Sentences with phrase «include knockdowns»

IMO I would have scored the fight like this as I think that dominate rounds that include knockdowns and close finishes should be scored 10 - 7's:

Siegel has served as faculty at the School of Making Thinking and has performed at various venues including the Knockdown Center, the Global Committee, Bruce High Quality Foundation, and the Darling Foundry of Montreal.

Not exact matches

The steep fall in 2012 - 2013 has many possible causes, including the heated presidential elections and the knockdown, drag - out budget battles that culminated in last year's government shutdown.

The fight did not even last three rounds but it featured three knockdowns, including that tremendous knockout blow above, as Canelo improved to 45 -1-1.

The notorious prop kings at Paddy Power have provided plenty to bet on, including these different knockdown props.

Ten potential bargains available in this summer's transfer window, including big names at knockdown prices, plus four free agents who could be moving between rival clubs...

The team confirmed that genetic «knockdown» of PRMT1 significantly impaired PDAC cell growth in vitro through use of genetic editing tools, including CRISPR and small hairpin RNA (shRNA).

Additional experiments, including gene knockdown, surfaced prohibitin as a likely infection aide; prohibitin is a multi-functional protein found in human cells and in many other organisms.

Because knockdown of Tuba in zebrafish affects cilia in a number of organs, including the brain, a variety of aberrant phenotypes were seen in the Tuba knockdown zebrafish model.

Recent exhibitions and performances include Jordan Schnitzer Museum of Art, Eugene, OR; Socrates Sculpture Park, New York, NY; MoMA PS1 Contemporary Art Center, New York, NY; and the Knockdown Center, Queens, NY.

Current partners include: A Blade of Grass, American Folk Art Museum, Bad at Sports, Bronx Museum of Art, Bureau of General Services — Queer Division, Community Access Art Collective, Eyebeam, Fourth Arts Block, Interference Archive, International Center of Photography, Knockdown Center, Lesbian Herstory Archives, Maker Park Radio, New York City Department of Cultural Affairs, New York Hall of Science, No Longer Empty, Recess, Social Justice Tours, Studio Museum in Harlem, Swale, Decolonize This Place, Discwoman, Sylvia Rivera Law Project, The 8th Floor, and Visual AIDS.

Nonas» solo and two - person exhibitions include Cross Cuts: Richard Nonas and Joel Shapiro at the Knockdown Center, Queens, NY (2014); The Raw Edge: Vière et les Moyennes Montagnes, Digne - les - Bains, France (2012); Shoots Good Not Straight, Musée d'art de Saint - Etienne, France (2010); Smoke, OMI, Ghent, NY (2009); Musée d'Art Moderne et Contemporain, Geneva, Switzerland (1998); Hip and Spine (Stone Chair Setting), Josephine F. Ford Sculpture Garden in collaboration with the Detroit Institute of Arts, MI (1997, permanent); Museum of Contemporary Art Stockade, Los Angeles, CA (1993); Lucifer Landing (Real Snake in an Imaginary Garden), Cranbrook Art Museum, Bloomfield Hills, MI (1989, permanent); Lund Museum of Art, Lund, Sweden (1988, permanent); and Viewpoints: Richard Nonas, Walker Art Center, Minneapolis, MN (1978).

E.S.P. TV has worked with various venues and institutions including: The Whitney Museum of American Art, New Museum, Museum of Arts and Design, Printed Matter, Millennium Film Workshop, New School, Recess, Camera Club (New York, NY); Interstate Projects, Spectacle Theater, Issue Project Room, Knockdown Center, Flux Factory, Roulette (Brooklyn, NY); Franklin Street Works (Stamford, CT), Liminal Space (Oakland, CA), Yerba Buena Center for the Arts (San Francisco, CA), Human Resources (Los Angeles, CA), Ballroom Marfa, Marfa Public Radio, (Marfa, TX), Museum of Human Achievement (Austin, TX), S1 (Portland, OR), Nightingale Cinema (Chicago, IL), MoCAD (Detroit MI), General Public (Berlin), STORE (Dresden), Studio XX (Montreal), Kling and Bang Gallery (Reykjavik) and Pallas Projects (Dublin).

Current partners include: A Blade of Grass, American Folk Art Museum, Bad at Sports, BRIC, Bronx Museum of Art, Bureau of General Services — Queer Division, Caribbean Cultural Center African Diaspora Institute, Community Access Art Collective, Decolonize This Place, Discwoman, El Museo de Los Sures, Eyebeam, Flux Factory, Fourth Arts Block, Interference Archive, International Center of Photography, Knockdown Center, Maker Park Radio, New York City Department of Cultural Affairs, New York Hall of Science, No Longer Empty, Recess, Social Justice Tours, Social Practice Queens, Studio Museum in Harlem, Swale, Sylvia Rivera Law Project, The 8th Floor, and Visual AIDS.

Participating venues and partners include The Academy Film Archive, Anthology Film Archive, Electronic Arts Intermix, Film Society of Lincoln Center, Japan Society, The Knockdown Center, Lesbian Herstory Archive, Metrograph, Museum of the Moving Image, Participant Inc, Queer Arts, Visual AIDS, The Whitney, XFR Collective, and more to be announced.

Opening: «So Much Dirt But Not Enough Soil (Ruin Series)» at Knockdown Center At Knockdown Center, «So Much Dirt But Not Enough Soil» will include art utilizing familiar materials such as Miracle Grow, live active culture 1 acidophilus, liquid THC, a shredded and pulped copy of the introduction to Capitalism and Freedom by Milton Friedman, yellow # 5, ginko biloba, Flavor Dynamics» CHEF - ASSIST ® Harvest Spice Flavoring, 3 - methyl butanoic acid, crushed Adderal and aspartame, among others.

Recent exhibitions include: Nasty Women Exhibition at the Knockdown Center, Queens (January 2017); Process Series II with Dragana Jurisic, Katie Holten, Wendy White and Bahareh Khoshooee at Rawson Projects, NYC (Feb - March 2017); Artist Run New York: The Seventies at the Jean - Paul Najar Foundation, Dubai, UAE (March - June 2017).

This event is part of a series planned by Greene Naftali with friends, family, curators, and collaborators of Tony, including concerts and screenings at venues such as The Kitchen, Anthology Film Archives, Knockdown Center and ISSUE Project Room.

Recent exhibitions include: Artist's Rendering (Distressed, Relaxed), AxeNéo7, Gatineau, Quebec, 2017; You can tell that I'm alive and well because I weep continuously, The Knockdown Center, Queens, New York, 2017; Apparatus for a Utopian Image, Elizabeth Foundation for the Arts Project Space, New York, New York, 2016; Self - Titled (Materials for a 21st Century Room — or SWAMPED, EXHAUSTED, HESITATING), 8eleven, Toronto, Ontario, 2016; David Court, Aryen Hoekstra, Shane Krepakevich, Modern Fuel Artist Run Center, Kingston, Ontario, 2016.

Acosta can also be found heading up discourse at the Knockdown Center including their new series Sunday Service as well as creating with NO ONE IS ANYWHERE, Intrinsic Grey Productions.

Recent exhibitions include Lourdes Correa - Carlo: Intended Trajectories, Knockdown Center, Queens, NY (2017); Stage 6: Lourdes Correa - Carlo, Down - Below, International Studio & Curatorial Program, Brooklyn, NY (2016); and Standard Forms, Hessel Museum of Art, Annandale - on - Hudson, NY (2016).