Sentences with phrase «include contemporary performance»
Her interests include contemporary performance in the museum context, politically engaged artist projects, early video art technologies, and the postwar artists of Latin America and Latinx artists in the United States.
https://www.brooklynmuseum.org/ Not exact matches
They have spent the past month researching and preparing for a number of tough but contemporary topics, including whether in a digital age we should expect our online activities to remain private, whether we should allow the use of performance enhancing drugs in sport and, appropriately, whether we have a right to not be offended.
After breaking ticket records at the Museum of Contemporary Art in Chicago, the touring exhibition «David Bowie Is» hits NYC in March, with more than 400 objects from the celestial pop icon's life, including costumes, lyric sheets and performance clips.
And although Lanthimos and regular co-writer Efthymis Filippou took the Best Screenplay award in Cannes, it's the film's sheer all - of - a-piece execution — from pacing and composition, to brilliant use of contemporary composers including (Kubrick fave) Ligeti and Gubaidulina, and expertly modulated performances — which holds you in its steely grip and just never lets go.
Her world premieres include Party People by Universes (Oregon Shakespeare Festival), The White Man — A Complex Declaration of Love by Joan Rang (DanskDansk Theatre, Denmark), Peggy Picket Sees the Face of God by Roland Schimmelpfennig (Luminato Festival / Canadian Stage Toronto), Eclipsed by Danai Gurira (Yale Repertory Theatre, Woolly Mammoth Theatre Company), The Good Negro by Tracey Scott Wilson (The Public Theater, Dallas Theater Center), A History of Light by Eisa Davis (Contemporary American Theatre Festival), Angela's Mixtape by Eisa Davis (Synchronicity Performance Group, New Georges), Bus and Family Ties (Play Company for the Romania Kiss Me!
His core professional interest is in establishing highly effective performance and development cultures within schools — built on contemporary teaching and learning practice, including blended and personalised learning styles.
Added comfort with contemporary style is the leather interior to heighten the quality and craftsmanship for the BMW 5 Series This BMW includes: POWER REAR SUNSHADE W / MANUAL RR SIDE WINDOW SHADES ANTHRACITE WOOD TRIM Woodgrain Interior Trim M SPORT Tires - Front Performance Aluminum Wheels Leather Steering Wheel Tires - Rear Performance HARMAN KARDON SURROUND SOUND SYSTEM Premium Sound System HEATED FRONT SEATS Heated Front Seat (s) WHEELS: 19» Tires - Front Performance Aluminum Wheels Tires - Rear Performance DRIVER ASSISTANCE PLUS Lane Departure Warning Blind Spot Monitor ALPINE WHITE DRIVER ASSISTANCE PACKAGE Rear Parking Aid Back - Up Camera Heads - Up Display TRANSMISSION: 8 - SPEED SPORT AUTOMATIC 8 - Speed A / T Transmission w / Dual Shift Mode A / T PREMIUM PACKAGE HD Radio Satellite Radio Power Door Locks Keyless Entry Remote Trunk Release BLACK, NAPPA LEATHER UPHOLSTERY Leather Seats * Note - For third party subscriptions or services, please contact the dealer for more information.
Sunpro: Performance tachometers and gauges, including new nostalgic Super III and contemporary Sport ST meters.
Since 1998 Bori has written and recorded music for numerous projects, including 28 full ‑ length theatre performances (ranging from contemporary dance to traditional theatre), two seasons of a TV show screened on the Slovenian national television, several short films, documentaries, and other audiovisual works and public events.
If modern art is more to your liking, the Perth Institute of Contemporary Art, known as PICA, runs a program that includes dance and theater, as well as performance and visual art.
Cultural performances from other Indonesian provinces including Central Kalimantan, North Sumatra, East Java, Riau, Jakarta, Solo and many others will also be presented, bringing their own traditional as well as most contemporary choreographies.
The Barbican Centre located in Clerkenwell is the largest multi-faceted performance and arts venue in Europe, hosting a wide array of events and functions including classical and contemporary music concerts, theatre performances, film screenings and art exhibitions.
The city's dozen - plus galleries, including Roan & Black (roanandblack.com) and the African - themed Amazwi Contemporary Art (amazwi.com) lure in the tourists, who can also partake in the art exhibits, theater and musical performances at the Saugatuck Center for the Arts (sc4a.org).
Artwork ranges from drawing, photography, sculpture, installations, film and video to performance and social practice taking place in both urban and rural landscapes, and include works that are narrative, political, performative, and conceptual examples of contemporary art.
His art, a combination of painting, sculpture and performance, has been displayed throughout the United States and the Las Vegas community, including the Contemporary Arts Center, Trifecta Gallery and the Donna Beam Gallery of Fine Art.
Recent group exhibitions include The St. Petersburg Paradox at the Swiss Institute for Contemporary Art, New York (2014); Rituals of Rented Island: Object Theater, Loft Performance, and the New Psychodrama — Manhattan, 1970 — 1980 at the Whitney Museum of American Art, New York (2014); and The Pictures Generation 1974 — 1984 at Metropolitan Museum of Art, New York (2010).
Its principal focus is the representation of an international group of contemporary artists whose diverse practices include painting, drawing, sculpture, video, photography, and performance.
Recent exhibitions and performances include Jordan Schnitzer Museum of Art, Eugene, OR; Socrates Sculpture Park, New York, NY; MoMA PS1 Contemporary Art Center, New York, NY; and the Knockdown Center, Queens, NY.
An auction led by Oliver Barker of Sotheby's and introduced by Alex Sainsbury featured work donated by leading artists in homage to Richard Long, including Matthew Darbyshire's glittering gold leaf bollard, Long's friend and contemporary Hamish Fulton's work reminiscing on a 1960s performance by the artist, and Michael Rakowitz's reinterpretation of Long's iconic A Line Made by Walking with A Line Made from Looting.
Sla307 produces a number of contemporary art exhibitions throughout the year as well as a series of public programming which include lectures, performances, and film screenings.
Contemporary art from around the world, including paintings, sculpture, installations, videos, multiples, prints and performances.
The exhibition comprises a broad range of works across a variety of mediums — including painting, performance, photography, sculpture, video, and web - based projects — that all investigate the extensive effects of the internet on artistic practice and contemporary culture.
Solo exhibitions include: the Institute of Contemporary Art, Boston; Nick Cave: Sojourn, Denver Art Museum; Nick Cave: The World is My Skin, Trapholt Museum, Denmark; Freeport 006: Nick Cave, Peabody Essex Museum, Salem, MA; Fantastic 2012, Lille 3000, Le Tripostal, Lille, France; and HEARD • NY, a large - scale performance in Grand Central Terminal organized by Creative Time.
Referred to as the «New School's Head of Class» by V Magazine, her exhibitions are regularly featured in the Top Ten art show to see, including Terence Koh's performance «Art History» in The New York Times and New York Magazine, the best show of the summer by The Huffington Post for «Contemporary Magic» at the Virginia MoCA, as well as placement in the top art / fashion crossover shows of the year by Italian Vogue for ART CAPSUL at the Palais de Tokyo, Paris.
Venues for solo exhibitions include: the Institute of Contemporary Art, Boston; Nick Cave: Sojourn, Denver Art Museum; Nick Cave: The World is My Skin, Trapholt Museum, Denmark; Freeport 006: Nick Cave, Peabody Essex Museum, Salem, MA; Fantastic 2012, Lille 3000, Le Tripostal, Lille, France; and HEARD • NY, a large - scale performance in Grand Central Terminal organized by Creative Time.
Past exhibitions include — Project: COSMOS, 3rd Biennale of Daejeon, Daejeon Museum of Art, Korea (2016); My Trip to Mars, at the UTS Gallery, University of Technology, Sydney (2015); The Hope of Wrecks, St. Albans Museum, Hertfordshire, United Kingdom (2015); Awfully Wonderful: Science Fiction in Contemporary Art, Performance Space, Sydney (2013); The Great Reclamation, Pictura, Dordrecht, The Netherlands (2011), and The Visitors: The Australian Response to UFO's and Aliens at Penrith Regional Gallery (2008).
The programme includes films and talks that provide an insight into contemporary performance art, as well as three artist - led workshops.
As Co-Founder of CAN, the Centre d'art Neuchâtel, Switzerland, and director from 1995 - 2000, Wahler integrated researchers at the University of Neuchâtel into the institution's contemporary art programming, including site - specific performances and solo and group exhibitions with Steven Parrino, Fischli and Weiss, Roman Signer, Cheryl Donegan, Philippe Parreno, and Mike Kelley, among others.
Her research interests include the intersection of archives and the contemporary arts; documentation and preservation issues for performance and installation - based works; and the increasing convergence of archives and museum collection management practices for contemporary art - related collections.
Her research interests include documentation practices and preservation issues for performance, technology, and installation - based works, and the increasing convergence of archives and museum collection management practices for contemporary art - related collections.
Armory programming includes: free year - round community arts programs, serving 6,500 people annually; in - school artist residencies and a gallery fieldtrip program, serving 4,500 students annually; studio programs offering visual and media arts classes for all ages, serving 3,700 people annually; professional development training for teaching artists and public school teachers; and contemporary visual art exhibitions and performance based work.
Stuart Comer (formerly Curator: Film at Tate Modern, London, now Chief Curator of Media and Performance Art at MoMA) commented that his section of the Biennial «acknowledges the complexity of contemporary art practice by including many types of cultural producers: editorial collectives, artist - curators, activists, musicians, poets, dancers, filmmakers, painters, sculptors and photographers.
«100 % Other: Artists and Psycho - Demographic Transitions» follows several recent critically acclaimed exhibitions, including «Patriot Acts» (the first installment of «Future of Nations») and «Incognegro,» which offered a contemporary critique of race through the exploration of infamous black - face performance.
Located at 888 Newark Ave., Jersey City, NJ, Mana Contemporary hosts two open houses each year during the spring and fall, which include special programs, performances, and open studios in addition to new and continuing exhibitions.
Recent projects include «Not Alone» at Stephen Friedman Gallery, London (2015), «So Sorry» performed at The Power Plant Contemporary Art Gallery, Toronto (2015); «FECUNDITAS and Creation», for Performa, the New York performance - art festival, New York (2014 and 2009); «Brad Jones - Diptychs» in collaboration with Brandi Twilley at Sargent's Daughters, New York (2014); «Engagement», her iconic waxwork of Prince William, at both Stephen Friedman Gallery and the Saatchi Gallery, London (2011); «The de Pury Diptych» at the Saatchi Gallery, London (2010); «Icons» at the Brooklyn Museum, New York (2010); and «Old - Fashioned» at the LA County Museum of Art, Los Angeles (2010).
It also includes films and lectures with some of the classics from the history of performance art, as well as contemporary performances.
From iconic modern painters like Brice Marden, to contemporary designers like Jürg Lehni, to artists working across disciplines including photography, architecture, media arts, performance, film, and public practice, we invite you to hear from artists who are shaping the future of contemporary art.
She has read, exhibited and performed her multidisciplinary work at events and venues including the Miami Book Fair International, the Ashé Cultural Center and the Contemporary Arts Center in New Orleans; Universidad del Sagrado Corazón in San Juan, PR; Girls» Club in Ft. Lauderdale, FL; Sweat Records in Miami, FL; and ArtCenter South Florida, as well as readings and performances as a member of the Miami Poetry Collective.
Their artistic practice spans diverse media including film, photography, painting, performance, and site - specific projects.Vătămanu and Tudor's broad - reaching practice has positioned them among the most compelling and literate interpreters of our contemporary post-communist condition, which extends far beyond their native Romania.
Based in New York they maintain an expansive inventory of 15,000 titles by over 6,000 artists as well as maintaining a busy programming calendar which includes exhibitions of contemporary and historically significant artists books, artist talks, book launches and performances.
He works with a wide range of genres, such as sculpture, installation, painting, performance, and interactive multimedia, and has participated in several international exhibitions, including Shanghai Biennale, Shenzhen Sculpture Biennale, Gwangju Biennale in South Korea, Chinese Contemporary Sculpture Documenta, with exhibitions presented at the National Art Museum of China, China Central Academy of Fine Arts Museum, Shanghai Long Museum, Today Art Museum, Songzhuang Art Center, Museum of the Orient in Portugal, Iberia Center for Contemporary Art, C5 Art, Central Institute of Fine Arts in Beijing, Central Academy of Fine Arts Sculpture Center, Times Art Museum, White Rabbit Gallery in Australia, Centro Cultural Providencia in Chile, and Bonn Museum of Modern Art in Germany, and also solo exhibitions held at Ullens Center for Contemporary Art in Beijing, and Phoenix Art Palace.
He has received numerous accolades, including a John Simon Guggenheim Fellowship, awards from the Foundation for Contemporary Performance Arts, New York Foundation for the Arts, an American Choreographer Award, and a New York Dance and Performance «Bessie» Award.
The artist presented the multi-disciplinary performance work red, yellow, lime, pink, lavender, green, scarlet, lavender, scarlet, green, lavender as part of The Magazine Sessions 2016 at the Serpentine Galleries, London, and has participated in group exhibitions including Chromaphilia & Chromaphobia, Kansas City Art Institute (2016); Terra Provocata, Fondazione del Monte and Museo Civico Medievale, Bologna (2016); From The Ruins..., 601Artspace, New York (2015); Hangzhou Triennial of Fiber Art, Hangzhou, China (2013); Paper, Saatchi Gallery, London (2013); Aquatopia, Nottingham Contemporary, Nottingham, touring to Tate St Ives (2013); Graphite, Indianapolis Museum of Art (2013); The Air We Breathe, San Francisco Museum of Modern Art (2011); Coming After, The Power Plant, Toronto (2011); Compilation IV, Kunsthalle, Dusseldorf (2009) and Compass in Hand: Selections from the Judith Rothschild Collection, Museum of Modern Art, New York (2009).
The exhibition, which will be held at the Museum of Contemporary Art, Andros, through September 26, 2010, will feature a total of 76 works, including 42 sculptures, 34 drawings and preliminary sketches, and a series of photographs documenting stage sets designed by the artist for various performances, as well as public works realized across Europe, Asia and the United States.
As an artist he is best known for Talent, eighteen «entertainer's headshots» of contemporary artists including Cindy Sherman, Jeff Koons, Jenny Holzer and others, and The Ice Cream Social, a project comprising installations, performances, a novella, and a TV pilot.
Radical Presence: Black Performance in Contemporary Art at the Studio Museum in Harlem continues reframing the historical narrative to include African Americans, as begun in Part 1 at NYU's Grey Art Gallery.
An auction led by Oliver Barker of Sotheby's and introduced by Alex Sainsbury featured work donated by leading artists in homage to Long, including Matthew Darbyshire's glittering gold leaf bollard, Long's friend and contemporary Hamish Fulton's work reminiscing on a 1960s performance by the artist, and Michael Rakowitz's reinterpretation of Long's iconic A Line Made by Walking with A Line Made from Looting.
Miami Art basel included 268 premier galleries from 32 countries, all of whom presented works ranging from Modern masterpieces to contemporary painting, sculpture, performance, photography and works on paper and film — some of which were created specifically for the fair.
Between 1963 and 1966, the Foundation sponsored a number of public events, including a series of performances at The Pocket Theater featuring then - emerging artists like Trisha Brown, Robert Morris, Yvonne Rainer, David Tudor, and La Monte Young, among many others; a concert of music by then - emerging composers Morton Feldman and Earle Brown; «Six Lectures» (1966), a series of lectures given by Norman O. Brown, Merce Cunningham, R. Buckminster Fuller, Marshall McLuhan, Harold Rosenberg, and Peter Yates; and «9 Evenings» (1966), a series of performances organized by Experiments in Art and Technology (E.A.T.) for which contemporary artists and scientists created collaborative performance works.
Contemporary sculpture is a broad and diverse field that includes object making, large - scale architectural installation, performance - based work, time - based work, and time - based media.