Sentences with phrase «include creative photography»

Not exact matches

The nominees include many creative and talented individuals, whose cooking, photography, and writing inspire us on a daily basis.
Her passions have always included writing, fashion photography, fashion and all things creative, so her blog became a combination of these.
South Bend, IN About Blog South Bend Wedding Photographers, Katie Whitcomb Photographers are Indiana's premier wedding photography team capturing classic photojournalistic yet creative images of the most exquisite weddings for discerning brides and grooms in the Northern Indiana area including South Bend, Mishawaka, Granger, Notre Dame and Saint Mary's College, Basilica of the Sacred Heart, Indianapolis, Chicago and throughout the entire M Frequency about 1 post per week.
Our services include product shots, fashion shoots, clothing photography and creative still life photography.
The creative team includes director of photography Lawrence Sher, production designer Bill Brzeski, and editor Debra Neil - Fisher («Baby Mama»).
Director James Gunn's creative team also includes director of photography Henry Braham («The Legend of Tarzan,» «The Golden Compass»); production designer Scott Chambliss («Star Trek,» «Tomorrowland»); editors Fred Raskin («The Hateful Eight,» «Guardians of the Galaxy») and Craig Wood («Guardians of the Galaxy,» «Pirates of the Caribbean: At World's End»); composer Tyler Bates («Guardians of the Galaxy,» «John Wick»); three time Oscar ® - nominated costume designer Judianna Makovsky («Captain America: Civil War,» «Harry Potter and the Sorcerer's Stone»); Oscar ® - nominated visual effects supervisor Chris Townsend («Avengers: Age of Ultron,» «Iron Man 3»); stunt coordinator Tommy Harper («Pirates of the Caribbean: Dead Men Tell No Tales,» «Captain America: The Winter Soldier»); co-producer / first assistant director Lars Winther («Captain America: Civil War,» «Captain America: The Winter Soldier»); and six - time Oscar ® nominee, special effects supervisor Dan Sudick («Captain America: Civil War,» «The Avengers»).
Behind the scenes, Spielberg reunited his creative team from «Bridge of Spies,» including Oscar - winning director of photography Janusz Kaminski («Schindler's List,» «Saving Private Ryan»), Oscar - winning production designer Adam Stockhausen («The Grand Budapest Hotel»), Oscar - winning editor Michael Kahn («Saving Private Ryan,» «Raiders of the Lost Ark») and Sarah Broshar («The Post»), and costume designer Kasia Walicka Maimone («Moonrise Kingdom»).
Behind the scenes, Dougherty's creative team includes director of photography Lawrence Sher, whose past credits include «War Dogs» and «Godzilla,» for which he handled additional photography; production designer Scott Chambliss («Guardians of the Galaxy Vol.
Creative talent returning behind the camera included director of photography Erik Alexander Wilson («Tyrannosaur,» «Submarine»), production designer Gary Williamson («Bunny and the Bull,» «Submarine»), Oscar - winning costume designer Lindy Hemming («Wonder Woman,» «The Dark Knight»), and editor Mark Everson («Mindhorn,» «Alan Partridge»), joined by editor Jonathan Amos («Baby Driver»).
The creative filmmaking team includes director of photography Simon Duggan, production designer Patrick Tatopoulos, editors Wyatt Smith and David Brenner, and costume designer Alexandra Byrne.
The behind - the - scenes creative team includes Academy Award ® - winning production designer Rick Carter («Avatar») and «Watchmen» and «300» veterans director of photography Larry Fong, editor William Hoy and costume designer Michael Wilkinson.
The behind - the - scenes creative team includes director of photography Roberto Schaefer («Finding Neverland,» «Quantum of Solace»); production designer Kirk M. Petruccelli («White House Down»); editors Ron Rosen («Godzilla»), Oscar nominee Chris Lebenzon («Crimson Tide,» «Top Gun») and Oscar nominee John Refoua («Avatar»); costume designer Susan Matheson («The Big Short,» «Safehouse»); and VFX supervisor Jeffrey A. Okun («Clash of the Titans,» «The Day the Earth Stood Still»).
The behind - the - scenes creative team includes Oscar - winning director of photography John Seale («The English Patient»); action unit director and stunt coordinator Guy Norris («Australia»); editor Margaret Sixel («Happy Feet»); production designer Colin Gibson («Babe»); Oscar - winning costume designer Jenny Beavan («A Room with a View»); and makeup designer Lesley Vanderwalt («Knowing»).
The behind - the - scenes creative team included director of photography Hoyte van Hoytema, production designer Nathan Crowley, editor Lee Smith, costume designer Jeffrey Kurland, visual effects supervisor Andrew Jackson and special effects supervisor Scott Fisher.
Berloff's creative team includes director of photography Maryse Alberti («Creed»), production designer Shane Valentino («Straight Outta Compton»), Oscar - nominated editor Christopher Tellefsen («Moneyball,» «A Quiet Place») and costume designer Sarah Edwards (upcoming «Ocean's 8,» Showtime's «Billions»).
The creative production team includes Emmy nominated director of photography David Moxness («The Kennedys»), production designer Chris Cornwell («Ride Along,» «The Wedding Ringer»), costume designer Olivia Miles - Payne («Entourage,» «Ride Along 2»), visual effects producer Raoul Bolognini («Spider - Man 2,» «Zombieland»), visual effects supervisor Erick Geisler («The Day the Earth Stood Still»), and editor Scott Powell («24»).
The behind - the - scenes creative team includes director of photography Phil Meheux, Oscar ® - nominated production designer Tom Sanders, Oscar ® - nominated editor Stuart Baird, Academy Award ® - winning costume designer Lindy Hemming and Academy Award ® - winning composer Howard Shore.
Curry's past roles include producing / creative direction for Nickelodeon and Sony Music; photography for Newsweek and founder of creative studio GWonders.
The behind - the - scenes creative team includes director of photography Martin Ruhe («The American»), production designer Sharon Seymour («Argo»), editor Dirk Westervelt («Journey to the Center of the Earth»), and costume designer Catherine Marie Thomas («The Heat»).
The behind - the - scenes creative team included director of photography Henry Braham («The Golden Compass»), Oscar - winning production designer Stuart Craig («Dangerous Liaisons,» «The English Patient,» the «Harry Potter» films), editor Mark Day («Harry Potter and the Deathly Hallows, Parts 1 & 2»), and Oscar - nominated costume designer Ruth Myers («Emma,» «Unknown»).
Thurber's behind - the - scenes creative team includes director of photography Barry Peterson («21 Jump Street»); production designer Clayton Hartley («The Other Guys»); editor Mike Sale («The Hangover Part II»); and costume designer Shay Cunliffe («The Bourne Legacy»).
The director's creative brain trust includes Academy Award ® - nominated director of photography Dante Spinotti («L.A. Confidential»), production designer Shepherd Frankel («Ant - Man»), costume designer Louise Frogley («Spider - Man: Homecoming»), visuals effects supervisor Stephane Ceretti («Doctor Strange») and seven - time Academy Award ® nominee, special effects supervisor Dan Sudick («Captain America: Civil War»).
The behind - the - scenes creative team includes Oscar - nominated director of photography Tom Stern («Changeling»); Oscar - nominated production designer James J. Murakami («Changeling») and production designer Charisse Cardenas; Oscar - winning editor Joel Cox («Unforgiven») and editor Gary D. Roach; and costume designer Deborah Hopper.
The pack includes text and video interviews with the creative team, an introduction to the author and text, workshop exercises, rehearsal photography, and links to online resources to enable students to gain an insight into the process of developing the work from page to stage.
Under the supervision of the Director of Photography, responsibilities will include: • Work with editors and reporters to identify and coordinate opportunities for visual storytelling • Work with staff to research and implement new and creative ways to display photographs online • Utilize social media to promote photographic work to engage and build reader interest • Work collaboratively with Web team, page designers, and editors in photo selection and display • Assist with efforts to engage an online audience via EdWeek's vast archival content, including both print and digital photos
The pack includes text and video interviews with the creative team, an introduction to the author and text, workshop exercises, rehearsal photography, and links to online resources to enable students to gain an insight into the process of developing the work from page to stage and to explore the roles in professional theatre.
Awards for talented and creative teen artists and writers in 28 categories including film and animation, video game design, sculpture, photography, fashion design, poetry, journalism, humor, dramatic script and science fiction
Rona recently retired from thirty years in the world of corporate finance to pursue the call of her long suppressed creative side, including creative writing and photography.
As a reflection of the mentorship program itself, this exhibition will feature a diverse array of media including alternative process photography, old masters oil painting, plein air painting, creative writing, stainless steel sculpture, drawing and mix - media; all art forms taught in this year's spring and summer mentorships.
Her passions have always included writing, fashion photography, fashion and all things creative, so her blog became a combination of these.
These sleek workshops including Writing, Creative Travel Photography, Digital Storytelling and Social Media definitely created a buzz that would last for a light year.
Includes 2 - month complimentary membership to Adobe Creative Cloud Photography Plan.
The director's behind - the - scenes creative team includes director of photography George Richmond («Mission: Impossible — Rogue Nation»); production designer Gary Freeman («Maleficent»); Oscar - nominated editor Stuart Baird («Skyfall,» «Gorillas in the Mist»); Oscar - winning costume designer Colleen Atwood («Fantastic Beasts and Where to Find Them») and costume designer Timothy A. Wonsik (assistant costume designer, «Free State of Jones,» «Iron Man 3»).
His work is included in the collections of the Museum of Fine Arts, Houston; Center for Creative Photography, University of Arizona; US Federal Reserve, Washington, D.C., and the Aaron Siskind Foundation, New York, among others.
Frazier is the recipient of many awards, including a fellowship from the John Simon Guggenheim Memorial Foundation (2014), Gwendolyn Knight and Jacob Lawrence Prize of the Seattle Art Museum (2013), the Theo Westenberger Award of the Creative Capital Foundation (2012), the Louis Comfort Tiffany Foundation Award (2011), and Art Matters (2010) Her work can be found in public and private art collections such as the Brooklyn Museum; Carnegie Museum, Pittsburgh; Centre National Des Arts Plastiques, France; JP Morgan Chase Collection, Library of Congress, Washington, D.C.; Museum of Contemporary Art, Chicago; Museum of Contemporary Photography, Columbia College, Chicago; Nacher Museum at Duke University, Durham, N.C.; Spelman College Museum of Fine Art, Atlanta; Whitney Museum of American Art, New York; Zabludowicz Collection, London, and Pomeranz Collection, Vienna, among others.
Her work has been exhibited nationally and internationally at venues including the Soap Factory, MN; Redux Contemporary Art, SC; Midwest Center for Photography, KS; Manifest Creative Research Gallery, OH; South Bend Museum of Art, IN; Fitchburg Art Museum, MA; and Galeriehaus Nord in Nürnberg, Germany.
Her work is also included in many collections: the Museum of Modern Art, New York, NY; the International Center of Photography in New York; the Brooklyn Museum; the Corcoran Gallery in Washington, D.C.; the Museum of Fine Arts in Houston, TX; the Center for Creative Photography in Tuscon, AZ; Guild Hall in East Hampton, NY; the Museum of Fine Arts in Houston, TX; the Victoria and Albert Museum in London; and the Bibliotheque Nationale in Paris, among others.
He has had numerous exhibitions and his work is held in many permanent collections including the San Francisco Museum of Modern Art, The Museum of Fine Arts in Houston, Texas, The Center for Creative Photography in Tucson, Arizona, and the Nelson - Atkins Museum in Kansas City, Missouri.
In the early days of photography, questions of technical feasibility were pressing and creative possibilities beckoned; beginning in the 1960s, artists expanded the scope of their engagement with «space» to include social and conceptual issues.
Other residencies include the Laundromat Project, New York, NY; Arteles Creative Center, Haukijärvi, Finland; Hemispheric Institute of Performance and Politics» EMERGENYC; and the International Center of Photography, New York, NY.
The contest judges include Cheryl Stockton, Pratt Institute adjunct professor, CCPS Photography and Digital Imaging; Lesley A. Martin, publisher, Aperture Books program; Charlie Rhyne, photography book buyer for the Strand Book Store; Paul Amador, co-owner of New York City's Cohen Amador Gallery; Jeffrey Ladd, photographer and creator of 5b4.blogspot.com; and Darren Ching, creative director of Photo District News and co-owner of Brooklyn's KlompchiPhotography and Digital Imaging; Lesley A. Martin, publisher, Aperture Books program; Charlie Rhyne, photography book buyer for the Strand Book Store; Paul Amador, co-owner of New York City's Cohen Amador Gallery; Jeffrey Ladd, photographer and creator of 5b4.blogspot.com; and Darren Ching, creative director of Photo District News and co-owner of Brooklyn's Klompchiphotography book buyer for the Strand Book Store; Paul Amador, co-owner of New York City's Cohen Amador Gallery; Jeffrey Ladd, photographer and creator of 5b4.blogspot.com; and Darren Ching, creative director of Photo District News and co-owner of Brooklyn's Klompching Gallery.
The Wall Street Journal Magazine; Simon Bainbridge, Editor, British Journal of Photography; Dan Rubin, photographer, designer & creative director; and various World Photography Organisation staff, including senior members from our editorial and marketing departments.
Finnish Academy of Fine Arts Fulbright fellow; exhibitions include California Museum of Photography, Museum of Contemporary Art Chicago, The Andy Warhol Museum, Finnish Museum of Photography, Art Institute of Chicago, Kunsthal Charlottenborg (Copenhagen); awards include Jerome Foundation New York City Film / Video Grant, Creative Capital Award, Joan Mitchell Foundation Residency Fellowship; publications include Modern Painters, The New York Times, The New Yorker, PHOTO (France), Photograph magazine, Chicago Tribune, Artforum, Frieze.
Tseng's work has been exhibited in many solo shows including a major retrospective at the Center for Creative Photography in Tucson, which toured to numerous museums.
It was in these volumes that Williams» prescient eye sought to bring thoughtful, daring and experimental photography to the discerning public's eye — by combining and juxtaposing photographs by artists such as Harry Callahan, Aaron Siskind (whom he considered a personal mentor), Frederick Sommer and Clarence John Laughlin — with equally provocative and original literature and poetry, drawing heavily from all over the country, including the nexus of creative energies at the famous Black Mountain College (N.C.).
Key initiatives included overseeing the creative development and co-leading the advisory committee for Jean Michel Basquiat: Now's the Time (2015) and crafting a vibrant exhibition schedule that includes pathbreaking AGO - generated projects such as Outsiders: American Photography and Film, 1950s — 1980s (2016), Theaster Gates: How to Build a House Museum (2016), and Toronto: Tributes and Tributaries (2016).
Using photography, drawing, and digital technology, these artists touch on a range of ideas, including: the representation of scientific data, science fiction as backdrop in popular culture, creative interpretations of the fantastical, and fictional landscapes.
The 104 - page, full color catalog includes images of works, installation views, an exhibition checklist, an essay by the eminent photography writer and historian Vicki Goldberg, a forward by Creative Director Michelle Weinberg, a curatorial statement by Dina Mitrani and poem by Miami writer Emma Trelles.
Since then, his work has been included in exhibitions at the Los Angeles County Museum of Art, the Norton Simon Museum, the Hammer Museum, the Center for Creative Photography, and the Museum of Modern Art.
Focusing on creative output from 1958 onwards, the show will feature over 30 works in various media including painting, photography, collage and neon.
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