Sentences with phrase «include imaginary spaces»

Notable exhibitions White has organized for the Menil include Imaginary Spaces: Selections from the Menil Collection, Leaps into the Void: Documents of Nouveau Realist Performance, and the recently opened Seeing Stars: Visionary Drawing from the Collection.

Not exact matches

Since Ritchie exhibited «The Universal Adversary» at Andrea Rosen Gallery in 2006, his work has been included in numerous exhibitions including: the Venice Architecture Biennale; the Seville Biennale; the Havana Bienal; «Matthew Ritchie, The Iron City,» St. Louis Art Museum; «Wunderkammern» Museum of Modern Art, New York; «The Guggenheim Collection,» Guggenheim Bilbao, Spain; «Not For Sale» PS1, New York; «Confines,» IVAM, Valencia, Spain; «The Shapes of Space,» Guggenheim Museum, New York; «Between Art and Life,» San Francisco Museum of Modern Art; «The Kaleidoscopic Eye,» Mori Art Museum, Tokyo; «In the Beginning: Artists Respond to Genesis,» Contemporary Jewish Museum, San Francisco; «Experimental Marathon Reykjavik, Reykjavik Art Museum; «The Last Scattering, Phase Two,» London, «To the Milky Way by Bicycle,» Staatliche Kunstsammlungen Dresden, Germany; «The Architectural Imaginary in Contemporary Art,» Museum of Contemporary Art, San Diego.

Her more recent exhibitions and publications include Automatic Cities: The Architectural Imaginary in Contemporary Art (Museum of Contemporary Art San Diego, 2009) and Phenomenal: California Light, Space, Surface, part of the Getty's Pacific Standard Time initiative (University of California Press, 2011).

Select group exhibitions featuring his work include Creature, The Broad, Los Angeles (2016); America Is Hard to See, Whitney Museum of American Art, New York (2015); Disembodied, Cleveland Museum of Art, Cleveland, OH (2013); Mike Kelley, Centre Georges Pompidou, Paris (2013); The Royal Family, Hayward Gallery Project Space, London (2012); Off the Wall: Part 1 — Thirty Performative Actions, Whitney Museum of American Art, New York (2010); Spazio: The Scene and the Imaginary, Museo Nazionale delle arti del XXI Secolo, Rome (2010); Looking at Music, The Museum of Modern Art, New York (2008); and California Video, J. Paul Getty Museum, Los Angeles (2008).

At the Menil, White has organized provocative exhibitions, including Lessons from Below: Otabenga Jones and Associates, Imaginary Spaces, and Leaps into the Void: Documents of Nouveau Realist Performance.

The first installation, «pass age», is a new work in Shiraishi's ongoing «Imaginary Architectural Project» which includes previous works: «Space Elevator Tea House», «Confession Box» and «Ancient Egyptian Tomb».

The large - scale works included in Against the Wall are primarily based on media imagery and newspaper clippings documenting the conflict between Israel and Palestine, exploring the tension between the photographic documentation of reality and the constructed, imaginary space of painting.