Sentences with phrase «include war photography»

Not exact matches

Director James Gunn's creative team also includes director of photography Henry Braham («The Legend of Tarzan,» «The Golden Compass»); production designer Scott Chambliss («Star Trek,» «Tomorrowland»); editors Fred Raskin («The Hateful Eight,» «Guardians of the Galaxy») and Craig Wood («Guardians of the Galaxy,» «Pirates of the Caribbean: At World's End»); composer Tyler Bates («Guardians of the Galaxy,» «John Wick»); three time Oscar ® - nominated costume designer Judianna Makovsky («Captain America: Civil War,» «Harry Potter and the Sorcerer's Stone»); Oscar ® - nominated visual effects supervisor Chris Townsend («Avengers: Age of Ultron,» «Iron Man 3»); stunt coordinator Tommy Harper («Pirates of the Caribbean: Dead Men Tell No Tales,» «Captain America: The Winter Soldier»); co-producer / first assistant director Lars Winther («Captain America: Civil War,» «Captain America: The Winter Soldier»); and six - time Oscar ® nominee, special effects supervisor Dan Sudick («Captain America: Civil War,» «The Avengers»).

Behind the scenes, Dougherty's creative team includes director of photography Lawrence Sher, whose past credits include «War Dogs» and «Godzilla,» for which he handled additional photography; production designer Scott Chambliss («Guardians of the Galaxy Vol.

With the release of Solo: A Star Wars Story a little over a week away, a new «Rebels on the Run» featurette has arrived online for the Star Wars anthology movie which includes interviews with director Ron Howard, director of photography Bradford Young, stars Donald Glover and Emilia Clarke, and members from the hair, make - up, costume, -LSB-...]

The director's creative brain trust includes Academy Award ® - nominated director of photography Dante Spinotti («L.A. Confidential»), production designer Shepherd Frankel («Ant - Man»), costume designer Louise Frogley («Spider - Man: Homecoming»), visuals effects supervisor Stephane Ceretti («Doctor Strange») and seven - time Academy Award ® nominee, special effects supervisor Dan Sudick («Captain America: Civil War»).

It's the most influential American action movie of the decade, and if you've seen John Wick, you've seen its influence on everything that has come after, up to and including Marvel movies (the co-directors of the first JW directed the second - unit action photography for Captain America: Civil War).

In «The Figure» I wrote an essay about how history painting has morphed in response to socio - political and technical changes, including the Industrial Revolution, photography, and the Cold War.

Her film and photography examine the effects and representation of war and have included the documentation (and participation) in Vietnam War reenactments in North Carolina and Virginwar and have included the documentation (and participation) in Vietnam War reenactments in North Carolina and VirginWar reenactments in North Carolina and Virginia.

One of the most influential artists of the Post War era, Bruce Conner (1933 — 2008) worked simultaneously in a range of mediums, including drawing, printing, collage, photography and film.

Social Realists working in printmaking and photography, including Mabel Dwight, Hugo Gellert, Margaret Bourke - White, Lisette Model, Walker Evans, and Weegee, depict the era as tumultuous and divided: plagued by poverty, labor abuses, racist violence, and war.

Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc TuymWar II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc TuymWar Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymwar, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans

The monograph includes a foreword by Hilary Roberts, the Head Curator of Photography at the Imperial War Museums in Britain as well as an essay by Natalie Zelt, the co-author and co-curator of, War / Photography: Images of Armed Conflict and Its Aftermath.

Felshin's past exhibitions include, in addition to the five she curated for ICI, Black and Blue: Examining Police Violence; Disasters of War: From Goya to Golub; Global Warning: Artists and Climate Change; and Framing and Being Framed: The Uses of Documentary Photography.

It also features photography, including war photographs by camera artists like Robert Capa (1913 - 54).

Contemporary African photography has emerged during a period of significant historical and social change, including the post-World War II de-colonization movements, the quest for independent national identity, and the effects of globalization and modernity.

These include Czech Modernism: 1900 — 1945 (1989), the first major museum exhibition in the United States to chart the explosion of creativity in pre - and postwar Eastern Europe; The History of Japanese Photography (2003), which illuminated the rich legacy of photographic practice in Japan; and the currently touring WAR / PHOTOGRAPHY: Images of Armed Conflict and Its Aftermath (2012), an unprecedented exploration of war through the eyes of phoPhotography (2003), which illuminated the rich legacy of photographic practice in Japan; and the currently touring WAR / PHOTOGRAPHY: Images of Armed Conflict and Its Aftermath (2012), an unprecedented exploration of war through the eyes of phoPHOTOGRAPHY: Images of Armed Conflict and Its Aftermath (2012), an unprecedented exploration of war through the eyes of photographers.

Sony World Photography Awards & Martin Parr — 2017 exhibition @ Somerset House Syrian family portraits include empty chairs for relatives who have died in the conflict, and there are understandably many more images of war and refugees in what's been an emotional year.

She has curated or co-curated several recent exhibitions at MoMA including Being: New Photography 2018 (upcoming); Unfinished Conversations: New Work from the Collection (2017); Nan Goldin: The Ballad of Sexual Dependency (2016 - 17); Ocean of Images: New Photography 2015 (2015 - 16); Soldier, Spectre, Shaman: The Figure and the Second World War (2015 - 16); and Art on Camera: Photographs by Shunk - Kender, 1960 — 1971 (2015).

In addition to depicting the phases of war, WAR / PHOTOGRAPHY includes portraits of servicemen, military and political leaders, and civilians and refugees.

Ben Khelifa, who has trained his lens on subjects in more than 80 countries, including Iraq and Afghanistan, says he was motivated in part by frustration with the limits of war photography and its power to produce real change.

She curated or co-curated over 40 exhibitions, most with accompanying catalogues, including surveys on the Czech Avant - garde, a history of Japanese photography, and a history of war photography as well as exhibitions with catalogues on works of Robert Frank, Brassai, Catherine Wagner, Joel Sternfeld, Richard Misrach, Ray Metzker, Louis Faurer, George Krause, and Chen Changfan.

An artist who often works with film and photography, Nashashibi's shortlisted works included a film about artists in Guatemala and Electrical Gaza, which was originally commissioned by the Imperial War Museum in London.

Select group exhibitions include: Cathouse FUNeral Harvested: The Hunt Intensifies at Coustof Waxman Annex, New York, NY 2017, Future memories at Pfizer building, Brooklyn, NY, 2016, #makeamericagreatagain at WhiteBox, New York 2016, Picture Yourself at The college of Wooster Art Museum, (CWAM), Wooster, OH 2016, Cathouse Retrospective at Chemistry Creative, Brooklyn, NY 2016, Maximum Entropy, CP Project space, New York, NY 2015, Photography Now, The Center of Photography at Woodstock, Woodstock, New York 2014, and War Stories, William Holman Gallery, New York 2014.

+ George Lucas finally settled on LA's Exposition Park as the location for his $ 1 billion Museum of Narrative Art, which will include Norman Rockwell paintings, Mad Magazine covers, photography, children's art, and Hollywood props from Star Wars.

The two were included in the 2014 Shanghai Biennale and the 2012 Gwangju Biennale, and won the 2013 Deutsche Börse Photography Prize for War Primer 2, which used Bertolt Brecht's 1955 book War Primer as a jumping - off point to explore the imagery of the so - called War on Terror.