Disney's 15th and 16th animated classics Lady and the Tramp (1955) and Sleeping Beauty (1959) were created
in widescreen ratios of 2.55:1 and 2.35:1, respectively.
Not exact matches
Presented
in 1080p high definition with a
widescreen aspect
ratio of 2.40:1 and a crystal clear DTS - HD MA (Master Audio) lossless 5.1 track, the film looks and sounds fantastic on Blu - ray disc.
Batman appears
in both an aspect
ratio of approximately 1.85:1 and
in a fullscreen version on this double - sided, single - layered DVD; the
widescreen image has been enhanced for 16X9 televisions.
Presented
in 1080p high definition and a
widescreen aspect
ratio of 1.85:1, the film is mastered
in a lossless DTS - HD Master Audio 5.1 mix that sounds crisp and clear throughout.
The
widescreen version is delivered
in the film's original 1.85:1
widescreen ratio, enhanced at 16:9.
Tarantino, who began the film
in black and white before switching to color, plays with formats here, too; to suggest the claustrophobia of being buried, he shows The Bride inside her wooden casket, and as clods of earth rain down on the lid, he switches from
widescreen to the classic 4x3 screen
ratio.
Mission: Impossible appears
in both an aspect
ratio of approximately 2.35:1 and
in a fullscreen version on this single - sided, double - layered DVD; the
widescreen image has not been enhanced for 16X9 televisions.
The Blu - ray presents the film uncompromised
in its intended 2.40:1
widescreen aspect
ratio.
Those like me accustomed to seeing the Indiana Jones films
in the wonder of degraded pan-and-scan videocassettes should rejoice at the sight of these DVDs, which offer higher resolution and preserve the considerable frame width
in anamorphic
widescreen transfers nearer to 2.35:1 than the 2.20:1 aspect
ratios widely cited.
Presented
in Dolby Digital with
Widescreen 2.39:1 aspect
ratio, Oscar Faura's handsomely photographed frames generally capture the sense of war torn England as a prolonged race against the clock transpires at Bletchley Park.
As it should, the DVD presents the new animation
in 1.78:1 anamorphic
widescreen (the case mistakenly gives a 1.66:1 aspect
ratio) with perfectly satisfactory clarity and sharpness.
Beyond that, there are few surprises to the Blu - ray's extraordinary presentation, which expands to its predominant
widescreen ratio and assumes full color 20 minutes and 30 seconds
in.
In 3 - D the aspect ratio is enhanced to 1.85:1 widescreen, but both the regular Blu - ray and DVD presentations of the movie unfold in 1.66:1, preserving the aspect ratio of the movie's original theatrical presentatio
In 3 - D the aspect
ratio is enhanced to 1.85:1
widescreen, but both the regular Blu - ray and DVD presentations of the movie unfold
in 1.66:1, preserving the aspect ratio of the movie's original theatrical presentatio
in 1.66:1, preserving the aspect
ratio of the movie's original theatrical presentation.
Klowns is presented
in 1080p high definition with a
widescreen aspect
ratio of 1.85:1 and a new English 5.1 DTS - HD MA (Master Audio) lossless track born of a new 4K scan of the original camera negative.
Both films are presented on DVD
in standard definition with a 1.66:1 full frame (original Highways) and an anamorphically enhanced 1.78:1
widescreen aspect
ratio (revisited) and with lossy Dolby Digital 2.0 Stereo audio tracks.
Presented
in anamorphically enhanced, standard definition with a 1.78:1
widescreen aspect
ratio and a 5.1 stereo track, the film looks and sounds up to standards on DVD.
The movie is shown
in an ultra-sharp
widescreen format (2.35:1 aspect
ratio).
The show is presented anamorphically enhanced
in its original 1.78:1
widescreen aspect
ratio and has a lossy 5.1 Dolby Digital track with is up to par with the DVD format.
Now for playback performance starting with Batman, presented
in 1080p high definition on Blu - ray disc with a 1.78:1
widescreen aspect
ratio and a DTS - HD MA (Master Audio) 5.1 lossless (48kHz, 24 - bit) mix, the animated film looks and sounds up to standards
in HD.
Housed
in a regular plastic Amaray case, the DVD is presented
in a 1.78:1
widescreen aspect
ratio with DTS 5.1 surround and Dolby digital 5.1 surround sound audio tracks.
Tremors is presented
in 1080p high definition Blu - ray with a 1.78:1
widescreen aspect
ratio and a DTS - HD MA (Master Audio) 5.1 lossless mix, the presentation is up to standards and satisfactory.
The film appears on DVD
in its original 2.35:1
widescreen aspect
ratio, and has been anamorphically enhanced.
Since it was released
in the 1960s, when
widescreen was already the norm, I think it's safe to say that this is not the movie's original theatrical aspect
ratio.
As with the earlier edition, both films are presented
in anamorphic
widescreen at the original aspect
ratio of 2.35:1.
Echotone is presented on standard definition DVD with an anamorphically enhanced 1.78:1
widescreen aspen
ratio and either a lossy 5.1 or 2.0 Stereo tracks
in Dolby Digital as an option to choose from.
Presented
in black and white 1080p high definition on Blu - ray with a
widescreen aspect
ratio of 1.78:1 (original aspect
ratio was 1.85:1) and a remastered DTS - HD MA (Master Audio) 2.0 Mono lossless sound mix, the film looks better than previous releases but isn't as sharp as expected.
Presented
in standard definition with an anamorphically enhanced
widescreen aspect
ratio of 1.78:1 and a lossy Dolby Digital 5.1 track, the show has been captured so - so on DVD.
The movie is animated
in the 1.78:1
widescreen aspect
ratio and presented that way on Blu - ray
in 1080p.
The only extras are animated menus, scene selection, the original trailer, and a stills gallery - but the film is presented
in a restored and remastered
widescreen print reviving its original Panavision 2.35:1 aspect
ratio, and the DVD includes an excellent collectors booklet.
Son of Rambow appears only
in 2.35:1
widescreen, the aspect
ratio it had
in theaters.
The Muppet Movie is presented
in the 1.85:1
widescreen aspect
ratio (matching the dimensions of its original theatrical exhibitions) and has been enhanced for 16x9 displays.
And since the movie runs with a pace far more frantic than Fox, it shows
in the jerky, jumpy action captured
in the «Scope»
widescreen ratio by rarely mobile cameras.
, a CinemaScope cartoon presented
in dupey non-anamorphic
widescreen at an aspect
ratio of 2.35:1.
There are contractual obligations that this film must be shown
in its
widescreen aspect
ratio.
The DVD quality itself looks very sharp
in its
widescreen 2.35:1 aspect
ratio, especially for a 1964 released film.
Digitally re-mastered
in a new 16:9
widescreen ratio and broadcast
in its entirety earlier this year, the complete series makes its Blu - ray debut just
in time for Father's Day.
The Resurrecting The Champ enters the DVD ring
in widescreen (2.35:1 aspect
ratio) format with a making - of featurette, as well as interviews with cast and crew (Josh Hartnett, Samuel L. Jackson, Kathryn Morris, Alan Alda, director Rod Lurie and boxing / stunt coordinator Eric Bryson).
Loved It's Marvel VS. Capcom 2: Aside from the
widescreen aspect
ratio, some next - to - useless graphics filters, and different menus, this is the same game that thrilled us
in its previously released incarnations.
Jackie Brown appears
in its original 1.85:1
widescreen aspect
ratio on Blu - ray.
With that
in mind I get a kick out of seeing Picasso's «Don Quixote» sketch on Kersey's apartment wall, visible here thanks to the
widescreen ratio.
Coraline's 1.85:1
widescreen theatrical aspect
ratio is upheld
in all three of its releases and
in all three of the Collector's Edition DVD's presentations.
Framing the film
in its 1.85:1
widescreen theatrical aspect
ratio (as opposed to the DVD's 1.33:1 open matte), New York Stories» picture is extremely sharp, clean, and detailed.
It plays under a crisply - detailed, well - compressed anamorphic
widescreen transfer that for no explicable reason dispenses with the Super35 film's projected aspect
ratio of 2.35:1
in favour of its negative aspect
ratio of 1.78:1.
Still, the movie has been lovingly restored
in its original
widescreen aspect
ratio with pristine image quality, a far cry from old VHS bootlegs.
Though this presentation is touted as «family - friendly
widescreen» on the sequel's official website, it is actually
in the aspect
ratio being employed for all of DisneyToon Studios» direct - to - video features today and 16x9 can be considered the original dimensions of the cartoon.
As before, 101 Dalmatians appears only
in its 2.35:1
widescreen theatrical aspect
ratio.
Presented
in either
widescreen (2.35:1 aspect
ratio) or full frame versions, the disc packs along two audio commentaries (one by stars Jodie Foster and Abigail Breslin, and the other by directors Mark Levin and Jennifer Flackett), three featurettes (Nim's Friends, Abigail's Journey and Working on Water) and deleted scenes (where you'll meet some of Nim's imaginary friends).
GHOST
IN THE SHELL Blu - ray ™ + Digital HD Street Date: March 14, 2017 Pre-book: February 8, 2017 Catalog #: BD64909 UPC: 013132649092 Run Time: 82 Minutes Rating: Not Rated SRP: $ 34.99 Format: English: Dolby 5.1 DTS - HD Aspect
Ratio: Anamorphic
Widescreen 1:78:1 g Audio: Subtitles: English, Japanese
As a 1954 movie, On the Waterfront was made right when the industry was transitioning from the long - standard Academy
Ratio to
widescreen formats, devised and touted
in response to television's widespread popularity.
The feature film is presented
in the 1:66:1
widescreen aspect
ratio and is enhanced for 16x9 televisions, resulting
in tiny black bars on the sides that won't be visible on most screens due to overscan.