Sentences with phrase «include stained glass window»

American artist Sam Falls also presents an adapted installation featuring half of a site - specific installation including a stained glass window and set of photograms.

Not exact matches

The templates for the stained glass windows are also included.

Some of the crafts you will receive in this book include: Portable Pop - Up Dolls House Finger Painted Hyacinth Blossoms Easy «Stained» Glass Windows Blossoming Branches Personalized Painted Mugs Beautiful Bunting Confetti Tape Finger Print Key Rings Sweet Dreams Personalized Pillow Case Put Your Art on Candles Sugar Scrub Pampering Set Bath Bomb!

Accidental or unintentional damage by the guest including things like broken lamps, windows and glass, electronics, damaged doors, walls and furniture, stained bedding or linens, lost keys and re-keying costs

The soaring interior, in addition to its intricate carving, includes brilliantly hued stained - glass windows.

The building's architectural flourishes, which include a stunning stained glass window overlooking the staircase, have been lovingly preserved.

The transepts are buttressed and include each a pair of tall Tudor windows and large stained glass window above.

This included Italian marble floors to windows of French stained glass.

Peppered amongst the bars and restaurants, you'll also find an assortment of shops, boutiques and many tourist attractions, including Washington Square Park which is full of street performers, Judson Memorial Church with its stained glass windows, Stonewall Inn which is now an active LGBT centre, Rock»n' Roll Hall of Fame Annex which offers a tour through the history of rock»n' roll and Bleecker Street where the artists from the 60s found their inspiration.

Extra features include king size beds, private jacuzzi and a stain glass dome window.

Highlights include some beautiful stained - glass windows from the former glass painter's shop, and the perching Red Devil that peers down on passers - by.

Each of the 12 air conditioned suites are decorated in an Arts and Crafts style and may include an adobe corner fireplace with river rock stone, French doors, stained glass ceiling panels, flagstone flooring and arched windows.

Alaskan artistry is on display throughout the home, including a spectacular stained glass window in the dining room.

An «artistic alchemist» of a sort, his opus is defined not just by painting and photography, but also by film, including his Der ganze Körper fühlt sich leicht und möchte fliegen (The Whole Body Feels Light and Wants to Fly)(1969), a series of stained - glass windows that he created for the Grossmünster cathedral in Zurich (between 2006 and 2009), drawings, sculptures, and others.

The first includes an artist such as Paul Klee, for whom each picture is a singular and exacting exploration of a chosen poetic theme (the conflation, for example, of the structure of a stained glass window with that of a plant).

It includes Albers's early drawings of country churches and cathedrals; «Rosa Mystica,» his stained glass window for St Michael's Church, and other glass works containing religious imagery; his abstractions of crosses and geometric abstractions with spiritually themed titles, from his Black Mountain years; his prints of Mexican gods; photographic interpretations of the theme of angels; and a selection from the Homage to the Square series.

Among the new arrivals is a significant set of 10 time - based media works from the collection of Peter and Mari Shaw, including Melik Ohanian's The Hand (2002), and Promises (2001) by Anri Sala; 12 Japanese paintings from the literati, Zen and Kano schools, from the Gitter - Yelen collection; several examples of American furniture design; and an exceptional 16th - century stained glass window by French artist Jean Chastellain depicting The Adoration of the Magi.

The loan exhibition includes 83 objects, including mosaics, 10 stained - glass windows, dozens of liturgical objects, and scores of works on paper, design drawings and promotional ephemera.

Today the Collection includes approximately 4,800 objects and is primarily composed of late - 19th and 20th - century works, ranging from Picasso's monumental public sculpture Bust of Sylvette, sited in the plaza of Silver Towers apartments, on Bleecker Street, to a stained glass window from Frank Lloyd Wright's Martin House, in Buffalo, New York.

The pieces that year included Fiona Banner's hand - written Wordscape describing a pornographic film and Liam Gillick's Perspex suspended ceiling, which gave the feeling of light coming through a stained glass window in the gallery.

Mr. Wiley has also ventured into sculpture, and his coming show at the Brooklyn Museum will include six stained - glass windows as well as a few bronze heads that can put you in mind of the portrait busts of Jean - Antoine Houdon, who flourished during the French Enlightenment.

Also included is a generous selection from Wiley's ongoing World Stage project; several of his enormous Down paintings; striking male portrait busts in bronze; and examples from the artist's new series of stained glass windows.

In Ireland, stained glass was revived by Harry Clarke RHA (1889 - 1931)- whose important works include The Eve of St Agnes (c. 1923) and The Geneva Window (1927)- Sarah Purser (1848 - 43) of An Tur Gloine, and Evie Hone (1894 - 1955).

With their clear, saturated colors of red, white, yellow, brown and black, the 39 works on view through June 28 at both galleries (including Blood and Piss Piss Piss) resemble the best of post-Pop pranksterism as well as stained - glass windows from a profane and playful church of the life spirit.

Many of the «sculptures» included often operated with or within more - two dimensional components — I am thinking here of Jon Kessler's Exodus (2016) and Evolution (2017), configurations far more about the transmutation of object into digital image than it is about the materiality of things; Rafa Esparaza's Figure Ground: Beyond the White Field (2017), a weighty and timely installation on labor, colonialization and identity read through adobe bricks; or Raúl de Nieves» beginning & the end neither & the otherwise betwixt & between the end is the beginning & the end (2016), an installation of five ornate, grotesque, and vibrantly hued sculptures set against a backdrop of eighteen colorful acetate sheets made to resemble stained glass windows.

Since his first solo exhibition 50 years ago, Mangold's work has been the subject of numerous one artist and retrospective exhibitions throughout the United States and abroad, including Robert Mangold at the Guggenheim Museum, New York (1971); Robert Mangold: Paintings 1971 — 1984, organized by the Akron Art Museum with subsequent venues in New York, Texas and California (1984 — 86); Robert Mangold: The Oberlin Window at the Allen Memorial Art Museum, Oberlin College (1992), which coincided with the unveiling of a stained glass window designed by the artist for Oberlin's historic Finney Chapel by architect Cass Gilbert, Robert Mangold: Painting as Wall, Werke von 1964 bis 1993, organized by the Hallen für neue Kunst with subsequent venues in Paris, Münster and Lisbon (1993 — 95); Robert Mangold: X, Plus and Frame Paintings, Works from the 1980s at the Parasol Unit Foundation for Contemporary Art, London (2009); Robert Mangold, Beyond the Line: Paintings and Project 2000 — 2008 at the Albright - Knox Art Gallery, Buffalo, presented in 2009 in anticipation of commissioned glass windows at the Federal Courthouse Building in Buffalo, unveiled in 2012; and Robert Mangold: Continuity and Discontinuity, Cleveland Institute of Art, Ohio (Window at the Allen Memorial Art Museum, Oberlin College (1992), which coincided with the unveiling of a stained glass window designed by the artist for Oberlin's historic Finney Chapel by architect Cass Gilbert, Robert Mangold: Painting as Wall, Werke von 1964 bis 1993, organized by the Hallen für neue Kunst with subsequent venues in Paris, Münster and Lisbon (1993 — 95); Robert Mangold: X, Plus and Frame Paintings, Works from the 1980s at the Parasol Unit Foundation for Contemporary Art, London (2009); Robert Mangold, Beyond the Line: Paintings and Project 2000 — 2008 at the Albright - Knox Art Gallery, Buffalo, presented in 2009 in anticipation of commissioned glass windows at the Federal Courthouse Building in Buffalo, unveiled in 2012; and Robert Mangold: Continuity and Discontinuity, Cleveland Institute of Art, Ohio (window designed by the artist for Oberlin's historic Finney Chapel by architect Cass Gilbert, Robert Mangold: Painting as Wall, Werke von 1964 bis 1993, organized by the Hallen für neue Kunst with subsequent venues in Paris, Münster and Lisbon (1993 — 95); Robert Mangold: X, Plus and Frame Paintings, Works from the 1980s at the Parasol Unit Foundation for Contemporary Art, London (2009); Robert Mangold, Beyond the Line: Paintings and Project 2000 — 2008 at the Albright - Knox Art Gallery, Buffalo, presented in 2009 in anticipation of commissioned glass windows at the Federal Courthouse Building in Buffalo, unveiled in 2012; and Robert Mangold: Continuity and Discontinuity, Cleveland Institute of Art, Ohio (2011).

Gallery artist James Little is included in the exhibition, «Lumières Du Monde» (Light of the World), at the Museum of Stained Glass, Chartres, France, an exhibition of 300 18 x 18 inch stained glass windows created by 280 artists from five continents who were invited to submiStained Glass, Chartres, France, an exhibition of 300 18 x 18 inch stained glass windows created by 280 artists from five continents who were invited to submit Glass, Chartres, France, an exhibition of 300 18 x 18 inch stained glass windows created by 280 artists from five continents who were invited to submistained glass windows created by 280 artists from five continents who were invited to submit glass windows created by 280 artists from five continents who were invited to submit work.

Included in the exhibition is a reconstruction of the stained glass window Rosa Mystica which was designed by Josef Albers for St. Michael's Church in Bottrop, Germany, and which was destroyed during WWII.

Other eco-design features include: Soy stained concrete floors, glass block in interior walls for additional lighting, a variety of window sizes and placement maximizing useable space, minimizing northern exposures while allowing for light and air flow.

Visitors teleport between floors, and the structure includes renderings of stained glass windows.

Built in 1927, the home has stunning details, including stained - glass windows and bright tile work.

Of course, the kitchen includes hallmarks of the family's history: Above the range is Erin's dad's collection of vases, on the wall are vintage foodie prints that belonged to her stepmother (a former cook) and up high is a tiny stained - glass window installed by Erin's grandfather (which can be opened using a quirky pulley system Erin kept in place).

A lively tableau under the living room's original stained glass window features the glitz and glamour associated with Hollywood Regency decor, including a gilded artichoke table lamp, a lacquered desk, a retro bamboo chair and a chinoiserie pot.

These include crown mouldings, stained glass windows and millwork.

The sensitive restoration includes original stained - glass porthole windows and mosaic floors, teamed with concrete walls and exposed industrial fittings for a modern twist.

We also have a whole selection of window décor, including window clings, privacy window film and peel and stick stained glass decals, designed specifically for beautiful window treatments.

We have a wide range of frosted films, plain, patterned or printed; we also do solar control films for when things get too hot or too bright, safety films to make old glass secure, stained glass film to give your windows that period look, and a whole range of bespoke products including house numbers, shop window stickers, printed wallpaper and wall murals.

Antique materials have been sourced from old churches and manor houses, including French casement windows with stained glass from old churches, reclaimed marble and limestone.