Sentences with phrase «includes exhibition documentation»

The catalog includes exhibition documentation and critical essays by the exhibition's co-curators, David Norr and Rose Bouthillier.

Not exact matches

And the «Sources of the Self» section of «Americana,» one of the opening exhibitions, includes documentation of Interior Scroll, the influential 1975 performance in which Schneemann ritualistically stood naked on a table, painted her body with mud, and slowly extracted a paper scroll from her vagina while reading from it.
Arranged in a dynamic layout, the publication features photo documentation of the animatronic sculpture Female figure (2014) and the installation of the exhibition, which also included a series of untitled sculptures from 2014 and the video Raspberry Poser (2012).
Inspiration / [N. Blaine [and others]-RSB--- Introduction — 151: The «9th St.» Exhibition, the First Annual: the emergence of the New York School — Documentation of artists» participation in the New York Painting and Sculpture Annuals, including the «9th St.» Exhibition and the Stable Gallery Annuals, 1951 - 1957 — From downtown to uptown: The Ninth Street Show continued as the New York Painting and Sculpture Annuals, at the Stable Gallery, 1953 - 1957 — Documentation of artists» participation in the New York Painting and Sculpture Annuals, at the Stable Gallery, 1953 - 1957 — Complete index of artists» participation in the New York Artists» Annuals, 1951 - 1957 — Fine arts photographers and the New York School — Statements, artwork and biographies from the artists of the «9th St.» Show, 1951 and the Second Annual, 1953 Stable Gallery, NY.
Archives: The CCS Bard Archives contain the institutional archives for the Center for Curatorial Studies and the Hessel Museum of Art, including full documentation of exhibition and programming history.
The HMI exhibition itself includes two sculptures out of the original 14, William Turnbull's Angle and Nicholas Monro's King Kong, as well as other works made in or around 1972 by some of the other sculptors, alongside maquettes and models, some original and some specially remade, and photographic and other forms of documentation.
The extensive documentation assembled here includes newspaper articles, exhibition catalogues, postwar restitution claims, personal correspondence, probate documents, and dealer records drawn from multiple sources in the United States and Europe.
It also includes an interview between Achim Borchardt - Hume and the artist and an essay by art critic and scholar Douglas Fogle focusing on Penone's work with trees, alongside color documentation of the exhibition at the Whitechapel Gallery.
Striking representation of the body in works by Claudette Johnson and Isaac Julien are included, as well as documentation relating to significant exhibitions.
The exhibition included both freestanding sculptures and wall works combining text and image; exhibited as well were examples of «interactive sculptures» (some produced in collaboration with Esther Shalev - Gerz), pieces either re-created, presented in the form of photographic documentation, or made accessible by computer.
You can view more documentation from the inaugural exhibition, including this massive installation of hyperrealistic human skulls by Ron Mueck, on the National Gallery of Victoria's website.
In addition to paintings by several Gutai members, including Yoshihara, Atsuko Tanaka, Shozo Shimamoto, Sadamasa Motonaga, Kazuo Shiraga and Akira Kanayama, the exhibition includes examples of the Gutai journal and other publications; documentation of the 1958 Gutai exhibition at the Martha Jackson Gallery in New York, works by New York artists who related strongly to Gutai; rare videos of Gutai exhibitions and performances in Japan; and photographs of American artists — including Jenkins, Alice Baber, Robert Rauschenberg, Jasper Johns, and John Cage — visiting the Gutai group in 1964.
Her curatorial work focuses on the research and documentation of video art, including projects such as Videostoria, the first exhibition series to systematically survey the history of the projected image in Israeli art.
Accompanying the wealth of insightful writings and still photography is an array of multimedia content, including audio and video documentation of the works presented in our galleries and video interviews with several exhibition artists.
Additionally, the exhibition will incorporate a small selection of special ephemera, artist books, and archival materials, including documentation of notable dance and theatrical performances that were organized or commissioned by the museum during the 1960s.
Series I: Exhibition Files is comprised of the working curatorial exhibition files (including grant correspondence, correspondence with artists, project planning documents, promotional materials, press, and exhibition documentation in various paper and media formats) for various exhibitions curated between 1989Exhibition Files is comprised of the working curatorial exhibition files (including grant correspondence, correspondence with artists, project planning documents, promotional materials, press, and exhibition documentation in various paper and media formats) for various exhibitions curated between 1989exhibition files (including grant correspondence, correspondence with artists, project planning documents, promotional materials, press, and exhibition documentation in various paper and media formats) for various exhibitions curated between 1989exhibition documentation in various paper and media formats) for various exhibitions curated between 1989 and 1991.
The exhibition will include artifacts, ephemera, and documentation of the artists» projects, as well as present a series of public performances for time - based and durational projects for audiences to experience live.
The curators of Touch / Screen will present a screening of video works and performance documentation by artists in the exhibition, including Petra Cortright, Frances Stark, and Jutta Koether.
To the museum's Publications and Web and Digital teams, led by Kari Dahlgren and Keir Winesmith, thank you for welcoming the challenge of creating the museum's first solely online exhibition catalogue with enthusiasm and for exploring the possibilities it affords to include documentation and dynamic multimedia content during the run of the show.
The exhibition then shifts focus to New York; it includes their documentation of Yayoi Kusama's astonishing Happenings of the late 1960s and selections from Pier 18, a project conceived and organized by independent curator Willoughby Sharp, for which Shunk - Kender photographed works by 27 artists.
Artist files contain the working records of the gallery pertaining to an artist, and include correspondence, exhibition files for AFA shows and other institutions, financial records, artist writings, and other types of documentation.
The A.F.A. Artist Files subseries is comprised of the working records of the gallery and includes correspondence, exhibition files for AFA shows and other institutions, financial records, artist writings, and other types of documentation.
I.A The A.F.A. Artist Files subseries is comprised of the working records of the gallery and includes correspondence, exhibition files for AFA shows and other institutions, financial records, artist writings, and other types of documentation.
Instead of including only recent performance art and earlier artist projects with full documentation so viewers could witness the action - based art for themselves, exhibition curator Andrea Grover selected works important to the developing art movement, tracing its course from its roots in the»60s to the present day.
At Headlands, Soto will relocate 24 Hours into Headlands» Project Space, producing an exhibition that includes architectural interventions, continued photo documentation, and a workshop for exhibition visitors to produce objects to be placed in the space.
On Saturday October 20th 12 - 8 pm and Sunday October 21st 12 - 6 pm: Indoor events, headquartered at NYU's Barney Building (34 Stuyvesant St.), include an exhibition showcasing documentation from a variety of both past and new Conflux participants / projects, as well as talks and workshops.
The series includes videos, films, and documentation and features many pieces not on view in the exhibition.
The Brooklyn Museum presents the most comprehensive exhibition of Buchanan's work to date through approximately 200 objects, including sculpture, painting, photography, drawing, notebooks of the artist's writings, and documentation of private performances.
Key volumes include «Wangechi Mutu: a Fantastic Journey,» which illustrates a comprehensive survey of her work presented at the Nasher Museum of Art at Duke University and the Brooklyn Museum; «Glenn Ligon: America,» a documentation of the artist's 25 - year survey organized by the Whitney Museum of American Art; «Frank Bowling» the first comprehensive monograph of the artist by Mel Gooding and «Mappa Mundi,» which accompanied a major 2017 exhibition featuring works spanning Bowling's 60 - year career; «Jack Whitten: Five Decades of Painting,» which coincided with the artist's recent career - spanning exhibition; and «Alma Thomas,» published on the occasion of her recent survey at the Tang Teaching Museum and Studio Museum in Harlem.
Recent solo exhibitions include Mike Kelley: Memory Ware, Hauser & Wirth, New York, NY (2016); Mike Kelley: Kandors, VENUS, New York, NY (2016); Mike Kelley, Museum of Contemporary Art, Los Angeles, CA (2014), Centre Georges Pompidou, Paris, France (2013), Museum of Modern Art / PS1, New York, NY (2013) and Stedelijk Museum, Amsterdam, NL (2012); Mobile Homestead and Goin» Home: Mike Kelley's Mobile Homestead Videos and Documentation, Museum of Contemporary Art Detroit, Detroit, MI (2013); A Tribute to Mike Kelley, The Museum of Contemporary Art, Los Angeles, CA (2012) and Mike Kelley: Kandors, Museen Haus Lange and Haus Esters, Kunstmuseen Krefeld, Krefeld, Germany (2011).
Works from the permanent collection are displayed on rotation through thematic exhibitions; the museum also hosts special exhibitions and includes a documentation center and a study room.
This exhibition, which shows posters, and photo documentation of exhibitions, as well as works displayed during the In - Out Center's run — including video, performance documentation, concrete poetry and sound art — captures the life of Amsterdam's first independent artist's space.
Peripheral elements of the Biennial hosted by the website include the essay compilation titled «Fear of Content» — borrowing its name from the 2015 Rob Hornig essay of the same name — and Body Holes, a documentation of artworks exhibited inside actual human orifices by online exhibition platform New Scenario.
PS: More information and videos can be found on request in our offline archive, including a glimpse behind the scenes, video walkthroughs, the documentation of the press conference, and a conversation between Francis Alÿs and the curator of the exhibition, Lynne Cooke.
The exhibition, performances, performance scores and installations, including video and photo documentation of interactive works, and artworks created as a result of performance actions.
The A.F.A / Pat Hearn Gallery archives includes full documentation of the exhibition history for both galleries, correspondence with artists and their representatives, extensive documentation of de Land's courses for art collectors, personal manuscripts, journals, and memorabilia.
That exhibition included a temporary public reference library and in the final third of this talk he will try to explain why making functioning libraries as installationary art works is one of the things Thurston does, using as examples documentation from my recent solo show, Pretty Brutal Library (& Model Gallery, Leeds, 2013) and one of his works - in - progress, Hate Library.
To mark the tour, S1 Artspace produced a publication, George Henry Longly: Mass Damper featuring documentation of Longly's solo exhibition at S1 Artspace alongside original source material and including contributions from Louise Hutchinson, Andrew Hunt and Ryan Gander.
Since 2000 she has written extensively on the documentation of performance art (After the Act: The (Re) presentation of Performance Art, 2006) and performative curatorial practices and has curated numerous exhibitions and performance series in Europe as well as North America, including the series After the Act, Again and Against and Push and Pull (2005 - 2011) at the Museum of Modern art (MUMOK) in Vienna and TATE Modern in London.
Included in this exhibition are artists who have been caught up in the documentation of the incredible worlds within which scientists practice their craft.
site offers much more: zoomable images of all 130 works in the exhibition, accompanied by the text that appeared on the Hammer's wall labels; eight essays, 35 artist biographies, and a detailed chronology from the now out - of - print catalogue; and documentation of the exhibition, including checklists, installation images, related programs, and critical reviews, at the three venues that hosted the show — the Hammer, MoMA PS1, and Williams College Museum of Art.
The exhibition archive includes video documentation of a conversation between Jones and her late father Amiri Baraka about «EyeMinded.»
The publication, including documentation of the exhibition, allows an astonishing view into the creation of this exciting and promising young artist.
Materials include exhibition announcements, press releases and other promotional material, as well as exhibition reviews and photographic documentation.
The museums are staging the exhibitions as a not - so - sneak peek at their spectacular joint acquisition, announced last year, of a trove of art and archives from the Mapplethorpe Foundation, including 2,000 photographs, 120,000 negatives, voluminous documentation of the obscenity trial, and much more.
This exhibition, the artist's first major museum survey, will include some 25 sculptures, collages, works on paper, and videos, including documentation of Silent Parade... or the Soul Rebels Band vs. Robert E. Lee (2014), his commission for the third edition of the Prospect New Orleans triennial.
This far ranging exhibition, one of the largest to consider the subject, includes street photography; documentation of performance, events, and artworks presented in the street; works using material from the street; and examples of street culture by more than thirty artists.
The Morris Louis Estate papers include records of gallery exhibitions, mostly André Emmerich Gallery; artwork inventories; legal records concerning the lawsuit Bernstein v. Brenner; financial records of the sale of Louis» artwork; printed materials; writings about Louis; photographs of exhibition installations and artwork; and posthumous project files which include documentation of film projects by Robert Pierce Productions, a catalog raisonne, PBS documentaries, video recordings of the exhibition «Morris Louis Now», and numerous sound recordings of interviews with artists, many with transcripts, discussing Morris Louis and conducted by Anita Faatz.
Responding to this unique setting, this exhibition will feature existing artwork including Jeremy Blake's Winchester trilogy (2002 — 4) from the SFMOMA collection and documentation of performance art that Charles Garoian organized with his students at Los Altos High School from 1969 — 86 alongside new commissions by seven national and international artists.
Features VanDerBeek's early paintings and collages, experimental films, recreations of immersive projection and film environments, and documentation of site - specific and telecommunications projects - including a «telephone mural» meant to allow for the simultaneous exhibition of artworks at multiple sites.
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