A third Rothko painting, shown above, is Lot 44, «Composition,» a 28 1/2 - by - 21 7/8 -
inch oil on paper laid down on panel.
The 42 1/2 - by - 96 1/2 -
inch oil on paper mounted on masonite was executed in 1958 and has an estimate of $ 300,000 to $ 400,000.
Not exact matches
Lightly
oil a 9x5 -
inch loaf pan with coconut
oil and line with parchment
paper so that it overhangs
on the shorter ends (you'll use this to help lift it out of the pan later).
Start shaping each ball of dough into the shape of a long and thin breadstick, between 6 - 8
inches in length, transfer each breadstick to a baking tray lined with parchment
paper, then lightly brush some extra virgin Spanish olive
oil on top of each breadstick and top off each one with some coarse sea salt
On parchment
paper (lightly sprayed with coconut
oil spray: click HERE to find it), roll the dough out to 1/8
inch in thickness.
1 tablespoon olive
oil 1 large leek, light green and white portions 1 large shallot, sliced thin 1/2 lb leftover cooked asparagus, cut into one
inch lengths 1/4 teaspoon dried Italian seasoning Kosher salt and freshly ground black pepper One 8 - ounce tube refrigerated reduced fat crescent rolls 3 Roma tomatoes, sliced thin and drained
on paper towels 2 cups shredded cheddar cheese 3 eggs, beaten
Cut a baguette into diagonal slices that are about 1/2
inch thick, place the slices of bread onto a baking tray lined with foil
paper, drizzle a kiss of extra virgin Spanish olive
oil on top of each piece and add the baking tray to the oven for about 5 minutes
1) In a medium - sized bowl, mix almond meal, tapioca flour and coconut flour together 2) Add coconut
oil, milk, egg to the dry ingredients and mix until well - combined, then use your tapioca - floured hands to shape the dough into a ball 3) Pre-heat oven to 400 deg Fahrenheit (200 deg Cel) 4) Mix the fresh sliced strawberries with the sugar, and let them sit for 10 — 15 minutes 5) Place the ball of dough
on a piece of tapioca - floured parchment
paper, and flatten it into a circle by using a tapioca - floured rolling pin until dough is about 1/4
inch thick.
Grease a 9x13
inch baking dish with coconut
oil, or line with parchment
paper, leaving some
on the sides to be able to pull up.
Mandy Lyn Ford, Bad Boy, 2015, acrylic, spray paint,
oil paint, foam
paper, and super gel
on ceramic, 9 x 7.5 x 4
inches
(detail) Anne Harris, Figuring Ground, 2014 — 15 (an ongoing project)
oil, acrylic, collage
on 300 lb arches cold press
paper, 30 x 22
inches (photo: Philip A. Hartigan)
After finishing the large paintings for the show at John Davis, I began a series of small
oil on paper pieces from 6 x 8
inches to 10 x 10
inches.
John D. Graham, Head of a Woman, 1954,
oil, chalk, ballpoint pen, colored pencil, pencil, brush, pen, and ink
on tracing
paper, 24 1/4 x 18 7/8
inches (Collection of Leonard and Louise Riggio, New York.
Nicole Eisenman, Guy Capitalist, 2011,
oil and cut - and - pasted printed
paper on canvas, 76 × 60
inches (collection Noel Kirnon and Michael Paley)
Malcolm Morley The Viking, 2011
oil on linen mounted
on wood panel with
oil and gold leaf
on paper, sheet metal, wood, copper wire, string, brushes and plastic attachments 44 x 48 x 12 3/4
inches (111,8 x 122 x 32,4 cm) 49 1/2 x 53 1/2
inches (125,7 x 136 cm) frame SW 11197 Private Collection
Top image: Philip Guston, Untitled 1971,
oil on paper, mounted
on canvas, 29 x 40
inches (Private Collection) Bottom Image: Ron Milewicz, Covered Bricks, 2013,
oil on linen, 36 x 48
inches Presence of Form Exhibition dates: October 8 — November 10, 2015 In honor of the New York Studio School's 50th anniversary, comes Part II of work by artists who are -LSB-...]
Malcolm Morley Depth Mine with Sharks, 2011
oil on linen with
paper, string, metal and linen attachments 68 1/4 x 53 1/2 x 5
inches (173,4 x 136 x 12,7 cm) SW 11243 Private Collection
Images: Elizabeth Peyton (Nico Muhly) 2016 Colored pencil and pastel pencil
on paper 8.6 x 6
inches (21.8 x 15.2 cm) / Elizabeth Peyton Knights Dreaming (K) after EBJ 2016
Oil on board 15 1/4 x 12 1/4
inches (38.7 x 31.1 cm) / Elizabeth Peyton E (Elias) 2013 pencil and pastel
on paper 8 3/4 x 6
inches (16 3/8 x 13 3/8 cm) copyright Elizabeth Peyton; images courtesy of the artist
Hugo McCloud light sway, 2016 aluminum foil, aluminum coating and
oil paint
on tar
paper 76 3/4 x 96 3/4
inches (194.9 x 245.7 cm) HM - 106
Image: John Sparagana, Esopus: Kennedy Brothers, 2013, sliced and mixed inkjet prints with
oil stick
on paper, 64 x 98
inches.
In the red and
on the hot seat 2014 extruded and fabricated copper with enamel paint, wood, wood putty, papier mâché, Japanese
paper, steel wire, acqua resin, acrylic and
oil paint 21 1/2 x 21 1/2 x 21 1/2
inches
Gouache and
oil wash
on paper, 18 1/8 x 15
inches (46 x 38 cm), Private Collection / Art © 2017 Successió Miró / Artists Rights Society (ARS), New York / ADAGP, Paris.
Julius Tobias (1915 - 1999) LA Source, 1958
Oil on paper mounted to board, 22 1/2 x 17 1/2
inches Signed and dated lower right: «Tobias 58»
Static 2014 Assorted textile,
oil stick, acrylic, spray paint, and silkscreen
on archival
paper 38 x 48
inches
Kerstin Brätsch: Blocked Radiant D (for Ioana), 2011,
oil on paper, 110 by 72
inches; in «The Forever Now,» at the Museum of Modern Art.
Ink, silkscreen ink, vinyl paint, acrylic,
oil, pastel,
paper, wood, solvent transfers, stickers, handmade
paper, thread, board, and glue
on linen and polyester, five parts: 138 1/8 x 106 1/2 x 2 5/8
inches overall.
Malcolm Morley Blue Boyz, 2008
oil on linen with
oil on paper and wood attachments 42 x 54 1/2 x 19
inches (106,8 x 138,4 x 48,3 cm) SW 08192 Private Collection
Untitled 2014 Assorted textile,
oil stick, acrylic, spray paint, and silkscreen
on archival
paper 44 x 41
inches
Julius Tobias (1915 - 1999) Impression, 1958
Oil on paper mounted to board, 18 3/4 x 16
inches Signed and dated lower right: «Tobias 58» Signed, titled, inscribed, and dated: «J. Tobias / «Impressions» - / Size: 18 3/4» x 15 15/16» / Year: 1958 / # 13 - 11» Estate stamp
on verso
GEORG BASELITZ Untitled, 2013 India ink and watercolor
on paper 26 x 19 13/16
inches (66.1 x 50.3 cm) Photo by Jochen Littkemann GEORG BASELITZ mehr ich tut ach mer willn (Barle flel wil), 2013
Oil on canvas 118 1/8 x 108 1/4
inches (300 x 275 cm) Photo by Jochen Littkemann
Willem de Kooning Untitled c. 1975 Charcoal and
oil on paper 21 3/4 x 18
inches (55.2 x 45.7 cm) Private Collection Courtesy Gagosian Gallery and Thomas Ammann Fine Art AG © 2008 The Willem de Kooning Foundation / Artists Rights Society, New York
Callum Innes Untitled, from the Cento series, 2008
oil on oil paper paper: 80 3/4 x 39 1/2
inches (205.1 x 100.3 cm) framed: 84 1/4 x 43
inches (214 x 109.2 cm) CI - P.56.08
Don Voisine, Untitled (XX), 2010
Oil on Paper, 4 x 6
inches Courtesy of McKenzie Fine Art, NYC Curated by James Carroll of the New Arts Program, this three venue survey will feature Don Voisine's work from 1988 to the present.
Wolfgang Laib Untitled, 1995
oil pastel and graphite
on paper paper: 24 x 18
inches (61 x 45.7 cm) framed: 27 x 21
inches (68.6 x 53.3 cm) WL - 23
Willem de Kooning no title c. 1970 - 1979
Oil and charcoal
on paper 24 x 18
inches (45.7 x 61 cm) Private Collection Courtesy Gagosian Gallery and Thomas Ammann Fine Art AG © 2008 The Willem de Kooning Foundation / Artists Rights Society, New York
David Smith Untitled, 1960 Spray enamel and
oil on paper 17 3/4 x 11 1/2
inches (45.1 x 29.2 cm) © The Estate of David Smith / VAGA, New York
Blurred Lines, Clear Vision, 2014 aluminum foil, aluminum coating and
oil paint
on tar
paper 79 x 78
inches (200.7 x 198.1 cm) HM - 4
Marti Cormand, Formalizing their concept: Lawrence Weiner's «TO SEE AND BE SEEN», 1972, 2013, graphite
on paper and
oil on paper (tape), diptych, 13 x 33
inches overall, 13 x 15
inches each
Marti Cormand, Formalizing their concept: Lawrence Weiner's «TO SEE AND BE SEEN», 1972, 2013, detail, graphite
on paper and
oil on paper (tape), diptych, 13 x 33
inches overall, 13 x 15
inches each
Shara Hughes, Beach Set, 2015, crayon, marker and
oil pastel
on paper, Unframed: 15 x 11
inches (38.1 x 27.9 cm) Framed: 19 x 15
inches (48.3 x 38.1 cm)
to the sky i looked for the path to follow - sequence series 5 of 9, 2016 aluminum foil, aluminum coating and
oil paint
on tar
paper 84 1/4 x 76 1/2
inches (214 x 194.3 cm) HM - 115
LALEH KHORRAMIAN EC - 14, 2010
Oil on paper 2 x 3.5
inches Courtesy of the artist and Salon 94, New York, NY Photography © Fredrik Nilsen
Oil on paper mounted
on panel, 21 1/4 x 13
inches.
Shara Hughes, Seascape, 2015, crayon, marker and
oil pastel
on paper, Unframed: 15 x 11
inches (38.1 x 27.9 cm), Framed: 19 x 15
inches (48.3 x 38.1 cm)
These drawings, heavily layered with red and white
oil stick
on thick
paper, range dramatically in scale from three -
inch - high stick figures to enormous multi-panel compositions.
Cy Twombly Untitled, 1960 Pencil,
oil - based house paint, wax crayon, and ballpoint pen
on paper 19 5/8 x 27 1/2
inches (50 x 70 cm) © 2015 Cy Twombly Foundation
a concert for television, 2014 aluminum foil, aluminum coating and
oil paint
on tar
paper 84 x 118
inches (213.4 x 299.7 cm) HM - 10
GRACE HARTIGAN and FRANK O'HARA Oranges no. 11 1952
oil on paper 44 1/2 x 35
inches Marie - Helene and Guy Weill Family Collection
[Image at top: Bob Szantyr; Red, Yellow, And Bluer Than This Much Blue; 2014;
oil on paper, tacks, urethane plastic; 12 x 10 x 8
inches.
SHIRLEY GOLDFARB Untitled, 1962
oil on paper 8 x 5
inches 20.3 x 12.7 cm 8 x 5 1/4
inches Signed lower right: SG Signed and dated verso: Shirley Goldfarb» 62