Above all the distractions provided by a pivotal role shockingly misplayed (and the tortured dialogue that is mellifluous to the fan but murderous to coherence), Heist is at heart a crime melodrama that uses
incalculable variables («How unconscious will I be rendered when I am rendered unconscious and not dead?»
Studies on the effects of divorce are plagued by spurious correlations,
incalculable variables, and the near - impossibility of separating cause from effect.
What does one do with an unanswered question,
an incalculable variable, or an unquantifiable set of details?