Slightly larger than a deck of cards, it plugs into the USB port or connects via Bluetooth for 2x3 -
inch photo prints on the spot.
Not exact matches
The lucky winner shall receive a Polaroid Pop Instant Digital Camera and a forty - pack of Polaroid 3.5 x 4.25
inch Premium ZINK Border
Print Photo Paper!
Then you can instantly
print your
photos on brilliant 2.4x1.8 -
inch paper.
Instantly shoot and
print photos on the high - quality 2.4x1.8 -
inch paper so you can share them with friends and family.
The brilliant images are
printed on extra-wide 4.25x3.4 -
inch paper, resulting in
photos that are much larger than comparable instant cameras.
By selecting images on its 4.33 -
inch display and using its built - in Wi - Fi, you can
print photos, maps, tickets, coupons, and more.
The open house included the inaugural exhibition of «SILVER: A State of Mind», a
photo portrait series by Vicki Topaz, featuring 40 x 48 -
inch prints of 52 women who have let their hair go grey.
Make an inexpensive frame with 1/2
inch lumber and wrap the
photo around completely to create a canvas-less canvas
print
Trim the white edge from the
photo if there is one (there is often a 1/4
inch white frame on
printed photos from most places)
Print the
photo 2
inches bigger than the canvas and carefully wrap the edges to create the wrap - around
photo effect in many store bough canvas
photos
At 326 pixels per
inch, the iPhone 4 and its successor, the 4S, provide text that looks like it was
printed on paper and display
photos and videos in high definition.
If you do get a
photo for use on a
printed book, make sure it has 300 *
printed inches = pixels or else it will look grainy!
The new technology consists of an IonTouch imager and 2.5 -
inch rewritable display media, with the former
printing digital content, such as
photos, QR codes or text messages, onto the latter made up of e-paper film embedded on an IonTouch display, which is about the size of a credit card.
Polaroid 3.5 x 4.25
inch Premium ZINK Border
Print Photo Paper (40 Sheets)- Compatible with Polaroid POP Instant Camera
Draft, for example, will
print out 200 - 300 dots per
inch, while Standard maybe 1200 dots of ink per
inch, and
Photo twice that.
The printer settings (Draft, Normal / Standard, High,
Photo, etc., actually tell the printer how many dots to lay down per
inch, with lower settings representing lower numbers numbers (e.g., 200dpi, 300, 600, 1200, etc.) and the lower the number or setting the more grainy the
printed image.
A good guide would be small (maybe 100 — 150px wide), medium (maybe 300 — 350px), and a high - resolution
photo suitable for
printing (you want at least 3
inches wide at 300 px per
inch, so at least 900px wide, but preferably more).
Julian Charrière Nutmeg - First Light, 2016 large format color photograph, double - exposed through radioactive material, archival pigment
print on Hahnemüle
Photo Rag, mounted on aluminum Dibond, Red Palmira veneered frame, Mirogard anti-reflective glass paper: 59 1/8 x 73 7/8
inches (150.2 x 187.7 cm) framed: 60 1/2 x 75 5/16 x 2
inches (153.7 x 191.3 x 5.1 cm) JCh - 237
BOB ADELMAN (1930 - 2016) Andy Warhol in Gristedes with Campbell Soup Cans
photo 1965 [
printed later] archival pigment
print, edition of 50 stamped by the Bob Adelman Estate, numbered paper > 16 x 20
inches
, 2013 Enamel and
printed vinyl on low - iron mirror, poplar and anodized aluminum 74 x 56 x 2.5
inches / 188 x 142 x 6.5 CM each Installation view, Mungo Thomson: Time, People, Money, Crickets SITE Santa Fe, Santa Fe, USA, 2013
Photo: Eric Swanson
Negative Space (STScI - PRC1999 - 14d), 2013 Perforated offset litho
print 7.5 x 7.5
inches / 19 x 19 CM
Photo: Andy Keate, courtesy Rob Tufnell
W.J. KENNEDY Andy Warhol on the Fire Escape with Self - Portrait contact sheet
photo 1964 [
printed 2005] gelatin silver
print, AP signed paper size > 20 x 24
inches
W.J. KENNEDY Andy Warhol on Fire Escape with sandwich board self - portrait I gelatin silver
print photo 1964 (
printed 2005) signed by the artist 20 x 24
inches
Laura McPhee Aspens Carved by Sheep Herders, Fisher Creek, White Cloud Mountains, Idaho, Summer Solstice, 2003 chromogenic
print 72 x 96
inches Collection of Alturas Foundation and courtesy of Carroll and Sons, Boston
Photo: courtesy of the artist.
Laura McPhee Mattie with a Northern Red - Shafted Flicker, Laverty Ranch, Idaho, May, 2005 chromogenic
print 96 x 72
inches Collection of Alturas Foundation and courtesy of Carroll and Sons, Boston
Photo: courtesy of the artist.
Laura McPhee Fourth of July Creek Ranch, Custer County, Idaho, July 8, 2004, 2004 chromogenic
print 72 x 96
inches Collection of Alturas Foundation and courtesy of Carroll and Sons, Boston
Photo: courtesy of the artist.
Like It Is: Prelude (T.M.), 2016, inkjet
print paper installation, 79 x 58
inches, as installed at Washington & Lee University, Lexington, VA,
photo: Kevin Remington
Enhanced adhesive synthetic
photo paper, matte (inkjet
print), fixed on dibond, 25 x 34
inches (framed).
Jane Hammond Album (Marchelli), 2008 Archival digital ink jet
prints, rice paper, Jade glue, archival tape, ink, graphite, found
photo corners, and soot 29.5 x 43.25
inches (75 x 109.8 cm)
Crickets (Conductor's Score), 2013 Blind Letterpress on Hahnemühle, 25
Prints 15 x 11
inches / 38 x 28 CM eachInstallation view, Mungo Thomson: Crickets for Solo and Ensemble Artpace, San Antonio, USA, 2014
Photo: Mark Menjivar
The large size of the photographs (each is
printed at roughly 26 by 20
inches) allows viewers to see the images as much more than a family
photo album — although that is clearly what they are.
Amy Sillman, «SK6 ``, 2017, ink, acrylic, gouache and slikscreen -
print on paper, 101.6 x 66 cm / 40 x 26
inches, © the Artist,
photo: John Berens
This was taken to a
photo lab, where a gelatin silver
print was produced, to a scale of 78 × 42
inches.
Image credits: Agave, 2010, by Elliott Hundley; sound board, wood, inkjet
print on kitakata, paper, photographs, pins, plastic, metal, glue, found paintings; 96 x 192 1/2 x 14 1/2
inches; © Elliott Hundley, courtesy of Andrea Rosen Gallery,
photo by Jason Mandella.
1957 Medium: One - color offset lithograph from
photo plate,
printed in blue Sheet size: 15 1/2 x 14 inches Edition size: Unknown Catalog raisonné: Axsom IIIb Printed for the Betty Parsons Gallery, New York, on the occasion of a one - man exhibition, 23 September - 12 Octobe
printed in blue Sheet size: 15 1/2 x 14
inches Edition size: Unknown Catalog raisonné: Axsom IIIb
Printed for the Betty Parsons Gallery, New York, on the occasion of a one - man exhibition, 23 September - 12 Octobe
Printed for the Betty Parsons Gallery, New York, on the occasion of a one - man exhibition, 23 September - 12 October 1957.
Katherine Hubbard + MPA, Untitled, 2010, Unique
photo print, 4 × 6
inches.
1956 Medium: One - color offset lithograph from
photo plate,
printed in black Sheet size: 15 3/4 x 9 inches Edition size: Unknown Catalog raisonné: Axsom IIIa Printed for the Betty Parsons gallery on the occasion of Kelly «s first one - man show at the Betty Parsons Gallery, Ne
printed in black Sheet size: 15 3/4 x 9
inches Edition size: Unknown Catalog raisonné: Axsom IIIa
Printed for the Betty Parsons gallery on the occasion of Kelly «s first one - man show at the Betty Parsons Gallery, Ne
Printed for the Betty Parsons gallery on the occasion of Kelly «s first one - man show at the Betty Parsons Gallery, New York.
Photo courtesy of SANTA MONICA AUCTIONS, Herb Ritts, Richard Gere, San Bernardino, 1979, Gelatin silver
print, Special
print outside the edition of 25, Signed, titled and dated 1979 on lower verso of
print in pencil, Annotated in center verso of
print: Special auction
print for A.M.F.A.R. Benefit, France 1993 in pencil on verso, Image: 16.75 x 13
inches; Framed: 25 x 21
inches
WORLD WIDE
PHOTOS President Roosevelt reviewing U.S. fleet from bridge of the USS Houston, 1938 10 5/8 X 13 1/2
inches Gelatin silver
print
Mountains, Moving: Of Dr. Georoge C. Poundstone 1926 - 2013, 2013 / 37 archival pigment
prints on Hahnemuhle
Photo Rag paper / 34 x 85
inches Collection of The Norton Art Museum (Palm Beach, FL)
Gavin Brown's enterprise 601 Washington Street New York, NY 10014 Tu — Sat 10a — 6p Credits: Beef (32 Portraits of Cows Downloaded from the Internet), 2002/2010 36 framed ink jet
prints 11 1/4 x 8 3/4 each, overall: 80 x 60
inches Installation View
Photo by Thomas Mueller Courtesy of the artist and Gavin Brown's enterprise
«136 Mini Film Cameras in the Smithsonian Institution History of Photography Collection...» / archival pigment
prints on Hahnmuhle
Photo Rag paper / 36 x 84
inches / edition of 3 (+2 APs) / Permanent Collection of the Minneapolis Institute of the Arts
Seth Kaufman, Installation: 25 PB&J
Photos, Inkjet
print on MDO plywood, 9X9X1 / 2
inches, Edition: 10 / 2AP, Instagram Series: #peanutbutterandjellyrigor, courtesy of the artist.
Edition Size: 12 Available sizes: 51 x 51
inches 71 x 71
inches All
prints are on 315gsm Hahnemühle
photo rag Baryta paper and varnished after processing to give both endurance and sheen.
Peter Orlovsky, William S. Burroughs, Alan Ansen, Gregory Corso, Paul Bowles, Allen Ginsberg, Tangier (
photo by Ian Summerville) , 1961 4 1/8 x 5 1/8
inches Gelatin silver
print on postcard;
printed c. 1961
Wide - format Inkjet Printer (Epson), Los Angeles, California, July 25th 2008 2009 Epson Ultrachrome K3 archival inkjet
print on Hahnemühle
Photo Rag paper 26 x 36
inches
Description: Fighting For Our Lives 2015 archival c -
prints and thread 48 x 60
inches Photo credit: Life Knyper «Mummification Performance»
Description: Suffering with Bitterness 2015 archival c -
prints and thread 48 x 60
inches Photo credit: Life Knyper «Mummification Performance»
Description: Survival AIDS ACT UP Chicago - A Revolution 2015 archival c -
prints and thread 48 x 180
inches Photo credit: Maxine Henryson «Memorial Dress» Jens Buttner «Woman with Red Ribbon» Life Knyper «Mummification Performance»
ASSOCIATED PRESS
PHOTO Bread Line - A long line of jobless and homeless men waiting to get a free dinner at New York's Municipal Lodging House, Winter 1932 Gelatin silver
print;
printed c. 1943 8 3/8 x 6 1/2
inches