Sentences with phrase «include foxy»

His most recent solo shows include Foxy Production, New York; Galerie Andreas Huber, Vienna; and Cooper Cole, Toronto.

The WEYC hosts five annual races including Foxy's Wooden Boat Regatta, The Sweethearts (Schooners) of the Caribbean and Classic Yacht Regatta, the Firecracker 500, Foxy's Cat Fight, and the Gustav Wilmerding Memorial Challenge.

Not exact matches

Spokespeople include Ted Allen, host of Food Network's Chopped, actor Pam Grier (Foxy Brown, Jackie Brown), designer Mondo Guerra, winner of Lifetime's Project Runway All - Stars, and chef Daisy Martinez from Food Network's Viva Daisy!

The Foxy Long Sleeve Bodysuits from Luvable Friends include five adorable prints that are sure to win the heart of your little one.

The colors include: Venus (soft, off - white demi - matte), Foxy (very light yellow / white matte), Walk of Shame (very light nude matte)...

Its main characteristics include the wolf - like appearance, prick ears, curled tail and foxy face.

The pack includes Max, a German Shepard; Annie and Scout, my terrible terriers; Foxy, my sweet, gentle large Chihuahua mix; and Bitsy, my fabulous 16 - year - old Jack Russell terrier.

Foxy's has an excellent casual cafe style food menu including kids meals and provides a wide range of beers, wine and soft drinks plus a cocktail menu and the essential cappuccino!

The General Store is adjacent to Foxy's and has a range of packaged food, drinks and general needs including pies, sandwiches, ice - creams, BBQ packs, soft drinks and sunblock.

Select your style of wedding reception with an array of venues including Welcome Bay Room, Foxy's Bar & Grill and the a la carte Restaurant Zephyr, all of which provide a marvelous view of Welcome Bay and the Coral Sea.

Foxy's Bar has an excellent casual cafe style food menu and provides a wide range of food and drink options including kids meals and coffee.

His solo exhibitions include The Masturbators at Foxy Production, New York (2009), Supermax 2008 at the Museum of Contemporary Art, Los Angeles (2008), CHRON at the Drawing Center, New York (2008) and Grid Ripper, Galleria d'arte Moderna e Contemporanea, Bergamo, Italy (2008).

Recent solo exhibitions include 2TRAPS at The Pace Gallery, New York (2010), Robert Mapplethorpe / Sterling Ruby at Xavier Hufkens, Brussels (2009), The Masturbators at Foxy Production, New York (2009), Supermax 2008 at the Museum of Contemporary Art, Los Angeles (2008), CHRON at the Drawing Center, New York (2008) and Grid Ripper, Galleria d'arte Moderna e Contemporanea, Bergamo, Italy (2008).

Among a dozen provocative, funky, psychedelic and color - infused paintings, half of the images depict women, including «She,» «Blossom,» and «Foxy Roxy» (all 1997).

Recent exhibitions include: Rose Gold, Foxy Production, NY (2017), L'Image Volée, Fondazione Prada, Milan, Italy (2016); and Greater New York, MoMA PS1, Queens, NY (2015/16).

Inspired by Blaxploitation, the 1970s film genre that includes «Foxy Brown» and «Shaft,» her pieces capture the sassy attitude of the era.

Shows by emerging artists that I am excited about include: Ethan Cook at American Contemporary, Jordan Kantor at Churner and Churner, Mika Tajima at Eleven Rivington, Rose Marcus at Eli Ping, Gabriel Hartley at Foxy Production, Liam Everett at On Stellar Rays, Donelle Woolford at Wallspace, and Lauren Silva at Zieher Smith.

Further highlights include: Dara Friedman (b. 1968) at Supportico Lopez, whose exhibition at Art Basel in Miami Beach will coincide with the artist's retrospective at the Pérez Art Museum Miami (PAMM); Alexandre Estrela (b. 1971) at Travesía Cuatro, Barry McGee (b. 1966) at Ratio 3, Torey Thornton (b. 1990) at Essex Street, Carolina Caycedo (b. 1978) at Instituto de visión; Sascha Braunig (b. 1983) and Sara Cwynar (b. 1985) at Foxy Production, Alex Hubbard (b. 1975) and Emily Sundblad (b. 1977) at House of Gaga and Ishmael Randall Weeks (b. 1976) and Andrea Galvani (b. 1973) at Revolver Galería.

Returning shows include Sascha Braunig's haunting, op - art inspired paintings at Foxy Production, and Derek Eller's retrospective of Thomas Barrow, a photographer who came of age in the 1960s, but whose distempered photo collages look distinctly contemporary.

Selected exhibitions include: World Trade, Foxy Production, New York (2017, solo exhibition); Curate — Extinct in the Wild, Fondazione Prada, Milan (2017, solo exhibition); Souvenirs: New New York Icons, Storefront for Art and Architecture, New York (2017); 99 Cents or Less, Museum of Contemporary Art Detroit, Detroit, MI (2017); Parcours, Art Basel, Basel (2016); RIVALS, Andrea Rosen Gallery 2, New York (2014 - 15, solo exhibition); Monument to Cold War Victory, The Cooper Union, New York (2014); and As We Were Saying: Art and Identity in the Age of «Post», The Elizabeth Foundation, New York (2014).

Recent exhibitions include: As We Were Saying: Art and Identity in the Age of «Post,» curated by Claire Barliant, The Elizabeth Foundation, New York (2014); Michael Wang: Global Tone, Foxy Production (2013); Liquid Autist, curated by Daniel Keller, Kraupa - Tuskany Zeidler, Berlin (2013); Spaces for Drawing, The Hite Collection, Gangman - gu, Seoul (2013); Differentiation Series, Primetime Gallery, Brooklyn, NY (solo); Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA (two - person); and Carbon Copies, Foxy Production (solo project)(all 2012).

Roger White has recently been included in shows at Rachel Uffner Gallery (NY, NY), Grice Bench (LA, CA), Mitchell - Innes & Nash (NY, NY), Foxy Production (NY, NY), Kathryn Brennan Gallery (LA, CA), and «Cave Painting: Installment # 2» organized by Bob Nickas at Gresham's Ghost (NY, NY).

Group exhibitions include Galleri Opdahl, Norway, Foxy Production, NY, Urban Institute for Contemporary Arts, Grand Rapids, MI, and Mana Contemporary, Chicago, among others.

Recent exhibitions include solo presentations at Cooper Cole Gallery, Toronto, Retrospective Gallery, Hudson, and Foxy Production, New York and group exhibitions at Higher Pictures, New York, and the Dallas Art Museum, Dallas, Texas.

His work was featured in a solo exhibition at Deitch Project in 2009 entitled «New Dark Ages,» and numerous other exhibitions and screenings including: Modern Art Museum of Fort Worth (solo); Loyal Gallery, Malmö (solo); Foxy Productions, New York (solo); Andreas Melas Presents, Athens (solo); Peres Projects, Berlin; Pace Wildenstein, New York; CANADA, New York; Green on Red Gallery, Dublin; The Museum of Modern Art, New York; the New Museum of Contemporary Art, New York; Tate Britain, London; Musee d' Art Moderne de la Ville de Paris / ARC, Paris; Yerba Buena Center for the Arts, San Francisco; and The Liverpool Biennial, Liverpool.

Her works have been included in group exhibitions at Foxy Productions in New York and Anna - Catharina Gebbers at Bibliothekswohnung in Berlin.

Her recent exhibitions include: Petra Cortright, Foxy Production, New York, NY (2015), Petra Cortright, Société, Berlin, Germany (2014), Fútbol: The Beautiful Game, Los Angeles County Museum of Art, Los Angeles, CA (2014), Petra Cortright, Carl Kostyal, Stockholm, Sweden (2014), ASMR, MAMA, Rotterdam, The Netherlands (2014), ✖ ✗ ✘ BLank BLANk bLANk, Steve Turner Contemporary, Los Angeles, CA (2013), VICKY DEEP IN SPRING VALLEY, Club Midnight, Berlin, Germany (2012) and SO WET, Preteen Gallery, Mexico City, Mexico (2011).

The artist, who shows with Ever Gold Projects in San Francisco, 1301PE Gallery in L.A., Foxy Production in New York and Société in Berlin, also does less Monet - like paintings and videos — including a series with virtual strippers — all making quite an impression.

Recent exhibitions include solo presentations at Cooper Cole Gallery, Toronto and Foxy Production, New York.

Group exhibitions include Galleri Opdahl, Norway, Foxy Production, NYC, X Bienal de Nicaragua, León Nicaragua, Urban Institute for Contemporary Arts, Grand Rapids, MI.

In addition to the premiere at MoMA, this constellation includes a program of Cantor's videos at Electronic Arts Intermix and, at Foxy Production, an installation of the multichannel video installation Be My Baby, 1999.