Sentences with phrase «include photographic archives»
These representations include photographic archives and related artifacts, which she treats as material to produce new images and installations.
https://www.southarts.org/ Not exact matches
The opening credits sequence, accompanied by a rendering of Camille Saint - Saens «Carnival of the Animals,» provides sepia - toned historical period photographs (from the Library of Congress, various museums and photographic archives, and the NY Public Library) of turn - of - the - century city and tenement life (portraits, closeups, slices of life including play, marriage, work, politics, friendships, transportation, domesticity, and leisure time).
His recent works take the form of large photographic grids, often including text, archive materials and moving image as multiple, composite forms of examining temporary settlements, sites of corporate development and exclusion, border territories, and geographies of extraction.
Ateneum's retrospective exhibition will include almost 300 photographs, archive material and films relating the story of this star of international photographic art.
The works presented here take many forms, including physical archives arranged by peculiar cataloguing methods, imagined biographies of fictitious persons, collections of found and anonymous photographs, film versions of photographic albums, and photomontages composed of historical photographs.
The exhibition will also include additional Command Records album covers designed by other artists, such as Charles E. Murphy, Barbara Brown Peters, and Gerry Olin, as well as photographic reproductions of materials from The Josef & Anni Albers Foundation's archives.
This ongoing project subsequently evolved into a vast photographic archive that spans over four decades and documents many major Los Angeles thoroughfares, including Santa Monica Boulevard, Melrose Avenue, and Pacific Coast Highway, shot in 1974 and 1975, and more than 25 other Los Angeles streets that Ruscha photographed since 2007.
Published on the occasion of her 2013 exhibition at Aspen Art Museum, Lorna Simpson: Works on Paper highlights four recent bodies of work on paper that explore the complex relationship between the photographic archive and processes of self - fashioning, including a new group of works being developed during her time as the AAM's 2013 Jane and Marc Nathanson Distinguished Artist in Residence.
Permanent collections include Berkeley Art Museum and Pacific Film Archive, Berkeley, CA; Museum of Contemporary Photography, Columbia College of Chicago, Chicago, IL; Museum of Photographic Arts, San Diego, CA; New Orleans Museum of Art, New Orleans, LA; and Pier 24 Photography, San Francisco, CA.
An extensive archive of photographs produced in silver gelatin print, taken since 1999 (and still on going), this series focuses on marginalized rural communities in Western Rajasthan, portrayed through a range of local photographic methods including studio portraits, religious calendar art and Bollywood posters, at times collaborating with subjects, and sometimes not including them at all.
In 2007 Arbus's estate gifted her complete archives — including photographic equipment, diary pages, and the negatives of some 7,500 rolls of film — to the Metropolitan Museum of Art in New York City.
His main projects include What We Want, a photographic atlas; The Secret Traces, an archive of urban experiments in shadowing; and Citytellers, a film trilogy about new forms of urbanization.
«The Mind's Eye presents works drawn from the artist's personal archive of vintage materials and, in addition to photographic prints, includes a selection of three - dimensional photographic sculptures, films, artist's books, albums and work prints to give viewers first - hand insight into Uelsmann's creative process and expressive range.
Esopus 21 includes artists» projects by Stephen Eichhorn, Penny McCarthy, Thomas Nozkowski and Leslie Wayne; an essay on the design of the 9/11 Memorial by architect Michael Arad; poems by Chantal Bizzini; a new installment of the «Modern Artifacts» series, copresented with the Museum of Modern Art Archives, and featuring documents related to the never - published second issue of Possibilities (edited by Robert Motherwell and Harold Rosenberg); photographer Dennis Stock's images of the 1954 world premiere of Judy Garland's A Star Is Born; an interview with playwright / filmmaker Kenneth Lonergan relating to his childhood fascination with science fiction; pages from the late Austrian artist Otto Meuhl's sketchbook featuring drawings based on Cézanne paintings; and several perspectives on the African art collective Invisible Borders: an essay by Emmanuel Iduma accompanied by a photographic portfolio; and a downloadable audio compilation of music and sounds curated by Emeka Okereke that relates to the collective's 2012 road trip.
Curated by Candice Allison, the exhibition includes recent and previously unseen work: photographic prints, drawings, oil paintings, video, and installation; alongside paintings from the National Gallery of Zimbabwe's permanent collection, material from the National Archives, and Chiurai's own personal archive of propaganda posters and vinyl records.
Over 100 works from the 1920s and «30s by key Soviet artists are brought into dialogue with new site - specific commissions and recent works by contemporary artists, including Cuban performance artist Tania Bruguera noted for her strong political messages, Mikhail Tolmachev, a young artist from Moscow who explores the subject of memory through photographic archives, renowned American artist Barbara Kruger, German photographer Wolfgang Tillmans and Russian multi-media artist Kirill Savchenkov, amongst many others.
Their projects celebrated a lost period, uncovered untold narratives and cultural heritage or critically looked at the present through architectural, photographic and film archives including Playboy magazines (Raed Yassin Haute Couture).