Sentences with phrase «include contemporary visual culture»

Not exact matches

Glenwood has entered an era of suburban revival mostly due to the hive of activity evident on Davenport, Bulwer and Ferguson Roads, where antique shops, the KZNSA Gallery - which includes a gallery that exhibits contemporary visual culture, a shop, a café and a training art programme - and various little shops, restaurants and cafés have attracted a loyal following.

Panelists include Brian Wallis, Curator of the Walther Collection and former Chief Curator of the ICP; Paul Milkman, scholar and author of PM: A New Deal in Journalism 1940 - 1948; Jason Hill, Associate Professor of Modern and Contemporary Art and Visual Culture at the University of Delaware and author of the forthcoming book Artist as Reporter: Weegee, Ad Reinhardt, and the PM News Picture and Laetitia Barrere, Andrew W. Mellon Postdoctoral Curatorial Fellow at the Metropolitan Museum of Art.

Recent solo and major notable museum exhibitions include; «Enlightened Princesses; Caroline, Augusta, Charlotte and the Shaping of the Modern World», Yale Center for British Art, New Haven, Connecticut, USA tours to Kensington Palace, London, UK (2016 - 2017); «Paradise Beyond» Gemeentemuseum Helmond, Netherlands (2016); «Recreating the Pastoral», VISUAL Centre for Contemporary Art, Carlow, Ireland (2016); «End of Empire», Turner Contemporary, Margate, England (2016); «Wilderness into a Garden», Daegu Art Museum, Daegu, Korea (2015); «Pièces de Résistance», DHC / ART Foundation for Contemporary Art, Montréal, Québec (2015); «Cannonball Paradise», Herbert - Gerisch - Stiftung, Neumünster, Germany (2014); «Yinka Shonibare MBE: Egg Fight», Fondation Blachère, Apt, France (2014); «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, Pennsylvania, USA (2014); «Selected Works», Gdansk City Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (2011).

Recent exhibitions that have featured VanDerBeek's work include Stan VanDerBeek: The Culture Intercom, MIT List Visual Arts Center, Cambridge, MA and Contemporary Arts Museum Houston (2011); The Historical Box, Hauser & Wirth, Zurich (2011 - 12) / London (2012); Ghosts in The Machine, The New Museum of Contemporary Art, New York (2012); Xerography, Firstsite, Essex, UK (2013); The Venice Biennale (2013); Go!

His paintings contain a mash - up of historical and cultural references, combining elements of 18th and 19th century colonial portraiture and folk art with visual signifiers of contemporary urban culture, including jewelry and body art associated with present - day gangsters and hipsters.

The line - up will consist of film, exhibitions, talks and debates, literature, music, politics, visual arts, fashion and cuisine, including: Light from the Middle East, an exhibition of contemporary photography from the Middle East, an evening of song with Emel Mathlouthi, a discussion of the role of art and culture in Syria with journalist Malu Halasa and an evening with poet Al Saddiq Al - Raddi whose work reflects his identity as an African poet writing in Arabic.

Since then, she has received numerous grants and awards, including an AVEK - award for important achievements in the field of audio - visual culture (1997), the Edstrand Art Price (1998), a DAAD fellowship (1999), honorary mention at the 48th Venice Biennale (1999), the Vincent Van Gogh Bi-annual Award for Contemporary Art in Europe (2000), and a five - year grant from the Central Committee for the Arts (2001), as well as the Artes Mundi Prize (2006).

Group exhibitions for Atlas in 2010 included: Hayward Gallery, London; ICA Philadephia, touring to Contemporary Arts Museum, Houston; MIT / LIST Visual Art Center, Cambridge, Massachusetts; Kunstverein Nürnberg, Nürnberg; De Hallen Haarlem, The Netherlands; PS1, New York, touring to Garage Centre for Contemporary Culture, Moscow and KAde Kunsthal in Amersfoort.

Her wide - ranging interests in American art and visual culture are reflected in the breadth of her publications, including Benton, Pollock, and the Politics of Modernism: From Regionalism to Abstract Expressionism (1991, which received the Charles C. Eldredge Prize), Spirit Poles and Flying Pigs: Public Art and Cultural Democracy in American Communities (1995), Elvis Culture: Fans, Faith, and Image (1999), Looking at Life Magazine (editor, 2001), Twentieth - Century American Art (2002), The Emotional Life of Contemporary Public Memorials: Towards a Theory of Temporary Memorials (2008), Memorial Mania: Public Feeling in America (2010), and American Art of the 20th - 21st Centuries culture are reflected in the breadth of her publications, including Benton, Pollock, and the Politics of Modernism: From Regionalism to Abstract Expressionism (1991, which received the Charles C. Eldredge Prize), Spirit Poles and Flying Pigs: Public Art and Cultural Democracy in American Communities (1995), Elvis Culture: Fans, Faith, and Image (1999), Looking at Life Magazine (editor, 2001), Twentieth - Century American Art (2002), The Emotional Life of Contemporary Public Memorials: Towards a Theory of Temporary Memorials (2008), Memorial Mania: Public Feeling in America (2010), and American Art of the 20th - 21st Centuries Culture: Fans, Faith, and Image (1999), Looking at Life Magazine (editor, 2001), Twentieth - Century American Art (2002), The Emotional Life of Contemporary Public Memorials: Towards a Theory of Temporary Memorials (2008), Memorial Mania: Public Feeling in America (2010), and American Art of the 20th - 21st Centuries (2017).

For over 35 years JEFFREY DEITCH has supported every mode of experimental and investigative visual art — while including music, fashion, skate culture, cinema, theater, and performance in his growing understanding of contemporary culture.

Wilson's work has been the subject of numerous solo and group exhibitions worldwide, including the critically acclaimed Mining the Museum: An Installation by Fred Wilson, sponsored by the Contemporary Museum at The Maryland Historical Society, Baltimore (1992 - 93) and Fred Wilson, Objects and Installations 1979 — 2000, a retrospective organized by the Center for Art, Design and Visual Culture at the University of Maryland, which traveled to seven venues nationally from 2001 — 4, including Andover, Berkeley, Chicago, Houston, Los Angeles, Saratoga Springs, and ending its run at the Studio Museum in Harlem.

His interests include network theory, copyright and aura in the age of digital reproduction, and the unpredictable revisions of historical technologies within contemporary visual culture and social politics.

Seminars, site visits, individual meetings, and roundtable discussions will be led by a group of professionals that includes Andrea Andersson (Chief Curator of Visual Arts, CAC New Orleans), María del Carmen Carrión (Director of Public Programs & Research, ICI), Tumelo Mosaka (independent curator, New York), Beatriz Santiago Muñoz (artist, San Juan), Valerie Cassel Oliver (Senior Curator, Contemporary Arts Museum Houston), Elvira Dyangani Ose (Lecturer in Visual Cultures, Goldsmiths, University of London and Curator of the 8th Edition of the Göteborg International Biennial for Contemporary Art, GIBCA 2015), Renaud Proch (Executive Director, ICI), Franklin Sirmans (Artistic Director, Prospect.3, New Orleans and Terri and Michael Smooke Department Head and Curator of Contemporary Art, LACMA, Los Angeles), and Claire Tancons (independent curator, New Orleans), as well as the soon - to - be-announced Artistic Director of Prospect.4, among others.

Varejão will include works from her two most recent series: Kindred Spirits, 29 portraits of the artist donning the face painting and body ornamentation of Native American tribes intermixed with markings derived from artworks by Minimalist and contemporary American artists, and the Mimbres paintings, which reference the visual culture of the Mimbres people who inhabited the American Southwest in the 11th century.

Presented as a series of filmed conversations between Aitken and celebrated cultural figures from diverse media including visual art, architecture, film, new media and music, The Source leads us to new frontiers of contemporary culture.

The key subject of the course is the Exhibition as Communicative Space and will include: discussions about criticism and analysis of comprehensive phenomenon of how contemporary art, design, architecture, sound and performance, and publications as dominant art forms of visual culture adapt, co-exist, and conflict with market system; the course will reflect upon creative responses to conflict and crisis versus problems of value judgment on today's market - led cultural phenomenon and cultural movement, and the role of curator as a cultural translator and mediator between the two; and exploration of alternatives for ecological health of increasingly globalized art and culture.

Ganesh draws from a broad range of material, including the iconography of Hindu, Greek and Buddhist mythology, 19th century European portraiture and fairytales, archival photography, and song lyrics, as well as contemporary visual culture such as Bollywood posters, anime, and comic books.

Matsuyama is influenced by a variety of subjects, including Japanese art from the Edo and Meiji eras, classical Greek and Roman statuary, French Renaissance painting, post-war contemporary art, and the visual language of global, popular culture as embodied by mass - produced commodities.

-- Stuart Hall's work on culture and representation — Artistic and / or curatorial practice — Filmmaking and media analysis — Cultural histories — local and diasporic — Literary Studies including criticism and theory — Researching visual archives — The relationship between contemporary visual art and cultural politics

Recent exhibitions include China Contemporary Art, Architecture and Visual Culture, Museum Boijmans van Beuningen (Rotterdam, 2006); The Thirteen: Chinese Video Now, P.S. 1 Contemporary Art Center (New York, 2006); Out of Sight, De Appel Foundation (Amsterdam, 2005); Double Vision, 1st Lianzhou International Foto Festival (2005); Zooming Into Focus: Chinese Contemporary Photography and Video from Haudenschild Collection, National Art Museum (Beijing, 2005) and subsequently in Mexico City and Shanghai.

The Contemporary's board of directors made the selection based on a set of criteria including significant achievement in scholarship or criticism; a role in helping to establish or further dialogue about Atlanta art and visual culture; public advocacy and leadership; and serving as an ambassador for Atlanta arts outside the community.

To date, these have included Future Imperfect: Contemporary Art Practices and Cultural Institutions in the Middle East (2016); Dissonant Archives: Contemporary Visual Culture and Contested Narratives in the Middle East (2015); and Uncommon Grounds: New Media and Critical Practices in North Africa and the Middle East (2014).

His books include Scene jezika [Scenes of language](Belgrade, 1989), Pas Tout (Buffalo, 1994), Prolegomena za analitičku estetiku [Prolegomena for analytical aesthetics](Novi Sad, 1995), Postmoderna [Postmodernism](Belgrade, 1995), Asimetrični drugi [The asymmetrical other](Novi Sad, 1996), Estetika apstraktnog slikarstva [Aesthetics of abstract painting](Belgrade, 1998), Pojmovnik moderne i postmoderne likovne umetnosti i teorije posle 1950 [Glossary of modern and post-modern visual arts and theory after 1950](Belgrade and Novi Sad, 1999), Paragrami tela / figure [Paragrams of body / figure](Belgrade, 2001), Anatomija angelova [Anatomy of angels](Ljubljana, 2001), Figura, askeza in perverzija [Figure, asceticism and perversion](Koper, 2001), Martek — Fatalne figure umjetnika: Eseji o umjetnosti i kulturi XX stoljeća u Jugoistočnoj, Istočnoj i Srednjoj Europi kroz djelovanje umjetnika Vlade Marteka [Martek — Fatal figures of the artist: essays on 20th - century art and culture in South - Eastern, Eastern and Central Europe through the work of Vlado Martek](Zagreb, 2002), Impossible Histories — Historical Avant - gardes, Neo-avant-gardes, and Post-avant-gardes in Yugoslavia, 1918 — 1991 (Cambridge Mass, 2003), Politike slikarstva [The politics of painting](Koper, 2004), Pojmovnik suvremene umjetnosti [Glossary of contemporary art](Zagreb and Ghent, 2005), Konceptualna umetnost [Conceptual art](Novi Sad, 2007), Epistemology of Art (Belgrade, 2008) etc..

Highlights include In and Out, Text & Subtext: International Contemporary Asian Women Artists Exhibition, Site + Sight: Translating Cultures and Compound Eyes: Contemporary Visual Art from China.

Examples include the sewn and woven images of artist and former professional skateboarder Tony Cox, Philippine artist Brenda Fajardo's works using indigenous materials that recall her country's visual and oral storytelling traditions, and Christina Forrer's tapestries blending elements from Swiss folklore and historical European tapestry with contemporary pop and street culture.

Panelists include Brian Wallis, Curator of the Walther Collection and former Chief Curator of the ICP; Paul Milkman, scholar and author of PM: A New Deal in Journalism 1940 - 1948; Jason Hill, Assistant Professor of Modern and Contemporary Art and Visual Culture at the University of Delaware and author of the forthcoming book Artist as Reporter: Weegee, Ad Reinhardt, and the PM News Picture and Laetitia Barrere, Andrew W. Mellon Postdoctoral Curatorial Fellow at the Metropolitan Museum of Art.

Tameka Norris (b. 1979, Guam) is a New Orleans - based visual and performance artist that utilizes a variety of media including performance, painting, video, photography, and installation to investigate such themes as the legacy of art history, the fictions of the past, and the contradictions inherent in contemporary society and culture.

Line up of artists include: Bad - girl performance art legend Penny Arcade; pioneering artist Christian Marclay, whose work explores the connections between visual and audio cultures; Turner Prize - winning artist Martin Creed; investigatory pop / electronic composer and performer Simon Bookish and the spectacular contemporary dance choreographer Frauke Requardt.