The bundle of rights formulation denies the evolution of traditions to
include contemporary practices.
Not exact matches
The Christian Post: Paganism and Witchcraft Placed Alongside Christian Studies in UK Schools A U.K. school system has
included the study of witchcraft and druidry on its official religious education syllabus for the first time, meaning pagan
practices will be taught alongside
contemporary religions, such as Christianity, Islam and Judaism.
Traditional Buddhist stories abound of meditators being taken over by evil spirits, and
contemporary psychological studies of mindfulness
practice going back to the 1970s
include patients who experienced hallucinations, psychotic episodes, depression and other mental trauma, as well as nerve pain and similar physical impacts.
foodpro will also host a series of free education sessions on several
contemporary industry issues,
including traceability, best
practices and sustainability,
including case studies and demonstrations.
«Cultivating a Calm Mind: Meditation for Daily Living» A 4 - week series that
includes 6 hours of learning and
practicing classical and
contemporary techniques.
Established in 2000, Mara Hoffman is a
contemporary womenswear label with an emphasis on sustainable design
practice, with key stockists
including MatchesFashion, Harvey Nichols and Selfridges.
Objectives
include evaluating
contemporary interpretations of Christmas against its traditional Christian origin, and exploring the events and significance of the nativity to Christian belief and
practice today.
His core professional interest is in establishing highly effective performance and development cultures within schools — built on
contemporary teaching and learning
practice,
including blended and personalised learning styles.
Artwork ranges from drawing, photography, sculpture, installations, film and video to performance and social
practice taking place in both urban and rural landscapes, and
include works that are narrative, political, performative, and conceptual examples of
contemporary art.
This will
include those from older generations of artists,
including Malick Sidibé and Carrie Mae Weems, to those by more
contemporary artists, such as Deana Lawson, Zanele Muholi, and LaToya Ruby Frazier, who are part of Thomas's generation or younger, and may in turn find inspiration in Thomas's own
practice.
This will
include those from older generations of artists, to those by more
contemporary artists who are part of her generation or younger, and may in turn find inspiration in Thomas's own
practice.
Its principal focus is the representation of an international group of
contemporary artists whose diverse
practices include painting, drawing, sculpture, video, photography, and performance.
She has been featured in major international exhibitions
including the Museum of Modern Art; the Centre Georges Pompidou; the Whitney Museum of American Art; the Fowler Museum at UCLA; Art +
Practice; Prospect.3: Notes for Now New Orleans Biennial; the Institute of
Contemporary Art, Philadelphia; and at the Studio Museum in Harlem.
Recognizing the Bronx's cultural contributions —
including the birth of artistic movements such as hip hop, graffiti art and Latin Jazz, that served as inspiration to many
contemporary artists — in 1999 the Museum expanded its collecting
practice to
include works by artists for whom the Bronx has been critical to their artistic
practice and development.
He returned to his artistic
practice in 2005, and has since exhibited in several group exhibitions
including State of Mind: New California Art Circa 1970 co-organized by the Berkeley Art Museum and the Orange County Museum of Art; Ends of the Earth: Art of the Land to 1974 at the Museum of
Contemporary Art, Los Angeles; and Afterlife: A Constellation, curated by Julie Ault as part of the 2014 Whitney Biennial.
The exhibition comprises a broad range of works across a variety of mediums —
including painting, performance, photography, sculpture, video, and web - based projects — that all investigate the extensive effects of the internet on artistic
practice and
contemporary culture.
No longer separately relegated to «walking» art or «land» art, but
including action - based processes, Wanderlust allows viewers to experience 50 years of artistic
practices that are intertwined while highlighting diverse approaches to
contemporary art.
«Kerry James Marshall: Painting and Other Stuff,» the first comprehensive survey of his
practice, is on view in Antwerp, Madrid, Copenhagen and Barcelona (and
includes a catalog); «Look See,» his first exhibition with David Zwirner Gallery, his representative in London, opens; and he receives the Wolfgang Hahn Prize for
contemporary art from the Museum Ludwig in Cologne, Germany.
A departure from Wiley's
practice of painting anonymous sitters, these portraits
include a select group of extraordinary
contemporary artists ---- Derrick Adams, Sanford Biggers, Nick Cave, Rashid Johnson, Glenn Ligon, Kerry James Marshall, Wangechi Mutu, Yinka Shonibare, Mickalene Thomas, Hank Willis Thomas, Carrie Mae Weems, and Lynette Yiadom - Boakye.
Blackson has contributed to a variety of catalogues and publications,
including Art Journal, Cabinet, and Labyrinth, and he has lectured internationally on issues related to
contemporary art
practice.
Recent publications
include «I'd Rather Be Here and Now: The Performative Verb of Painting — An Interview with Anoka Faroqee» in X-TRA
Contemporary Art Quarterly, and «Farm Fresh Art: Food, Art, Politics, and the Blossoming of Social
Practice» in Art Practical.
Her research interests
include the intersection of archives and the
contemporary arts; documentation and preservation issues for performance and installation - based works; and the increasing convergence of archives and museum collection management
practices for
contemporary art - related collections.
In her artistic
practice, recent works
include the large - scale sculptural installations Raked at Spencer Brownstone Gallery in New York (2014), and Floor / Ceiling at The Aldrich
Contemporary Art Museum, Connecticut (2013).
Her research interests
include documentation
practices and preservation issues for performance, technology, and installation - based works, and the increasing convergence of archives and museum collection management
practices for
contemporary art - related collections.
Its principal focus is on the representation of
contemporary artists whose diverse
practices include painting, drawing, sculpture, video, and photography.
Stuart Comer (formerly Curator: Film at Tate Modern, London, now Chief Curator of Media and Performance Art at MoMA) commented that his section of the Biennial «acknowledges the complexity of
contemporary art
practice by
including many types of cultural producers: editorial collectives, artist - curators, activists, musicians, poets, dancers, filmmakers, painters, sculptors and photographers.
We have high editorial standards —
including a strict conflict of interest policy (below)-- and our team is made up of artists, curators, and art historians who thoughtfully examine
contemporary arts and art
practices where they overlap with cultural and social issues.
Including an immersive work placement at the Whitechapel Gallery, the course involved students directly in the life cycle of the gallery, acquiring the key skills and knowledge of curatorial
practice as well as an informed understanding of public galleries and the
contemporary visual arts.
From iconic modern painters like Brice Marden, to
contemporary designers like Jürg Lehni, to artists working across disciplines
including photography, architecture, media arts, performance, film, and public
practice, we invite you to hear from artists who are shaping the future of
contemporary art.
Their artistic
practice spans diverse media
including film, photography, painting, performance, and site - specific projects.Vătămanu and Tudor's broad - reaching
practice has positioned them among the most compelling and literate interpreters of our
contemporary post-communist condition, which extends far beyond their native Romania.
His work has been featured in group exhibitions in museums worldwide
including the Whitney Biennial, Whitney Museum of American Art, New York (2017); Stedelijk Museum voor Actuele Kunst, Ghent, Belgium (2016); Astrup Fearnley Museet, Oslo, Norway (2016); Hammer Museum at Art +
Practice, Los Angeles, CA (2016); Camden Arts Centre, London, UK (2016); Studio Museum, Harlem, NY (2013); Carnegie Museum of Art, Pittsburgh, PA (2013); Museum of
Contemporary Art, Los Angeles, CA (2012); Los Angeles County Museum of Art, Los Angeles, CA (2011); and the Rubell Family Collection, Miami, FL (2011).
The 160 - page catalogue
includes 52 color images and essays by Stéphane Aquin, Curator of
Contemporary Art, Musée des Beaux - Arts de Montréal, art historian David Anfam, Robert Lawlor, author of Scared Geometry: Philosophy &
Practice, and Alicia G. Longwell, the Parrish Art Museum's Lewis B. and Dorothy Cullman Chief Curator, Art and Education.
Hunt graduated from the Curatorial
Practice program at the California College of the Arts in San Francisco, and has worked at various galleries and institutions since 2002,
including Whitechapel Gallery, London; Friedrich Petzel Gallery, New York; the Wattis Institute for
Contemporary Arts, San Francisco; and the Philadelphia Museum of Art.
Current projects
include In the Shadow of the Negress: A Brief History of Modern Artistic
Practice, which explores the constitutive role played by fictions of black womanhood in Western art from the late - eighteenth century to the present, and a companion volume — tentatively entitled Touched by the Mother:
Contemporary Artists, Black Masculinities, and the Ends of the American Century — that brings together many of his new and previously published critical essays.
Rejoicing in the constantly evolving landscape of today's art industry and with a considerable knack for finding the gems, Bray maintains her curatorial
practice at Mercer
Contemporary while contributing regularly to several publications,
including this one.
Ashley Bickerton's vibrant and often dystopic vision of
contemporary culture has been at the center of his four - decade - long
practice, which
includes painting, photography, sculpture, and every possible combination therein.
She will then turn to a discussion of the sculptures and three dimensional aspects of the various works
included in the current exhibition at the New Museum, whose rich iconography connects them with both historical masterpieces and
contemporary art
practices.
Gates, whose
practice includes performance, installation, and urban interventions, created 12 Ballads for Huguenot House as part of his ongoing efforts to rejuvenate — both socially and architecturally — his South Chicago neighborhood LOCATION: Museum of
Contemporary Art Chicago
A Rail Curatorial Project lead by Phong Bui of the Brooklyn Rail, this exhibition focuses on artists whose
practice interrogates the
contemporary social climate,
including issues surrounding immigration, the environment, human rights and equality, foreign relations, among others, ultimately drawing attention to art as it functions as a lens for better understanding the time in which we live.
Organized by the SCAD exhibitions department and overseen by Laurie Ann Farrell, SCAD executive director of exhibitions, with support from chief curator Isolde Brielmaier, Ph.D., the 2013 schedule
includes exhibitions of work by major international
contemporary artists with a diverse range of
practices and media,
including Ursula von Rydingsvard, Uta Barth, Candice Breitz, Chakaia Booker and Regina Silveira, among others.
Glass Gallery Curated by Phong Bui and Rail Curatorial Projects A Rail Curatorial Project led by Phong Bui of the Brooklyn Rail, this exhibition focuses on artists whose
practice interrogates the
contemporary social climate,
including issues surrounding immigration, the environment, human rights and equality, foreign relations, among others, ultimately drawing attention to art as it functions as a lens for better understanding the time in which we live.
Other recent solo exhibitions
include Slow Graffiti, Secession Building, Vienna, Austria; A Man Full Of Trouble at Maccarone Gallery, New York; 50 Wigs at the Herning Museum of
Contemporary Art, Herning, Denmark; A Season in He'll at Art +
Practice, Hammer Museum, Los Angeles (2016); Die Hexe at Luxembourg & Dayan Gallery, New York; Devil Town at Gio Marconi, Milan; Le Miroir Vivant at The Museum Boijmans van Beuningen, Rotterdam, Netherlands (2015); Easternsports at the Institute of
Contemporary Art, Philadelphia (2014, together with Jayson Musson).
Recent exhibitions and projects
include; SMALL Rome, Frutta Gallery, Italy, 2014; Vivarium, Model, Liverpool, 2014; Residency at Summer Lodge, Nottingham Trent University, Nottingham, 2014; Residency and Exhibition at Hotel MariaKapel, Holland, 2014; Exeter
Contemporary Open, Exeter Phoenix, Exeter, 2013; Alignment, Backlit, Nottingham 2013; «The Reading Room» — discussing Rhizomes in philosophy and contemporary art practice, Syson Gallery, Nottingham, 2013; Residency at Harbin Engineering University, Harbin,
Contemporary Open, Exeter Phoenix, Exeter, 2013; Alignment, Backlit, Nottingham 2013; «The Reading Room» — discussing Rhizomes in philosophy and
contemporary art practice, Syson Gallery, Nottingham, 2013; Residency at Harbin Engineering University, Harbin,
contemporary art
practice, Syson Gallery, Nottingham, 2013; Residency at Harbin Engineering University, Harbin, China, 2011.
Alongside a room devoted to Jeremy Deller's Iggy Pop Life Class, we will show
contemporary work in diverse media by various artists
including numerous Royal Academicians who continue to interrogate the
practice of working from life, among them Jenny Saville, Chantal Joffe and Gillian Wearing.
It
included some of the pioneers of current
contemporary art
practice on the world stage, and the opportunity to showcase their work in this major exhibition was a huge cultural coup for Wales.
The exhibition, «continuing CIMA's
practice of introducing work by
contemporary artists into its exhibitions,» as its website explains, also
includes several works by Louise Bourgeois.
Notable group shows
include «Variations: Conversations in and around Abstract Painting», curated by Franklin Sirmans, Los Angeles County Museum of Art, LA, CA; «Making Sense: Rochelle Feinstein, Iva Gueorguieva, Dona Nelson, Deborah Grant» curated by Margaret Miller, USF
Contemporary Art Museum, Tampa, FL; «Graphicstudio: Uncommon
Practice at USF,» curated by Jade Dellinger, Tampa Museum of Art, Tampa, FL; «Desire,» Pasadena Museum of Art, Pasadena, CA.
From iconic photo series to early sculpture and large - scale installation, the works
included in this presentation represent the foundations or conceptual departure points that have defined
practices and broader dialogues in
contemporary art since the 1990s.
It
includes some of the pioneers of current
contemporary art
practice on the world stage.
The main collection
includes extensive holdings of international exhibition catalogs, artists» monographs, and over 60 current subscriptions to international art journals and periodicals covering the
contemporary arts and curatorial
practices.