Sentences with phrase «include nuit»

Not exact matches

This winning selection consisted of four small pieces of chocolate, including Sesame Framboise: chocolate (blended) with sesame seeds and raspberry; Matchalait: milk chocolate ganache (blended with fresh cream) and matcha; Vietnam single bean: chocolate from Vietnam; and La Nuit Du Japon: chocolate (blended) with shisho (belongs to the mint family Lamiaceae) and wasabi.

Nuit blanche is a french phrase meaning all - nighter, and in many cities the festivities extend until the mornings and include free all - night access to museums and galleries.

Other significant personal preems, in order of original release, included: Buster Keaton's Go West (1925) and College (directed by James V. Horne, 1927); Howard Hughes's and James Whale's Hell's Angels (1928 - 30), featuring (sorry, other Howard) the most awesome aerial scenes I've ever witnessed; John Ford's Up the River (1930) and Airmail (1932); Michael Curtiz's The Kennel Murder Case (1933), utterly silly but quite beguiling as an empty exercise in directorial pizzazz; Gordon Wiles's — and Daniel Fuchs's — The Gangster (1947), an archetypal arty film noir; Val Lewton's Apache Drums; (directed by Hugo Fregonese, 1951); Richard Fleischer's The Narrow Margin (1952); Robert Bresson's Quâtre Nuits d'un rêveur (1971); Tobe Hooper's The Texas Chainsaw Massacre (1974); Phil Karlson's Framed (1975); Clint Eastwood's The Gauntlet (1977); and Robert Mulligan's Bloodbrothers (1978), which returned to Seattle (after a five - day first run in» 78) only via Showtime.

About Prieur I can say a little more, because I own a rather good 1980 collection of his film criticism, Nuits blanches («White Nights»), that includes an essay on «Artaud and the Cinema»; the book's jacket informs me that Prieur was born in Paris in 1951, writes on film and literature, and is — or was — the film critic for La nouvelle revue francaise.

The collective has been exhibited nationally and internationally, including: Contour the 5th Biennial of the Moving Image in Mechelen, BE; Nuit Blanche, Toronto, CA; 18th Biennale of Sydney in Sydney, AUS; Scottsdale Museum of Contemporary Art in Scottsdale, AZ; 2017 Whitney Biennial, New York, NY; Art in General, New York, NY; documenta14, Athens, GR and Kassel, DE; and their historic land art installation Repellent Fence at the U.S. / Mexico border near Douglas, AZ and Agua Prieta, SON.

«Dans la nuit, des images» includes some 140 works, representing 10 years of contemporary creation from the 27 European Union member states and numerous other countries.

Over the past thirty years, Cai Guo - Qiang has realized large - scale exhibitions and projects across different geographic locations and cultures, including solo exhibition Cai Guo - Qiang: Saraab at Mathaf: Arab Museum of Modern Art in Doha, Qatar (2011), Cai Guo - Qiang; 1040m Underground in Donetsk, Ukraine (2011), One Night Stand (Aventure d'un Soir), explosion event for Nuit Blanche (2013), a citywide art and culture festival organized by the city of Paris.

Recent exhibitions include: Edinburgh Art Fair, Edinburgh, 2013; The Affordable Art Fair, Battersea, London, 2013; The Brixton Drawing Project, Brixton, London, 2013; The Griffin Art Prize (shortlist exhibition), The Griffin Gallery, London, 2012; Dining Room Drawing Club, The Old Nuns Head, London, 2012; The Dining Room Drawing Club UK tour (12 locations within the UK), 2012; Nuit Blanche, The Jelly, Reading, 2011; The Dining Room Drawing Club, Coach and Horses, London, 2011; Ladyfest Ten art exhibition, Ground Floor Left Gallery, London, 2010.

The works featured include Brassaï's well - known Paris de Nuit images, Ilse Bing's early formalist compositions, Doisneau's free - spirited and engaging photographs of Parisian nightlife, and André Kertész's early night photographs from Hungary — the purported inspiration for Brassaï's Paris series — as well as remarkable New York images that reveal the artist's consistently innovative vision further inspired by the night.

He has participated in a number of group exhibitions and festivals, including Traffic, CAPC, Bordeaux, France; Shopping, New York; Nuit Blanche, Musee d'Art Moderne de la Ville de Paris, France; Now Here, Lousiana Musuem, Denmark; Manifesta I, Rotterdam, Holland, and the recent Ontom at Gallerie fur Zeitgenoshisce Kunst, Leipzig, Germany.

Nuit des Mussées 2017 programme publication detailing activities planned around Mikhail Karikis's survey solo exhibition «Love Is the Institution of Revolution» 1 Jul — 15 Oct 2017, including public workshops, a silent disco, the activation of the artwork Larderello: The Board Game (part of Karikis's project «Children of Unquiet») and a live performance by Karikis.

Kunitani's works have been the subject of numerous solo and group exhibitions, including: Takashi Kunitani: Deep Projection, Hyogo Prefectural Museum of Art, Hyogo, Japan (2015); Two Passages, Nuit Blanche Kyoto 2012, Kyoto Art Center, Kyoto, Japan (2012); Today's Artist 48: Takashi Kunitani — The Vertical Horizon, Osaka Contemporary Art Center, Osaka, Japan (2007); Criterium 54: Takashi Kunitani, Art Tower Mito, Ibaraki, Japan (2003).

His work has been included in significant group exhibitions, including P.S. 1's Greater New York (2000); Organizing Freedom at the Moderna Museet, Stockholm (2000); Cinema Cinema at the Van Abbe Museum, Eindhoven (1999); Kiasma, Museum of Contemporary Art, Helsinki's This Side of the Ocean (1998); Nuit Blanche at the Musee d'Arte Moderne de la Ville de Paris (1998); The Louisiana Exhibition, Louisiana Museum of Modern Art, Copenhagen (1997); and Disneyland After Dark at Kunstamt Kunstlerhaus Bethanien, Berlin (1996) and Uppsala Konstmuseum, Uppsala (1995).

With his performance + art lab Early Morning Opera, Jan's original works — including Holoscenes, The Institute of Memory (TIMe), and Abacus — have been presented by the Whitney Museum, Sundance Film Festival, BAM Next Wave Festival, Hammer Museum, REDCAT, Toronto Nuit Blanche Festival, Ringling Museum of Art, Pasadena Museum of California Art, ICA Boston, and Istanbul Modern, among others.

Jan's original works — including Holoscenes, The Institute of Memory (TIMe), and Abacus — have been presented by the Whitney Museum, Sundance Film Festival, BAM Next Wave Festival, Under the Radar Festival at the Public Theatre, REDCAT, Hammer Museum, Portland Institute of Contemporary Art TBA Festival, ICA Boston, Toronto Nuit Blanche Festival, London's Burning, and NYU Abu Dhabi.

Recent group exhibitions include: Voyage, Berjamin & Gomide, São Paulo (2017); Nuit Américaine, Office Baroque, Brussels (2014); Folk Devil, David Zwirner New York (2013); British Art Show 7: In the Days of the Comet, Hayward Gallery, London and touring (2010 - 11); Rude Britannia: British Comic Art, Tate Britain, London (2010).

Recent exhibitions and projects include Propped at Oakville Galleries, Tape Condition: degraded with Cait McKinney at the Canadian Lesbian and Gay Archives in Toronto, a screening of Muscle Panic at neue Gesellschaft für bildende Kunst in Berlin, a commission to produce the installation and performance Where Once Stood a Bandstand for Cruising & Shelter for Nuit Blanche Toronto and her text PONE BONE published in Art Criticism and Other Short Stories.

Other recent curatorial projects include the second Guangzhou Triennale where he co-curated Beyond: An Extraordinary Space of Experimentation for Modernization; Go Inside, the 3rd Tirana Biennale (Tirana, Albania, 2005); Out of Sight, organized by the De Appel Foundation (Amsterdam, Netherlands, 2005); Nuit Blanche 2004 (Paris, 2004); and A L'Ouest Du Sud De L'Est / A L'Est Du Sud De L'Ouest (Villa Arson, Nice, 2004).

His exhibition record includes: a one month durational performance during the exhibition Onderweg at Cultuurcentrum Zwaneberg, Heist - op - den - Berg, Belgium (2017); a solo exhibition at MART Gallery, Dublin, Ireland (2015); participation with Flux Night 2012 (Nuit Blanche Atlanta, Georgia) with a multi — channel video installation, Small Meteorites, projected within five vehicles; a city wide art installation commissioned and curated by the Duncan and Jordanstone College of Art and Design (2011), funded by the Scottish Arts Council; a solo exhibition at the Monster Truck Gallery in Dublin Ireland (2011); a Triangle Arts Trust residency and solo exhibition at the Kuona Trust Gallery in Nairobi, Kenya (2011).

Jérôme Sans is an icon in the world of contemporary creativity, who among other feats, co-founded the acclaimed Palais de Tokyo in Paris, was the first groundbreaking director who developed the model for Ullens Center for Contemporary Art in Beijing, and has curated major international exhibitions including the Taipei Biennale, Lyon Biennale, Nuit Blanche Paris and Milan Triennale.

Recent exhibitions includes Le Nouveau Monde Industriel (2017), Galleria Continua, Les Moulins / Boissy - le - Châtel (FR), Culture Pop Marauders (2016), Mains d'Oeuvres, Saint Ouen (FR), Le bleu de la Nuit (2016), CCA Andratx, Andratx (Baleares, SP); a solo show Osmo Soft (2016) in les Ateliers, Clermont - Ferrand (FR); Dust: the plates of the present (2015), Camera Club of New York (US); Cocktail Games (2015), Le Nouveau Festival / Centre Pompidou, Paris (FR).

He has curated over 150 exhibitions internationally since 1991, including do it, Take Me, I'm Yours (Serpentine Gallery), Cities on the Move, Live / Life, Nuit Blanche, 1st Berlin Biennale, Manifesta 1, and more recently Uncertain States of America, 1st Moscow Triennale and 2nd Guangzhou Biennale (Canton China).

Recent exhibitions include Heat Theater, Off Vendome (Dusseldorf), The Gentle Way (Judo), Clifton Benevento (New York), Three Cups Fragrance, Bodega (New York), On Kindness: Jacob Kassay & Kyle Thurman, MOCA Tucson (Tucson), Trust (Vita Vel Regula), Fluxia Gallery (Milan), Nuit Americaine, Office Baroque (Brussels), That Singing Voice, Galeria Marta Cervera (Madrid), Stay In Love, Laurel Gitlen & Lisa Cooley (New York).

Upcoming projects include Restaging the Encounter for Toronto's Nuit Blanche 2011, curated by Candice Hopkins.

Recent and upcoming exhibition venues include, Mercer Union (Toronto, ON); 8 - 11 (Toronto, ON); Scotiabank Nuit Blanche (Toronto, ON); the Art Gallery of Alberta (Edmonton, AB); Gallery 44 (Toronto, ON); Forest City Gallery (London, ON); Blackwood Gallery (Mississauga, ON); Xpace Cultural Centre (Toronto, ON); Olga Korper Gallery (Toronto, ON).

With his individual work and the collective Postcommodity, Twist has exhibited work nationally and internationally including the: Arizona State University Art Museum, Tempe, Arizona; Scottsdale Museum of Contemporary Art, Scottsdale, Arizona; National Museum of the American Indian, Gustav Heye Center, Smithsonian Institution, New York; Museum of Contemporary Native Arts, Santa Fe; SITE Santa Fe; Pennsylvania Academy of Fine Arts Museum; Art Gallery of Ontario, Toronto; Nuit Blanche, Toronto; Contour: 5th Biennial of the Moving Image, Mechelen, Belgium; Adelaide International, Adelaide, Australia; National Museum of of Art, Architecture and Design, Oslo; and the 18th Beinnale of Sydney.

Bowen's recent exhibitions include The Family Camera (2017), Royal Ontario Museum, Toronto; On Trial The Long Door Way (2017), Mercer Union Centre for Contemporary Art, Toronto; We Won't Back Down (2017), Nuit Blanche, Toronto; Traces in the Dark (2015), Institute of Contemporary Art, Philadelphia; This Is Me, This Is Also Me (2015), McMaster Museum of Art, Hamilton.

The piece for piano and projections was inspired by (and includes) projected paintings of Journal, Nocturnal, 2014, by Margaret Garrett; La Nuit d'etoiles sur la Rhone, 1888, by Vincent van Gogh; Evening on Karl Johann, 1892, by Eduard Munch and I've Got It All Up Here, 2010 by David Salle.

Melanie Manchot Manchot's work has been shown nationally and internationally including exhibitions at Hayward Gallery, London; Towner Art Gallery, Eastbourne; Bloomberg Space, London; The Whitechapel Gallery, London; MacVal, Musee d'Art Contemporain, Paris; The Photographers Gallery, London; The Brooklyn Museum, New York; The Australian Museum of Photography, Sydney; The Courtauld Institute, London; Museum Folkwang, Essen and as part of Nuit Blanche, Paris.

Activities in recent years include: solo exhibition Cai Guo - Qiang: Saraab at Mathaf: Arab Museum of Modern Art in Doha, Qatar (2011), Cai Guo - Qiang - 1040M Underground in Donetsk, Ukraine (2011), One Night Stand, explosion event on Seine for Nuit Blanche in Paris, France (2013).

In 2011 Paiva participated in various group shows and conferences, including The Creators Project, Ullens Center for Contemporary Art, Beijing, New Media Archaeology (I and II) Videotage, Hong Kong, Nuits Sonores, Museum of Contemporary Art, Lyon, and Imaginary Belongings, Museu do Oriente, Lisbon.

Ashoona's work has appeared in exhibitions including: Three Women, Three Generations, McMichael Canadian Collection (1999); Toronto's Nuit Blanche (2008); Justina Barnicke Gallery, Toronto (2009); The 18th Biennale of Sydney and Sakahans, National Gallery of Canada (both 2013), and SITElines 2014: Unsettled Landscapes, Sante Fe, New Mexico.

Recent projects include; Coat Check, Platforms Project, Art Athina (2014); Nap Station, Art Toronto; Dunk Tank, ArtSpin; Temporary Monument, Art of the Danforth (all Toronto 2014) and 1 - 855 IS IT ART, Toronto's Nuit Blanche 2013.

Her work has been shown nationally and internationally including exhibitions at The Whitechapel Gallery, London; MacVal, Musee d'Art Contemporaire, Paris; The Photographers Gallery, London; Galerie m, Bochum, Germany; The Brooklyn Museum, New York; The Australian Museum of Photography, Sydney; The Courtauld Institute, London; Museum Folkwang, Essen and as part of Nuit Blanche, Paris.

He has taken part in numerous events and exhibitions including in 2011: MoMA PS1, New York, Drawing now, Le Musée imaginaire de Jean de Loisy, Carroussel at the Louvre; in 2013: Module, at the Palais de Tokyo, in 2014: Le Musée éclaté on the Caen peninsula; Avec et sans peinture, Mac / Val, at Vitry - sur - Seine; La Nuit Blanche, in Paris, and in 2015: Biennale de Lyon and Estonia Biennial.

Major solo works include the McLuhan - themed Through The Vanishing Point (McLuhan in Europe Festival 2011, CONTACT Photography Festival, 2010), and You Are Here, which was commissioned as the official podcast audio guide for the City of Toronto's first Nuit Blanche in 2006.