Not exact matches
A theological alternative begins with the notion that no people,
including the Jewish and Palestinian peoples, has ever owned or can ever own the Holy Land — the land of the One who provides
infinite space for his creation.
Each actual occasion prehends the
space - time continuum in its
infinite entirety; that, says Whitehead, is nothing but an example of the general principle (also illustrated by prehension of qualitative eternal objects) that «actual fact
includes in its own constitution real potentiality which is referent beyond itself.»
Finally, we are very excited about the first 2 quarters of 2013 as they look very strong, with announced titles,
including Konami's Metal Gear Solid: Rising, Sony's God of War: Ascension, Microsoft's Gears of War: Judgment, EA's Dead
Space 3 and Crysis 3, Square Enix» Tomb Raider, Take - Two's BioShock
Infinite, Ubisoft's Splinter Cell Blacklist and Take - Two's Grand Theft Auto V.
Mizuguchi is best known as the creator behind critically acclaimed titles
including Sega Rally Championship,
Space Channel 5, Rez, Lumines, Child of Eden and most recently Rez
Infinite.
Games that do this
include: Dragon's Layer, The Legend of Zelda series, parts of the Witcher, Bioshock
Infinite, Gears of War 2, Kingdom Hearts, Shadow of Mordor, Assassin's Creed 2, Resident Evil 2, Sonic, Ico, Double Dragon, Star Fox Adventure, Final Fantasy X, Earth Worm Jim, and way more games than I have
space for.
These titles
include Devil May Cry creator Hideki Kamiya's Bayonetta (PlayStation 3, Xbox (R) 360), black - and - white actioner MadWorld (Nintendo Wii), and RPG
Infinite Space, developed in conjunction with Tokyo - based NudeMaker Inc., for the Nintendo DS.
Infinite Interactive's sequel to the puzzle - RPG: Puzzle Quest: Challenge of the Warlords, Galactrix brings the game to the sci - fi realm that
includes spaceship battles,
space pirates, and effects of zero gravity on colored blocks.
Published writings by Pereira
include: Light and the New Reality (1951), The Transformation of Nothing (1952), The Paradox of
Space (1952), The Nature of
Space (1956), The Lapis (1957), Crystal of the Rose (1959),
Space, Light and the
Infinite (1961), The Simultaneous «Ever - Coming To Be» (1961), The
Infinite Versus the Finite (1962), The Transcendental Formal Logic of the
Infinite (1966), and The Poetics of the Form of
Space, Light and the
Infinite (1968).
Other works in the exhibition
include wall pieces and a gridded platform on the floor making use of two - way mirrors to create the illusion of fragmentary architectural structures repeating and receding into
infinite space.
Through recent installations that
include filmed performances, where projections of the «ghosted» human body wash over sculptural elements, the artist attempts to create an alienating / disorienting illusory effect that reflects an increasing loss of the corporeal gesture in the every day, the
infinite attempt at calibrating the body to technology, as well as the entrapment of the human psyche within it; manipulating and playing with memory,
space and time.
Recent and forthcoming exhibitions
include; The
Space Between, Parasol Unit (2016) Into boundless space I leap, Maxwell Centre, UK (2016); 11th Gwangju Biennale, Korea (2016); Solo Show, Galerie Christian Lethert, Cologne, Germany (2016); New Visions, Tensta Konsthall, Sweden (2015); Towards an Infinite Geometry, Jhaveri Contemporary, Mumbai, India (2015); Future Light, Vienna Biennale 2015: Ideas for Change; Solo Show, Galeri Mana, Istanbul, Turkey (2014); Solo Project, Dhaka Art Summit, Dhaka, Bangladesh (2014); No. 10, The Third Line, Dubai, UAE (2013); Manifold, Galerie Christian Lethert, Cologne, Germany (2013); The Folded Page, Jhaveri Contemporary, Mumbai, India (2011); New Works, Delfina Foundation, London, UK (2010); and Fractured Symmetry, Bischoff / Weiss, London, UK (2
Space Between, Parasol Unit (2016) Into boundless
space I leap, Maxwell Centre, UK (2016); 11th Gwangju Biennale, Korea (2016); Solo Show, Galerie Christian Lethert, Cologne, Germany (2016); New Visions, Tensta Konsthall, Sweden (2015); Towards an Infinite Geometry, Jhaveri Contemporary, Mumbai, India (2015); Future Light, Vienna Biennale 2015: Ideas for Change; Solo Show, Galeri Mana, Istanbul, Turkey (2014); Solo Project, Dhaka Art Summit, Dhaka, Bangladesh (2014); No. 10, The Third Line, Dubai, UAE (2013); Manifold, Galerie Christian Lethert, Cologne, Germany (2013); The Folded Page, Jhaveri Contemporary, Mumbai, India (2011); New Works, Delfina Foundation, London, UK (2010); and Fractured Symmetry, Bischoff / Weiss, London, UK (2
space I leap, Maxwell Centre, UK (2016); 11th Gwangju Biennale, Korea (2016); Solo Show, Galerie Christian Lethert, Cologne, Germany (2016); New Visions, Tensta Konsthall, Sweden (2015); Towards an
Infinite Geometry, Jhaveri Contemporary, Mumbai, India (2015); Future Light, Vienna Biennale 2015: Ideas for Change; Solo Show, Galeri Mana, Istanbul, Turkey (2014); Solo Project, Dhaka Art Summit, Dhaka, Bangladesh (2014); No. 10, The Third Line, Dubai, UAE (2013); Manifold, Galerie Christian Lethert, Cologne, Germany (2013); The Folded Page, Jhaveri Contemporary, Mumbai, India (2011); New Works, Delfina Foundation, London, UK (2010); and Fractured Symmetry, Bischoff / Weiss, London, UK (2010).
Highlights
included solo shows at the National Gallery of Iceland by Italian artist Claudio Parmiggiani, who exhibited sculptural and installation works; photos by American Minimalist Roni Horn; abstract three - dimensional colored - paper works by Iceland's Svava Bjorndottir; and Jon Gunnar Arnarson's installation Cosmos (1982, first shown at the 1982 Venice Biennale), which approaches «
infinite space and Earth's gravity.»