Sentences with phrase «includes choreography»

With a career spanning almost five decades, he is known internationally for pushing the boundaries of every discipline he works in, which includes choreography, painting, sculpture, video art and sound design.

Recent projects include Choreography for Blackboards at IMMA and the Hayward Gallery, London and Standing in Ink at the Crawford Gallery, Cork.

Not exact matches

Mean Girls and SpongeBob SquarePants: The Broadway Musical took the highest number of 2018 Tony award nominations with 12 each including best musical, best original score, best book, best direction, best scenic design, and best choreography.

This Friday night you can still get tickets to Parts In Suite, a program including Elo, Forsythe, and Peck, while on Saturday afternoon or evening you can enjoy Romeo and Juliet told through John Cranko's choreography and Sergei Prokofiev's score.

I can't keep a straight face while writing the rest of this description, which should include the fact that the show will feature men in uniform (think firemen, army boys, cowboys and the like) performing choreography and making women blush while they're drinking (perhaps heavily to cope with the awkwardness of it all).

Her current part - time jobs include directing the show choir (an ensemble of singers who do popular music and show tunes with choreography) for freshmen through seniors at Lyons Township High School, La Grange, and choreographing productions by the show choir for sophomores through seniors at Amos Alonzo Stagg High School, Palos Hills.

The Parramatta Pom Squad includes weekly training sessions with our choreography team, as well as selected.

las vegas About Blog LIC Blog includes all things space related, photography, choreography, music, fashion, lifestyle, urban and luxury things by Brianna.

Scenes from the competing clubs include impressive choreography and gravity - defying moves.

Go behind the wheel of this summer's biggest surprise box office hit with extensive bonus materials exploring its unique driving and music - infused production, including making - of featurettes on stunt driving with the cast, music, choreography, and orchestrating some of the best car chases in cinematic history.

Sometimes he included interesting musical acts such as The Treniers, a jumping R&B act with wild choreography.

EXTRAS: The Blu - ray release includes a behind - the - scenes look at production — including visual effects, stunt choreography and location shooting in Gabon — as well as a featurette examining Tarzan and Jane's iconic relationship.

His trademark single take choreography is present, but he gets delightfully frenetic in certain sequences, including one spectacular highway truck chase.

The skill to perfecting the dinner party movie is choreography and aside from a savage and smart script from Mike White, the skilled cast, that also includes Chloe Sevigny and Connie Britton, weave together effortlessly.

Smartly, the filmmakers — who include screenwriters Jenny Bicks and Bill Condon (the latter directed the live - action Beauty and the Beast and Dreamgirls and wrote the film version of Chicago)-- also know how to keep a four - quadrant family musical from sinking into Chitty territory by employing devices that also will please the Broadway crowd, particularly the Bob Fosse - like opening number as well as sensational choreography throughout.

This collection of production - diary - style footage finds Brian De Palma on the set of his 2002 film Femme Fatale directing the shoot, a process that — as seen in these specific clips — includes rehearsals with actors Rebecca Romijn and Antonio Banderas, working through movement / blocking and fight choreography, and the management of the movie's bravura opening setpiece that takes place at the 2001 Cannes Film Festival.

A bone - crunching, testosterone - pumping freight train of destruction that barely lets you catch your breath once it gets going, «The Raid» delivers the closest thing to non-stop, wall - to - wall action that I've ever seen, and a big part of what makes it so awesome is the amazing fight choreography, including what is easily some of the best close - quarters combat committed to film.

As usual, we're treated to some fairly impressive cut - scenes throughout the game (including plenty of stellar choreography), but the gameplay visuals don't cut the mustard.

Blu - ray Highlight: In addition to a fairly informative audio commentary by writer Seth Grahame - Smith, the disc also includes a collection of production featurettes (ranging from a basic making - of documentary, to more specific departments like make - up effects and fight choreography) that fans of the movie will definitely want to check out.

THE LION KING has also earned more than 70 major arts awards including the 1998 NY Drama Critics Circle Award for Best Musical, the 1999 Grammy ® for Best Musical Show Album, the 1999 Evening Standard Award for Theatrical Event of the Year and the 1999 Laurence Olivier Awards for Best Choreography and Best Costume Design.

In the case of Gun Fury, this includes shoot - out choreography, barroom composition, and the heightened depiction of forward motion, from galloping tracking shots to camera angles staring down a row of reigns as horses sprint headlong over the desert terrain.

Blu - ray Highlight: There really isn't a standout special feature on Universal's two - disc release, but there are still a few good extras worth checking out, including a short but sweet making - of featurette that covers a range of topics like the script, casting and production; an in - depth look at the film's fight choreography; and a featurette on ex-CIA operative Luis Falcon III's assistance in making the movie as accurate as possible.

Sammo Hung's choreography, with fight scenes shot as cartwheeling flurries of gold, blue, and crimson, is just one of the pleasures in a film that also includes shapeshifting heroines, talking stags, a toppling colossus, cheesy digital compositions, and wacky exchanges («What's a Phantom Bazaar?»

Firestorm This 2013 Hong Kong feature was nominated for a slew of native film awards including Best Action Choreography, Best Editing, Best Visual Effects and Best New Director and with my penchant for violent Asian cinema, I have trouble believing that this won't be a surprise victory for SIFF.

This 2013 Hong Kong feature was nominated for a slew of native film awards including Best Action Choreography, Best Editing, Best Visual Effects and Best New Director and with my penchant for violent Asian cinema, I have trouble believing that this won't be a surprise victory for SIFF.

Bullet Time Evolved - A look at the action scene filming process including some pre-visualizations, stunt work, and fight choreography.

EXTRAS: In addition to an audio commentary by director Gareth Evans, the Blu - ray release includes a short making - of featurette, a pair of more in - depth featurettes on location shooting and action choreography, a lengthy Q&A session with Evans, star Iko Uwais and composer Joe Trapanese and an ultra-violent deleted scene.

* The Cinefamily Q&A with Gareth Evans, Iko Uwais & Joe Trapanese (44 mins)-- A detailed discussion session that goes into a lot of detail of how «The Raid 2» came to be (English subtitles are also included) * Violent Ballet: Behind the Choreography (19 mins)-- A detailed featurette looking into the film's fight choreography and shooting it (with optional English subtitles) * Fan Q&A with Gareth Evans, Iko Uwais and Yayan Ruhian (UK Exclusive, 9 mins)-- A very candid brief Q&A filmed after a UK showing of «The RaChoreography (19 mins)-- A detailed featurette looking into the film's fight choreography and shooting it (with optional English subtitles) * Fan Q&A with Gareth Evans, Iko Uwais and Yayan Ruhian (UK Exclusive, 9 mins)-- A very candid brief Q&A filmed after a UK showing of «The Rachoreography and shooting it (with optional English subtitles) * Fan Q&A with Gareth Evans, Iko Uwais and Yayan Ruhian (UK Exclusive, 9 mins)-- A very candid brief Q&A filmed after a UK showing of «The Raid 2».

EXTRAS: The Blu - ray edition includes a featurette on creating the show, a behind - the - scenes look at the fight choreography and visual effects, the 2013 Paleyfest panel with the cast and crew, deleted scenes and a gag reel.

David Redmon and Ashley Sabin produce, direct, edit and photograph documentaries including: Mardi Gras: Made in China, Kamp Katrina, Intimidad, Invisible Girlfriend, Girl Model, Downeast, Kingdom of Animal, Night Labor, Choreography, Herd, Sentient 1 & 2, Neige, and Sanctuary.

Great way to create an authentic ordering and serving Spanish conversation Invitation Group: Create the invites for the party to hand out to students and adults, also the option for a second project addition of making games and decorations, Dance Group: Create a dance choreography to bachata for the quinceañera - includes a playlist of videos for your students to learn from.

It includes 4 SOW and delivery PowerPoints to engage KS3 pupils in performance, appreciation and choreography tasks while focusing on professional works from the GCSE Dance anthology.

Cultural performances from other Indonesian provinces including Central Kalimantan, North Sumatra, East Java, Riau, Jakarta, Solo and many others will also be presented, bringing their own traditional as well as most contemporary choreographies.

For a compelling night out, alternatives include stunning theatre and cultural shows, the likes of Devdan which presents 90 - minute magical tour of the Indonesian Archipelago through stunning stage visuals and dance choreography, or the Kecak fire dance at the breathtaking cliff - top sunset amphitheatre beside Uluwatu Temple.

There's even some new acrobatic choreography involved this time, including human pyramids, which you'll only get in the Xbox One experiences.

Newly available downloadable content includes: * «American Girl» by Bonnie McKee * «Blurred Lines» by Robin Thicke Ft. Pharrell Williams (alternate choreography version) * «One Way or Another» by One Direction * «Sexy and I Know It» by LMFAO * «What About Love» by Austin Mahone «Roar» by Katy Perry has also been available to download freely since launch.

This conversation explores how voice, gesture, and choreography figure into these three artists» practices via a diverse range of media including video, collage, sculpture and photography.

A variety of disciplines are accepted including, but not limited to, visual arts, media / new genre, performance, architecture, film / video, literature, interdisciplinary arts, music composition, and choreography.

Featuring historical and contemporary work, the exhibition includes several experimental positions that draw from city planning, architecture, choreography, advertising, and oral history.

Honors include a grant from the Foundation for Contemporary Art in 2015 and the Twin Cities City Pages Dance Company of the Year Award in 2013, and residencies at the Maggie Allesee National Center for Choreography, Tallahassee, and Headlands Center for the Arts, Marin.

With choreography specific to the structure of the building, a soundscape recorded over a month - long residency, and a narrative inspired by the centuries - old curatorial conundrum of the «Summer Exhibition», this is the London premiere of a performance which has taken different forms at a number of venues including the National Museum Stockholm, the Hamburger Kunsthalle and Birmingham Museum and Art Gallery.

Recent projects include: Choreography For Crane for the 9th Berlin Biennale, IMPRESSIONS, a bi - costal billboard campaign in New York and Los Angeles, PL · ΛNΞS at BFI, Miami, LOVELACE at Import Projects, Berlin, Formation Center at TOVES, Copenhagen and AMICI at S T O R E Contemporary, Dresden.

Choreographer Matthias Sperling speaks about his projects investigating the relationship between the body and the mind, including the types of knowledge that are generated within choreography.

It's a choreography that includes other - worldly yet comforting landscapes, and motile, vaguely spermatozoon visual counterpoints.

Speakers to include: Dave Beech, Luc Boltanski, Mélanie Bouteloup, Jason E. Bowman, Binna Choi, Céline Condorelli, Pip Day, Clémentine Deliss, Keller Easterling, Tom Eccles, Bassam El Baroni, Charles Esche, Arnaud Esquerre, Patricia Falguières, Patrick D. Flores, Alison Green, Marina Gržinić, Alhena Katsof, Annette Krauss, Sven Lütticken, Hans Ulrich Obrist, Paul O'Neill, Richard Noble, Nataša Petrešin - Bachelez, Andrea Phillips, Zahia Rahmani, Helena Reckitt, Simon Sheikh, Lucy Steeds, Jeannine Tang, Mick Wilson, and others, with remote choreography by Sarah Pierce.

Recent awards include the John Simon Guggenheim Memorial Fellowship in Choreography (USA 2015), the Prix Nouveau Talent Chorégraphie (Paris 2011), the Jerome Robbins Special Prize Fellowship in Choreography from the Bogliasco Foundation (Italy, 2011), and Fellowships from the National Endowment for the Arts (2014, 2013, 2012, 2011)

The new choreography is based on fragmented memories and photographs of the original piece, and draws from principles of dance from the»70s including improvisation, responsiveness, straight lines, and circular shapes that Beuchat termed «spatial corridors.»

At Fondation Beyeler, Philippe Parreno presents two new films, C.H.Z. («Continuously Habitable Zones») and Marilyn, which are accompanied by a choreography of sound and images that includes two of his typical Marquees, a room with drawings, a water lilies installation created by sound waves, and a DVD with a soundtrack by Arto Lindsay that erases itself after a one play.

She places bodies in these spaces, sometimes including her own, and uses a tightly - scripted choreography in which every move relates to institutionalised systems that rely on exclusion and destruction.

Among the artifacts will be the original designs for «West Side Story,» which Mr. Albrecht said he included because the creators were all gay: Bernstein (music), Stephen Sondheim (lyrics), Arthur Laurents (libretto), Jerome Robbins (choreography), Oliver Smith (scenery) and Irene Sharaff (costumes).