Sentences with phrase «includes artists of all ages»

What adds to the prize's authority is that rather than focusing solely on the new, it includes artists of all ages, including the likes of David Medalla and Phyllida Barlow.

In 1991 an age restriction of under fifty was put on nominees, however in 2017 this stipulation was removed to include artists of any age, acknowledging that artists can have a breakthrough at any stage in their career.

Not exact matches

The Kaneland Arts Initiative brings professional visual and performing artists to the campus of Kaneland High School and is appropriate for all ages including a special area for kids 5 and under.

Abby and Denise: Our community includes small business owners, educators, naturalists, an architect, a builder, alternative health care providers, farmers, physicians, artists, a software engineer, a Suzuki violin teacher, an HR professional, writers, nonprofit directors, retired professionals and children of all ages.

Ancient cave bears, which roamed from the United Kingdom to Russia for hundreds of thousands of years, made a strong impression on Stone Age artists, who included them in a 30,000 - year - old gallery of animals lining the walls of Chauvet cave in modern France.

These renderings usually are created manually by an artist who uses photos of the child as well as family members, and editing software to account for common changes to a child's face as it ages, including vertical stretching, wrinkles and a longer nose.

Some of her more notable work included Clay Pigeons, a black comedy with Vince Vaughn and Joaquin Phoenix; Permanent Midnight, which marked another collaboration with Stiller; and the animated Kiki's Delivery Service, which featured Garofalo as the voice of a new age artist and mystic.

But to do so she'll have to navigate a town of predators, who include, in no particular order: the modeling agent who tells her to lie about her age (Christina Hendricks); the hot photographer who immediately calls for a closed set and asks her to get naked (Desmond Harrington); the other supermodels who, Jesse points out, undergo plastic surgery «to look like a second - rate version of me» (Bella Heathcote, Abbey Lee); the mountain lion who somehow ends up in her grimy motel room in the San Fernando Valley (casting information unknown); the helpful makeup artist who moonlights down at the morgue (Jena Malone); and the motel manager who might be a murderer and is definitely a pimp (Keanu Reeves).

Lighter than some of Denis's work, but still extremely thoughtful, it offers a brisk walk through an awkward blue period in the life of a middle - aged French artist, Isabelle (Binoche), and the relationships with various men in her life, including an unreliable banker (Xavier Beauvois, delightfully obnoxious) and a sweet but immature younger actor (Nicolas Duvauchelle).

Amid the period - accurate setting, attention to detail, frequent cameos and all - star cast, including a disturbingly convincing Seth Rogan as script supervisor Sandy Schklair, there is the portrait of the artist as a middle - aged eccentric, a strange guy with an even stranger vision that somehow connected to a large, mainstream audience.

Examples of those this year include the coming - of - age cannibal film «Raw» and «The Disaster Artist,» an apparent great film about the making of one of the worst films ever made.

Composer Daniel Licht, known for his work on television series Dexter and video games including Dishonored and Silent Hill: Book of Memories, has died at age 60, according to representatives for the artist.

Filmed in aqueous greens and blues, its period design dripping with kitschy nostalgia and retro - futurism, «The Shape of Water» takes its cues from Golden Age Hollywood, including musicals, Bible epics and 1950s creature features, as well as the sleekly optimistic advertising imagery of the early 1960s: Elisa's best friend and next - door neighbor, Giles (Richard Jenkins), is a commercial artist working on a campaign for Jell - O, the shaky symbolic repository for the time period's most uncertain hopes and anxieties.

In addition to a gallery, the CBAA's programming includes a summer art camp for kids of all ages, a scholarship / internship program for local students, and an emerging artist grant for a local artist.

The official program includes the Mais Imaginarius section, a competition of projects by emerging artists, and Imaginarius Infantil, with workshops and innovating experiences for audiences aged between 3 and 12.

A preeminent artist of the post-media age, Johnson incorporates commonplace objects from his childhood, including wood, mirrors, tiles, rugs, CB radios, shea butter, and plants, in a process he describes as «hijacking the domestic,» to create conceptually loaded and visually compelling works that shatter assumptions about the homogeneity of black subjects.

The museum organizes and presents leading - edge exhibitions that travel to institutions worldwide, including Southern Accent: Seeking the American South in Contemporary Art (2016 - 17), Archibald Motley: Jazz Age Modernist (2014), Wangechi Mutu: A Fantastic Journey (2013), The Vorticists: Rebel Artists in London and New York, 1914 - 1918 (2010) and Barkley L. Hendricks: Birth of the Cool (2008).

Developed by the Tate Modern in London and debuting in the US at Crystal Bridges, Soul of a Nation: Art in the Age of Black Power examines the influences, including the civil rights movement, Minimalism, and abstraction, on artists such as Romare Bearden, Noah Purifoy, Martin Puryear, Faith Ringgold, Betye Saar, Alma Thomas, Charles White, and William T. Williams.

BOOKSHELF A number of recent exhibition catalogs have featured artists from the Black Arts Movement and AfriCOBRA in particular, including «Soul of a Nation: Art in the Age of Black Power,» «Witness: Art and Civil Rights in the Sixties,» «The Freedom Principle: Experiments in Art and Music, 1965 to Now,» and «We Wanted a Revolution: Black Radical Women, 1965 — 85.»

The first exhibition on view in the new spaces is «At the Hub of Things: New Views of the Collection,» which includes «The Age of Enlightenment — Antoine Lavoisier» (2008), by British - Nigerian artist Yinka Shonibare.

Nothing is quite what it seems in Sophia Contemporary Gallery's Im / material: Painting in the Digital Age, a closely curated show including twenty works by eight artists working at the intersection between the immaterial realm of 1s and 0s and the material facts of canvas, ink and paint.

-LSB-...] Some of the greatest artists through the ages have amassed extraordinary holdings, among the most brilliant being Rubens's collection — featuring a remarkable selection of Venetian paintings and drawings by Florentine and Roman masters, including Leonardo, Michelangelo and Raphael — and that of Degas, who left 500 paintings, and 5,000 prints and drawings, at his death, including masterpieces by Ingres, Delacroix, Gauguin and El Greco.

There are echoes of this past however, and it was interesting when we included the George Bellows painting of ice floes in the Hudson River on the top floor, because that piece harkens a little bit to aspects of late 19th - century art and the age of American Impressionism, with artists like Childe Hassam and William Merritt Chase.

ELIGIBILITY Craft Hilton Head 2018, 6th National Juried Fine Art Craft Guild Exhibition is open to all artists over 18 years of age, submitting entries of 2D and 3D fine art crafts in sculpture, basketry, glass, fiber sculpture and wall hangings (including paper), metal works, works in clay, handmade artist books, jewelry, weaving, wood, and assemblage.

Prominent themes explored by the work of 18 shortlisted artists included alienation in the digital age, the intersection between private and public spaces, sensory experiences and the transient nature of life.

Among the acquisition highlights during the past two decades have been: in Archaeology, the Renée and Robert Belfer Collection of Ancient Glass and Greek and Roman Antiquity and the Demirjian Family European Bronze Age Collection; in Jewish Art and Life, an illuminated Mishneh Torah of Maimonides (ca. 1457), acquired jointly with the Metropolitan Museum of Art, and the restored 18th Century Tzedek ve - Shalom Synagogue from Paramaribo, Suriname; and, in the Fine Arts, Nicolas Poussin's «Destruction and Sack of the Temple of Jerusalem» (1625), Rembrandt van Rijn's «St. Peter in Prison» (1631), the Arturo Schwarz Collection of Dada and Surrealist Art, Jackson Pollock's «Horizontal Composition» (1949), the Noel and Harriette Levine Collection of Photography, and Gerhard Richter's «Abstraktes Bild» (1997); together with an active and ongoing program of acquisitions in contemporary art, including site - specific commissions by such artists as Olafur Eliasson, Anish Kapoor, and Doug and Mike Starn.

Yet while the official art - historical narrative of that generation — Basbaum's peers include Beatriz Milhazes, Leonilson and Barrão, who came of age during the emergence of Brazilian democracy — highlights an almost postpolitical identity in which art is primarily a mode of self - expression as opposed to a form of social consciousness, Basbaum's sculptures, drawings, photographs and actions see the artist tie self - affirmation to the notion of the (still) political subject.

It takes as its starting point Robert Heinecken's series Are You Rea (1964 — 1968), and features also works by leading «Pictures Generation» artists, including Prince, Barbara Kruger and Louise Lawler, who came of age during the consumer culture of the late 1970s and early 1980s.

New for 2017, Ralph Rugoff (Hayward Gallery, London) will curate Frieze Talks for the first time, exploring artists» response to an age of «alternative facts», with speakers and performers including Dominique Gonzalez - Foerster and Nástio Mosquito.

The acquisition further deepens our commitment to African American artists and we're thrilled to include the painting in our upcoming exhibition, Soul of a Nation: Art in the Age of Black Power, which will also include the work by Virginia Jaramillo that we added to our collection last year through the support of the fund.»

At the age of 27, McLean was the youngest artist to have been awarded a retrospective at the Tate in 1972, and he has enjoyed international recognition with solo shows at major museums and galleries including the Whitechapel Gallery, ICA and MOMA Oxford.

But his body of work completed over many decades, the artist died in 1993 at the age of 71, includes many figurative, landscape and still lives that served as a foundation for his large scale abstractions.

● The winner of the second category, including galleries under twelve years of age, was awarded to Instituto De Visión (Bogotá), which presented sculpture, installation, painting and documents by artists Pia Camil, Wilson Díaz, Otto Berchem and Alberto Baraya.

We will thoughtfully engage a broad group of emerging artists and prioritize diversity in all areas, including artistic practice, geographic location, gender, age, background, socio - economic level, sexual orientation, ethnicity, and all levels of educational attainment.

Miyako Ishiuchi's photographs are included in this massive exhibition featuring over 30 artists and art media on the varying depictions of age and aging.

The program will include artists and curators reflecting on art, politics, music, and community in the age of Black Power.

Subject-wise, it goes from charming animals, including a horse that barely fits inside the painting's rectangle and a friendly - looking monkey, to text - based works, which include a sketch of a sailboat done by the artist's grandfather, and a drawing and story written by her middle - school - aged son when he was bored, arranged across five freestanding panels and only readable when the viewer stands in the right place.

Other works in the exhibition include Jorge Pardo's handcrafted wooden palette and modernist designed furniture that question the nature of the aesthetic experience; pioneering conceptual artist Joseph Kosuth's discourse on aesthetics in neon, An Object Self - Defined, 1966; Rachel Lachowicz's 1992 row of urinals cast in red lipstick, which delivers a feminist critique of Duchamp's readymade; Richard Pettibone's paintings of photographs of Fountain; Richard Phillips» recent paintings based on Gerhard Richter's highly valued work; Miami artist Tom Scicluna's neon sign, «Interest in Aesthetics,» a critique of the use of aesthetics in Fort Lauderdale's ordinance on homelessness; the French collaborative Claire Fontaine's lightbox highlighting Duchamp's critical comments about art juries; Corey Arcangel's video Apple Garage Band Auto Tune Demonstration, 2007, which tweaks the concept of aesthetics in the digital age; Bernd and Hilla Becher's photographs, Four Water Towers, 1980, that reveal the potential for aesthetic choices within the same typological structures; and works by Elad Lassry and Steven Baldi, who explore the aesthetic history of photography.

Coming of age with a group of artists that included Lynda Benglis, Mary Heilmann, Bruce Nauman and Richard Serra, he uses a post-minimalist language that is physically immediate yet associative...

In 2006 Trecartin, at the age of 25, became the youngest artist included at the Whitney Biennial.

These exceptional works, when viewed alongside the Simon's collection of modèles and related bronzes (including Little Dancer, Aged Fourteen), reveal the artist's fascination with form, balance and the evocation of movement.

Featuring the work of net artists including Signe Pierce, Molly Soda, and Arvida Byström, the show will explore femininity in the digital age.

An expanding program of Gallery Events now includes free Family Programs, Gallery Tours for groups of all ages, Lectures, Artist Talks and Artist Demonstrations.

A native New Yorker, he came of age as an artist during the late 1980s and early 1990s alongside other now established abstract painters, including Richmond Burton, Gail Fitzgerald, Daniel Levine, Carl Ostendarp, Kate Shepherd, Cary Smith, Dan Walsh, Mary Weatherford, and Stephen Westfall, among others.

Following this exhibition, Gagosian Gallery, New York presented «Corpus» in 2006: a large show of drawings spanning twenty - five years of the artist's career, including works dating from Hirst's teenage years, such as «Emma» (1983) and «Study after Delacroix (the Orphan Girl in the Cemetery)» (1981)-- completed by the artist at the age of sixteen.

Recent solo shows include: your age my age and the age of the rainbow, The Garage Museum of Contemporary Art, Moscow; let's start this day again, Contemporary Arts Center, Cincinnati; every time the sun comes up, Place Vendome, Paris; girono d'oro + notti d'argento, Mercati die Traiano, Rome; becoming soil, Carre d'Art, Nîmes; seven magic mountains, Art Production Fund and Nevada Museum of Art / Desert of Nevada; vocabulary of solitude, Museum Boijmans Van Beuningen, Rotterdam; Ugo Rondinone: I ♡ John Giorno, Palais de Tokyo, Paris; golden days and silver nights, Art Gallery of New South Wales, Sydney; and artists and poets, Secession, Vienna.

Starr's 2010 project I am a Record, according to a website description, dissected and revealed «the artist's personal, geographic and imagined environment» and featured a wide variety of recordings made since age five including the rumbling of a broken radiator which she thought was «speaking to her,» «re-enactments of secretly recorded stranger's conversation,» field recordings, singing voices, paranormal telephony, family dinner conversations, «air eddies transformed into music,» and other unusual sounds.

Titled «Out of Body» (in reference to an experience the artist had aged 11), the exhibition includes a number of works on paper, made under aliases after Conner officially retired from the art world in 1999.

In 1972 at the age of 27, he was the youngest artist ever to be offered a retrospective at The Tate, to which he responded with King for a Day a one - day exhibition which consisted of a catalogue listing 1000 proposals for sculpture, he has gone on to have numerous one man exhibitions at major museums including The ICA, Whitechapel and MOMA Oxford.

Group museum exhibitions include Artists» Film International, MAAT, PT (2017 - 2018); Staging Film, Busan Museum of Art, KR (2016); Art in the Age of Energy and Raw Material, Witte de With, NL (2015); Music for Musuems, Whitechapel Gallery, UK (2015); Listening: Hayward Touring (Baltic 39 & The Bluecoat), UK (2014 - 2015); Inside, Palais de Tokyo, Paris, FR (2014 - 2015); Assembly, TATE Britain, London, UK (2014); Aquatopia, TATE St Ives & Nottingham Contemporary, UK (2013 - 2014); Art Sheffield 2013, Site Gallery, UK.