Sentences with phrase «include accepted artist»

The listing will include accepted artist name (s), city, state, media category, and images submitted in the application.

Not exact matches

Some of my favorite pieces include the watercolor robin, which was handmade by an Italian artist, and the custom - made quote from Perks of Being a Wallflower («we accept the love we think we deserve»), which has been a favorite book of mine since I was a teenager.

The actor accepted the award for his role in The Disaster Artist while wearing a «Time's Up» pin, something which later saw several women shine a light on his alleged past behaviour including one actress who accused him of sexual misconduct.

Challenging accepted social conventions including the mechanisms and male dominance of the art industry, these artists sought to reconfigure, and ultimately reshape, the prevailing iconography of «woman» as passive muse surrendering to the male gaze.

A set of course materials she prepared in 1961 included a statement of advice that captured her own philosophy as an artist: «Do not accept an academic reproduction of the figure on your canvas.

Work in any medium will be accepted, and all artist members that wish to participate will have at least one work included.

«Certain that «no serious black artist today would accept to be include in an exclusively black show» and that any exhibition he organized would have to include nonblack artists as well, (Peter) Bradley (an African American artist who was also an art dealer at the time) proposed a competing vision.

This new assurance encouraged New York School artists to take risks, to experiment, and to reject accepted styles — including those of their immediate predecessors.

Submission guidelines are the following: • Contact Info and area of study • Brief reason of interest (300 words or less) • Brief Artist statement or Short proposal (150 words or less) including specification on work dimensions and any installation specification • Digital Images — Jpeg Format less than 5mb, Audio — Mp3, Video — Still image + online link All mediums will be accepted But space is limited.

South African artist William Kentridge (b. 1955) failed at painting, acting and filmmaking, but rediscovered everything again at the age of 30, when he accepted that he was indeed an artist with all that he wanted to include in that term.

【 Exhibition Details 】 Exhibition title: Art Scope 2012 - 2014 - Remains of Their Journeys Dates: July 12 (Saturday)- October 13 (Monday, national holiday), 2014 Place: Hara Museum of Contemporary Art, 4-7-25 Kitashinagawa, Shinagawa - ku, Tokyo 140 - 0001 Organized by: Hara Museum of Contemporary Art and Daimler Foundation Japan Under the auspices of: Embassy of the Federal Republic of Germany in Japan Supported by: Mercedes - Benz Japan Co., Ltd., Mercedes - Benz Finance Co., Ltd. and Mitsubishi Fuso Truck and Bus Corporation Cooperation provided by: Arts Initiative Tokyo [AIT] Participating artists: Ryosuke Imamura, Satoshi Ohno, Rita Hensen, Benedikt Partenheimer Hours: 11:00 am - 5:00 pm, Wednesday until 8:00 pm (last entry 30 minutes before closing) Closed: Mondays (except July 21, September 15 and October 13), July 22 and September 16 Admission: General 1,100 yen; Students 700 yen (high school and university) or 500 yen (elementary and junior high); Free for Hara Museum members, students through high school every Saturday during the school term; 100 yen discount per person for groups of 20 or more 【 Related Event 】 Artist Talk July 12 (Saturday), 2014, 2:30 - 4:30 pm Place: The Hall at the Hara Museum of Contemporary Art Speakers (scheduled): Ryosuke Imamura, Satoshi Ohno, Rita Hensen, Benedikt Partenheimer, Atsuo Yasuda (Hara Museum of Contemporary Art) Fee: Regular 2,000 yen (includes museum admission), Museum members and up to 2 guests 1,000 yen Reservations are required (requests accepted from June 24).

Souls Grown Deep has had an amazing couple of years, with a major gift accepted by the Metropolitan Museum of Art and big traveling shows of artists including Thornton Dial — the culmination of many decades of scholarship and outreach by the Arnetts.

Peter Blake studied at Gravesend School of Art before being accepted into the Royal College of Art, London (graduating in 1956), where many of the key British Pop artists, including David Hockney, R. B. Kitaj, Joe Tilson, Allen Jones, Peter Phillips and Derek Boshier, also studied.

I post this list as the fruit of my labor, but it is impossible for me to accept my own list of the «greatest» works that does not include Gerhard Richter, Mark Rothko, Alice Neel, or Donald Judd, just because I can't pick one single work by these artists that has had as big an impact on me as the other more stand - alone works that clawed their way onto my list.

Challenging accepted social conventions including the mechanisms of the art industry, these artists sought to reconfigure, and ultimately reshape, the prevailing iconography of «woman» as the passive muse surrendering herself to the male gaze.

In 1962 he was accepted by Joseph Beuys onto his renowned course at the Kunstakademie Düsseldorf at a time when his contemporaries included the artists Gerhard Richter, Blinky Palermo and Sigmar Polke.

Despite my myriad commitments — which included teaching a graduate seminar this fall; curating a show of a Santa Fe artist Allan Graham at Gallery Diet in Miami last month; preparing to celebrate the Miami Rail's one year anniversary, assisting our friends in the Twin Cities with launching the Third Rail this upcoming November; and actualizing all the usual Brooklyn Rail responsibilities — I accepted their invitation, largely because I feel it is an important opportunity for all of us to pay homage to artists whose works were damaged by Sandy.

ISCP is currently accepting applications from visual artists who work primarily with painting, sculpture, installation or works on paper, including printmakers who would like to engage with ISCP's unique and dynamic programming and creative community.

Accepted proposals will receive: - A 4 to 6 - week exhibition at Filter Space to take place 2019 — 2020 - At least 1 exhibition reception, with refreshments provided - The opportunity to host an event in conjunction with the exhibition (e.g. a workshop or artist's talk)- Exhibition marketing including printed postcards, an email blast to Filter Photo's mailing list, and other social media promotion - A discount of 10 % for all exhibition artwork produced through LATITUDE Chicago, a nonprofit digital lab that adjoins Filter Space

Images of accepted artwork, artwork information including dimensions and price, artist statements, artist biographies, and possibly resumes submitted through Slideroom or otherwise will be used for online and catalogue publication.