Sentences with phrase «include hip hop culture»

Their influences include hip hop culture, American street movies, and Sao Paulo protest art.

Not exact matches

He says he combines the influences around him, including hip - hop, motorcycle culture — and the friendly, familiar feel of brands like Fanta and Nike — to introduce viewers to the less - familiar sight of Marrakesh bike culture.

Props to HCAS for never shying away from any art form or culture, including hip hop.

To ensure that her students were engaged, New York teacher Lauren Leigh Kelly also designed a Hip - Hop Literature and Culture class, «to engage students in the study of hip - hop texts, including songs, films, and music videos, as a means to develop media literacy and critical - analysis skills.&raqHip - Hop Literature and Culture class, «to engage students in the study of hip - hop texts, including songs, films, and music videos, as a means to develop media literacy and critical - analysis skills.&raqHop Literature and Culture class, «to engage students in the study of hip - hop texts, including songs, films, and music videos, as a means to develop media literacy and critical - analysis skills.&raqhip - hop texts, including songs, films, and music videos, as a means to develop media literacy and critical - analysis skills.&raqhop texts, including songs, films, and music videos, as a means to develop media literacy and critical - analysis skills.»

Highlights this spring will include a discussion about how hip hop culture can offer teaching and learning tools in science with Assistant Columbia University Professor Christopher Emdin; a conversation with Spelman College President Beverly Daniel Tatum; a presentation by filmmaker M. Night Shyamalan on his research on closing America's achievement gap; and a talk with autism activist Temple Grandin.

Highlights this spring will include a discussion about how hip hop culture can offer teaching and learning tools in science with Assistant Columbia University Professor Christopher Emdin; a conversation with Spelman College President Beverly Daniel Tatum; a presentation by filmmaker M. Night Shyamalan on his research on closing America's achievement gap; and...

Presentations include: analyzing student - teacher perception to improve school culture and climate; dropping everything to write to increase standardized test scores; using hip - hop to engage students in the writing process; advising math, literacy and test prep boot camp to address fundamental skills; transforming culture through continuity, expectations, and organization; promoting courageous dialogues about the perceptions of race; and discovering bills and taxes through real - life applications.

For 25 years Def Jam created the stars that pushed hip hop culture forward, including LL Cool J, Public Enemy, Kanye West, Jay - Z, Rick Ross and Rihanna.

Her work is influenced by many aspects of popular culture, including cartoons, video games, hip - hop, and tabloid magazines, as well as artists Romare Bearden, Henri Matisse, and Stuart Davis.

He was always surrounded by a variety of information from digital media, including Korean traditional things, Japanese animation, and Western Hip Hop cultures.

-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos

Willard's curatorial work includes Beat Nation: Art Hip Hop and Aboriginal Culture, co-curated with Kathleen Ritter that toured from Vancouver Art Gallery to Montreal, Toronto, Kamloops, Halifax and Regina.

Willard's curatorial work includes the national touring exhibition Beat Nation: Art Hip Hop and Aboriginal Culture, co-curated with Kathleen Ritter at the Vancouver Art Gallery.

Willard has worked as a curator in residence with grunt gallery and Kamloops Art Gallery, and her past curatorial projects include Beat Nation: Art, Hip Hop and Aboriginal Culture, a national touring exhibition, CUSTOM MADE (translation) at Kamloops Art Gallery, and select recent curatorial work includes: Nanitch: Historical BC Photography, Unceded Territories: Lawrence Paul Yuxweluptun, as well as LandMarks 2017 / Repères 2017.

Willard's curatorial work includes Beat Nation: Art Hip Hop and Aboriginal Culture, co-curated with Kathleen Ritter and Unceded Territories: Lawrence Paul Yuxweluptun at the Museum of Anthropology with Karen Duffek.

Ruby has cited a diverse range of sources and influences including aberrant psychologies, urban gangs and graffiti, hip - hop culture, craft, masculinity, violence, public art and civic monuments, prisons, globalization, American domination and decline, waste and consumption.

Additionally, his work has been featured in several texts including DEFINITION: The Art and Design of Hip Hop, an anthology chronicling the impact of hip - hop on visual culture, written by famed graffiti artist and designer Cey Adams; 5 Cities / 41 Artists: Artadia O8 / 09, published by ARTADIA in 2011; NOPLACENESS: Art in a Post-Urban Landscape, published by Possible Futures in 2011; and In the Eye of the Muses: Selections from the Clark Atlanta University Art Collection, Clark Atlanta University, 20Hip Hop, an anthology chronicling the impact of hip - hop on visual culture, written by famed graffiti artist and designer Cey Adams; 5 Cities / 41 Artists: Artadia O8 / 09, published by ARTADIA in 2011; NOPLACENESS: Art in a Post-Urban Landscape, published by Possible Futures in 2011; and In the Eye of the Muses: Selections from the Clark Atlanta University Art Collection, Clark Atlanta University, 20Hop, an anthology chronicling the impact of hip - hop on visual culture, written by famed graffiti artist and designer Cey Adams; 5 Cities / 41 Artists: Artadia O8 / 09, published by ARTADIA in 2011; NOPLACENESS: Art in a Post-Urban Landscape, published by Possible Futures in 2011; and In the Eye of the Muses: Selections from the Clark Atlanta University Art Collection, Clark Atlanta University, 20hip - hop on visual culture, written by famed graffiti artist and designer Cey Adams; 5 Cities / 41 Artists: Artadia O8 / 09, published by ARTADIA in 2011; NOPLACENESS: Art in a Post-Urban Landscape, published by Possible Futures in 2011; and In the Eye of the Muses: Selections from the Clark Atlanta University Art Collection, Clark Atlanta University, 20hop on visual culture, written by famed graffiti artist and designer Cey Adams; 5 Cities / 41 Artists: Artadia O8 / 09, published by ARTADIA in 2011; NOPLACENESS: Art in a Post-Urban Landscape, published by Possible Futures in 2011; and In the Eye of the Muses: Selections from the Clark Atlanta University Art Collection, Clark Atlanta University, 2012.

Included in the landmark «30 Americans» of work by contemporary black artists that toured from the Rubell Family Collection to the Corcoran, Iona Rozeal Brown has made a name for herself by making paintings that find an unexpected confluence between the iconography of Japanese ukiyo - e and kabuki and African American culture, from hip - hop to Afrocentrism.

While this exhibition takes its starting point from hip hop, it branches out to include artists who use pop culture, graffiti, fashion and other signifiers of urban life in combination with more traditional forms of Aboriginal identity.

The solo exhibition represents new work in a wide range of media, including neon works that reference hip - hop culture, paintings on stucco panels, and works on found Pee - Chee folders that «memorialize victims of police brutality,» according to the show's release.

Combining traditional, folkloric, and contemporary elements of Brazilian culture with graffiti, hip - hop, and international youth culture, the artists have created an expansive body of work that includes murals, paintings, sculpture, site - specific installations, and video.