The catalog
includes exhibition documentation and critical essays by the exhibition's co-curators, David Norr and Rose Bouthillier.
Not exact matches
And the «Sources of the Self» section of «Americana,» one of the opening
exhibitions,
includes documentation of Interior Scroll, the influential 1975 performance in which Schneemann ritualistically stood naked on a table, painted her body with mud, and slowly extracted a paper scroll from her vagina while reading from it.
Arranged in a dynamic layout, the publication features photo
documentation of the animatronic sculpture Female figure (2014) and the installation of the
exhibition, which also
included a series of untitled sculptures from 2014 and the video Raspberry Poser (2012).
Inspiration / [N. Blaine [and others]-RSB--- Introduction — 151: The «9th St.»
Exhibition, the First Annual: the emergence of the New York School —
Documentation of artists» participation in the New York Painting and Sculpture Annuals,
including the «9th St.»
Exhibition and the Stable Gallery Annuals, 1951 - 1957 — From downtown to uptown: The Ninth Street Show continued as the New York Painting and Sculpture Annuals, at the Stable Gallery, 1953 - 1957 —
Documentation of artists» participation in the New York Painting and Sculpture Annuals, at the Stable Gallery, 1953 - 1957 — Complete index of artists» participation in the New York Artists» Annuals, 1951 - 1957 — Fine arts photographers and the New York School — Statements, artwork and biographies from the artists of the «9th St.» Show, 1951 and the Second Annual, 1953 Stable Gallery, NY.
Archives: The CCS Bard Archives contain the institutional archives for the Center for Curatorial Studies and the Hessel Museum of Art,
including full
documentation of
exhibition and programming history.
The HMI
exhibition itself
includes two sculptures out of the original 14, William Turnbull's Angle and Nicholas Monro's King Kong, as well as other works made in or around 1972 by some of the other sculptors, alongside maquettes and models, some original and some specially remade, and photographic and other forms of
documentation.
The extensive
documentation assembled here
includes newspaper articles,
exhibition catalogues, postwar restitution claims, personal correspondence, probate documents, and dealer records drawn from multiple sources in the United States and Europe.
It also
includes an interview between Achim Borchardt - Hume and the artist and an essay by art critic and scholar Douglas Fogle focusing on Penone's work with trees, alongside color
documentation of the
exhibition at the Whitechapel Gallery.
Striking representation of the body in works by Claudette Johnson and Isaac Julien are
included, as well as
documentation relating to significant
exhibitions.
The
exhibition included both freestanding sculptures and wall works combining text and image; exhibited as well were examples of «interactive sculptures» (some produced in collaboration with Esther Shalev - Gerz), pieces either re-created, presented in the form of photographic
documentation, or made accessible by computer.
You can view more
documentation from the inaugural
exhibition,
including this massive installation of hyperrealistic human skulls by Ron Mueck, on the National Gallery of Victoria's website.
In addition to paintings by several Gutai members,
including Yoshihara, Atsuko Tanaka, Shozo Shimamoto, Sadamasa Motonaga, Kazuo Shiraga and Akira Kanayama, the
exhibition includes examples of the Gutai journal and other publications;
documentation of the 1958 Gutai
exhibition at the Martha Jackson Gallery in New York, works by New York artists who related strongly to Gutai; rare videos of Gutai
exhibitions and performances in Japan; and photographs of American artists —
including Jenkins, Alice Baber, Robert Rauschenberg, Jasper Johns, and John Cage — visiting the Gutai group in 1964.
Her curatorial work focuses on the research and
documentation of video art,
including projects such as Videostoria, the first
exhibition series to systematically survey the history of the projected image in Israeli art.
Accompanying the wealth of insightful writings and still photography is an array of multimedia content,
including audio and video
documentation of the works presented in our galleries and video interviews with several
exhibition artists.
Additionally, the
exhibition will incorporate a small selection of special ephemera, artist books, and archival materials,
including documentation of notable dance and theatrical performances that were organized or commissioned by the museum during the 1960s.
Series I:
Exhibition Files is comprised of the working curatorial exhibition files (including grant correspondence, correspondence with artists, project planning documents, promotional materials, press, and exhibition documentation in various paper and media formats) for various exhibitions curated between 1989
Exhibition Files is comprised of the working curatorial
exhibition files (including grant correspondence, correspondence with artists, project planning documents, promotional materials, press, and exhibition documentation in various paper and media formats) for various exhibitions curated between 1989
exhibition files (
including grant correspondence, correspondence with artists, project planning documents, promotional materials, press, and
exhibition documentation in various paper and media formats) for various exhibitions curated between 1989
exhibition documentation in various paper and media formats) for various
exhibitions curated between 1989 and 1991.
The
exhibition will
include artifacts, ephemera, and
documentation of the artists» projects, as well as present a series of public performances for time - based and durational projects for audiences to experience live.
The curators of Touch / Screen will present a screening of video works and performance
documentation by artists in the
exhibition,
including Petra Cortright, Frances Stark, and Jutta Koether.
To the museum's Publications and Web and Digital teams, led by Kari Dahlgren and Keir Winesmith, thank you for welcoming the challenge of creating the museum's first solely online
exhibition catalogue with enthusiasm and for exploring the possibilities it affords to
include documentation and dynamic multimedia content during the run of the show.
The
exhibition then shifts focus to New York; it
includes their
documentation of Yayoi Kusama's astonishing Happenings of the late 1960s and selections from Pier 18, a project conceived and organized by independent curator Willoughby Sharp, for which Shunk - Kender photographed works by 27 artists.
Artist files contain the working records of the gallery pertaining to an artist, and
include correspondence,
exhibition files for AFA shows and other institutions, financial records, artist writings, and other types of
documentation.
The A.F.A. Artist Files subseries is comprised of the working records of the gallery and
includes correspondence,
exhibition files for AFA shows and other institutions, financial records, artist writings, and other types of
documentation.
I.A The A.F.A. Artist Files subseries is comprised of the working records of the gallery and
includes correspondence,
exhibition files for AFA shows and other institutions, financial records, artist writings, and other types of
documentation.
Instead of
including only recent performance art and earlier artist projects with full
documentation so viewers could witness the action - based art for themselves,
exhibition curator Andrea Grover selected works important to the developing art movement, tracing its course from its roots in the»60s to the present day.
At Headlands, Soto will relocate 24 Hours into Headlands» Project Space, producing an
exhibition that
includes architectural interventions, continued photo
documentation, and a workshop for
exhibition visitors to produce objects to be placed in the space.
On Saturday October 20th 12 - 8 pm and Sunday October 21st 12 - 6 pm: Indoor events, headquartered at NYU's Barney Building (34 Stuyvesant St.),
include an
exhibition showcasing
documentation from a variety of both past and new Conflux participants / projects, as well as talks and workshops.
The series
includes videos, films, and
documentation and features many pieces not on view in the
exhibition.
The Brooklyn Museum presents the most comprehensive
exhibition of Buchanan's work to date through approximately 200 objects,
including sculpture, painting, photography, drawing, notebooks of the artist's writings, and
documentation of private performances.
Key volumes
include «Wangechi Mutu: a Fantastic Journey,» which illustrates a comprehensive survey of her work presented at the Nasher Museum of Art at Duke University and the Brooklyn Museum; «Glenn Ligon: America,» a
documentation of the artist's 25 - year survey organized by the Whitney Museum of American Art; «Frank Bowling» the first comprehensive monograph of the artist by Mel Gooding and «Mappa Mundi,» which accompanied a major 2017
exhibition featuring works spanning Bowling's 60 - year career; «Jack Whitten: Five Decades of Painting,» which coincided with the artist's recent career - spanning
exhibition; and «Alma Thomas,» published on the occasion of her recent survey at the Tang Teaching Museum and Studio Museum in Harlem.
Recent solo
exhibitions include Mike Kelley: Memory Ware, Hauser & Wirth, New York, NY (2016); Mike Kelley: Kandors, VENUS, New York, NY (2016); Mike Kelley, Museum of Contemporary Art, Los Angeles, CA (2014), Centre Georges Pompidou, Paris, France (2013), Museum of Modern Art / PS1, New York, NY (2013) and Stedelijk Museum, Amsterdam, NL (2012); Mobile Homestead and Goin» Home: Mike Kelley's Mobile Homestead Videos and
Documentation, Museum of Contemporary Art Detroit, Detroit, MI (2013); A Tribute to Mike Kelley, The Museum of Contemporary Art, Los Angeles, CA (2012) and Mike Kelley: Kandors, Museen Haus Lange and Haus Esters, Kunstmuseen Krefeld, Krefeld, Germany (2011).
Works from the permanent collection are displayed on rotation through thematic
exhibitions; the museum also hosts special
exhibitions and
includes a
documentation center and a study room.
This
exhibition, which shows posters, and photo
documentation of
exhibitions, as well as works displayed during the In - Out Center's run —
including video, performance
documentation, concrete poetry and sound art — captures the life of Amsterdam's first independent artist's space.
Peripheral elements of the Biennial hosted by the website
include the essay compilation titled «Fear of Content» — borrowing its name from the 2015 Rob Hornig essay of the same name — and Body Holes, a
documentation of artworks exhibited inside actual human orifices by online
exhibition platform New Scenario.
PS: More information and videos can be found on request in our offline archive,
including a glimpse behind the scenes, video walkthroughs, the
documentation of the press conference, and a conversation between Francis Alÿs and the curator of the
exhibition, Lynne Cooke.
The
exhibition, performances, performance scores and installations,
including video and photo
documentation of interactive works, and artworks created as a result of performance actions.
The A.F.A / Pat Hearn Gallery archives
includes full
documentation of the
exhibition history for both galleries, correspondence with artists and their representatives, extensive
documentation of de Land's courses for art collectors, personal manuscripts, journals, and memorabilia.
That
exhibition included a temporary public reference library and in the final third of this talk he will try to explain why making functioning libraries as installationary art works is one of the things Thurston does, using as examples
documentation from my recent solo show, Pretty Brutal Library (& Model Gallery, Leeds, 2013) and one of his works - in - progress, Hate Library.
To mark the tour, S1 Artspace produced a publication, George Henry Longly: Mass Damper featuring
documentation of Longly's solo
exhibition at S1 Artspace alongside original source material and
including contributions from Louise Hutchinson, Andrew Hunt and Ryan Gander.
Since 2000 she has written extensively on the
documentation of performance art (After the Act: The (Re) presentation of Performance Art, 2006) and performative curatorial practices and has curated numerous
exhibitions and performance series in Europe as well as North America,
including the series After the Act, Again and Against and Push and Pull (2005 - 2011) at the Museum of Modern art (MUMOK) in Vienna and TATE Modern in London.
Included in this
exhibition are artists who have been caught up in the
documentation of the incredible worlds within which scientists practice their craft.
site offers much more: zoomable images of all 130 works in the
exhibition, accompanied by the text that appeared on the Hammer's wall labels; eight essays, 35 artist biographies, and a detailed chronology from the now out - of - print catalogue; and
documentation of the
exhibition,
including checklists, installation images, related programs, and critical reviews, at the three venues that hosted the show — the Hammer, MoMA PS1, and Williams College Museum of Art.
The
exhibition archive
includes video
documentation of a conversation between Jones and her late father Amiri Baraka about «EyeMinded.»
The publication,
including documentation of the
exhibition, allows an astonishing view into the creation of this exciting and promising young artist.
Materials
include exhibition announcements, press releases and other promotional material, as well as
exhibition reviews and photographic
documentation.
The museums are staging the
exhibitions as a not - so - sneak peek at their spectacular joint acquisition, announced last year, of a trove of art and archives from the Mapplethorpe Foundation,
including 2,000 photographs, 120,000 negatives, voluminous
documentation of the obscenity trial, and much more.
This
exhibition, the artist's first major museum survey, will
include some 25 sculptures, collages, works on paper, and videos,
including documentation of Silent Parade... or the Soul Rebels Band vs. Robert E. Lee (2014), his commission for the third edition of the Prospect New Orleans triennial.
This far ranging
exhibition, one of the largest to consider the subject,
includes street photography;
documentation of performance, events, and artworks presented in the street; works using material from the street; and examples of street culture by more than thirty artists.
The Morris Louis Estate papers
include records of gallery
exhibitions, mostly André Emmerich Gallery; artwork inventories; legal records concerning the lawsuit Bernstein v. Brenner; financial records of the sale of Louis» artwork; printed materials; writings about Louis; photographs of
exhibition installations and artwork; and posthumous project files which
include documentation of film projects by Robert Pierce Productions, a catalog raisonne, PBS documentaries, video recordings of the
exhibition «Morris Louis Now», and numerous sound recordings of interviews with artists, many with transcripts, discussing Morris Louis and conducted by Anita Faatz.
Responding to this unique setting, this
exhibition will feature existing artwork
including Jeremy Blake's Winchester trilogy (2002 — 4) from the SFMOMA collection and
documentation of performance art that Charles Garoian organized with his students at Los Altos High School from 1969 — 86 alongside new commissions by seven national and international artists.
Features VanDerBeek's early paintings and collages, experimental films, recreations of immersive projection and film environments, and
documentation of site - specific and telecommunications projects -
including a «telephone mural» meant to allow for the simultaneous
exhibition of artworks at multiple sites.