Sentences with phrase «include urban landscapes»

It will include urban landscapes of Rome and Venice, as well as paintings and drawings of the figure.

Subject matter will include urban landscapes painted in Italy and Istanbul, interiors and the nude.

Not exact matches

Speakers will be drawn from a wide range of disciplines and backgrounds, including industrial and product design, architecture, urban planning, landscaping, graphic design, branding, fashion, software and nanotechnology.

Portfolios include built and unbuilt architecture, interiors, urban design, landscape, furniture, graphics and research.

The urban garden will include native flowers — even a landscaped hill built to resemble an American Indian burial mound.

A wider definition would include within its scope the design of the total built environment, from the macrolevel of town planning, urban design, and landscape architecture to the microlevel of creating furniture.

The parking and traffic management sector is an under ‑ researched area, and one which covers a vast range of subjects including: the design and construction of car parks, the effect that parking provision has on traffic congestion and the urban landscape, the effective management of kerb space, and the many media and public concerns that managing on and off street parking raises.

The editors are passionate about sights and sightseeing, and blog posts include genuine urban interesting architecture as well as landscape and sceneries.

Nestled discreetly in 16 landscaped hectares, all 246 comfortable guestrooms, including 30 Zen Rooms and six Executive Suites, featuring refined Thai design influences, give a unique urban resort feel.

Artwork ranges from drawing, photography, sculpture, installations, film and video to performance and social practice taking place in both urban and rural landscapes, and include works that are narrative, political, performative, and conceptual examples of contemporary art.

The exhibition will include both the portraits and urban landscapes -LSB-...]

Blue Mountain Gallery presents biOcular, an exhibition by Anne Diggory that includes hybrid works combining photography and painting in urban and Adirondack landscapes as well as the clutter of everyday living.

Her photographs include series of portraits and American urban landscapes, ranging in format from large - scale color works to smaller black - and - white prints.

The exhibition will include both the portraits and urban landscapes for which the artist is so well known and a new self - portrait in graphite and pastel on paper.

For his upcoming show at Honor Fraser, the Los Angeles native will use a similar method to present re-formulations of found objects from the urban L.A. landscape, as part of a larger exhibition that also includes quirky assemblages that integrate gym locker room fixtures and objects inspired by the 1984 Los Angeles Olympics.

WILLIAM MERRITT CHASE More than 80 oil paintings and pastels are included in this major survey of William Merritt Chase (1849 - 1916), the American Impressionist best known for his depictions of landscapes, urban parks, women and children.

Fritz Haeg «s work has included: animal architecture, crocheted rugs, domestic gatherings, edible gardens, educational environments, preserved foods, public dances, sculptural knitwear, temporary encamp.m.ents, urban parades, wild landscapes, and occasionally buildings for people.

The exhibition (30 April — 30 May 2018) brings together artists including Anne Ryan, Abigail Lane, Peter Doig, Ross Taylor and Nicky Hoberman, who have been invited to respond to «The Lore of the Land», with interpretations ranging from folklore, the land, legends and myths to landscapes; urban or bucolic, threatening or seductive.

As his practice grew, his eye led him toward an international view, including models found in urban landscapes throughout the world — such as Senegal, Dakar and Rio de Janeiro, among others — accumulating to a vast body of work called, «The World Stage.»

The May 6 — July 15 Main Gallery exhibition features portraits of waterway users and inhabitants, shipping and barge scenes, urban and industrial landscapes — including views of Evansville and the Ohio River — and paintings of wildlife inhabitants.

Approximately fifty works will be chosen from submitted photos to be included in the URBAN LANDSCAPES group photography exhibition at 1650 Gallery in Los Angeles.

But during that somewhat challenging time, he discovered a love of art and managed to survive too: «For a number of reasons, including love, sleep, the consumption of industrial quantities of organic fruit and vegetables, and the support of some very special people, I didn't die, but I did discover painting and a new love for the urban landscape of this wonderful city of London.»

Raised in the San Fernando Valley — which he credits as having an impact on his development as an artist — Divola's imagery often examines the Southern California landscape including urban Los Angeles or the nearby ocean, mountains, and desert.

Harris» award - winning experimental films include a look at a post-industrial urban landscape, an optically printed and hand - processed film about Black outlaws, a pinhole film about the cosmic consequences of the sun's collapse, a macro lens close up of a child's nightlight, and a double projection film about a theme park performance of Christ's Passion.

Dewantoro has since expanded his colour palette to include brighter, earthier tones, but maintains his focus on the landscape, a mixture of urban elements and the natural environment decidedly void of human presence, heightening the sense of drama they evoke.

Rather than striving to stage this opera, Burdis creates works that are born from this factory for producing the opera — which include an unusual cast of characters; dancers; singers; countryside and urban landscapes; architecture; musical instruments; a car mechanics; and a car engine — and depict various themes reflecting on contemporary Britain.

Recent group exhibitions include Jenny from the Color Block, curated by Eric Ruschman, Art Academy of Cincinnati, OH (2016); Imaginary Landscapes, curated by Allison Glenn, Chicago Urban Art Society, Chicago, IL (2015); Ghost Nature, curated by Caroline Picard, at Gallery 400, Chicago, IL and La Box, Bourges, France (2014); and The Chicago Effect: Redefining the Middle at the Hyde Park Art Center, Chicago, IL (2014).

Fritz Haeg «s work has included animal architecture, crocheted rugs, domestic gatherings, edible gardens, educational environments, preserved foods, public dances, sculptural knitwear, temporary encampments, urban parades, wild landscapes, and occasionally buildings for people.

Recent publications include Hopelessness Freezes Time, a study of earthworks, drawing, Detroit, urban warfare, and guerrilla historiography, co-authored with artist Edgar Arceneaux (Kunstmuseum Basel, 2012); «Earth Beneath Detroit,» an essay for the exhibition catalogue Ends of the Earth: Land Art to 1974 (Museum of Contemporary Art, Los Angeles, 2012); «Attitudes and Affects,» on the 1969 exhibition When Attitudes Become Form (CCA Wattis Institute for Contemporary Arts, San Francisco, 2013); and «After the Production of Space» (forthcoming in Critical Landscapes, University of California Press, Berkeley).

Her recent curatorial projects include Drift — an exploration of urban and suburban landscapes (2011), and In Spite of it All (2012).

From the urban landscape, there is a run of early twentieth century prints depicting the ever - changing New York City, featuring several of Martin Lewis's best - known prints, including Relics (Speakeasy Corner), drypoint, 1928 ($ 30,000 to $ 50,000).

Specific painting movements included the Ashcan School (c.1900 - 1915); Precisionism (1920s) which celebrated the new American industrial landscape; the more socially aware urban style of Social Realism (1930s); American Scene Painting (c.1925 - 45) which embraced the work of Edward Hopper and Charles Burchfield, as well as midwestern Regionalism (1930s) championed by Grant Wood, Thomas Hart Benton and John Steuart Curry.

Highlights of the early twentieth century include paintings by Henry Ossawa Tanner, landscapes by Milton Avery and Arthur Dove, still lifes by Dorothy Dehner and Marsden Hartley, and urban scenes by George Ault, Marjorie Ryerson, and Charles Sheeler.

Ruangkritya has involved in many exhibitions in and out of the country and the previous exhibitions include «LANDSCAPE: Hotel Asia Project» (Traveled from Gallery Soap, Fukuoka to China, Thailand and Tokyo University of the Arts, Japan, 2016 - 2017), «Omnivoyeur» - a visual and sound project with Christina Kubisch (Bangkok Art and Cultural Center, Thailand, 2016), «Dream Property» (Bangkok CityCity Gallery, Thailand, 2016), «The Archive as Conversation» (Singapore Photography Festival, Singapore, 2016) and «Urban and Reflections: Contemporary Thai Photography» (Otterbein University, Ohio, USA, 2016).

The exhibition focuses on Denes» work in drawing and printmaking, but also includes photographic documentation of the important sculptural interventions she made in the urban and rural landscapes — including her extraordinary Wheatfield — A Confrontation (1982) in which she cultivated a field of wheat in Manhattan.

Over the years, Serra has expanded his spatial and temporal approach to sculpture and has focused primarily on large - scale work, including many site - specific works that engage with a particular architectural, urban, or landscape setting.

The exhibition goes on with the gloomy urban landscapes depicted in Glasgow by Raymond Depardon (French), with the portraits by Rineke Dijkstra (Dutch) of young and vulnerable girls in a night club, with the images of Bruce Gilden (American), who photographs workmen so closely that even the thinnest details of their faces, including the most disquieting, are emphasized.

Taking advantage of the unique urban landscape and high density of artist studios in DUMBO, Brooklyn, the first Art Under the Bridge Festival included open studios, live music and dance performances, and an art parade.

It was quite shocking: a naked woman on a sofa and a bodybuilding he - man holding an oversized lollipop labelled «Pop» in a prominent position, lots of domestic gadgets including a TV, the cover of a comic presented as a framed painting, an all - too - urban scene through the landscape window, the ceiling covered with a space - age photo of Earth.

This project includes performance, live - feed and prerecorded video, and a series of new sculptures that recall the window grates and security fences that are prominent features of the urban landscape.

Chase was a leading member of the international artistic avant - garde and was best known for his mastery of a wide range of subjects in oil and pastel, including figures, landscapes, urban park scenes, interiors, and portraits.

Jennifer Manzella's prints depict deserted urban landscapes, including vacant lots and derelict industrial buildings along the Hudson and Delaware Rivers.

His urban landscapes include: A Sunday Afternoon on the Island of La Grange Jatte (1884).

ZKR's curatorial collective and the various artists included, allow for multiple perspectives that engage with Matta - Clark's work — both as documentation and intervention in the urban landscape and its social fabric — in distinctive ways.

The artist calls the sum total of the culture's visual landscape, including the media, architecture, advertising, and various elements of the urban backdrop, the «accumulated sediment of mediated consciousness.»

Though he is primarily based in New York City, where he has painted numerous cityscapes and urban scenes such as his series of four paintings, entitled «Four Spots Along a Razor - Wire Fence», [4] Downes has traveled widely, creating a significant number of landscape paintings on site in Maine and Texas, of subjects including the harbor of Portland, Maine and the Donald Judd structures in Marfa, Texas.

decades of the twentieth century, such as John Marin, John Sloan, and Ernest Lawson, continued a landscape tradition that expanded to include urban settings.

Selected from the Allan Stone Collection, the exhibition will include 20 unique works on paper from 1961 - 1996, spanning the artist's full range of subjects, including food, objects, urban and rural landscapes, and figures.

This collection includes a diverse range of works exemplifying art from Cape York and Queensland's far north, contemporary urban - based indigenous art, Torres Strait Islander art, Desert painting, the Hermannsburg School of watercolour landscape painting, as well as arts and crafts from Arnhem Land and northern Australia.

New works include a stunning still life featuring an elegant jar of assorted roses by Glen Semple, an explosion of colourful paint carefully curated by Nourine Hammad and a characterizable quirky urban landscape by David Finnigan.