Sentences with phrase «included ephemeral sculptures»

Baumgarten's body of work has included ephemeral sculptures, photographic work, slide projection pieces, 16 mm film works, recordings, drawings, prints, books, short stories, as well as site - specific works and wall drawings and architecture related interventions.

Not exact matches

ARQUETOPIA, Publa, interior view EXAMPLES OF TECHNIQUES WE OFFER (BUT NOT LIMITED TO THESE) Drawing • Painting • Natural pigments (cochineal, indigo, and other pigments) • Paper • Printmaking • Graphic design • Textiles • Mexican textiles (weaving, embroidery, back - strap weaving) • Sculpture • Ceramics • Mexican ceramics (Talavera, loza vidriada) • Gold leafing and antique art techniques • Wood carving • Performance • Ephemeral (including food and other perishable materials) • Photography: digital photography and alternative photographic processes • Digital media • Design and illustration RESIDENCY PROGRAMS WE OFFER (CLICK EACH FOR INFORMATION) 1.

Examples include Pissed Off, 1981, for which the artist urinated on the notorious Richard Serra sculpture, T.W.U., installed the same year; Bliz - aard Ball Sale (1983), for which the artist sold snowballs to passersby, in a mockery of conspicuous consumption and the desire for ownership of even ephemeral objects; and How Ya Like Me Now?

Karla Black constructs large - scale sculptures from ephemeral materials including cosmetic powder, while Ellen Gallagher creates delicate assemblages from glossy African - American beauty magazines in Spoils (2011).

P.S. 1 Contemporary Art Center presents That Was Then... This Is Now, an exhibition featuring spectacular pieces including Leo Villareal's new LED Flag installed in the P.S. 1 elevator; Apolitico, an expansive outdoor flag installation by Wilfredo Prieto; Cannone Semovente, a monumental sculpture by the late Italian artist Pino Pascali; and Lawrence Weiner's Milk and Honey, which evokes a sensuous and ephemeral dream.

Clare Lilley, who selected and placed the works, said: «From the contemplative and ephemeral to the robust and monumental, the exhibition includes the park's first - ever conceptual work — a remaking of a rare 1969 piece by Ed Herring — and classic painted sculptures by Claes Oldenburg and Jean Dubuffet alongside a newly created work by Eddie Martinez.

Over 100 women from 15 countries are included, from well - known artists like Lygia Clark, Ana Mendieta, and Judy Baca, to scores of underrepresented pioneers, working across a wide spectrum of media from painting and sculpture, to photography, video, installation, and ephemeral actions.

On Wednesday, Participant Inc. will open the set of these performances as a site - specific installation, transforming the remnants of the performances, including film equipment and a mass - produced IKEA folding chair, into ephemeral sculptures.

From his early minimalist clothing sculptures that he began producing in the 1980s, throughout his many exhibitions at a range of international venues that include the Vitra Museum in Weil am Rhein, Germany, Dallas Contemporary, USA, Galerie Thaddaeus Ropac, Paris, France, and the Albertina in Vienna, Austria, through the ephemeral One Minute Sculptures to the grotesquely bloated objects such as Fat Car (2000 / 2001) and Fat House (2003), Wurm has concentrated consistently on expanding the concept of what a sculpture, when it is no longer cast in bronze or chiselled from marble,sculptures that he began producing in the 1980s, throughout his many exhibitions at a range of international venues that include the Vitra Museum in Weil am Rhein, Germany, Dallas Contemporary, USA, Galerie Thaddaeus Ropac, Paris, France, and the Albertina in Vienna, Austria, through the ephemeral One Minute Sculptures to the grotesquely bloated objects such as Fat Car (2000 / 2001) and Fat House (2003), Wurm has concentrated consistently on expanding the concept of what a sculpture, when it is no longer cast in bronze or chiselled from marble,Sculptures to the grotesquely bloated objects such as Fat Car (2000 / 2001) and Fat House (2003), Wurm has concentrated consistently on expanding the concept of what a sculpture, when it is no longer cast in bronze or chiselled from marble, could be.