Sentences with phrase «include graphite on paper»

The work in the exhibition varies in medium from traditional oil and acrylic paintings to drawings that include graphite on paper, and ink and natural pigment on felt.

Not exact matches

The paper presents some original results regarding the development of multi-layered zirconia - based films on different substrates, including Nimonic (reference) and graphite.

The exhibition will include both the portraits and urban landscapes for which the artist is so well known and a new self - portrait in graphite and pastel on paper.

It includes the following: a series of five etchings realised with master printer Gregory Burnet in New York (Untitled, 2013), an ensemble of 16 works on paper (Mind Breath Drawings, graphite, 2012) and finally a mixed group of 11 drawings and paintings on canvases (all untitled, in graphite, acrylic and, except for three, ink, 2012).

Scott Wolniak: Landscape Record includes a selection of recent work from related, ongoing projects: graphite drawings on paper, carved and painted plaster tablets, and small sculptures.

Focusing on drawings by these masters, the exhibition will include pastels, watercolors, gouaches, and collages, in addition to drawings done in graphite, charcoal, and ink on paper.

In addition to the exhibition's namesake, highlights in the show from this period include Rauschenberg's 1964 Self - Portrait, consisting of his thumbprint in ink and graphite on paper, created for a profile of the artist in The New Yorker.

These artists created works on paper with the use of many different mediums to achieve their unique creative goal including, graphite drawing, etching, oil paint, collage, crayon, lithography, and watercolor.

Neill creates works on canvas, linen and paper using a variety of mediums, including graphite, colored pencil, charcoal and paint.

The show also includes graphite works on paper and paintings from the 1990's, which demonstrate Knifer's consistent reductionism, pushing «the meander» to the edge of the canvas to create nearly monochrome black or white surfaces.

For Gerhard Richter (born 1932), the category of drawing covers a multitude of techniques, including graphite, ballpoint, ink, colored ink and watercolor on paper.

Although her primary materials include graphite, ink, and gouache on paper, in 2001 she began working in digital animation, setting her miniatures into motion.

The paintings represent a striking variety of surfaces and materials including oil on canvas, pastel graphite and charcoal on paper, vinyl polymer paint on aluminum, double - baked porcelain enamel on oxidized copper panels, and ink on glassine, to name some.

From the press release: James Siena's new work, completed in 2006 and 2007, includes approximately 20 enamel paintings on aluminum or copper and 60 works on paper created with mixed media, including ink, graphite, gouache, color pencil, and Conté crayon on paper or board.

Other work includes a series of drawings of graphite on paper, and an edition from his series, Artist Statement.

Her large graphite works on paper reference classic mythology and literature, and include herself as the recurring female figure surrounded by animals, most particularly birds.

The paintings represent a striking variety of surfaces and materials including oil on canvas, pastel graphite and charcoal on paper, vinyl polymer paint on alu

Artists work on paper with a multitude of different media including graphite, charcoal, watercolour, inks, coloured pencil and pastel.

While often used on paper, graphite can be applied to many supports, including canvas and wood.

Set within what Thelen describes as «the unrestrained environment» of 21c's vault gallery, Hotel Theory includes individual drawings, collaged works on paper using watercolors, ink and graphite drawings, and wall painting, along with a new wall drawing and a fiber piece that utilizes fabrics sourced from Raleigh Denim.

As a general collecting category, works on paper includes drawings in ink, charcoal, graphite and other materials, as well as paintings in pastel, watercolour, or mixed media collage.

The exhibition, with artists chosen by director Elizabeth K. Garvey, features work that shows the diverse possibilities of work on paper, including multi-layered abstractions, silverpoint drawings, collages, and transparent graphite and colored pencil drawings, as well as photographs.

The works in the exhibition include the full range of her drawing techniques including graphite, ink, pastel, and acrylic on paper.

Well - known photographs of artists and artworks are the originals for Fischer's detailed graphite - on - paper copies; his recent show included dozens of variations on twentieth - century portraiture, including Cindy Sherman in an untitled film still; Piero Manzoni grinning and holding a can of Artist's Shit; Robert Gober nearly unrecognizable in a wedding gown; Piet Mondrian in his tidy smock calmly regarding a grid painting; and Jean - Michel Basquiat sitting on one of his crate constructions.

The exhibition includes a large graphite - on - paper drawing by Trisha Donnelly in a unique frame designed by the artist, a new painted - papier - mâché sculpture by Vincent Fecteau, a large new painting by Paul Sietsema, and three hand - painted bronzes by Rebecca Warren, all exhibited in New York for the first time.

Spanning seventy - five years, the exhibition includes thirty - six works on paper by as many artists, from James Castle's found - paper work incorporating naïve lettering (c. 1935) to a meticulously rendered Jasper Johns graphite drawing (2010).

Ryden's whimsical work includes characters studies in oil on panel and graphite on paper depicting the personification of pink and green tea leaves, champagne and vodka costumes and Viennese confections in candy - colored tones.

Other works on display include Seher Shah's graphite on paper drawings, Brutalist Traces (2015 - 16), of the modernist architecture of New Delhi; artist Gauri Gill's notebooks entitled «1984» (2005, 2009, 2014), from which are also displayed several photographs of the people and interior spaces of the «Widows Colony» in Tilak Vihar, where families affected by the anti-Sikh riots of 1984 were provided housing by the state; and a series of streetscape photographs by Pablo Bartholomew, including Man Asleep in Front of Political Graffiti, Calcutta (1978) which embodies how, in South Asia, history inflects the everyday.

The new charcoal and graphite on paper drawings included in Material Handling are two separate series based on images of concrete sewer catch basins and rubber dock bumpers.

Though this exhibition is curated rather than juried, the artists selected represent the range of possibilities for what works on and of paper could be, including an exploration of unique processes and materials capable of making marks — from graphite and gouache to water, sun, earth, and time.

These paintings on paper, which often include notations by the artist in graphite, provide a unique window into his working process, allowing the viewer to think, along with Albers, through color.

Sikander's primary materials include graphite, ink, and gouache on paper, and in 2001 she began working in digital animation, setting her miniatures into motion.

The fifty - seven works in the exhibition can be divided more or less equally into three related groups: eighteen oil paintings done on linen, all measuring 22 x 28 inches; nineteen oils done on paper, all measuring 22 x 30 inches; twenty drawings on paper, most of which measure around 11 x 14 inches, and done in a wide range of materials, including gouache, colored pencil, crayon, ink, and graphite.

Also included in the exhibition are gouache on paper paintings that reference Sleigh's A.I.R. Group Portrait from 1977 and a series of graphite drawings that are inspired by texts from Sleigh's archive.

Works included: Roy Lichtenstein «Still Life with Picasso», 1973 Screenprint Edition of 90, 30 AP 30 x 22 inches Ellsworth Kelly «Study for «Red Orange Panel»», 1978 Pencil and collage on paper 30 x 27 3/4 inches Robert Smithson «Photomarkers, (Six Stops on a Section)», 1968 Photographs mounted with Plexi glass 24 x 24 inches SR1968 - 001 Constantin Brancusi «Brancusi dans l'atelier, autoportrait», 1915 Vintage gelatin silver print 9 x 6 3/4 inches Constantin Brancusi «Self Portrait», 1922 Vintage gelatin silver print 11 1/4 x 9 inches Andy Warhol «Self Portrait», 1966 Silkscreen ink and synthetic polymer paint on canvas 22 x 22 inches Andy Warhol «Buddhas», 1983 Graphite on paper 31 3/4 x 24 inches Courtesy of the Andy Warhol Foundation WA1983 - 001 Donald Judd «Untitled», 1966 - 7 Galvanized iron painted red (lacquer) 5 x 40 x 8 inches Courtesy Paula Cooper, New York JD1966 - 001 Weegee «The Critic», 1943 Vintage gelatin silver print 11 x 14 inches WE1943 - 001 Weegee «The Flower Seller», 1941 Vintage gelatin silver print 13 3/4 x 10 3/4 inches WE1941 - 001 Weegee «Mayor LaGuardia at 123rd Street Police Station With Officials on Night of Riot», 1947 Vintage gelatin silver print 10 3/4 x 14 inches WE2004 - 014 Weegee «Victory Celebration», 1945 Vintage ferrotyped silver print 11 x 14 inches WE1945 - 001 Weegee «Children's Performance, at the Palace Theater», 1940 Vintage gelatin silver print 10 1/4 x 13 1/4 inches WE2004 - 015 Weegee «Mother and Daughter, Tenement Fire, Harlem» [I cried when I took this picture], 1942 Vintage gelatin silver print 10 1/4 x 13 3/8 inches WE2004 - 012 Carleton Watkins «Mt. Broderick, Nevada Fall, 700 feet, Yosemite 1861», 1861 Albumen print from wet collodion negative 15 3/4 x 20 1/2 inches WAC1861 - 001 vitrine at gallery center - all works by George Ohr