Sentences with phrase «include documentary photographs»

The works on display will span Kolářová's career to include documentary photographs from the late fifties, camera-less experiments, «arranged photographs» of objects and hair and assemblages from the sixties, as well as make - up drawings and assemblages from the seventies and eighties.
This publication traces the trajectory of Latham's practice and brings together archival material, including documentary photographs, texts, correspondences and various ephemera, in order to build a picture of the artist's life and work.

Not exact matches

Eastern District Assistant United States Attorneys Lara Treinis Gatz and John Durham said in the letter that the strength of the government's case «is overwhelming and consists of dozens of witnesses... fully corroborated by numerous sources of evidence... including telephone call detail records, cell site records, photographs, financial records... and other documentary evidence.»
Extras: Two optional English narrations, including one by actor Roy Scheider; audio commentary from 2008 featuring Schrader and producer Alan Poul; interviews from 2007 and 2008 with Bailey, producers Tom Luddy and Mata Yamamoto, composer Philip Glass, and production designer Eiko Ishioka; interviews from 2008 with Mishima biographer John Nathan and friend Donald Richie; audio interview from 2008 with co-screenwriter Chieko Schrader; interview excerpt from 1966 featuring Mishima talking about writing; «The Strange Case of Yukio Mishima,» a 55 - minute documentary from 1985 about the author; trailer; a booklet featuring an essay by critic Kevin Jackson, a piece on the film's censorship in Japan, and photographs of Ishioka's sets.
David Redmon and Ashley Sabin produce, direct, edit and photograph documentaries including: Mardi Gras: Made in China, Kamp Katrina, Intimidad, Invisible Girlfriend, Girl Model, Downeast, Kingdom of Animal, Night Labor, Choreography, Herd, Sentient 1 & 2, Neige, and Sanctuary.
«LATOYA RUBY FRAZIER: Performing Social Landscapes» @ Carré d'Art - Musée d'Art Contemporain Nimes, France Photographer LaToya Ruby Frazier «s first solo institutional exhibition in France presents selections from several of her documentary projects, including the video «Frazier Take on Levi's» and photographs from «Pier 54,» and the foundation of her work, images that examine the decline of the population and steel industry of her hometown of Braddock, Pa. («Campaign for Braddock Hospital» and «The Notion of Family»).
The third installment in Autograph ABP's Black Chronicles series, the exhibition includes more than 30 photographs by John Deakin presented along with rare documentary materials related to the Congress.
Her powerful documentary book first appeared in 1971; the current reissue includes many of the original photographs, along with previously unpublished ones, all supplemented by Ms. Freedman's street-wise annotations.
The duo's Art Institute selections include documentary and landscape photographs by Ansel Adams and Lewis Hine, and self - portraits by László Moholy - Nagy and his Bauhaus student Florence Henri.
Her powerful documentary book first appeared in 1971; the current reissue includes many of the original photographs... all supplemented by Ms. Freedman's street-wise annotations.
The documentary material that constitutes the Archive and Library is structured into holdings and collections, which include the archives of individuals and entities, artist's books, posters, photographs, invitations and pamphlets, etc., as well as reference books and audiovisual documents.
The project also included indoor spaces where paintings by several artist and documentary photographs by Martha Cooper have been exhibited.
Featuring new scholarship by art historian Robin Clark, it includes reproductions of fascinating archival and documentary material that was discovered during the curatorial process, from the artist's sketches to gallery invitation cards, early catalogue covers, historic photographs, as well as installation views of the exhibition.
Included among the more than 300 items on view — artworks, film clips, music scores, audio recordings, documentary photographs, snapshots, performance props and costumes, ephemera, and correspondence — are 5 cello - based sculptural works that Moorman herself created.
The book also includes an arsenal of compelling archival material, from documentary photographs from the period to reproductions of Cologne's culture magazine Spex.
Inventing Downtown evokes the group and its exhibitions through artworks including Lurie's painting Adieu Amerique (1959 — 60), Fisher's collage Untitled (Help)(1959 — 64), posters, and documentary photographs.
On view will be photographs by James Van Der Zee and Carl Van Vetchen, and documentary photographs of the 1960s Modern Civil Rights Movement, including photographs of Dr. Martin Luther King, Jr..
This documentary surveys his career and includes original footage shot on location in New York and Gloucester, Massachusetts; interviews with scholars and a musician; images of Davis's paintings; and archival footage and photographs of the artist.
The works include personal social documentary that I photographed in Israel in the 80's, staged tableaux, self portraits, still life and portrait photography of icons in different social fields throughout the years.
, these include Rasheed Araeen's Chaaryaar (1968/2014), a sizeable sculpture of different - coloured cube - shaped wood frames; Hassan Sharif's series of documentary photographs with the self - explanatory title Drawing Squares on the Floor Using a Cube (1982); Saloua Raouda Choucair's small carved - wood sculpture Poem (1963 — 5); and Dóra Maurer's Seven Rotations 1 — 6 (1979), an infinity - mirror - like set of photographic self - portraits, in which Maurer starts by holding a blank square, which in the second in the series is replaced by the previous photograph, and so on.
The latter includes both new works — an assemblage of photographs titled An Essay on Equivalents and the video Cornered — and a selection of the artist's earliest documentary production from the late 1970s and early 1980s.
Other nostalgic highs include Rosalind Fox Solomon's black - and - white documentary photographs of down - and - out artists, AIDS patients, graffiti - covered subways, Reagan posters, and Princeton grads, which poignantly expose the contradictions of a city marred by class divisions.
Her documentary evidence includes a Brazilian documentary film festival, with photographs by Mario Cravo Neto.
The archives collection includes scrapbooks; press clippings; art supplies; source material; posters publicizing exhibitions and films; about 4,000 audio tapes of conversations between Warhol and his associates; thousands of documentary photographs; a nearly complete run of
The exhibition also includes rarely shown photographs Corita used for teaching and documentary purposes.
He is the author of two critically acclaimed books Inside the Artist's Studio (2015) and Inside the Painter's Studio (2009) which include his interviews and documentary photographs of todays leading contemporary artists.
Lisa McCarty is a curator and photographer based in Durham, North Carolina.McCarty has held curatorial positions in archives, libraries, galleries, museums, and private collections including the Smithsonian American Art Museum Library, the Peace Corps Archive, George Mason University, The Nasher Museum of Art, Cassilhaus Gallery & Collection, The Center for Documentary Studies and Duke University's Rubenstein Rare Book and Manuscript Library, where she is currently curator of the Archive of Documentary Arts.McCarty received a MFA in Experimental and Documentary Arts from Duke University and exhibits her photographs and moving image work internationally.
The Morris Louis Estate papers include records of gallery exhibitions, mostly André Emmerich Gallery; artwork inventories; legal records concerning the lawsuit Bernstein v. Brenner; financial records of the sale of Louis» artwork; printed materials; writings about Louis; photographs of exhibition installations and artwork; and posthumous project files which include documentation of film projects by Robert Pierce Productions, a catalog raisonne, PBS documentaries, video recordings of the exhibition «Morris Louis Now», and numerous sound recordings of interviews with artists, many with transcripts, discussing Morris Louis and conducted by Anita Faatz.
SUITS: The Clothes Make the Man, showcasing an Art Guys project, including dress suits, a documentary and photographs, through Nov. 4.
This volume also includes numerous documentary photographs, a selection of Ruscha's sketchbook pages and complete bibliographic references and exhibition histories.
Important exhibitions in 18th Street's main gallery have included the first showing in southern California, in 2004, of Ruth - Marion Baruch and Pirkle Jones» historic documentary photographs of the Black Panthers from 1968, and Richard Newton's «Have You Seen My Privacy?»
The exhibition includes Mary Ellen Mark's social - documentary photograph, The Damm Family, which depicts a homeless family in their car, and an untitled photograph by Ramon Muxter which captures the roadside aftermath of a fallen mattress from the top of a van - evidence of the travails of highway travel.
«A Matter of Conscience» includes activist posters, documentary photographs, drawings, prints, and collages from the DePaul Art Museum collection.
Join journalist Alvin Hall and photographer Jonathan Calm for a special presentation of their 2016 BBC Radio 4 documentary The Green Book, expanded and amended to include additional research, audio, and photographs.
The exhibition uses archive photographs and documentary material to illustrate the mural movement, including the «Wall of Respect» in Chicago and the «Smokehouse» wall paintings in Harlem.
For the duration of the «The Roberta Breitmore Series» (1974 — 78), Hershman Leeson produced documentary material around the character's life, including Roberta's Body Language Chart (1978), on display here, which comprised black and white photographs of Roberta sitting in various positions during a therapy session, accompanied by short texts offering clichéd interpretations of her body language.
It includes documentary and family photographs from the artist's youth, as well as reproductions of artworks that are traced to specific times and places during her life.
Panelists include; Kael Alford, documentary photographer, writer, journalist, Deborah Bell, Vice President and Head of Christie's Photographs Department in New York, Dornith Doherty, 2012 Guggenheim Fellow, photographer, Professor of Photography at the University of North Texas, and Wendy Watriss, photographer, curator, journalist, writer, and a founder of FotoFest, Houston.
Presenting about 150 paintings, drawings, sketchbooks and documentary photographs, it features works by most of the underground movement's stars, including Daze (given name Chris Ellis), Dondi (Donald White), Futura 2000 (Leonard McGurr) and Lady Pink (Sandra Fabara).
The exhibition includes over 200 serigraph prints, as well as rarely exhibited photographs Corita used for teaching and documentary purposes.
The Mind's Eye: 50 Years of Photography by Jerry Uelsmann is the first major retrospective exhibition to consider the full range of Uelsmann's work including his earliest documentary photographs and his experiments with artist books and three - dimensional photo - sculpture.
Her practice borrows from simultaneous visual traditions, including photographic and figurative portraiture, social documentary aesthetics, and vernacular family - album photographs.
This exhibition of approximately 54 sculptures and 45 works on paper, with additional documentary source materials, including notebooks and vintage photographs by Imogen Cunningham, constitutes the first complete retrospective of Ruth Asawa's enduring and richly varied career.
Throughout his career he has photographed a diverse range of personalities including Hillary Clinton, Muhammad Ali, Elizabeth Taylor, Lance Armstrong, Madonna and Jeff Koons and has expanded his work to include direction of music videos, live theatrical events, and documentary film.
A companion volume to that project, this publication offers a stunning array of images drawn from a variety of sources, including WPA documentary photographs, Old Master oil paintings, contemporary art, and photographs by Lockhart herself.
Soulages in America contains a 2012 interview with the artist and his wife; a wealth of documentary material, including letters from Alfred Barr, Leo Castelli and Sam Kootz; correspondence from artists such as Robert Motherwell and Helen Frankenthaler; plus installation photographs and other archival documents.
Lavalette's photographs have been shown widely, including exhibitions at the High Museum of Art, Atlanta, GA; Center for Documentary Studies at Duke University, Durham, NC; Aperture Gallery, New York, NY; Montserrat College of Art, Beverly, MA; The Carpenter Center for Visual Arts at Harvard University, Cambridge, MA; The Center for Photography at Woodstock, Woodstock, NY; The Museum of Fine Arts, Boston, MA; Musee de l'Elysee, Lausanne, Switzerland, among others.
This series and other major paper pulp projects, including Frank Stella's Paper Reliefs (1975), Ellsworth Kelly's Colored Paper Images (1976), Kenneth Noland's Handmade Paper Project (1978 - 82) and James Rosenquist's Welcome to the Water Planet (1988 - 89), can be viewed online at The Kenneth Tyler Collection at the National Gallery of Australia, alongside numerous texts, documentary photographs and videos that give a sense of the extraordinary enthusiasm of Tyler and his willingness to go to any lengths to try something new.
The exhibition also includes Six Miles Deep, a 2009 documentary filmed by Sarah Roque; new photographs of the surrounding Grand River area; and her own 2012 video Vumbi, filmed in Tanzania.
This book will be the only accessible, affordable survey of Auerbach's work on the market Including a new essay by art historian T. J. Clark, the book also features statements from the artist and previously unseen documentary photographs.
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