Sentences with phrase «in white wax»

The work involves fixing simple wooden forms, coated in white wax, to the gallery's wall, and laying a length of extruded clay on each form.

He draws in white wax crayon on paper covered with wet chalkboard gray paint — a favorite wet - dry technique — to creating wobbly spirals, tumbling figure eights and lasso - y loops that suggest an artist working on a tightrope.

Reacting to the Minimalism and Conceptualism that emerged in the United States in the «60s, in 1966 Twombly, embarked on a new series of austere paintings, with backgrounds of grey or black inscribed with simple forms or script - like loops in white wax crayon.

Not exact matches

Thus the sun's making wax white and fire's making lead fluid (these are practically the same examples as in chapter xxvi in the same book) «are usually called powers» — a phrase added in the fourth edition.

It's available in black or chocolate brown soft Italian leather for a classic look, or in black and white dotted waxed canvas with gorgeous contrasting red, orange, or black Italian Ruat leather.

Soon the bees will cap it off with a little bit of wax as is shown in the right photo (white parts on the outside of the frame) which will soon be honey.

Because I eat what is recommended in MY given menstrual phase not in the moon phase (waxing moon — follicular phase / full moon — ovulation etc) which corresponds to the majority of cycles — white moon phase.

You could also paint the details in another color to make them stand out (ie white details on a blue piece or vice versa), or you could use dark wax in the grooves (if you paint your piece a light color) to help them to pop.

The hutch is painted in Annie Sloan Chalk Paint in French Linen (two coats), and the trim is painted in ASCP Old White, lightly distressed and clear waxed.

I did a nightstand in pure white and now have a coffee ring on it that will not come off, (maybe a should have put more wax on it, I used two coats) so I'm concerned about the stains on the top of a dinning table if I paint it.

I went over them with two coats of whitewash (a cup of paint with a couple tablespoons of white paint mixed in) and then stained them with mini wax Provincial.

I added some embellishments from Efex to the new doors and painted the entire piece in pure white Annie Sloan Chalk Paint topped with black wax.

The top I white washed with MMSMP in Grain Sack and then White Waxed to give it a soft look and to really highlight the edges of this pwhite washed with MMSMP in Grain Sack and then White Waxed to give it a soft look and to really highlight the edges of this pWhite Waxed to give it a soft look and to really highlight the edges of this piece.

I painted the metal urns in Provence and then dry brushed Old White over them, and then applied clear wax.

Can you give brief instructions in chronological order such as: painted two coats french linen, used clear wax and dark wax, followed by dry brushing with french linen & old white, folowwed by protective top coat... or did you wax again?

I have done my first piece of furniture in old white then put on a clear wax and then dark wax.

The wax I used would be considered the clear wax, though it definitely has a white look to it in the jar — I haven't noticed any yellowing, though I suppose it could as the years pass.

Jan, I have tried many products to use over chalk paint, several waxes then I switched to polycrylic top coats and have tried several, the best I've ever used is Polyvine Decorator's Varnish Dead Flat Finish — it DOES NOT yellow, I just used over two big pieces of furniture painted in Pure White and Off White and absolutely no yellowing.

I did use the white wax all over this piece, and even though it's a little brighter than Old White, once it's rubbed in and buffed you can't even notice a differwhite wax all over this piece, and even though it's a little brighter than Old White, once it's rubbed in and buffed you can't even notice a differWhite, once it's rubbed in and buffed you can't even notice a difference.

In fact, you can mix the paint and wax together for a different look as opposed to dark, black or white wax and it gives an awesome affect.

The white wax gives the Duck Egg Blue a more «moody» feel — it sits nicely in the grooves of the backboard here, and I'm sure on a more ornate piece that it could make little details really POP.

Hi I'm in the middle of doing my whole dining room set in mineral paint I used raw silk (antique white) so far chais and bottom of table are done need to do china cabinet curio cabinet and a side bar the top of table of sidebar will be stained but the chairs I used black wax to enhance the flowers on back of chairs china cabinet has as well but going to use everyday as dining kitchen table is there a sealer that I can use for sure that won't yellow I'm scared to try

I have white wax in a different brand and I really like it.

I painted the base in Annie Sloan Chalk Paint in Pure White, lightly distressed it, and then gave it a coat of clear wax.

In a decade from now, the physical book could be a quaint, archaic remnant of a by - gone past akin to wax records and black & white tube TVs, thanks to devices like the All - New Nook and the new Kobo Touch, essentially ereaders for the rest of us, especially the least tech savvy readers.

Your vet may use the warmth of a light to draw the mites out of the wax in order to see the white mites crawling on the dark wax.

Four Paws Ear Mite Remedy for Dogs kills ear mites and aids in ear wax removal for dogs It is an organic formula that does not contain pesticides Four Paws Ear Mite Remedy for Dogs contains Aloe Vera which provides a gentle cool balm Ear mites normally cause a dry dark brown waxy exudate in the ears of dogs The mites are easily observed by placing some of the ear exudate on a dark surface and watching carefully for white specks walking away

Endlessly running around searching for something you missed - a hidden switch here, a crack in a destructible wall there, or a great big Shawshank Redemption-esque tunnel hidden by a pin - up poster - will either drive you to quit, or stoke the fires of your perseverance into a white - hot inferno that'll have your eyes burning and the wax dribbling out of your ears.

For her, the white wax is only the last layer, over more intricate drawing and painting in oil separated by clear finishes.

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B Glide Pro-Health Comfort Plus, Oral - B Glide 3D White Whitening + Scope, Oral - B Complete Satin Tape, Oral - B Glide Pro-Health Deep Clean, Oral - B Glide Pro-Health Original, Oral - B Glide Pro-Health Clinical Protection, Oral - B Essential Cavity Defense, Well at Walgreens, Well at Walgreens High - Tech, etc.), Angel Soft with Pretty Prints, REP Band Level 1, plastic GREENWARE cups, wheat pennies, change (dimes and nickels), Stressed Out Squeeze Stress Balls, beige extension cord, beige cable ties, 10 - gallon ICE ONLY Rubbermaid Bwhite rental chairs, Magic - Sculpt, kitty litter (Fresh Step, Swheat Scoop), Cast Aluminum Water / Feed Dishes, Signature Housewares Dual Pet Bowl Stand (Extra Small, Small, Medium, Large), Alter Eco Organic Royal Black Quinoa, Magic - Smooth, twist ties, Nylabones (Chicken Leg, Turkey Leg, Galileo, Knobby Bone), cast aluminum Nylabones (Barbell, Dura Chew Souper Size, Knobby Bone), industrial paper towel roll, aluminum roof coating, various boutique citrus (blood orange, SUMO, Cara Cara, bergamot, clementine, mandarin, golden nugget tangerine, sultana, kumquat, grapefruit, pomelo, variegated Eureka lemon, etc.), Terry's Chocolate Orange — Dark, Ovation Dark Chocolate Mint Filled Crème a La Menthe Break Apart Ball, cantaloupes (and then later, mini watermelons) in Swiss melon carriers, Tummy Tub (Glitter Pink), aluminum armature wire, red net citrus bag, Johnson & Johnson Reach Cleanburst Cinnamon Waxed Floss, millet spray, shredded newspaper, cast aluminum chicken bones, cast aluminum cinnamon stick, cast aluminum orange stick, cast aluminum SpudWare cutlery (knife, fork), orange sticks, star anise, orange peels, dried rose petals, Splat Ball Rocks, Watermelon Splat Ball, industrial sewing machine arms, Orbit Spearmint Chewing Gum, The Beebo (Orange, Aqua, Yellow), turned pine ball spindle, mint dental floss (Bianca, Colgate Total, Gore Travel Size Glide Floss, Johnson & Johnson Reach Mint Waxed, Johnson & Johnson Dentotape Ribbon Floss, LTV Reach Access, Oral - B Glide Pro-Health Comfort Plus, Oral - B Glide 3D White Whitening + Scope, Oral - B Complete Satin Tape, Oral - B Glide Pro-Health Deep Clean, Oral - B Glide Pro-Health Original, Oral - B Glide Pro-Health Clinical Protection, Oral - B Essential Cavity Defense, Well at Walgreens, Well at Walgreens High - Tech, etc.), Angel Soft with Pretty Prints, REP Band Level 1, plastic GREENWARE cups, wheat pennies, change (dimes and nickels), Stressed Out Squeeze Stress Balls, beige extension cord, beige cable ties, 10 - gallon ICE ONLY Rubbermaid BWhite Whitening + Scope, Oral - B Complete Satin Tape, Oral - B Glide Pro-Health Deep Clean, Oral - B Glide Pro-Health Original, Oral - B Glide Pro-Health Clinical Protection, Oral - B Essential Cavity Defense, Well at Walgreens, Well at Walgreens High - Tech, etc.), Angel Soft with Pretty Prints, REP Band Level 1, plastic GREENWARE cups, wheat pennies, change (dimes and nickels), Stressed Out Squeeze Stress Balls, beige extension cord, beige cable ties, 10 - gallon ICE ONLY Rubbermaid Brute.

Painted with acrylic and wax crayon in bright shades of yellow, pink, red, white and crimson, the central image (no. 88) calls to mind an abundance of different - colored blossoms.

Photo: Joshua White, 2013; Donald Judd, untitled, 1962, Cadmium red oil, wax, and sand on canvas and wood, and black enamel on asphalt pipe, 50 1/2 x 45 x 9 5/8 in.

This exhibition includes Johnson's Anxious Audience, large - scale panels of white ceramic tile covered with dozens of agitated faces scrawled in black soap and wax.

Notable works include Technological Reliquaries (1964 - 67), a series of wax sculptures of human body parts, and The Tomb, a bright pink pyramid installation or «environment», which was badly damaged in 1981 but is documented in Edwin Klein's black and white photographs.

Laurie Reid painted with acid directly onto a copper plate to create delicate, looping curves in «First Verse,» 2000, while Sol LeWitt made his loops and curves by drawing into hard ground wax with a sharp, etching needle in «Small Etching / Black & White No. 5,» 1999.

The exhibition culminates in Untitled: Clowns, a new body of work resulting from this rural sojourn — and also the aftermath of the American Presidential Election — in which giant masks of black soap and wax melt down grids of white ceramic tile.

Several white sculptures depict female figures wearing motorcycle helmets covered in red melted wax, with tufts of hair showing from underneath them.

In 1961, Eleanore Mikus, who had been working with white paint and wax on uneven surfaces, raised nuance to a very high and rigorous level.

Martinez's work has been exhibited extensively: Bernice Steinbaum Gallery and Miami Art Central in Miami; ABC No Rio, Thread Waxing Space, White Columns, Exit Art & Franklin Furnace in New York; and in Philly at the Philadelphia Museum of Art, Institute of Contemporary Art, the Art Alliance, Nexus Foundation for Today's Art, Vox Populi, etc..

White North Space signed, titled and dated «White North Space 1993 James Turrell» (on the reverse) encaustic wax with mica powder on wood panel in steel frame 25 x 20 in.

1995 25 Americans: Painting in the 90s, Milwaukee Art Museum, USA Selected Works from the Collection The Irish Museum of Modern Art, Dublin, Ireland Black & White & Read All Over, La Salle Lobby Gallery, Nationsbank Plaza, Charlotte, USA American Art Today: Night Paintings, The Art Museum, FL InternationalUniversity, Miami, USA The Artist's Camera, Photographs by Contemporary Artists, Thread Waxing Space, New York, USA From Impulse to Image, Virginia Museum of Fine Arts, Richmond, USA Fiftieth Anniversary Celebration for Human Rights, United Nations, Geneva, Switzerland Louvre, Paris, France, Commissioned for a special print edition Print Cabinet, Musee d'art Moderne, Geneva, Switzerland Philadelphia Museum of Art, PA Commissioned for a special print edition From Picasso to Woodrow: Suite of prints Long Vertical Falls, Tate Gallery, London, England

Constructed of twigs and twine covered in ghostly white liming wax and gesso, it's composed of Josef Albers - like concentric squares sectioned off into grids.

With a shock, you observe how the hot wax has flowed in rivulets that have dried into twisting white ropes and cables on the arm that holds the light.

The back room is populated with six 2.45 x 1.84 meter works all made of white ceramic tiles (a ready - made mapped two - dimensional grid so to speak) with their surfaces embracing, in the same manner as the previous works, enigmatic figures in black soap and wax.

Taken at The Josephinum, a medical museum in Vienna, Austria, the black and white photos document from multiple angles an eighteenth century anatomically female wax model laid out in a vitrine in a «semi-erotic» [1] pose, wearing a pearl necklace and blonde wig, with internal organs exposed.

They have featured work in group exhibitions at P.S. 1, New York (2000), White Columns, New York (1999), Thread Waxing Space, New York (1998), the MCA in Chicago (1996) and at TBA in Chicago (1995).

One section of the coloured bands is a distorted image of Caster Semenya (a South African middle - distance runner who has appeared in several works by Dordoy), intersected by a black - and - white image of an outstretched hand holding a lit candle, the melting wax pouring over the side of the palm.

His work has also been the subject of important group and solo shows throughout the span of his almost 50 - year career, including Against the Grain: Wood in Contemporary Craft and Design, Museum of Art and Design, New York (2013); superhuman, Central Utah Art Center, Ephraim (2012); Reenactor, Williams Center Gallery at Lafayette College, Easton, PA (2012); The Last Newspaper, New Museum, New York (2010); 30 Seconds Off an Inch, The Studio Museum in Harlem, New York (2009); Corbu Pops, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA (2009); Thirty Americans, Rubell Family Collection, Miami (2008); Black Is, Black Ain't, Renaissance Society at the University of Chicago (2008); Drawing, Dreaming, Drowning at Art Institute of Chicago (2008); Art After White People: Time, Trees, and Celluloid... at Santa Monica Museum of Art, Santa Monica, CA (2007); William Pope.L: The Black Factory and Other Good Works, Yerba Buena Center for the Arts, San Francisco (2007); 7e Biennale de l'Art Africaine Contemporaine, Dakar, Senegal (2006); Double Consciousness: Black Conceptual Art since 1970, Contemporary Arts Museum Houston (2005); The Interventionists: Art in the Social Sphere, Massachusetts Museum of Contemporary Art, North Adams (2004); The Big Nothing, Institute of Contemporary Art, University of Pennsylvania, Philadelphia (2004); Only Skin Deep, International Center of Photography, New York (2004); William Pope.L: the friendliest Black artist in America at ICA at Maine College of Art, Portland, DoverseWorks Artspace in Houston, Portland Institute for Contemporary Art, ME, Artists Space in New York, and Mason Gross Art Galleries at Rutgers University in New Brunswick, NJ (2002 - 2004); eRacism: Retrospective Exhibition, Institute of Contemporary Art at Maine College of Art, Portland (2002); eRacism: White Room, Thread Waxing Space, New York (2000); Eating the Wall Street Journal and Other Current Consumptions, Mobius, Boston (2000); and Out of Actions: Between Performance and the Object, 1949 — 1979, Museum of Contemporary Art, Los Angeles (1998).

A group of canvases, in blacks, white, blues, and greys, are made with oil paint mixed with materials including cold wax and marble powder to create visceral, distressed surfaces that reflect on emotional and psychological disquiet.

The large - scale panels of white ceramic tile are covered with dozens of agitated faces that Johnson created in black soap and wax.