Special highlights of the show will
include iconic examples of furniture by Josef Hoffmann and Koloman Moser, which will be complemented by rare and often unique works crafted in silver, gold, and semiprecious stones that convey the Wiener Werkstätte's luxurious aesthetic.
Donated by Shirrel L. Rhoades, the photographs on view
include iconic examples from pioneering 19th - century practitioners and from major 20th - century photographers who wielded their cameras to capture images of arresting landscapes, richly...
Not exact matches
The special issue
includes two
iconic examples from Maine that show how cooperation makes a difference — lobsters and blueberries.
The trailer Koo mentions
includes a few choice lines from Thanos,
including one that reveals that Xgard isn't the only
example of merged
iconic locations in the game.
Examples include Thomas Lawrence's
iconic 1815 portrait — the basis of the design of the British five pound note from 1971 to 1991 — and a daguerreotype portrait taken on Wellesley's 75th birthday, loaned from the current Duke of Wellington's own collection (until 7 June).
The retrospective will
include key
examples from his
iconic «Combines» series as well as showcase his innovative experiments with media appropriation, technology and performance.
Examples include Umberto Boccioni's Dynamism of a Footballer (1913), Dempsey and Firpo (1924) by George Bellows, and in the 1960s Andy Warhol created his
iconic Muhammad Ali silkscreen prints.
European Art, 1949 ‐ 1979 will
include many other donations: a Letter to Palladio by Giuseppe Santomaso, early and late paintings by Armando Pizzinato, decoupages by Mimmo Rotella, two paintings by Lucio Fontana
including a 1955
example of «holes» bequeathed in 2011, a major painting by Pierre Alechinsky, an aluminum relief by Heinz Mack, prints by Eduardo Chillida, a Homage to the Square by Josef Albers, an «extroflexed» canvas by Agostino Bonalumi, an entire room of sculptures by Mirko as well as his
iconic tempera study for the Gates of the Fosse Ardeatine, a late monotype by Emilio Vedova, works by Bice Lazzari, Gastone Novelli and Toti Scialoja, and two paintings by Carla Accardi,
including the magnificent Concentric Blue of 1956.
Key
examples from the artist's most
iconic neon series will be on view,
including elements from Kosuth's renowned «Freud» series (1981 - 1989), in which the artist puts the psychoanalyst's texts regarding unconscious functioning meaningfully into play using wall pieces and installations, and from his acclaimed «Wittgenstein» series (1989 - 1993), which illustrate the fervent influence of the philosopher on Kosuth's foundation of thinking, and belief that art should ask questions about itself, as a language engaged in the production of meaning.
Franklin Parrasch Gallery is pleased to present the first New York show of shaped, monochromatic paintings from 1965 - 66 by Ronald Davis —
including four
iconic examples that have not been on public view since the 1960's.
Additional highlights of the evening
included Mark Rothko's No. 17, one of the artist's rare «blue» canvases, sold for $ 32,645,000, along with Clyfford Still's PH - 234 (1948), an
iconic example of the artist at the height of his career, and one of the rare instances in which one of his works has come to market — sold for $ 28,165,000.
Magnetic Fields features a range of works,
including early and later career
examples, several exhibited for the first time, and the long - awaited reappearance of
iconic works such as Mavis Pusey's large - scale painting Dejyqea (1970), featured in the Whitney Museum of American Art's landmark 1971 exhibition Contemporary Black Artists in America.
It
includes what's perhaps the most famous
example of postwar homage, one of Francis Bacon's
iconic Studies For A Pope, transforming Velázquez's Portrait Of Pope Innocent X with angry, abstract paint suggesting inner torment.
Highlights
include: Flags I Jasper Johns» richly layered 1973 screenprint, presenting an
iconic image within the artist's oeuvre in its most striking graphic form; a monumental screenprint on linen, Océanie, la mer, Henri Matisse's largest scale editioned piece and a brilliant
example of his use of «cut - outs»; Andy Warhol's beloved Flowers, a powerful wall of color that is his 1970 portfolio of 10; and Baby Charles Looking Over His Mother's Shoulder (No. 2), Mary Cassatt's unique pastel counterproof, portraying the artist's extraordinary ability to capture maternal love.
ACT UP's
iconic neon signage SILENCE = DEATH (1987) and Gretchen Bender's confrontational video work Untitled (People with AIDS)(1986) are two
examples of the politicized art of the era
included in the Hirshhorn's exhibition.
This sale
includes some of the most
iconic images from that period, as well as more recent
examples of Pop and Op which demonstrate the importance of its legacy, both in Europe and the United States.
Iconic, immediately affecting and universally recognizable, Magritte's pictorial conundrums, trademark double - takes, and visual - verbal paradoxes are as pervasive as ever, as indicated by the appropriation of his imagery by subsequent artists, film directors, advertising agencies, and musicians — key
examples include the logos of The Beatles» record label and CBS.
Works
included in the exhibition range from film posters painted by Peter Doig for his weekly film club in Trinidad, a video projection, Ligne de Foi, 1991, by James Coleman, Polaroid photographs by film director Andrey Tarkovsky, which were selected by Dominique Gonzalez - Foerster for their poetic representation of landscape, photographs presenting an
example of early self - cinema by Victorian photographer Lady Clementina Hawarden and the screening of Michael Powell and Emeric Pressburger's
iconic The Red Shoes, 1948.
Over 100 lots in the auction came from a prominent West Coast collection, which
included museum - quality
examples by
iconic California artists and designers, such as unique works by Charles Eames, a monumental Otto & Getrud Natzler vase, and a Dan Johnson Gazelle chair and dining table.
On view are numerous
examples of Katz's
iconic figurative works,
including the monumental painting Pas de Deux from 1983, a gift from Paul J. Schupf in honor of Hugh J. Gourley III, director emeritus of the museum.
The paintings by de Kooning also represent two
iconic bodies of his late work,
including four major
examples of abstract landscape paintings from the 1970s, in which the artist's vibrating strokes of bright blues and flesh pinks evoke the sea, sand, and coastal light of East Hampton, and a group of paintings from the 1980s where he transforms his richly impasto canvases of the previous decade into luminous compositions in which ribbons of color ripple and curve across pale, ethereal backdrops.