Some of the main ones
include Creative Effect, which applies live filters to images; Timeshift Burst, which captures burst shot images and allows you to select the best one, as well as apply a few effects; and AR Effect is an entertaining but ultimately stupid 3D augmented reality mode.
Not exact matches
Adobe's
Creative Cloud
includes Adobe Premiere Pro for editing video; After
Effects for video
effects, titling, color correction; Audition for audio fixes and mixing; and Media Encoder to render out an H. 264 file perfect for You Tube, Vimeo and all crowdfunding websites.
By holding that the statute did not have an impermissible purpose, that its primary
effect was not the advancement of religion, and that it did not require «excessive entanglement» between church and state, the Court sent a signal to the political branches that more
creative uses of the structures of civil society (
including churches) may now be permissible in the American welfare state.
Director Peyton Reed's
creative team also
includes Oscar ® winning cinematographer Russell Carpenter (Titanic, 21), production designer Sheppard Frankel (Identity Thief, Horrible Bosses) costume designer Sammy Sheldon Differ (X-Men: First Class, Kick Ass), visual
effects supervisor Jake Morrison (Marvel's Thor: The Dark World, The Lord of the Rings: Two Towers), stunt coordinator Jeff Habberstad (Marvel's Iron Man 3, X-Men: Days of Future Past) and six - time Oscar ® nominee, special
effects supervisor Dan Sudik (Captain America: The Winter Soldier, Marvel's The Avengers).
Director James Gunn's
creative team also
includes director of photography Henry Braham («The Legend of Tarzan,» «The Golden Compass»); production designer Scott Chambliss («Star Trek,» «Tomorrowland»); editors Fred Raskin («The Hateful Eight,» «Guardians of the Galaxy») and Craig Wood («Guardians of the Galaxy,» «Pirates of the Caribbean: At World's End»); composer Tyler Bates («Guardians of the Galaxy,» «John Wick»); three time Oscar ® - nominated costume designer Judianna Makovsky («Captain America: Civil War,» «Harry Potter and the Sorcerer's Stone»); Oscar ® - nominated visual
effects supervisor Chris Townsend («Avengers: Age of Ultron,» «Iron Man 3»); stunt coordinator Tommy Harper («Pirates of the Caribbean: Dead Men Tell No Tales,» «Captain America: The Winter Soldier»); co-producer / first assistant director Lars Winther («Captain America: Civil War,» «Captain America: The Winter Soldier»); and six - time Oscar ® nominee, special
effects supervisor Dan Sudick («Captain America: Civil War,» «The Avengers»).
The film, even when it slips into fiasco, has considerable polish with cinematographer Dante Spinotti's («L.A. Confidential») clever eye and a crack
creative crew that
includes Kristi Zea («Revolutionary Road») on production design and Mark Russell («The Adjustment Bureau») responsible for some major palm - sweating visual
effects.
Reed's
creative team also
includes Oscar - winning cinematographer Russell Carpenter («Titanic»), production designer Sheppard Frankel («Identity Thief») costume designer Sammy Sheldon Differ («X-Men: First Class»), visual
effects supervisor Jake Morrison («Thor: The Dark World»), stunt coordinator Jeff Habberstad («Iron Man 3») and six - time Oscar nominee, special
effects supervisor Dan Sudik («Marvel's The Avengers»).
Behind - the - scenes featuretts
include: The Journey Begins (
creative concepts, story development and casting), Shaping Mind and Body (Christian Bale's transformation into Batman), The Tumbler (reinvention of the Batmobile), Gotham City Rises (production design of Gotham City, the Batcave, Wayne Manor, and more), Saving Gotham City (the development of miniatures, CGI, and
effects for the monorail chase scene), Genesis of the Bat (a look at the Dark Knight's incarnation and influences on the film), Path to Discovery (filming in Iceland), and Confidential Files (go beyond the movie and discover facts and story points not in the film).
The behind - the - scenes
creative team
included director of photography Hoyte van Hoytema, production designer Nathan Crowley, editor Lee Smith, costume designer Jeffrey Kurland, visual
effects supervisor Andrew Jackson and special
effects supervisor Scott Fisher.
The
creative production team
includes Emmy nominated director of photography David Moxness («The Kennedys»), production designer Chris Cornwell («Ride Along,» «The Wedding Ringer»), costume designer Olivia Miles - Payne («Entourage,» «Ride Along 2»), visual
effects producer Raoul Bolognini («Spider - Man 2,» «Zombieland»), visual
effects supervisor Erick Geisler («The Day the Earth Stood Still»), and editor Scott Powell («24»).
The director's
creative brain trust
includes Academy Award ® - nominated director of photography Dante Spinotti («L.A. Confidential»), production designer Shepherd Frankel («Ant - Man»), costume designer Louise Frogley («Spider - Man: Homecoming»), visuals
effects supervisor Stephane Ceretti («Doctor Strange») and seven - time Academy Award ® nominee, special
effects supervisor Dan Sudick («Captain America: Civil War»).
The Tier 2 Shortage Occupation List of jobs with such severe skills shortages that the government will permit visas
includes many in
creative industries such as special
effects, graphic design and animation.
With Mayor Richard Daley's backing, he had real power to
effect reforms,
including shuttering poorly performing schools, expanding charter schools, and using data in
creative ways.
This lesson could be extended into English by
including a
creative writing assignment on the topic and also into environmental science to look at the
effects on the two cities after the bombs were dropped.
Visitors gain further insight into Still's personal history and
creative process through the presentation of select objects from the Clyfford Still Archives on the Museum's first floor,
including letters, photographs, tools and materials, and various personal
effects.
In the context of 2016, (Re) Public celebrates the self - determination and agency of the country while tackling contemporary issues in Ireland which have broader resonance globally, these
include: — hidden histories of state institutional abuse (Nolan) community identity in post conflict rural border regions (North 55), issues relating to natural cycles in time, climate change and its global
effects (Softday), the individual's struggle for autonomy within the field of mental health (Tighe), the importance of
creative autonomy and independence for the right to self - expression in movement and dance (Donnellan) and strategies of resistance that
include artistic intervention, self - organization, and collectivism (Morley).
It appears to have become something of a game to see who can add in the most
creative feedback mechanisms to produce the scariest warming scenarios from their models but there remains no evidence the planet
includes any such
effects or behaves in a similar manner.
Excessive media exposure in early childhood poses many developmental and behavioral health risks.1 Exposure to television (TV) and videos before 3 years of age is associated with later problems with language development, 2 — 4 cognition, 5 attention, 6,7 executive functioning, 8 and school achievement.9 These
effects may be more pronounced in low - income populations, where high media exposure is more prevalent.2 Proposed mechanisms for these detrimental
effects include replacement of enriching activities with caregivers, 10 reduced language - based and play interactions with parents, 11 — 13 and less
creative child play14 while the TV is on.