Sentences with phrase «include nineteenth»

Artists on display include nineteenth and twentieth - century photographers Henry Bosse, Edward Sheriff Curtis, and F. Holland Day, and contemporary artist Christian Marclay.»

The twelve - song album includes nineteenth - and twentieth - century bluegrass classics, such as Jefferson Hascal's «Angel Band» (prominently featured in the Cohen Brothers» O Brother, Where Art Thou?)

In addition, the exhibition will feature nearly fifty works from Flavin's personal collection of drawings, including nineteenth - century American landscapes by Hudson River School artists, Japanese drawings, and twentieth - century works by artists such as Piet Mondrian, Donald Judd, and Sol LeWitt.

In addition the exhibition features nearly fifty works from Flavin's personal collection of drawings, including nineteenth - century American landscapes by Hudson River School artists, Japanese drawings, and twentieth - century works by artists such as Piet Mondrian, Donald Judd, and Sol LeWitt.

Not exact matches

In the nineteenth - century movement for German unification, the inhabitants of the left bank of the Rhine tended to favor the so - called «Greater German Solution» that called for a de-centralized, subsidiary German nation, which would include Austria and Bohemia, and be under Habsburg leadership, thus continuing the traditions of the Holy Roman Empire.

These theological visions come from many sources, including: apocalyptic books of the Bible from Daniel to Revelation; a nineteenth - century viewpoint on the end of times known as dispensational premillennialism; and images of the so - called «rapture» popularized in novels such as Hal Lindsey's The Late Great Planet Earth (1970) and the more recent Left Behind series.

Mark De Wolf Howe and William McLoughlin have argued that there was a de facto Protestant establishment in the early years of the Republic, that this establishment was broadened to include Catholics late in the nineteenth century and that only in the twentieth has America transcended the notion that it is a Christian nation.

Beginning with the missionary movement in the early nineteenth century the church began offering ministries to people in special settings or with special problems, including military and hospital chaplains, and service to the disadvantaged in urban, rural, suburban and metropolitan settings.

The first volume of his labors, Earthly Powers, covering the years 1750 «1914, provoked a lively discussion (including a strong review by Russell Hittinger in First Things) about the role of religion as a rival to the secularist states emerging in the eighteenth and nineteenth centuries.

It is significant that from the second century to the nineteenth, when modern historical scholarship became current, theories about the Bible were held which no competent historian now accepts, such as that Moses wrote the entire Pentateuch (the first five books of the Old Testament) including the description of his own death.

By the end of the nineteenth century, however, nonsectarianism was beginning to have to be defined to include more than just varieties of Protestantism.

He read Plato and all the Apostolic Fathers and Church Fathers, the medieval scholastics, knew Luther and Calvin backwards and forwards, read many of the Puritans, the eighteenth century Methodists, the nineteenth century British preachers, the main theologians of the 20th century — including Barth and Brunner, and if it was written last week — Michael probably read it!

Robert Lynn has brilliantly shown how the McGuffy readers purveyed a religious and republican ideology, including a powerful stress on the common good and the joys of participation in the public life, during much of the nineteenth century.12

The prayers range over the whole of Christian history, including many from the familiar Christian figures (Ignatius, Polycarp, Cyprian), but some from little - known heroes of the faith, Jonas of Beth - Isa (fourth - century Persia), Noel Pinot (eighteenth - century France), Gabra Michael (nineteenth - century Ethiopia), Yona Kanamuzeyi (twentieth - century Rwanda).

Antonio Gramsci criticized Croce's History of Europe in the Nineteenth Century for beginning in 1815 and his History of Italy for beginning in 1871, that is, just after but not including the French Revolution in the one book or the Risorgimento in the other.3 He thus excluded «the moment of struggle; the moment in which the conflicting forces are formed, are assembled and take up their positions; the moment in which one ethical - political system dissolves and another is formed by fire and steel; the moment in which one system of social relations disintegrates and falls and another arises and asserts itself.

The digitisation efforts of some parliaments (including the UK and the US legislatures) have made huge sets of speech data available to researchers, dating from the early nineteenth century.

His research interests include issues relating to political conduct and corruption, the re-imaging of democracy at the end of the eighteenth and the beginning of the nineteenth centuries, the Godwin Diaries, political realism and political ethics, and the history of political thought.

Older examples include the blocking of Welsh church reform from 1868 to 1920, coercion Acts in nineteenth - century Ireland, and the Patronage Act (Scotland) 1711/12, violating the then recent Act of Union.

includes abundant green space and historic buildings dating to the universitys reconstruction in the late nineteenth century..

For GCSE English Literature, pupils will now be required to study a broader range of texts, including at least one Shakespeare play and a nineteenth - century novel.

1987 was the final model year for the 90, the nineteenth model year if it's very close relation, the 99, is included.

A terrific ensemble cast, including de Ocampo, MacLeod Andrews, Justine Eyre, and Amy Rubinate, reads Fleming's creepy stories in which teenage ghosts, who lived in Chicago from the late nineteenth century to modern times, tell how they died.

Her articles on nineteenth century history have been published on various academic and history sites, including the Victorian Web and the Journal of Victorian Culture, and are also syndicated weekly at BUST Magazine.

His recent books include The Unknown Terrorist, (2007), set in contemporary Sydney, and Wanting (2008), set in both nineteenth century Tasmania and Britain and The Narrow Road to the Deep North, for which he won The 2014 Man Booker Prize, and First Person.

The Hacienda Henequenera was constructed to resemble a Nineteenth Century Spanish - colonial style agave processing plant where visitors can witness the manufacturing process as well as an array of fantastic Mexican folk art, including an incredible collection of indigenous - style masks.

The Viennese coffee house culture spread to all corners of the Austro - Hungarian Empire at the end of the nineteenth century, including to Prague, then a provincial capital.

By the end of the nineteenth century, significant development including the construction of a new pier, a two - kilometre seafront promenade and a pavilion plus new hotels and guest houses had transformed the town.

Notable museums include the Ships of the Sea Museum, which exhibits a variety of maritime antiques, ships models, and paintings, the Savannah Railroad Museum, which is the largest existing nineteenth - century railroad operations complex in the nation.

HOWL, eon (I, II)(2017), examines the complex legacy of nineteenth - century westward expansion, including the Bay Area's deeply embedded histories of colonialism, capitalism, class conflict, social protest, and technological innovation.

The collection, which began with the collecting efforts of its predecessor, the Oklahoma Art League, includes paintings, prints, photographs, and sculptures, with strengths in European and American art of the nineteenth and twentieth centuries.

It includes lithographs, engravings, aquatints, photogravures, and woodcuts created by artists of the late eighteenth, nineteenth, and early twentieth centuries.

Organized by Claire Gilman, the show included nearly eighty drawings, including works based on paintings by Bruegel, prints by Hogarth, photos by nineteenth - century pornographers, and even the cover of a Dover paperback of «copyright - free» animal figures.

Exceptional examples include a late eighteenth - century portrait by the New England artist John Brewster, Jr.; a lush, highly detailed nineteenth - century still life by Severin Roesen, a German - born artist based in Williamsport in the 1860s; exquisite nineteenth - century landscapes by William Sonntag, John Kensett, and William Trost Richards; and an impressive range of twentieth - century paintings and sculptures by artists, including Marsden Hartley, Richard Diebenkorn, Red Grooms, and Marisol.

The exhibition includes drawings by Italian, German, French, Dutch, and Flemish artists of the Renaissance and baroque periods; German draftsmen of the nineteenth century; and an international contingent of modern and contemporary draftsmen.

Today the collection (which includes approximately 6,000 objects) is primarily composed of late - nineteenth and twentieth - century works, ranging from Pablo Picasso's monumental public sculpture Bust of Sylvette to a Joseph Cornell box, Chocolat Menier, from 1952.

Her work includes installation and performance in which she investigates constructions of identity in western nineteenth and twentieth century, and their outcomes and parallels in the present day.

Nineteenth - century still lifes include important examples by Raphaelle Peale, Severin Roesen, William Harnett, John Peto, John Haberle and John La Farge.

With works from the late nineteenth century to the present day, the collection focuses on central, eastern, and northern Europe and the United States, and includes artists such as Max Ernst, Kurt Schwitters, László Moholy - Nagy, Larry Poons, Martin Kline, and Karen Gunderson.

Notable acquisitions include the portraits Richard Worsam Meade by Vicente López y Portaña, King Charles II by Juan Carreño de Miranda and nineteenth - century landscapes by artists such as Joaquín Sorolla and Aureliano de Beruete.

Ranging from the early nineteenth century through the mid-twentieth century, the incomparable collection of «modern art and its sources,» as its founder, Duncan Phillips, characterized it, includes distinctive Impressionist, Post-Impressionist, and Expressionist masterworks.

During his time at the Palmer, he organized a number of critically acclaimed traveling exhibitions, all of which were accompanied by scholarly publications, including Picturing the Banjo (2005 - 6); Taxing Visions: Financial Episodes in Late Nineteenth - Century American Art (2010 - 11); and Shallow Creek: Thomas Hart Benton and American Waterways (2007 - 8).

Critical to the exhibition are important selections from the carefully formed «units» by Phillips's nineteenth - and twentieth - century favorites: Daumier, including The Uprising; Bonnard, including The Open Window and The Palm; Klee, including Tree Nursery and Printed Sheet with Picture; and Braque — with some seven works, among them the elegiac Shower.

Showcasing the work of the celebrated American Abstract Expressionist painter, Helen Frankenthaler, alongside paintings by JMW Turner from the nineteenth century, the exhibition includes 24 paintings by Frankenthaler, whose last public gallery exhibition in the UK was at the Whitechapel in 1969.

Showcasing the work of the celebrated American Abstract Expressionist painter, Helen Frankenthaler, alongside paintings by JMW Turner from the nineteenth century, the exhibition included 24 paintings by Frankenthaler, whose last public gallery exhibition in the UK was at the Whitechapel in 1969.

Trees, flowers, clay, fruit, ice, sugar, and chocolate have all appeared as regular protagonists in her work, including a carpet of 10,000 flowers left to wilt on a museum floor; a room whose walls the artist painted in chocolate and then invited viewers to lick its sweet but precarious surfaces; and a thirty - two - ton minimalist grid of ice cubes melting in a nineteenth - century water pumping station in east London.

The works tell the story through various fragments and landscapes, including a magnificent sea vista from a lighthouse beacon that produce what the artist refers to as a «missing narrative» reminiscent of an atmospheric nineteenth - century seascape painting.

Today the collection (which includes approximately 6,000 objects) is primarily composed of late - nineteenth - and twentieth - century works, ranging from Pablo Picasso's monumental public sculpture Bust of Sylvette to a Joseph Cornell box, Chocolat Menier, from 1952.

Made from the nineteenth century to the present and organized thematically, the works in the exhibition were created by artists including Claude Cahun, Rineke Dijkstra, Man Ray, Cindy Sherman, and Gillian Wearing, among many others.

In 1905, the Colt collection — masterpieces of nineteenth - century American and European paintings and decorative arts, including Samuel's personal firearms — was bequeathed to the Atheneum.

Symbols in the painted wall surface include the royal seal of the early - nineteenth - century Haitian kingdom, delicate floral patterns, hair picks, and black power fists.