Sentences with phrase «in widescreen movies»
Naturally, this means you'll see small black bars in widescreen movies unless you crop into the image, but offers a more tablet - style feel.
http://www.trustedreviews.com/ Not exact matches
Leone's liberal use of widescreen shots in conjunction with extreme close - ups gives the movie an epic quality that is matched in scope by a skeletal narrative structure that breathes with a poker - faced mood, tone, and personality.
To really truly appreciate this classic movie it is best to see this in the «widescreen» format (Originally filmed in widescreen Cinemascope and Breathtaking Color).
Certainly, after the bland history lesson of «The Lady» and the joyless family - friendly shenanigans of the «Arthur» trilogy, this is easily the director's most alert, energized and recognizable piece of direction in years — a movie that, with its muscular widescreen imagery, vibrant streaks of color and pulsing musical beats, as well as its occasional tonal missteps and moments of unintentional hilarity, feels unmistakably like the work of its director.
Verbinski certainly did his western - movie homework, for outside of all the rootin» - tootin» Rube Goldbergian action scenes, the director consciously evokes John Ford with his widescreen vistas of sun - baked deserts (on - location shooting took place in Utah, Texas, and beyond), and his nod to films like The Searchers with scenes of near - helpless families under attack in the wilderness.
THE DVD The kids division of MGM presents It's a Very Merry Muppet Christmas Movie in a full - frame «Special Edition» presentation all the more puzzling for the fact that a 1.85:1 anamorphic widescreen transfer was prepared for the film's R2 release.
The movie is presented in widescreen format with audio tracks in Dolby Digital 5.1 (English) and subtitles in English, Spanish and French.
In 3 - D the aspect ratio is enhanced to 1.85:1 widescreen, but both the regular Blu - ray and DVD presentations of the movie unfold in 1.66:1, preserving the aspect ratio of the movie's original theatrical presentatioIn 3 - D the aspect ratio is enhanced to 1.85:1 widescreen, but both the regular Blu - ray and DVD presentations of the movie unfold in 1.66:1, preserving the aspect ratio of the movie's original theatrical presentatioin 1.66:1, preserving the aspect ratio of the movie's original theatrical presentation.
The movie looks great in its 2.35:1 anamorphic widescreen transfer.
The movie is shown in an ultra-sharp widescreen format (2.35:1 aspect ratio).
Since it was released in the 1960s, when widescreen was already the norm, I think it's safe to say that this is not the movie's original theatrical aspect ratio.
The movie is animated in the 1.78:1 widescreen aspect ratio and presented that way on Blu - ray in 1080p.
Super Sleuth Christmas Movie is presented in 1.78:1 anamorphic widescreen, slightly wider than the series» and standard TVs» dimensions but not wide enough for the package to avoid designating it «family - friendly widescreen.»
You can tell this in the DVD's movie - like presentation of 1.78:1 anamorphic widescreen picture and Dolby Digital 5.1 sound.
Like most other 21st century primetime series, «Samantha Who» takes on the specifications of a major movie in 1.78:1 anamorphic widescreen and Dolby Digital 5.1 surround.
The Muppet Movie is presented in the 1.85:1 widescreen aspect ratio (matching the dimensions of its original theatrical exhibitions) and has been enhanced for 16x9 displays.
And since the movie runs with a pace far more frantic than Fox, it shows in the jerky, jumpy action captured in the «Scope» widescreen ratio by rarely mobile cameras.
Remastered in anamorphic widescreen and featuring TXH certified 5.1 Dolby Digital Surround Sound, you can purchase separately each of the five movies (Planet of the Apes, Beneath the planet of the Apes, Escape From the Planet of the Apes, Conquest of Planet of the Apes and Battle for the Planet of the Apes).
The movie is transfered in anamorphic widescreen (1:1.85) and is available in English and French, with optional English, Spanish and French subtitles.
Authored in BD - J with AVEC (MPEG 4) compression on two dual - layer 50 GB discs, the movie is presented in widescreen format with audio tracks recorded in 5.1 DTS HD Master Audio (English), 4.0 Dolby Surround (English), Stereo (English), and 5.1 Dolby Digital (French and Spanish).
Pooh's Heffalump Halloween Movie is presented in 1.78:1 anamorphic widescreen and Dolby Digital 5.1 sound.
Found footage movies are supposed to look real, not great and Deborah Logan aspires to that with its jerky video that is capably but unremarkably presented in the DVD's 1.78:1 anamorphic widescreen transfer.
Still, the movie has been lovingly restored in its original widescreen aspect ratio with pristine image quality, a far cry from old VHS bootlegs.
This handsome, widescreen movie doesn't try to reinvent the genre; in fact, quite the opposite.
Although this was essentially a low budget independent film, John Carpenter chose to shoot the movie in anamorphic widescreen Panavision.
D.P. Linus Sandgren shoots the many musical numbers, and numerous other scenes besides, in gorgeous widescreen long takes that privilege space and bodies in ways managed by few modern movie musicals.
Its only DVD release presents the movie in 1.85:1 anamorphic widescreen and Dolby Digital 5.1.
THE DVD Appearing on Paramount DVD in fullscreen and 1.85:1 anamorphic widescreen transfers compressed on one side of a dual - layer platter, The Wild Thornberrys Movie looks sharp and lovely on disc.
As a 1954 movie, On the Waterfront was made right when the industry was transitioning from the long - standard Academy Ratio to widescreen formats, devised and touted in response to television's widespread popularity.
But, like the fact tracks occasionally found on DVD, it is mildly enriching for those who already like the movie (and are able to overlook not seeing it in 2.35:1 widescreen as intended).
Wild Hearts Can't Be Broken is presented not in anamorphic widescreen like it was in the parts of the world where it was released to DVD first, but in a reformatted 1.33:1 fullscreen transfer as it was for its Disney Movie Club DVD debut last year.
The following Disney DVDs offer only reformatted fullscreen transfers: - Lt. Robin Crusoe, U.S.N. - The Million Dollar Duck - The Barefoot Executive - Benji, the Hunted (Disney Movie Club exclusive; 1.85:1 non-anamorphic widescreen in Region 2 - UK, Germany)- Wild Hearts Can't Be Broken (Disney Movie Club exclusive; 1.85:1 anamorphic widescreen in Region 2 - UK, Germany)- The One and Only, Genuine, Original Family Band - No Deposit, No Return - Herbie Goes to Monte Carlo (1.66:1 non-anamorphic widescreen in Region 2 - UK, France, Germany and Region 4 - Australia)- Herbie Goes Bananas - The Strongest Man in the World - Son of Flubber - The Gnome - Mobile - Miracle of the White Stallions - Night Crossing - Follow Me, Boys!
The movie is presented in 2:35:1 widescreen and the muted tones of the color scheme are presented nicely.
The DVD also presents the movie in 1.78:1 widescreen, looking fantastic as well.
For their patience, Disney is basically asking them to either go without this movie in their DVD collections, pay more than the should for this lackluster presentation, or go region - free and import the long - available widescreen disc from overseas.
The movie is presented in 1.78:1 anamorphic widescreen, its original broadcast ratio (at least for HD presentations).
Everybody loves blowing up major cities in widescreen action movies.
The most complete cut of Abel Gance's visionary silent epic, Kevin Brownlow's 2000 restoration, gets a HiDef bump in a generous three - disc set to complement the movie's sprawl, and the extra resolution and image stabilization really make a difference, especially when the action breaks into an experimental widescreen triptych.
Seeing as how cinema was twenty years into the widescreen age when the movie was released, it probably was exhibited in 1.85:1 and should be seen that way.
Both versions offer the movie in widescreen, with audio tracks in Dolby Digital 5.1 (English, French and Spanish).
THE DVD by Bill Chambers Sony presents Thumbsucker on DVD in a 2.35:1 anamorphic widescreen transfer that preserves the movie's «scope origins.
Extras on The Transformers: The Movie (available for viewing in either widescreen or full frame) include audio commentary by director Nelson Shin, story consultant Flint Dille, and co-star Susan Blu; a retrospective making - of piece; storyboards; and TV spots.
The movie has come to DVD in two separate releases, one widescreen and the other full - frame.
It's impossible to imagine this movie not being presented in CinemaScope, as the widescreen format is integral in supporting the imaginative use of split - screen techniques.
On Blu - ray, the movie is presented in 1080P high definition 2.40:1 widescreen; audio comes in the form of 7.1 DTS - HD, with a French language Dolby digital 5.1 mix as well.
Opposite sides of the disc present the movie in 1.78:1 anamorphic widescreen (resembling its theatrical dimensions) and 1.33:1 open matte fullscreen.
Presented in a 1.78:1 widescreen aspect ratio enhanced for 16 × 9 televisions, the movie comes with Dolby digital 5.1 surround sound audio tracks in English, French and Spanish, with optional subtitles in each of those languages.
All three of Hannah Montana: The Movie's releases present it in the 1.85:1 widescreen aspect ratio in which it was theatrically exhibited.
Alvin and the Chipmunks releases as single flipper disc, offering the movie in both full screen (1.31:1 aspect ratio) and widescreen (1.85:1 aspect ratio) formats.
I compared one scene of the fullscreen transfer with the widescreen equivalent and saw that the two versions of the movie seemed to come from the same print, so if you want to see my thoughts on the transfer, go and see them in my review of Disc 2.