Sentences with phrase «include early installations»

Historic works re-created especially for the Hayward Gallery include early installations by Doug Wheeler, Nancy Holt, and Brigitte Kowanz.

The first book to examine the practice of Sara Rahbar, including her early installations for the Queens Museum of Art, a photographic series made in Tehran, and the politically inspired textile - based works, all which use historically charged materials and forms.Essay by Catherine Grenier, adjunct director of Centre Pompidou, and interview with Elaine W. Ng.

Not exact matches

The first Tesla solar roof installations were completed in early August on employees» homes including Musk's, while pilot production remained largely at its Fremont factory.

«33 The reason is attributed to the availability of adequate soil coverage and water systems in Nazareth that make agriculture possible even at the hilltop.34 Archaeological digs at Nazareth by Bagatti has shown that the artifacts recovered under the shrines of Nazareth, among others, include silos, olive - pressing and wine - pressing installations, cisterns, and holes for storage jars, some of which coming from a period as early as the Iron Age.35 This led Meyers and Strange to conclude that Nazareth was a peasant village since «the principal activity of these villagers was agriculture.

While the U.S. and Cuba have shared meteorological information and data relating to hurricanes and other tropical storms starting as early as the mid-1800's, this is the first time a partnership of this level has been created; it included the shipping and installation of sensitive GPS monitoring equipment, something that would normally not be allowed by either government.

Scheduled to arrive in early 2018, the supercharger kit includes all of the necessary installation hardware as well as an exclusive performance calibration.

The exhibit will include stunning hyper - realistic work by Churchill - Johnson — stark political statement contrasted with delicate, minimalist abstraction by Uyesaka — deeply engaging abstract oils by Scorzelli — dynamic and powerful ceramic insights by Rosenberg - Dent — fanciful, abstract adventures by Lehrer — an unsettling mixed - media installation with video by auto - expressionist, Metrov — striking figurative vs abstract works by Ferris — a lively «abolish blandness» painting by Lytle contrasted with fabulous yarn work from the early 90's — and a pair of McCracken's, always delightful, miniatures.

Notable early exhibitions include a 1977 show of minimalist works by Carl Andre, Dan Flavin, Donald Judd, and Sol Lewitt; seven of Bruce Nauman's seminal early shows; eleven Richard Long exhibitions; and the installation of one of Mario Merz's celebrated glass and neon igloos in 1979 — part of the gallery's ongoing dedication to Arte Povera artists, including Alighiero Boetti.

There are more than 25 works in the installation that have never been exhibited previously, including a number of early anatomical sketches discovered in the Clyfford Still Archives.

In one of his dioramalike installations last year at New York's Luxembourg & Dayan gallery, which was based on a novel he'd written, a naked male doll lay on a bed, stabbed with a hook; his show at the Ramekin Crucible gallery on the Lower East Side a few months earlier had included live, baby tigers in cages.

The exhibition includes early geometric light projections, prints and drawings, installations exploring sensory deprivation and seemingly unmodulated fields of colored light, and recent two - dimensional work with holograms.

Including 38 works spanning Judy Pfaff's career, from early works on paper to contemporary paper collages, installations and sculpture.

Since the early «90s, Tracey Emin has produced a body of work that encompasses all forms of artistic expression, including painting, print - making, drawing, film, photography, installations, appliqué, sculpture and neon text.

Notable early exhibitions include a 1977 show of minimalist works by Carl Andre, Dan Flavin, Donald Judd, and Sol Lewitt; seven of BBruce Nauman's seminal early shows; eleven Richard Long exhibitions; and the installation of one of Mario Merz's celebrated glass and neon igloos in 1979 — part of the gallery's ongoing dedication to Arte Povera artists, including Alighiero Boetti.

Lynn Hershman Leeson, Lorna, 1979 - 84, earliest interactive laser disc, created with original software, this installation includes a recreation of objects in Lorna's room in the TV: including a remote, television set, wallet, watch and furniture all in «video colours», plus two storyboard prints.

Macuga's installations invariably quote and even include the works of earlier artists.

He made more «finished» drawings, too, including early Abstract Expressionist watercolors and later documents of his light installations.

Exhibitions have included Claes Oldenburg: The Sixties at the Museum Moderner Kunst Stiftung Ludwig Wien in Vienna, Claes Oldenburg and Coosje van Bruggen: Theater and Installation 1985 — 1990 at the Pace Gallery in New York, Claes Oldenburg: Early Sculpture, Drawings, and Happenings Films at the Whitney in 2009, as well as the 1964 and 1968 Venice Biennales.

Presented by the Whitney Museum of American Art in New York, the exhibition coincides with a number of other notable moments for Taylor, including his work gracing the March cover of Art in America magazine, his first - ever public art installation, and a new artist record at auction achieved at Christie's London earlier this month.

The artist's installation, conceived in conjunction with Swedish designer Louise Kugelberg, reverses the order in which visitors typically navigate the galleries and also includes a visually arresting, salon - style hanging of smaller, early abstractions made during the mid-1940s.

A seminal early work created for the 1995 Whitney Biennial, My Brother / Brancuzi (1995) includes spare tires, gasoline engines, various tools, wooden crates, and an industrial donut machine in an intricate installation that at once references Rhoades's brother's suburban - style bedroom in California and Constantin Brancusi's Parisian studio.

Emin's work is uninhibited in the way it absorbs and reflects her personal life - whether in seminal installations such as Everyone I Have Slept With 1963 - 1995 and My Bed, her early performances and videos such as Why I Never Became a Dancer, or her writings (which include a memoir, Strangeland, and a period as a newspaper columnist.

This first retrospective of his drawings will include over one hundred sheets representing every phase of his career: early abstract expressionist watercolors of the 1950s, studies for light installations, portraits and landscape sketches, and pastels of sailboats from the 1980s.

It includes work spanning the artist's entire career, from her early single - channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video installations, which transform architectural spaces into massive dreamlike environments enhanced by hypnotic musical scores, according to the museum.

The show includes more than one hundred drawings by the artist — from early abstract expressionist watercolors of the 1950s and portraits and landscape sketches, to studies for his seminal light installations and late pastels of sailboats.

Hayes» early works incorporated vegetation into sculptures and installations, and her repertoire has continued to expand beyond landscapes to include video, light fixtures, interior and object design, aquariums, and garden features.

DOROTHEA ROCKBURNE: Well, yes and no, because it doesn't include much of the early installation work, which visualizes both «Set» and «Group Theory,» and there are a lot of other works that aren't there.

Originally shown at Museum für Moderne Kunst Frankfurt am Main earlier this year, the SCAD Museum of Art's presentation will include several works not previously exhibited including neon work by Kendell Geers, a photo series by Youssef Nabil, large - scale works on paper by Christine Beatrice Dixie, a sound installation by Frances Goodman incorporating bridal fabrics cascading from the ceiling, a calligraphy garden by Moataz Nasr and a collage by Wangechi Mutu.

In addition to providing a comprehensive account of Bradford's career to date, with an emphasis on his work as a painter, this exhibition will foreground new works, including an environmental installation with sound entitled Pinocchio Is on Fire, which examines key moments in the history of the black community in Los Angeles from the early 1980s to the present.

The exhibition at David Zwirner will include a work from 1969, one of a series of sculptural variations originally planned for installation at the Heiner Friedrich Gallery in Munich (where the artist had one of his earliest solo exhibitions in 1968).

Sarah Dobai's first major solo exhibition in the UK took place in 2006 at Kettles» Yard, Cambridge, coinciding with the end of her two - year residency at London's Delfina Studio Trust and featured photographic and film works made during that time, including a new, specially commissioned, two - screen film installation, as well as key earlier works.

In Lieu of Unity includes established and early career artists working in video, sculpture, installation, performance / intervention and photography.

Many of his early works took the form of conceptual photography, though Johnson eventually expanded his practice to include wall - based works that engage the legacy of painting, sculptural installation, and assemblage using manufactured materials like shea butter, books records, and incense.

From iconic photo series to early sculpture and large - scale installation, the works included in this presentation represent the foundations or conceptual departure points that have defined practices and broader dialogues in contemporary art since the 1990s.

The installation will provide a deeper look into Dwan Gallery's operations, highlighting its evolution as it shifted from a West Coast venue for established New York and European avant - garde artists in the early 1960s to become one of New York's leading galleries devoted to new movements including minimalism, conceptual art, and land art in the late 1960s and early 1970s.

Brice majored in painting at Michaelis UCT, her early work included constructed artworks combining found objects, or domestic materials such as linoleum, with steel to make wall artworks, installations and sculptural pieces.

Presented as a series of room - size installations — site - specific wall paintings, painted environments, monumental stacked canvases, and anthropomorphic painting «machines» — Ain't Painting a Pain presents major works never before seen in the United States, including a sculpture that was conceived early in his career but never built and a major new work to be completed in 2012.

This solo exhibition by Yayoi Kusama at Sharjah Art Foundation, UAE includes a comprehensive selection of early works from the 1950s, as well as site - specific reproductions and interactive installations.

Filled with dazzling reproductions of Deschenes's installations and lush work, this book includes her key bodies of works, from early color studies to recent hybrid photo - sculptural installations that playfully interact with their environment.

Featuring new scholarship by art historian Robin Clark, it includes reproductions of fascinating archival and documentary material that was discovered during the curatorial process, from the artist's sketches to gallery invitation cards, early catalogue covers, historic photographs, as well as installation views of the exhibition.

Ranging from photography to drawing to installation, the more than four dozen works in the exhibition include: critically acclaimed videos by Marilyn Minter (Green Pink Caviar, 2009) and Kate Gilmore (Between a Hard Place, 2008), who credits Minter for teaching her to «be bold, honest and to never, ever relax»; a new large - scale sculpture by Marianne Vitale (Double Decker Outhouse, 2011), who says seeing Hungarian flimmaker Bela Tarr's 7 - hour epic Sátántángó confirmed her need to be an artist early in her career; and the latest project from Lisa Kirk (Backyard Adversaries (Ashes to Ashes), 2011), who sees a «sublime level of alchemy, the act of making work that is not only inspiring, but is revolutionary» in David Hammons» Fly Jar (1996).

It includes work spanning the Swiss artist's entire career, from her early single - channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video installations, which transform architectural spaces into massive dreamlike environments enhanced by hypnotic musical scores.

The works range from the very early video Paralyzed (2003), made while Lidén was still an art student in Stockholm, to one of her newest works, shown at Galerie Neu in 2014 — which, startlingly, is an installation that includes live canaries.

These works include her richly layered wax paintings and poured latex and polyurethane foam sculptures of the late 1960s and early»70s; innovative videos, installations, and «knots» from the 1970s; metalized, pleated wall pieces of the 1980s and»90s; and pieces in a variety of other mediums, such as glass, ceramics, photography, or cast polyurethane, as in the case of the monumental The Graces (2003 — 05).

But her work also includes site - specific installations, like the sets she created specifically for the Cincinnati Ballet earlier this year, which will be featured in this exhibit.

These themes form the cornerstone of The Scripted Life, a full assessment of Breitz's work which showcases early works alongside more recent installations, including New York, New York, a new piece co-commissioned by the Kunsthaus Bregenz with Performa 09.

It includes work spanning the artist's entire career, from her early single - channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video installations, which transform architectural spaces into massive dreamlike environments enhanced by hypnotic musical scores.

From her investigation into the notion of artificial beauty to references of futuristic architectural ideas from the early 20th century, Korean artist Lee Bul has, over the past two decades, garnered international renown with a diverse and intellectually challenging body of work that includes sculptures, performances and installations, while always maintaining an intriguing relationship with modernist ideals.

On view are more than 100 works, including a few often - delicate installation pieces that represent the large sprawling ones (mostly lost) that dominated the early years of her career.

Her early landmark installation Rhapsody (1976), a monumental aggregation of 987 steel plates, is now in the collection of the Museum of Modern Art, and many paintings are found in major public collections including the Metropolitan Museum of Art, the Yale University Art Gallery, the Tate Modern, the Philadelphia Museum of Art, LACMA, and SFMOMA.