, and crazed.

Shutz, a white woman, painted him in his casket, his face «slashed» with brushstrokes.)

The mother and daughter on horseback, their quiet faces implacably black against the blue and white of the sky; the marchioness in her chair (the walls in the gallery have been painted the same rich red as the room in this painting); and Selective Histories, a wry close - up of a wall of heavily framed paintings, hung salon - style and surrounding a tribal mask.

About the artists and their work: The late Anthony Ballard, known for his precise pen - and - ink drawings of erotic subjects and geometrics, has garnered significant critical attention in recent years; Mercedes Kelly's fanciful depictions of canine and feline subjects have been a crowd - pleasing fixture at the Fair over many seasons; Lawrence Pujol's refreshing country landscapes are becoming increasingly popular with collectors; Angela Rogers's «poppets» --- magical assemblages wrapped in brightly - hued yarn — incorporate intriguing mystical symbolism; Robin Taylor's «Jenny» paintings affectingly portray a young girl so bashful that her face is represented as a mop of bright orange hair; Alyson Vega's intricate fiber works, shown to great acclaim in a 2016 solo exhibition at the prestigious venue White Columns, surprise and enchant.

These artists often perform for their own cameras, either physically as in Paul McCarthy's Face Painting — Floor, White Line 1972 or more conceptually through ideas of self - image and fantasy as in the work of Boris Mikhailov.

Austin Eddy's new paintings are structured by the repetition of a bodily form - a hand holding a face - and use this identifiable foundation to explore a reintroduction of color after years of working in black and white and neutrals.

WIngback chairs in Schumacher Hothouse Flowers Fabric face a green velvet octagon ottoman and match curtains hung on either side of a limestone fireplace positioned beneath a television mounted to an off - white shiplap wall painted in Sherwin Williams Creamy.

i originally wanted to paint all of the cabinets white, but since our dishwasher is black, i was nervous it'd become an awkward focal point as you walk into a white kitchen with a large black dishwasher staring you in the face.

Like maybe «replace old aluminum soffit with bead board cypress, replace roof and use white eave drip, paint the split face blocks on the front (which are way cool and authentic) in one color while painting the prefectly restored siding in another, and put in some nice new windows» could be one thing, titled «Spruce up the exterior»?

Matt wondered about painting the lowers white, but to be honest I don't know where I would use them in the future... and lowers face so much more traffic with 3 littles running around... ALL the drawers would have to come out to be painted and prepped, so it just wasn't worth the time to me.

Floral Fantasy Wallpaper for the Bed Wall by Hapi Art / Heavenly Palette Pillow by Hapi Art / Aiden Acrylic Canopy Upholstered Bed by Bernhardt / Soho Luxe Mirror Dresser by Bernhardt / Elka Chairs from Bernhardt / Ceiling Paint Nancy's Blushes by Farrow & Ball / Savanna Scenes Snow Leopard by Karastan / Elegent Étegere from Wisteria / Marbelized Bunny Williams Table Lamp from The Mine / Thalia End Tables from Doorman Designs / Tailored Pleat Drapes in Linen with Contrast 4 ″ Band from The Shade Store / Confetti Sheets & Duvet Cover in Fuchsia / Coral from Annie Selke's Pine Cone Hill / Diamond White Mattelassé Coverlet & Shams from Annie Selke's Pine Cone Hill / Selke Fleece Blanket in White via Annie Selke's Pine Cone Hill / Euro Pillow Inserts / King Pillows / Down Alternative Comforter / Breathable Mattress Pad / Beachwood Gold Leaf Tree Branch Tray Table Floor Lamp / Leesa Mattress / Drake Acrylic Fixture from Crystorama / Cordonne Ikeya - seki Rosa wallpaper from NewWall / Modern Chest from All Modern / «PALE POPPY» — PHOTOGRAPHY LIMITED EDITION ART PRINT BY HAFNHAFSTUDIO / «FLAMINGO» — PHOTOGRAPHY LIMITED EDITION ART PRINT BY KAMALA NAHAS / «TINY WINGS» — PHOTOGRAPHY LIMITED EDITION ART PRINT BY ANDREW MCCLINTOCK / «PINK AGAVE» — PHOTOGRAPHY LIMITED EDITION ART PRINT BY WILDER CALIFORNIA / «LA PLAGE EN BLEU» — PHOTOGRAPHY LIMITED EDITION ART PRINT BY FLORENTINE RODENHUIS / «INNER LIGHT» — MIXED MEDIA LIMITED EDITION ART PRINT BY KRISTI KOHUT — HAPI ART AND PATTERN / «WATERCOLOR INKBLOT 1» — PAINTING LIMITED EDITION ART PRINT BY KRISTEN SMITH / Gold Bamboo Framed Abstract Notecards by Lesley Grainger / Gold Bamboo Frames by Framebridge / Pair of Faces Large by Hayley Mitchell Art / Nude Painting by Gee Gee Collins / Varaluz Banana Leaf sconces / Candelabra baskets / Face Mirrors from Candelabra / Gold Hand Vase from Candelabra / Wink Eye Pillow from Candelabra / Face PAINTING LIMITED EDITION ART PRINT BY KRISTEN SMITH / Gold Bamboo Framed Abstract Notecards by Lesley Grainger / Gold Bamboo Frames by Framebridge / Pair of Faces Large by Hayley Mitchell Art / Nude Painting by Gee Gee Collins / Varaluz Banana Leaf sconces / Candelabra baskets / Face Mirrors from Candelabra / Gold Hand Vase from Candelabra / Wink Eye Pillow from Candelabra / Face Painting by Gee Gee Collins / Varaluz Banana Leaf sconces / Candelabra baskets / Face Mirrors from Candelabra / Gold Hand Vase from Candelabra / Wink Eye Pillow from Candelabra / Face Planters

(Our south facing, sunny back door is painted a gorgeous Mediterranean blue; it's in a white wall covered with jasmine and flanked by hydrangeas and a potted olive tree!)