Sentences with phrase «includes exhibition hall»

The building complex includes an exhibition hall as well as accommodations for artists.

The building complex includes exhibition halls, apartments, offices, and event spaces, as well as the Café Bravo in the courtyard, that was designed by Dan Graham in 1999.

Not exact matches

LogiMAT is thus the first guest event to occupy the entire Stuttgart exhibition centre including its new Hall 10.

Four halls spanning 65,000 square metres of exhibition space will give more than 1,500 suppliers a stage from which to showcase every conceivable food and beverage ingredient sourced from all over the world, including a vast range of functional and organic raw ingredients.

Earlier, the General Manager of the National Theatre, Mallam Kabir Yusuf Yar» Adua, conducted the Minister around the facilities at the complex, which include; the banquet, cinema and exhibition halls, the sub-power station, the water works, the police post and the artiste village, among others.

Alcantara was given nod of Unite Here Local 100, a labor union that includes workers in cafeterias, executive dining rooms, restaurants, bars, delis, airports, sports and exhibition halls.

An exhibition in the old town hall, formerly used as the headquarters of the Belgian army in 1914, aims to tell the unique, personal and remarkable stories of the townspeople, divided into themes including religion, jurisdiction, diplomacy and medical care.

From LearningLovers.org we have witnessed the Education Week 2016 hold in Ifema (Madrid, Spain), an annual competition that includes several initiatives focused on knowledge: Aula (International Student Hall) Postgraduate Forum, Interdidac (International Exhibition of educational materials) and Resources for education, ExpoRRHH and Expoelearning, the last one organized by AEFOL.

Included in its 50,000 sq. ft. of space are meeting and board rooms, an auditorium seating 325, an exhibition hall and a business center.

Encompassing an area of 2.500 square meters of indoor meeting space the Grand Hall can successfully host all types of business events including corporate meetings, conventions, exhibitions, press conferences and product events in its elegantly appointed interiors.

Other notable exhibitions include «Malcolm Morley in a Nutshell: The Fine Art of Painting 1954 - 2012» at the Yale School of Art (2012), an exhibition exploring the role of paper in Morley's art - making process at the Parrish Art Museum (2012 - 13), and an exhibition at the Ashmolean Museum, Oxford, organized in collaboration with the Hall Art Foundation (2013 - 14).

She has held recent major solo exhibitions including Desdemona for Celia by Hilton at Gallery Met, New York (2015 - 16); Gwen John and Celia Paul: Painters in Parallel, Pallant House Gallery, Chichester (2012 - 13); The Grave's Art Gallery, Sheffield (2005) and Abbot Hall, Kendal (2004).

Recent comprehensive shows include a solo exhibition at the Painting Center in New York City and a two - person exhibition at the Exposition Hall of the City of Gubbio in Italy.

Projects include: SHOW, Vanessa Beecroft, Solomon R. Guggenheim Museum, 1998; FISCHERSPOONER: LA, performance, 2001; Keith + Farrah, collaborative exhibition by Keith Edmier and Farrah Fawcett, Los Angeles County Museum of Art and The Andy Warhol Museum, 2003; PLAN B, Rudolf Stingel summer 2004, Grand Central's Vanderbilt Hall and The Walker Art Center; Prada Marfa, Elmgreen & Dragset, Valentine, TX, 2005, permanent.

In addition to this, Jarvis has independently curated and consulted on many fine art exhibitions including: The Amistad Center for Art and Culture's Double Exposure: African Americans Before and Behind the Camera five - city traveling exhibition (2007 - 2010); Black Abstraction at Harmony Hall Regional Art Gallery in Fort Washington, MD for the group Black Artists of DC (2011); GA Gardner: Interconnections at the Athenaeum in Virginia (2012); (in) Visible and (dis) Embodied: Repositioning the Marginalized as part of the Curatorial Initiative program at the District of Columbia Arts Center (2014) all in Washington, DC; and most recently, Of Present Bodies at the Arlington Arts Center, VA (2014).

- Recent solo exhibitions include: If Only You Could See What I've Seen with Your Eyes, Kumu Art Museum, Tallinn, 2018; CC Foundation & Art Centre, Shanghai; If Only You Could See What I've Seen With Your Eyes, 57th Venice Biennale, Estonian Pavilion, Venice; Earth Potential, City Hall Park, Public Art Fund, New York, 2017; Approximation (Storm Time), Greene Naftali, New York; Dawn Mission, Kunstverein Hamburg, Hamburg, 2016; Life Update, Kunsthalle Lisbon, Lisbon, 2015; Art Basel Hong Kong, 2015; Pattern of Activation, Art Basel Statements, Basel; Green Growth, Salts, Basel; Spirit, Curiosity and Opportunity, Kraupa - Tuskany Zeidler, Berlin; Urgently «Yesterday», Mottahedan Projects, Dubai, 2014; miart, Milan, 2013; Macro Expansion, Kraupa - Tuskany Zeidler, Berlin, 2012; Appendix, Portland; Hotel Palenque, French Riviera, London; Katja Novitskova and Timur Si - Qin, CCS Bard, Annadaleon - Hudson, New York; # 8 Health Club, Czarny Neseser, Wrocław, Poland; Profit Decay, Arcadia Missa, London, 2012; sunny n shiiite, The State, thestate.tumblr.com, 2011.

Recent group exhibitions include Temporary Antumbra Zone, curated by Udora Hajimik at Janet Kurnatowski Gallery, 2011 in Brooklyn, NY and A Bell is a Cup Until It is Struck, curated by Kevin Zucker, 2005 at Memorial Hall Gallery in Providence, RI.

Rather than get hung up on Isaac Julien's recitations of Das Kapital (which even Enwezor admits is «a book that nobody has read and yet everyone hates or quotes from,» [5]-RRB- a more engaged viewer might see these readings as part of a larger program of live performance [6] that periodically animates the installation, both in David Adjaye's massive red «Arena» and throughout both exhibition venues, with musical compositions arranged by artists including Charles Gaines, Jason Moran and Alicia Hall Moran, Jeremy Deller, and Jennifer Allora and Guillermo Calzadilla.

Recent solo exhibitions include; «A Life Without Shame», Sommer & Kohl, Berlin, Germany (2013); «Running on Woollen Legs» Stephen Friedman Gallery, London (2011) and «Herbei win Licht» (co-curated by Paul McDevitt and Declan Clarke), Lismore Castle Arts, St Carthage Hall, Ireland.

To date, SP Weather Reports have been exhibited in 7 exhibitions including 1 solo show; group exhibitions include Shifting Communities at the Bronx River Art Center in 2011, the 2009 Queens International at the Queens Museum of Art, the International Print Center New York and the University of Pennsylvania Meyerson Hall Gallery.

Major solo exhibitions include «Bruce Nauman: Inside Out» Museo Nacional Centro de Arte Reina Sofía (1993 - 94, traveled to Walker Art Center, Minneapolis; Museum of Contemporary Art, Los Angeles; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; and Museum of Modern Art, New York, through 1995); «Bruce Nauman: Mapping the Studio I (Fat Chance John Cage),» Dia Center for the Arts, New York (2002); «Mapping the Studio,» Museum für Gegenwartskunst, Basel (2002); «Bruce Nauman: Theaters of Experience,» Deutsche Guggenheim, Berlin (2003); «Bruce Nauman: Raw Materials» Unilever Commission, Tate Modern Turbine Hall (2005); «A Rose Has No Teeth: Bruce Nauman in the 1960s,» UC Berkeley Art Museum and Pacific Film Archive, Berkeley, CA (2007); «Notations / Bruce Nauman: Days and Giorni,» Biennale di Venezia (2009, traveled to Philadelphia Museum of Art; and Museum of Modern Art, New York (through 2010); «Bruce Nauman: Dream Passage,» Hamburger Bahnhof, Berlin (2010); and «Bruce Nauman's Words on Paper,» Art Gallery of Ontario (2014).

The dual exhibition marks a pivotal moment for the artist, whose previous films include a documentary on the Handsworth race riots and another on influential black cultural theorist Stuart Hall.

Curated by Manu Park, the solo exhibition (22 February - 30 April 2017) includes PLAYTIME (Seven Screen Installation), 2014, which explores the dramatic and nuanced subject of capital, Kapital, 2013, a two - screen documentary, which includes the artist in conversation with leading academics such as David Harvey and Stuart Hall, and The Leopard, 2007, which brings together baroque pageantry and metaphor in a work that, referring to journeys made across the Mediterranean by Asians and Africans trying to enter Europe by sea, experiments with notions of cultural entanglement and the dissent between aesthetics and politics.

John Walker: Recent Paintings, the current exhibition at the Alexandre Gallery, features seven large pictures as well as numerous smaller ones, including more than a dozen compact oils made on discarded Bingo cards, which the artist found in the former grange hall that became his studio in Seal Point on the coast of Maine.

These included Guild Hall Artists Exhibition Top Honor winners Christa Maiwald, Drew Shifflet and Stephanie Brody - Lederman.

NSK Folk Art is part of a London wide presentation in cooperation with Tate, who will be hosting a Symposium and which will also include a music performance at Tate Modern's Turbine Hall, an exhibition of archival material at Chelsea Space (Chelsea College of Art) and a seminar at UCL.

Recent exhibitions include The State is Not a Work of Art, Tallinn Art Hall, Tallinn, Ideal - Types at HE.RO Gallery in Amsterdam, Shtamah at Wrocław Contemporary Museum and Copperfield, London (2017), Axelrad lives and works in London and Gliwice.

This includes exclusive use of both the Great Hall and Eleven, Walker Landing, and both the south and main lobbies, as well as access to all of the Museum's permanent collection galleries and the Temporary Exhibition Gallery for the first hour of your event.

Recent group exhibitions include: Parentheses, Hong - Ik Museum of Art, Seoul, Korea (2012); Scales of Dragon, Anseong Machum Museum, Anseong, Korea (2012); Best of Best, KT&G SangsangMadang, Seoul, Korea (2011); Shinsegae Art Award Selected Artist, Shinsegae Gallery, Gwangju, Korea (2011); In the CITY, Chung - Mu Art Hall, Seoul, Korea (2011); and Chung - Ang Emerging Artist, Doosan Art Center, Seoul, Korea (2011).

His exhibitions include: Singer and Friedlander / Sunday Times Watercolour Competition, Mall Galleries London 1994 and 2001; Jerwood Drawing Prize, Jerwood space, London (touring), 2004; Royal West of England Academy Autumn Exhibition, RWA, Bristol, 2006; Jerwood Drawing Prize, Jerwood space (touring), 2008; Lynn Painter - stainers Prize, Painters» hall, London 2008 & 2010; John Moores painting Prize 2012.

Recent solo exhibitions include: Malcolm Morley at the Ashmolean: Paintings and Drawings from the Hall Collection, curated by Sir Norman Rosenthal, Ashmolean Museum of Art and Archaeology, University of Oxford, Oxford, UK (2013); Malcolm Morley: Painting, Paper, Process, Parrish Art Museum, Water Mill, New York, USA (2012) and Malcolm Morley in a nutshell: The Fine Art of Painting 1954 - 2012, Yale School of Art, 32 Edgewood Avenue Gallery, New Haven, CT, USA (2012).

CB1 also includes a separate exhibition space across the building's common hall, CB1 - G, which is offered as a temporary lease (30 - or 60 - day only) «pop up» gallery for vetted and professional art dealers (public and private) and independent curators from across the world, covering a multitude of both contemporary and historical art disciplines.

Recent exhibitions include Sitting with the Qualities of a Mountain, Blyth Gallery, Imperial College, London; Damien Meade, Scheublein + Bak, Zurich; Shape Shifters, ACME Gallery, Los Angeles; Beastly Hall, Hall Place, Kent; Unspecific Objects, Malgras Naudet, Manchester and The Royal Standard, Liverpool; Have You Seen Dante?

Selected solo exhibitions of Anish Kapoor include: «Objects», Seoul: Leeum, Samsung Museum of Art (2012); «Anish Kapoor: Flashback», Manchester Art Gallery, Manchester (2011); «Monumenta», Grand Palais, Paris (2011); «Anish Kapoor», Fabbrica del Vapore, Milan (2011); «Anish Kapoor: Delhi / Mumbai», National Gallery of Modern Art (NGMA), New Delhi and Mehboob Studios, Mumbai (2010); «Turning the World Upside Down», Kensington Gardens, London (2010); «Anish Kapoor», Museo Guggenheim de Arte Moderno y Contemporáneo, Bilbao (2010); «Anish Kapoor», Middlesbrough Institute of Modern Art, MIMA, Middlesbrough (2010); «Turning the World Upside Down», Kensington Gardens, London (2010); «Anish Kapoor: Shooting into the Corner», MAK Museum, Vienna (2010); «Drawings», Regen Projects, Los Angeles (2009); «Memory» Guggenheim, New York (2009); «Place / No Place: Anish Kapoor in Architecture», Royal Institute of British Architects, London (2008); «Anish Kapoor», Haus der Kunst, Munich (2007); «Anish Kapoor, Sky Mirror» Rockefeller Centre, New York (2006); «Anish Kapoor Japanese Mirrors», Scai The Bathhouse, Tokyo (2005); «My Red Homeland», KUB, Kunsthaus Bregenz (2003); «Marsyas», Turbine Hall, Tate Modern, London (2002 - 03); Tel Aviv Museum of Art, Tel Aviv (1993); Mala Galerija, Moderna Galerija Ljubljana, Museum of Modern Art, Slovenia (1994); «Anish Kapoor, XLIV Biennale di Venezia», British Pavilion, Venice (1990).

Selected exhibitions and performances include: Pressure, Southard Reid, London, 2016; Volunteers, David Roberts Art Foundation Studio, London, 2015; The Ultimate Vessal, Koppe Astner, Glasgow, 2015; Escape Routes, Assembly Hall, Indian YMCA, London, 2014; The Present Tense, Chisenhale Gallery, London, 2013; Coded Conduct, Pilar Corrias, London, 2013; Just About Managing, Southard Reid, London, 2012; Find A Problem To Solve, Furini Arte Contemporanea, Rome, 2012.

Past projects include: SHOW, Vanessa Beecroft, Solomon R. Guggenheim Museum, 1998; FISCHERSPOONER: LA, performance, 2001; Keith + Farrah, collaborative exhibition by Keith Edmier and Farrah Fawcett, Los Angeles County Museum of Art and The Andy Warhol Museum, 2003; PLAN B, Rudolf Stingel summer 2004, Grand Central's Vanderbilt Hall and The Walker Art Center; Prada Marfa, Elmgreen & Dragset, Valentine, TX, 2005, permanent; Greeting Card, Aaron Young, Park Avenue Armory, 2007; Electric Fountain, Noble & Webster, Rockefeller Plaza, 2008; The Whitney Biennial, Park Avenue Armory, 2008.

Divided into two exhibition halls, the gallery accommodates various types of art, including oriental painting, photography, calligraphy, sculpture and media art.

Major solo exhibitions include: Louise Bourgeois: Retrospective, Museum of Modern Art, New York, USA, touring (1982 — 1984); Louise Bourgeois: A Retrospective Exhibition, Frankfurter Kunstverein, Frankfurt, Germany, touring (1989 — 1991); American Pavilion, 45th Venice Biennale, Venice, Italy (1993); Louise Bourgeois: Memory and Architecture, Museo Nacional Centro de Arte / Reina Sofia, Madrid, Spain (1999 — 2000); Louise Bourgeois: I Do, I Undo, I Redo, inaugural installation in the Turbine Hall, Tate Modern, London, UK (2000); Louise Bourgeois, Guggenheim Museum Bilbao, Spain (2001 — 2002); Louise Bourgeois at the Hermitage, The State Hermitage Museum, St. Petersburg, Russia, touring (2001 — 2003); Louise Bourgeois: The Insomnia Drawings, The Whitney Museum of American Art, New York, USA (2003); Louise Bourgeois: Retrospective, Tate Modern, London, UK, touring (2007 — 2009); Louise Bourgeois: The Return of the Repressed, Fundación PROA, Buenos Aires, Argentina, touring (2011); Louise Bourgeois, National Gallery of Canada, Ottawa, Canada (2011 — 2013); Louise Bourgeois: Conscious and Unconscious, Qatar Museums Authority, QMA Gallery, Katara, Doha, Qatar (2012); Sammlungshangung Bourgeois, Fondation Beyeler, Basel, Switzerland (2013 — 2014); Artist Rooms: Louise Bourgeois, A Woman without Secrets, Scottish National Gallery of Modern Art, Edinburgh, Scotland (2013 — 2014); Louise Bourgeois: Petite Maman, Museo del Palacio de Bellas Artes, Mexico City, Mexico (2013 — 2014); and Louise Bourgeois: I Have Been to Hell and Back, Moderna Museet, Stockholm, touring (2015).

Group exhibitions and screenings include Abject Bloc, Limehouse Town Hall, London (2012), Artists» Film Club, ICA, London (2011).

He has organised several exhibitions there, including retrospectives of Sigmar Polke, Francis Alys, Richard Hamilton, and Abraham Cruzvillegas's Turbine Hall commission.

Group exhibitions include: The Watermill Art Center (with folioeast), Watermill, NY; Guild Hall, East Hampton, NY; Historical Society, Rye NY; The Nelson Art Gallery, Kansas City, MO; Washington Square Park Gallery, NYC; Nix Gallery, NYC; Kenise Barnes Gallery, Larchmont NY; and The Spannocchia Foundation, Rosia, Italy.

Alongside approximately 50 recent paintings, the exhibition titled Damien Hirst at Houghton Hall: Colour Space Paintings and Outdoor Sculptures will also include a number of the artist's most celebrated sculptures which will be installed throughout the house and gardens.

The work by Lisa Gordon has been featured in solo exhibitions and museum shows across the United States, including Coors Western Art Exhibit & Sale in Denver, CO (2016 & 2017), Cowgirl Up at the Desert Caballeros Western Museum in Wickenburg, AZ (2006 & 2007), Heart of the West at the Cowgirl Hall of Fame in Fort Worth, TX (2005 - 2007), Originals at the Albuquerque Hall of Fame in Albuquerque, NM, and more.

In addition to a one - artist exhibition at Guild Hall Museum in 2013, her embroideries and photographs have been shown in solo and group shows internationally, including at the Whitney Museum of American Art, the Museum of Arts & Design, the Lulea Sommar Biennal in Lulea, Sweden, Galerie Houg in Lyon, France, the Parrish Art Museum, the Heckscher Museum of Art, the Islip Art Museum, the Paul Robeson Galleries at Rutgers University, Newark, and galleries and art fairs in the U.S. and abroad.

Varela's work has appeared in a solo show at Borem Studios, New York, NY and in many group exhibitions, including the Amagansett Historical Association and at Ashawagh Hall, Amagansett, NY.; Guild Hall, and Solar Gallery, East Hampton, NY; the Celadon Gallery, Watermill, NY; the Harlem ArtWalk and New Century Artists Gallery, New York, NY; and the Brentwood Art Center, Los Angeles, CA.

St. Louis Public Radio covers a selection of new African American art exhibitions on view in the city, including «Hands Up, Don't Shoot,» a direct response to the Michael Brown killing organized by the Alliance of Black Gallery owners and on view at 14 venues; «Other Ways» at Philip Slein Gallery featuring than 60 works from local private collections by artists such as Radcliffe Bailey, Dawoud Bey, Mark Bradford, Ellen Gallagher, Kara Walker and Kehinde Wiley; «Living Like Kings» at the World Chess Hall of Fame explores the intersection of chess and hip hop; and a presentation of Nick Cave «s Sound Suits at the St. Louis Art Museum opening Oct. 31.

Other curatorial highlights include En Mas»: Carnival and Performance Art of the Caribbean, an Emily Hall Tremaine Exhibition Award - winning traveling curatorial platform (2014 — present); Up Hill Down Hall, a BMW Tate Live commission in Tate Modern's Turbine Hall (2014); and Tide by Side, the opening ceremony of Faena Art's Miami Beach district (2016).

Since then, Anderson has engaged with the artists represented in the Foundation's collection, organizing numerous exhibitions including Souls Grown Deep: African - American Vernacular Art of the South (1996) presented in conjunction with the Atlanta Olympic Games at Michael C. Carlos Museum at City Hall East, The Quilts of Gee's Bend (2002) while director at the Whitney Museum of American Art, and Hard Truths: The Art of Thornton Dial (2011) at the Indianapolis Museum of Art.

Solo, group exhibitions and installations include: Parrish Museum, Southampton, NY; Guild Hall Museum, East Hampton, NY (solo); Pamela Williams Gallery, Amagansett, NY; Flinn Gallery, Greenwich, CT; Alex Ferrone Gallery, Cutchogue, NY; Art in General, New York, NY; Atlantic Gallery, New York, NY; Cape Cod Museum of Art, Dennis MA; Islip Museum, Islip, NY; Katonah Museum of Art, Katonah, NY; Institute of Contemporary Art, Boston, MA; De Cordova Museum, Lincoln, MA; New England School of Photography, Boston, MA (solo); Fuller Museum of Art, Brockton, MA; and Cloitre des Billettes, Paris, France.

Major solo exhibitions include Houghton Hall, Norfolk, (2017), Arnolfini, Bristol (2015), Hamburger Bahnhof, Berlin (2010), Tate Britain, London (2009), Scottish National Gallery of Modern Art, Edinburgh (2007), San Francisco Museum of Modern Art (2006), National Museum of Modern Art, Kyoto (1996), Philadelphia Museum of Art (1994) and Solomon R. Guggenheim Museum, New York (1986).