Sentences with phrase «in widescreen ratios»

Disney's 15th and 16th animated classics Lady and the Tramp (1955) and Sleeping Beauty (1959) were created in widescreen ratios of 2.55:1 and 2.35:1, respectively.

Not exact matches

Presented in 1080p high definition with a widescreen aspect ratio of 2.40:1 and a crystal clear DTS - HD MA (Master Audio) lossless 5.1 track, the film looks and sounds fantastic on Blu - ray disc.
Batman appears in both an aspect ratio of approximately 1.85:1 and in a fullscreen version on this double - sided, single - layered DVD; the widescreen image has been enhanced for 16X9 televisions.
Presented in 1080p high definition and a widescreen aspect ratio of 1.85:1, the film is mastered in a lossless DTS - HD Master Audio 5.1 mix that sounds crisp and clear throughout.
The widescreen version is delivered in the film's original 1.85:1 widescreen ratio, enhanced at 16:9.
Tarantino, who began the film in black and white before switching to color, plays with formats here, too; to suggest the claustrophobia of being buried, he shows The Bride inside her wooden casket, and as clods of earth rain down on the lid, he switches from widescreen to the classic 4x3 screen ratio.
Mission: Impossible appears in both an aspect ratio of approximately 2.35:1 and in a fullscreen version on this single - sided, double - layered DVD; the widescreen image has not been enhanced for 16X9 televisions.
The Blu - ray presents the film uncompromised in its intended 2.40:1 widescreen aspect ratio.
Those like me accustomed to seeing the Indiana Jones films in the wonder of degraded pan-and-scan videocassettes should rejoice at the sight of these DVDs, which offer higher resolution and preserve the considerable frame width in anamorphic widescreen transfers nearer to 2.35:1 than the 2.20:1 aspect ratios widely cited.
Presented in Dolby Digital with Widescreen 2.39:1 aspect ratio, Oscar Faura's handsomely photographed frames generally capture the sense of war torn England as a prolonged race against the clock transpires at Bletchley Park.
As it should, the DVD presents the new animation in 1.78:1 anamorphic widescreen (the case mistakenly gives a 1.66:1 aspect ratio) with perfectly satisfactory clarity and sharpness.
Beyond that, there are few surprises to the Blu - ray's extraordinary presentation, which expands to its predominant widescreen ratio and assumes full color 20 minutes and 30 seconds in.
In 3 - D the aspect ratio is enhanced to 1.85:1 widescreen, but both the regular Blu - ray and DVD presentations of the movie unfold in 1.66:1, preserving the aspect ratio of the movie's original theatrical presentatioIn 3 - D the aspect ratio is enhanced to 1.85:1 widescreen, but both the regular Blu - ray and DVD presentations of the movie unfold in 1.66:1, preserving the aspect ratio of the movie's original theatrical presentatioin 1.66:1, preserving the aspect ratio of the movie's original theatrical presentation.
Klowns is presented in 1080p high definition with a widescreen aspect ratio of 1.85:1 and a new English 5.1 DTS - HD MA (Master Audio) lossless track born of a new 4K scan of the original camera negative.
Both films are presented on DVD in standard definition with a 1.66:1 full frame (original Highways) and an anamorphically enhanced 1.78:1 widescreen aspect ratio (revisited) and with lossy Dolby Digital 2.0 Stereo audio tracks.
Presented in anamorphically enhanced, standard definition with a 1.78:1 widescreen aspect ratio and a 5.1 stereo track, the film looks and sounds up to standards on DVD.
The movie is shown in an ultra-sharp widescreen format (2.35:1 aspect ratio).
The show is presented anamorphically enhanced in its original 1.78:1 widescreen aspect ratio and has a lossy 5.1 Dolby Digital track with is up to par with the DVD format.
Now for playback performance starting with Batman, presented in 1080p high definition on Blu - ray disc with a 1.78:1 widescreen aspect ratio and a DTS - HD MA (Master Audio) 5.1 lossless (48kHz, 24 - bit) mix, the animated film looks and sounds up to standards in HD.
Housed in a regular plastic Amaray case, the DVD is presented in a 1.78:1 widescreen aspect ratio with DTS 5.1 surround and Dolby digital 5.1 surround sound audio tracks.
Tremors is presented in 1080p high definition Blu - ray with a 1.78:1 widescreen aspect ratio and a DTS - HD MA (Master Audio) 5.1 lossless mix, the presentation is up to standards and satisfactory.
The film appears on DVD in its original 2.35:1 widescreen aspect ratio, and has been anamorphically enhanced.
Since it was released in the 1960s, when widescreen was already the norm, I think it's safe to say that this is not the movie's original theatrical aspect ratio.
As with the earlier edition, both films are presented in anamorphic widescreen at the original aspect ratio of 2.35:1.
Echotone is presented on standard definition DVD with an anamorphically enhanced 1.78:1 widescreen aspen ratio and either a lossy 5.1 or 2.0 Stereo tracks in Dolby Digital as an option to choose from.
Presented in black and white 1080p high definition on Blu - ray with a widescreen aspect ratio of 1.78:1 (original aspect ratio was 1.85:1) and a remastered DTS - HD MA (Master Audio) 2.0 Mono lossless sound mix, the film looks better than previous releases but isn't as sharp as expected.
Presented in standard definition with an anamorphically enhanced widescreen aspect ratio of 1.78:1 and a lossy Dolby Digital 5.1 track, the show has been captured so - so on DVD.
The movie is animated in the 1.78:1 widescreen aspect ratio and presented that way on Blu - ray in 1080p.
The only extras are animated menus, scene selection, the original trailer, and a stills gallery - but the film is presented in a restored and remastered widescreen print reviving its original Panavision 2.35:1 aspect ratio, and the DVD includes an excellent collectors booklet.
Son of Rambow appears only in 2.35:1 widescreen, the aspect ratio it had in theaters.
The Muppet Movie is presented in the 1.85:1 widescreen aspect ratio (matching the dimensions of its original theatrical exhibitions) and has been enhanced for 16x9 displays.
And since the movie runs with a pace far more frantic than Fox, it shows in the jerky, jumpy action captured in the «Scope» widescreen ratio by rarely mobile cameras.
, a CinemaScope cartoon presented in dupey non-anamorphic widescreen at an aspect ratio of 2.35:1.
There are contractual obligations that this film must be shown in its widescreen aspect ratio.
The DVD quality itself looks very sharp in its widescreen 2.35:1 aspect ratio, especially for a 1964 released film.
Digitally re-mastered in a new 16:9 widescreen ratio and broadcast in its entirety earlier this year, the complete series makes its Blu - ray debut just in time for Father's Day.
The Resurrecting The Champ enters the DVD ring in widescreen (2.35:1 aspect ratio) format with a making - of featurette, as well as interviews with cast and crew (Josh Hartnett, Samuel L. Jackson, Kathryn Morris, Alan Alda, director Rod Lurie and boxing / stunt coordinator Eric Bryson).
Loved It's Marvel VS. Capcom 2: Aside from the widescreen aspect ratio, some next - to - useless graphics filters, and different menus, this is the same game that thrilled us in its previously released incarnations.
Jackie Brown appears in its original 1.85:1 widescreen aspect ratio on Blu - ray.
With that in mind I get a kick out of seeing Picasso's «Don Quixote» sketch on Kersey's apartment wall, visible here thanks to the widescreen ratio.
Coraline's 1.85:1 widescreen theatrical aspect ratio is upheld in all three of its releases and in all three of the Collector's Edition DVD's presentations.
Framing the film in its 1.85:1 widescreen theatrical aspect ratio (as opposed to the DVD's 1.33:1 open matte), New York Stories» picture is extremely sharp, clean, and detailed.
It plays under a crisply - detailed, well - compressed anamorphic widescreen transfer that for no explicable reason dispenses with the Super35 film's projected aspect ratio of 2.35:1 in favour of its negative aspect ratio of 1.78:1.
Still, the movie has been lovingly restored in its original widescreen aspect ratio with pristine image quality, a far cry from old VHS bootlegs.
Though this presentation is touted as «family - friendly widescreen» on the sequel's official website, it is actually in the aspect ratio being employed for all of DisneyToon Studios» direct - to - video features today and 16x9 can be considered the original dimensions of the cartoon.
As before, 101 Dalmatians appears only in its 2.35:1 widescreen theatrical aspect ratio.
Presented in either widescreen (2.35:1 aspect ratio) or full frame versions, the disc packs along two audio commentaries (one by stars Jodie Foster and Abigail Breslin, and the other by directors Mark Levin and Jennifer Flackett), three featurettes (Nim's Friends, Abigail's Journey and Working on Water) and deleted scenes (where you'll meet some of Nim's imaginary friends).
GHOST IN THE SHELL Blu - ray ™ + Digital HD Street Date: March 14, 2017 Pre-book: February 8, 2017 Catalog #: BD64909 UPC: 013132649092 Run Time: 82 Minutes Rating: Not Rated SRP: $ 34.99 Format: English: Dolby 5.1 DTS - HD Aspect Ratio: Anamorphic Widescreen 1:78:1 g Audio: Subtitles: English, Japanese
As a 1954 movie, On the Waterfront was made right when the industry was transitioning from the long - standard Academy Ratio to widescreen formats, devised and touted in response to television's widespread popularity.
The feature film is presented in the 1:66:1 widescreen aspect ratio and is enhanced for 16x9 televisions, resulting in tiny black bars on the sides that won't be visible on most screens due to overscan.
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