Artists on display
include nineteenth and twentieth - century photographers Henry Bosse, Edward Sheriff Curtis, and F. Holland Day, and contemporary artist Christian Marclay.»
Not exact matches
Mark De Wolf Howe
and William McLoughlin have argued that there was a de facto Protestant establishment in the early years of the Republic, that this establishment was broadened to
include Catholics late in the
nineteenth century
and that only in the
twentieth has America transcended the notion that it is a Christian nation.
The twelve - song album
includes nineteenth -
and twentieth - century bluegrass classics, such as Jefferson Hascal's «Angel Band» (prominently featured in the Cohen Brothers» O Brother, Where Art Thou?)
The collection, which began with the collecting efforts of its predecessor, the Oklahoma Art League,
includes paintings, prints, photographs,
and sculptures, with strengths in European
and American art of the
nineteenth and twentieth centuries.
It
includes lithographs, engravings, aquatints, photogravures,
and woodcuts created by artists of the late eighteenth,
nineteenth,
and early
twentieth centuries.
Exceptional examples
include a late eighteenth - century portrait by the New England artist John Brewster, Jr.; a lush, highly detailed
nineteenth - century still life by Severin Roesen, a German - born artist based in Williamsport in the 1860s; exquisite
nineteenth - century landscapes by William Sonntag, John Kensett,
and William Trost Richards;
and an impressive range of
twentieth - century paintings
and sculptures by artists,
including Marsden Hartley, Richard Diebenkorn, Red Grooms,
and Marisol.
Today the collection (which
includes approximately 6,000 objects) is primarily composed of late -
nineteenth and twentieth - century works, ranging from Pablo Picasso's monumental public sculpture Bust of Sylvette to a Joseph Cornell box, Chocolat Menier, from 1952.
Her work
includes installation
and performance in which she investigates constructions of identity in western
nineteenth and twentieth century,
and their outcomes
and parallels in the present day.
In addition, the exhibition will feature nearly fifty works from Flavin's personal collection of drawings,
including nineteenth - century American landscapes by Hudson River School artists, Japanese drawings,
and twentieth - century works by artists such as Piet Mondrian, Donald Judd,
and Sol LeWitt.
Critical to the exhibition are important selections from the carefully formed «units» by Phillips's
nineteenth -
and twentieth - century favorites: Daumier,
including The Uprising; Bonnard,
including The Open Window
and The Palm; Klee,
including Tree Nursery
and Printed Sheet with Picture;
and Braque — with some seven works, among them the elegiac Shower.
Today the collection (which
includes approximately 6,000 objects) is primarily composed of late -
nineteenth -
and twentieth - century works, ranging from Pablo Picasso's monumental public sculpture Bust of Sylvette to a Joseph Cornell box, Chocolat Menier, from 1952.
That was the challenge undertaken this summer by the Pennsylvania Academy of the Fine Arts (PAFA), where its curatorial team, which
includes a trio of experts in eighteenth,
nineteenth,
twentieth,
and twenty - first century art, collaborated to rethink the themes
and layouts of the galleries through 1950.
Highlights of the European art collection
include English genre painting of the
nineteenth - century as well as examples of French post-Impressionistic painting from the late
nineteenth and early
twentieth century.
With much of the work in «The Order of Things» focusing on the individual
and cultural identity, the exhibition also
includes a large selection devoted to vernacular photography from the late -
nineteenth and early
twentieth century — offering a glimpse into the day - to - day life of a time that we will never know.
He has written various seminal texts,
including the book Studies in Tectonic Culture: The Poetics of Construction in
Nineteenth and Twentieth Century Architecture.
The Telfair Academy contains two
nineteenth - century period rooms
and houses
nineteenth -
and twentieth - century American
and European art from the museum's permanent collection
including paintings, works on paper, sculpture,
and decorative arts.
Overlooked figures are also brought forward in a series of collaged portraits,
including Queen Min (2016 — 17), the
nineteenth - century Korean empress; Butch Morris (2015 — 16), the
twentieth - century musical innovator;
and Tenzing Norgay (2015 — 16), the Tibetan mountaineer.
April 11, 2015 - August 16, 2015 Guest curated by John - Michael H. Warner McCall Gallery Culling the University of Arizona Museum of Art permanent collection, this exhibition of iconic
nineteenth -
and twentieth - century landscape genre art
includes works by Thomas Cole
and Thomas Moran
and sculpture by Alan Sonfist as well as select works from the...
Recognized for restoring Carnival celebrations to the classical traditions of the
nineteenth and early -
twentieth centuries, Schindler has received numerous awards
and his work has been
included in exhibitions on the history of Mardi Gras.
The exhibition comprises 24 small mixed media constructions that examine influential artists from the late
nineteenth and twentieth centuries,
including Gerhard Richter, Leonora Carrington, Edward Hopper, Natalia Goncharova, Edouard Vuillard, Erich Heckel, Lee Krasner, Joan Mitchell, John Marin, Richard Prince, René Magritte, Henri Matisse, Dorothea Tanning, Andy Warhol, Louise Bourgeois, Paul Cezanne, Eugène Atget, Donald Judd, Roy Lichtenstein, Willem de Kooning, Pablo Picasso, Odilon Redon,
and Yves Tanguy.
In addition the exhibition features nearly fifty works from Flavin's personal collection of drawings,
including nineteenth - century American landscapes by Hudson River School artists, Japanese drawings,
and twentieth - century works by artists such as Piet Mondrian, Donald Judd,
and Sol LeWitt.
Kosinski has published on artists
including Gustave Courbet, Henri Matisse,
and Vincent van Gogh
and on various topics in
nineteenth and twentieth - century art.
In the late
nineteenth and early
twentieth centuries, several major corporations set up shop here,
including Eastman Kodak, Xerox
and Bausch
and Lomb.