Not exact matches
Faena Art Center's
inaugural project, Ernesto Neto's first major
exhibition in Argentina,
promises to bring together his key interests within the striking space of an old mill, enlivening the space with sound, color, and spatial and sensory experiences, as well as the artist's exquisitely beautiful forms.
The dialectic nature of becoming and decaying, appearing and disappearing points in both directions at the same time: the past and the future, a framework that mirrors the entire
inaugural exhibition with its
promise of an auspicious future while digging through the past.
It was unveiled in 2010 at Gagosian Gallery Hong Kong's
inaugural exhibition, «Forgotten
Promises».
Within a swift, seven - month span since the Mayday opening of its new headquarters on Gansevoort Street — a light - filled, magically flexible space designed by Renzo Piano — the museum has dominated the New York art world's conversation with a rapid - fire succession of major
exhibitions, including its sumptuous
inaugural show, America is Hard to See, followed by Frank Stella's eye - filling retrospective, and an overview of a
promised gift of art from the last four decades from Thea Westreich Wagner and Ethan Wagner.
For Heaven's Sake was produced for the Damien Hirst: Forgotten
Promises inaugural exhibition at Gagosian Gallery, Hong Kong in 2011.
Now the renowned abstract expressionist painter's
inaugural exhibition hangs, waiting to receive guests with the
promise of inspiration.
Following on the heels of a successful
inaugural exhibition dedicated to the work of Urs Fischer, as well as a public art installation by Sterling Ruby, this show — St. Moritz Art Masters —
promises to be a thought provoking, mixed - media extravaganza.
An
inaugural exhibition at that time will highlight the current round of
promised gifts and others that may come in the intervening years.
Its
inaugural exhibition, curated by Melissa Levin, was called «Re-Telling» and
promised «a discreet revision of a history, a landscape, a narrative, a body; often a response to the initial telling being a gross glorification and romanticization.»