Sentences with phrase «include gallery conversations»

Not exact matches

The new, previously unreleased bonus features will include: • Audio commentary • Full - length documentary, «The Making of Lilo & Stitch» with scene selections and notes • 2 Animator Conversations: «Andres Deja discusses Lilo» and «Alex Kupershmidt discusses Stitch» • Deleted scenes & Early Concepts • Chris Sanders» Photo gallery • 2 new music videos: «Your Ohana», «Suspicious Minds» by Gareth Gates • The Style Book of Chris Sanders • The Story of Stitch • A Conversation with Joe Grant and Dean DeBlois • Ric Sluiter Interviews Maurice Noble • Dean DeBlois pitches a New Sequence • Mulan: «Mulan's Decision» • Dumbo: «The Train Arrives»

The controls are well mapped having translated appropriately from the Vita to the DualShock 4 controller with the control scheme consisting of pressing triangle to produce the contents of your inventory; pressing square to examine an inventory item, a character or part of the surrounding environment; pressing X to start or continue a conversation with a nearby character, select an item, use an item or walk; pressing O to cancel the selection or usage of an item; changing the direction of the left analogue stick to move the cursor; changing the direction of the right analogue stick to pan the camera to the left or right; pressing left, right, up or down on the d - pad or alternatively changing the direction of the left analogue stick to navigate through the inventory items; pressing the share button takes you to the share feature menu; and pressing the options button to display the pause menu including immediate access to the main menu, hints, character gallery and saving.

Gallery artists Mitch Epstein, David Hilliard, Kenneth Josephson, Laura Letinsky and Hellen van Meene are all included in Conversations: Photography from the Bank of America Collection, a group exhibition at the Museum of Fine Art in Boston, on display through June 19, 2011.

Selected group exhibitions include The Forever Now: Contemporary Painting in an Atemporal World, the Museum of Modern Art, New York (2014 — 2015); 30 Americans, organized by the Rubell Family Collection, Miami, traveling to Contemporary Arts Center, New Orleans (2014), Frist Center for the Visual Arts, Nashville (2013 — 2014), Milwaukee Art Museum (2012), Chrysler Museum of Art, Norfolk, Virginia (2012), Corcoran Gallery of Art, Washington D.C. (2011 — 2012), North Carolina Museum of Art, Raleigh (2011), and Rubell Family Collection, Miami (2008 — 2009); Variations: Conversations in and Around Contemporary Painting, Los Angeles County Museum of Art (2014); Body Doubles, Museum of Contemporary Art, Chicago (2014); Angel of History, Beaux - arts de Paris: L'école nationale supérieure (2013); and In the Holocene, MIT List Visual Arts Center, Cambridge, MA (2012).

And soon, Fine revealed to the audience gathered to hear the conversation at the National Gallery of Art in Washington, D.C., that two of Miller's paintings by Norman Lewis would be included in a fall 2015 exhibition of the abstract artist's work.

He made a completely unknown painter feel included in the ongoing conversation about art at his gallery.

Michelangelo Pistoletto and filmmaker, Chiara Messineo, will be in conversation, discussing topics including the Terzo Paradiso and the artist's exhibition of new mirror paintings at Simon Lee Gallery, focused around the subject of shelves.

For this conversation, Yiadom - Boakye and Gioni will discuss her distinct oeuvre — including the seventeen new works she debuts in this exhibition, within a painted environment she specially conceived for the Fourth Floor Gallery.

Recent L.A. exhibitions include «Love in a Cemetery» at the 18th St Arts Center, and «Actions and Conversations» at the Municipal Art Gallery, Barnsdall Park.

In this conversation, Curatorial Assistant Ali Demorotski will discuss the new installations in our North Exhibition Gallery, including works on view for the first time by twentieth - century artist Elsie Driggs.

Titled ASSEMBLY, this section of the fair includes many activist - minded projects, which Adrienne Edwards say she hopes «will serve as a platform to help us imagine what is possible today through the poetics of protest by breaking down boundaries between galleries and the street, the artist and their audience and making new propositions that open up conversations about the role of art in today's society.»

Recent selected exhibitions include: In Conversation, Touchstones Rochdale, 2014; Without an Edge There is No Middle, Pluspace, Coventry, 2013; Summer Show, Malgras Naudet, Manchester, 2013; Treatment, PS Mirabel, Manchester, 2013; 60 Drawings, Bankley Gallery, Manchester; International Drawing Project, PR1 Gallery, UCLAN, Preston; Salon Neu, Embassy, Edinburgh, 2012; The Manchester Contemporary, Spinningfields, Manchester 2012; We Are All In This Together, Bureau, Manchester; Unrealised Potential, Northern Gallery for Contemporary Art (NGCA), Sunderland, 2011; Industry & Idleness, Contemporary Art Society, London, 2010 - 11; Unrealised Potential, Cornerhouse, Manchester, 2010.

Titled ASSEMBLY, this section of the fair includes many activist - minded projects, which Adrienne Edwards say she hopes «will serve as a platform to help us imagine what is possible today through the poetics of protest by breaking down boundaries between galleries and the street, the artist and their audience and making new propositions that open up conversations about the role of art i

This includes programming select events, including some invitation - only happenings in the apartment gallery, such as February's debut of new work by award - winning artist and filmmaker Isaac Julien, and a March 15 conversation with artist Glenn Ligon, fresh off his 2011 mid-career retrospective at New York's Whitney Museum of American Art.

It includes essays by Director of The Fruitmarket Gallery Fiona Bradley and writer and academic Briony Fer, along with a conversation between Anthony Spira, Director of MK Gallery and Anna Barriball.

2016 talks included a panel on contemporary art in historical museums and vice versa with Okwui Enwezor (Haus der Kunst, Munich), Hou Hanru (MAXXI, Rome) and Sheena Wagstaff (The Metropolitan Museum of Art, New York), chaired by Jennifer Higgie; Lynette Yiadom - Boakye (Artist) and Gabriele Finaldi (National Gallery, London) in conversation; a panel on feminist art chaired by writer and curator Alison Gingeras with Nancy Grossman and Joan Semmel — two artists featuring in this year's Frieze Mas - ters Spotlight section; Marlene Dumas (Artist) on portraiture; and Cornelia Parker (Artist) in conversation with Dr Maria Balshaw CBE (the Whitworth and Manchester Art Gallery).

Recent exhibitions include Measure of a Foot, Project 88, Mumbai (2016), Between Structure and Matter: Other Minimal Features, Aicon Gallery, New York (2016); Singapore Biennale (2016); Citizens of Time, Dhaka Art Summit (2014); Hiwar: Conversations in Amman, Darat Al Funun, Amman, Jordan (2013); Yorkshire Sculpture Park (2012); Frieze London Sculpture Park (2012); Lines of Thought, Parasol Unit, London (2012); 9th Shanghai Biennale (2012), as well as in the traveling Indian Highway Exhibition.

Speaking at the second annual John Wilmerding Symposium on American Art, held on March 23, 2018, at the National Gallery of Art, Judith Brodie looks at some examples, including works by Winsor McCay, Saul Steinberg, and the Guerrilla Girls, and considers how they both challenge and conform to established thinking and in what way they reshape the conversation.

The work of Ai Weiwei will be on view in our gallery, and his visit will include a conversation and screening of Human Flow, his documentary on the global refugee crisis.

The new issue includes features on Andreas Gursky and Elizabeth Friedlander; Rachel Whiteread and Whitechapel Gallery director Iwona Blazwick in conversation, and much more.

In addition to the exhibition, the UAG will also present multiple programming events to include: «Q&A with the Artist: A Conversation with Wendy Red Star and Michelle Lanteri» on January 25, 2018, in the NMSU HSS Auditorium 101 at 6:00 pm; a screening of Rumble: The Indians Who Rocked the World, a feature documentary about Native American peoples» contributions to rock «n» roll history, on February 15, 2018, in the NMSU CMI Theatre at 5:30 pm; and «Considering Contemporary Art,» a panel featuring Julie Sasse, Chief Curator of Modern, Contemporary, and Latin American Art, Tucson Museum of Art; Nadiah Rivera Fellah, Guest Curator, Newark Museum and Art History PhD Candidate, CUNY Graduate Center; and Michelle J. Lanteri on March 8, 2018, in the University Art Gallery at 5:30 pm.

In this revealing set of conversations — conducted in train stations, hotels, galleries and her own private studio — between Abramovic and curator Hans Ulrich Obrist, with the occasional addition of other interlocutors including Gustav Metzger (the «Old Master of action art»), the artist talks about her work, the strict discipline of her Yugoslav childhood and the process of preparing for her epochal retrospective at the Museum of Modern Art in New York.

Besides the gallery programme at the fair, the annual programme also includes Frieze Projects and the Frieze Artist Award, presenting new, site - specific works by contemporary artists; Frieze Film, new film commissions premiered at the fair; Frieze Music, the fair's off - site music programme; and Frieze Talks, a dynamic series of panel discussions, conversations and keynote lectures.

The conversations within the gallery will be heightened as a portion of the gallery will be transformed into a shop with hand - made «store items,» including objects that are hand - painted to look like kitschy tourist goods.

Programming will include exhibition tours, artist talks, panel discussions, performances and gallery conversations, as well as a number of other events presented in association with other cultural and advocacy partner organizations.

Related Programs Programming will include exhibition tours, artist talks, panel discussions, performances and gallery conversations, as well as a number of other events presented in association with other cultural and advocacy partner organizations.

2012Dallas Paul, A Rogue's Gallery of Gorgeousness: Charles Atlas and Anthony's Turning, FilmMaker Magazine, 16th November 2012 Atlas, Charles «Filming Cunningham Dance: In Conversation with Nancy F. Becker, 1983» Dance, Documents of Contemporary Art, Andre Lepecki, 2012 Verlaek, Jolien, «I got a book and learned video» Interview Charles Atlas, Metropolism Online, 16 April 2012 Goings on about town: Dance, The New Yorker Online, The New Yorker Online, 14 April, 2012 Boynton, Andrew, Ballet's Punk, Grown Up, The New Yorker Online, 12 April, 2012 Millar, Iain, A 21st - century take on art films, The Art Newspaper Online, 11 April, 2012 Sutton, Benjamin, Charles Atlas Crunches the Numbers at Luhring Augustine's New Brooklyn Outpost, Art Info Online, 9 April, 2012 Macaulay, Alastair, Films That Allow the Elusive to Elude, Charles Atlas Captures Merce Cunninghams «Ocean» on Film, The New York Times, Critics Notebook, 9 April, 2012 Kourlas, Gia, A Rock Star May Steal the Show, The New York Times, 6 April, 2012 Hawthorne, Julien, Payne, Jenny, The Whitney Biennial Experience, Columbia Spectator, 30 March, 2012 Huff Jason, Charles Atlas» Delirious Digital Projections Dazzle in Bushwick, Blouin Artinfo Online, 26 March, 2012 Charles Atlas: Views on Video, Petrine Archer BLOG, 26 March, 2012 First Charles Atlas museum exhibition in The Netherlands Includes large Video Installations, www.artdaily.org, 19 March, 2012 De hallen Haarlem opens Charles Atlas.

Highlights include a keynote by Hans Ulrich Obrist, Artistic Director of Serpentine Galleries, on exhibition making in the 21st century; solo artist conversations with JR, Hermann Nitsch and Carolee Schneemann; artists - in - dialogue pairings featuring Constant Dullaart and Matt Goerzen; Leonardo Drew and Ja'Tovia Gary; and Josh Kline and Patty Chang; and a series of panels addressing the future of the gallery model, the rapid growth of new cultural centers globally and the paradoxical conditions for political resistance.

Some highlights of that renovation include the Early Baroque Gallery, which will display Artemisia Gentileschi's Self - Portrait as a Lute Player (1616 - 18) for the first time, Zurbarán's St. Serapion (1628), recently restored with a grant from the executive committee of The European Fine Art Fair (TEFAF) by the Wadsworth's conversation lab, and paintings by Caravaggio and Poussin.

Public programs on the SUNY New Paltz campus this sall include a gallery talk on the properties of metals by Polich and a conversation between Polich and artists with whom he has worked closely.

Utilizing 11,000 square feet of space, including a 40 - seat multimedia theater, the gallery incorporates visitors into the conversation and interaction of the artwork.

«The gallery talk will be a conversation with gallery visitors to provide context about the artists featured in A Harder Task,» Barrett said, «and to compare their work to other well - known American artists from the South, including Jasper Johns, Noah Purifoy, Robert Rauschenberg and Cy Twombly.

One area of the fair will be devoted to comprehensive galleries presenting 20th - century art in conversation with newer work, including Acquavella; Lévy Gorvy, based in New York and London; Hauser & Wirth, based in Zurich; and Skarstedt, based in New York.

Included are texts, read or acted in the «screening program», artifacts and documents signifying social relations (of production), and conversations occurring in and out of the gallery.

Simultaneously a journal, a fiction and an artwork, this issue of Essays on Sculpture also includes a conversation between Layla Bloom (Curator, Stanley & Audrey Burton Gallery), Lisa Le Feuvre (Head of Sculpture Studies, the Henry Moore Institute) and the artist on her unique approach to sculpture.

Also included is a «Conversation with the Artist,» conducted by gallery director Shelley Farmer, which seeks to define both the formal and conceptual appeal of these remarkable sculptures.

Other local artists present at the Armory included William Kentridge and Kay Hassan, whose $ 300000 collage at Jack Shaman Gallery was a fair conversation point.

Her solo exhibitions include «Mare Nostrum,» Francesca Antonini Gallery, Rome, Italy (2016) and recent group exhibitions include «Saxa Loquuntur Stones Speak,» El Museo de Los Sures, Brooklyn, NY (2015); «In Conversation II, From the Museum Collection,» Tel Aviv Museum, Israel (2015); «Of Average Means,» Human Resources, Los Angeles, CA (2015); «Sextant,» NurtureArt, Brooklyn, NY (2015); «Two Different Ways To Do Two Different Things,» Kristen Lorello Gallery, NY (2015); and «Kamil,» Pseudo Empire, Brooklyn, NY (2014).

With introductions by Rice Gallery Director Kim Davenport and Blaffer Art Museum Director Claudia Schmuckli, Stockholder will discuss her current project in conversation with past projects, including her installation at Rice Gallery in 2004, and her 2004 solo exhibition at the University of Houston Blaffer Gallery: Jessica Stockholder, Kissing the Wall: Works, 1988 - 2003.

Ruangkritya has involved in many exhibitions in and out of the country and the previous exhibitions include «LANDSCAPE: Hotel Asia Project» (Traveled from Gallery Soap, Fukuoka to China, Thailand and Tokyo University of the Arts, Japan, 2016 - 2017), «Omnivoyeur» - a visual and sound project with Christina Kubisch (Bangkok Art and Cultural Center, Thailand, 2016), «Dream Property» (Bangkok CityCity Gallery, Thailand, 2016), «The Archive as Conversation» (Singapore Photography Festival, Singapore, 2016) and «Urban and Reflections: Contemporary Thai Photography» (Otterbein University, Ohio, USA, 2016).

While MoMA's 2013 exhibition Inventing Abstraction: 1910 - 1925 put a strong emphasis on the artist's work and contextualized his drawings alongside many of his peers including Hans Arp, Tristan Tzara, and El Lissitzy, a group exhibition currently on view at Lower East Side's Miguel Abreu Gallery furthers this conversation.

The evening will include a conversation in the Audi gallery with Rafaël Rozendaal.

The images in this lavishly illustrated volume are complemented by an essay about the nature of collecting by Chicago - based artist Kerry James Marshall; a thoughtful conversation with Cafritz conducted by Studio Museum Director and Chief Curator Thelma Golden; and commentary from New York gallery owner Jack Shainman, whose diverse roster includes many artists represented in the Cafritz collection.

Works in the exhibition (including pieces by Christi Belcourt, Maria Hupfield, Cheryl L'Hirondelle, Isaac Murdoch, and Esther Neff) will serve as points of departure for Wednesday's conversation between three Indigenous women — Columbia University professor Audra Simpson, Columbia PhD candidate Crystal Migwans, and Tarah Hogue, a senior curatorial fellow in Indigenous art at the Vancouver Art Gallery.

His work has been featured in numerous group exhibitions, including Variations: Conversations In And Around Abstract Painting, Los Angeles County Museum of Art (2014); Die Geometrie der Dinger, GAK Gesellschaft für Aktuelle Kunst, Bremen, Germany (2013); Only here: The Federal Republic of Germany's Contemporary Art Collection Acquisitions from 2007 to 2011, Bundeskunsthalle, Bonn, Germany (2013); Actual Fact / Factual Fact, Märkisches Museum Witten, Germany (2011); Neuer Konstruktivismus, Bielefelder Kunstverein, Museum Waldhof, Germany (2007); Dereconstruction, Gladstone Gallery, New York (2006); and Formalismus, Kunstverein in Hamburg, Germany (2004).

Her most important works include the Dag Hammerskjold Memorial Single Form (1963, United Nations, New York), Pelagos (1946, Tate London), Hollow Form with White Interior (1963, Gimpel Fils, London), and Conversation with Magic Stones (1973, National Gallery of Scotland).

It will be accompanied by an extensive public programme of panel discussions, artist talks including Grayson Perry in conversation with Bethlem Gallery artists, performances and mental health workshops.

Highlights included a keynote by Hans Ulrich Obrist, Artistic Director of Serpentine Galleries, on exhibition making in the 21st century; solo artist conversations with JR, Hermann Nitsch and Carolee Schneemann; artists - in - dialogue pairings featuring Constant Dullaart and Matt Goerzen; Leonardo Drew and Ja'Tovia Gary; and Josh Kline and Patty Chang; and a series of panels addressing the future of the gallery model, the rapid growth of new cultural centers globally and the paradoxical conditions for political resistance.

So far, engagements in the exhibition have included dance performance, artist talks, panel discussions and informal dialogues on issues raised by the paintings, said Pundyk in a conversation held at the gallery.

The exhibition will be curated and organized by Gallery Director Marjorie Vecchio, while catalogue co-essayists in conversation include Joy Garnett and Mira Schor.