Sentences with phrase «includes film pieces»

His practice includes film pieces as well as work made by combining common junk parts with audio and other components and programming them, in order to produce art that expresses technology's primitive possibilities.

Not exact matches

Recent and upcoming releases include the romance - horror hybrid Spring; the hotly - anticipated The Look Of Silence, Oppenheimer's companion piece to The Act Of Killing; The Connection, a 70's - set true crime epic and European flipside to William Friedkin's The French Connection starring Oscar ® winning Best Actor Jean Dujardin (The Artist); The Keeping Room, from director Daniel Barber (Harry Brown), based on Julia Hart's acclaimed Black List screenplay, starring Brit Marling, Hailee Steinfeld and Sam Worthington; the multiple Cannes award winning The Tribe, filmed entirely in Ukrainian Sign Language with a cast of deaf, non-professional actors; and a remastered re-release, in conjunction with Olive Films, of the 1981 disasterpiece Roar, the most dangerous film ever made, starring Tippi Hedren, Melanie Griffith and a cast of 150 untrained lions, tigers and exotic animals.

We intend that this space will include not only objects, pieces of engineering, documents and images, but also large - scale projections of archive films; the stories of Jodrell Bank's role in the space race and discoveries out in space.

The BBC has filmed a number of pieces here over the years, including pieces on general format programmes such as Countryfile.

As usual, I filmed my capsule wardrobe so you can get a good idea of what the pieces are like, and I've also included a listing of each piece with links to currently available items.

Half the pleasure of giant - monster movies is allowing our suspension of disbelief to buckle like a bridge in Godzilla's path, and true to form, the film saves a few gonzo twists (including one especially outlandish bonus mutation) for the grand finale — an extended set - piece in which the three creatures converge on Chicago, which has typically gotten off easy where natural disasters are concerned.

It feels as if there are at least a couple of scenes missing, including some big set pieces that might have opened up the film's world beyond Planet Zero, the Fantastic Four, their dad (or at least Johnny and Sue's dad) and Doom.

Even before its late detour into action movie silliness (including a ridiculous badass set piece that belongs in a James Bond movie) Sicario feels like a film whose immaculate craft disguises its hollow center.

Some set pieces are a waste of time in drawing the audience in, including the most uninteresting and unnecessary bicycle race ever committed to film.

The movie has great time era sets pieces as the film takes the audience from a dystopian future to a realistic version of 1973 that includes wardrobe, hairstyles, and music.

The result is a tour - de-force that clashes static set - pieces (including the film's most astonishing sequence, a five - minute ritual as Orin asks the village elders for advice, the figures illuminated against interior darkness by phosphorescent, ghostly lighting) with «extravagant» camerawork that has been compared to Max Ophuls (11).

Blu - ray extras include a trivia track; a piece on the film's origins; a featurette on Jean - Paul Gaultier's costume designs; and interviews with Willis, Jovovich and co-stars Chris Tucker (who plays the fast - talking Ruby Rhod) and Maiwenn Le Besco (cast as the blue - skinned opera diva).

* Wrote music reviews, concert reviews, film reviews, feature pieces and local living articles for Bay Area newspapers including the Oakland Tribune, the Tri-Valley Herald, the Daily Review and The Argus, which boast a combined circulation of over 250,000.

Blu - ray extras include a behind - the - scenes featurette; deleted scenes; a piece on the true - life story that inspired the film; and a look at the Carthage residents through interviews and audition pieces.

Blu - ray extras include a piece in which Renoir expert Olivier Curchod discusses the film's history and controversy; a discussion about the movie with film professor and critic Ginette Vincendeau; a featurette on the remarkable tale behind the discovery of the original negative; a look at the restoration; and the theatrical trailers from 1937 and 1958.

Oddly, the film's satire of local news plays better than most of the divine stuff, with pod people broadcasters (including a faux - ethnic newswoman about as Hispanic as Davy Crockett) covering borderline psychotics in soullessly cheerful puff pieces.

Blu - ray extras include a making - of piece; an interview with Cronenberg; his 1970 film Crimes of the Future; and an irresistible 20 - minute segment from a 1980 episode of The Merv Griffin Show, with Reed as one of the guests alongside Orson Welles and Charo.

Extras include a six - minute behind - the - scenes featurette whose highlight is star Wilson suiting up for a pre-production supersonic flight; seven deleted or extended scenes — among them odd alternate opening and closing title sequences — with optional commentary from director Moore and editor Paul Martin Smith — these trims carry a viewer discretion warning, for they would've threatened the film's PG - 13 rating; a fantastic, largely CGI pre-visualization (with, again, optional Moore / Smith commentary) of the virtuoso ejection set piece that at times gives Final Fantasy a run for its money; the teaser trailer for Spielberg's upcoming Minority Report; and two engrossing full - length commentaries, one by Moore and Smith, the other producer John Davis and executive producer Wyck Godfrey.

The film operates chiefly as a character piece: on the one side is a group of left - wing radicals fronted by Brigitte Kuhlmann (Pike) and Wilfried Böse (Daniel Brühl); on the other sits Israel's top brass including Prime Minister Yitzhak Rabin (Lior Ashkenazi) and Defence Minister Shimon Peres (Eddie Marsan, late for his The Death of Stalin audition); and in the middle Nonso Anozie emphatically steals the show as Uganda's chuckly despot Idi Amin.

You could call it a propaganda piece, an uplifting film about sacrifice and duty in the face of war that celebrates the service of Britain's men in war and the endurance of the women (including Celia Johnson as Coward's wife) left behind.

Sure, this handily surpasses the barren and insufficient Fox disc, but in Japan, the film's DVD included multiple trailers for the Totoro / Fireflies double billing (Fireflies is oddly not covered in Disney's distribution deal), a 20 - minute behind - the - scenes featurette, and a piece on Tokyo's Studio Ghibli Museum.

Haneke's films often involve an element of puzzle - solving, of piecing together the necessary information from the smallest of clues, and so it proves here, as the film opens with a secretly - filmed Snapchat sequence (including disparaging comments) of a woman getting ready for bed that will only reveal its true significance later on.

A: I was inspired by many films from the 1970s, including Dog Day Afternoon, Five Easy Pieces, Straight Time, and The Dirty Dozen.

Backstage's Great Perforamnces issue, on newsstands Dec. 6, will feature a piece on her discussing her craft, Knightley also took the time to speak frankly on several other topics, including how she often dies on film; how Wright was resistant to casting her in «Pride and Prejudice,» their first film together; and how her Mr. Darcy in that movie, Matthew Macfadyen, almost played her abuser in a public service advertisement.

The Fox disc also includes a piece on actress Rhonda Fleming, who appeared in her first real film role as an oversexed mental patient.

The film originated as a commissioned piece for All the Boys and Girls of Their Age (Tous les garçons et les filles de leur âge), a French television series focused on adolescence that also included work by Claire Denis and Chantal Akerman.

Extras: Two optional English narrations, including one by actor Roy Scheider; audio commentary from 2008 featuring Schrader and producer Alan Poul; interviews from 2007 and 2008 with Bailey, producers Tom Luddy and Mata Yamamoto, composer Philip Glass, and production designer Eiko Ishioka; interviews from 2008 with Mishima biographer John Nathan and friend Donald Richie; audio interview from 2008 with co-screenwriter Chieko Schrader; interview excerpt from 1966 featuring Mishima talking about writing; «The Strange Case of Yukio Mishima,» a 55 - minute documentary from 1985 about the author; trailer; a booklet featuring an essay by critic Kevin Jackson, a piece on the film's censorship in Japan, and photographs of Ishioka's sets.

But even in a sprawling ensemble piece like Netflix's «Mudbound» (whose cast includes Carey Mulligan, Garrett Hedlund, Jason Mitchell, and Mary J. Blige), Rees ensures the interpersonal relationships and nuanced dynamics between her characters are put front and center, never getting lost in the film's network of voices.

The theatrical version and the Director's Cut are included, along with the previously released bonus features, a new documentary, a 1996 short film by director Richard Kelly, a hardcover book, and some pieces of art printed on cardstock, found inside an envelope marked «Roberta Sparrow.»

At least four directors helmed pieces of the film, including Michael Powell (this was his color film debut), which is held together by the glorious art direction by William Cameron Menzies, who creates an amazing world for the fantastical wonders of flying carpets, mechanical horses, and a fifty foot genie with a bellowing laugh.

The film's special - effects wonders include a three - headed guard dog named Fluffy, staircases that change configuration at whim, benevolent ghosts (including John Cleese as Nearly Headless Nick), animated paintings, a troll, a baby dragon, belligerent chess pieces and a swarm of flying keys.

A sharp piece that provides valuable Hammer film excerpts and interviews with a variety of authorities (including Stacy Keach, numerous mystery authors, and Spillane himself, who passed away in 2006), this is a most fitting inclusion.

Hayes» feature film credits include the Bobby and Peter Farrelly comedy «The Three Stooges,» «The Bucket List,» opposite Jack Nicholson and Morgan Freeman, and the independent drama «Pieces of April,» opposite Katie Holmes, Patricia Clarkson and Oliver Platt.

And Linklater has actually tried many different kinds of movies, including the wicked black comedy «Bernie,» the musical romp «School of Rock,» the nostalgic period piece «Me and Orson Welles» and even a couple of animated films.

The release includes most of the same extras from the deluxe DVD, as well as a new interview with composer Jon Brion, a new piece featuring behind - the - scenes footage of a recording session for the film's soundtrack, and a new conversation between curators Michael Connor and Lia Gangitano about the art of Jeremy Blake, used in the film.

Not surprisingly, the film delivers plenty of cool set pieces along the way, including a no - holds - barred battle between the Hulk and the Abomination in the streets of New York, and an even more enjoyable fight between the Hulk and a still - human (but super soldier - juiced) Blonsky in the second act.

Village Voice Bilge Elbiri on a film review that changed his live (J Hoberman's 1992 piece on Orson Welles» Othello)- lovely personal piece Nick Davis Chicago film festival jury picks and his own precise takes on the movies screened including high profile gems like Call Me By Your Name, and several foreign film Oscar submissions Esquire Bryan Cranston must be seeking to sabotage his Oscar hopes this year with this admission that he's rooting for Trump to succeed Huffington Post talks to Melissa Leo about Novitiate and becoming a gay icon with those «Consider...» ads

The 20 - page booklet an essay by critic Geoffrey O'Brien, short pieces by young writers on the film, and art from the film, and there's a small collection of additional ephemera including a map of New Penzance.

An interesting companion piece to «Mud,» the film tells the story of two best friends (future megastar Nick Robinson, «Super 8» actor Gabriel Basso) who, fed up with their overbearing parents (including Nick Offerman, in his best non «Parks and Rec» performance to date), and with the help of show - stealing oddball Biaggio (Moises Arias), build a house in the woods where they can act like grown - ups.

Since she made her film debut, Castle - Hughes has appeared in various films including Hey, Hey, It's Esther Blueburger (2008), New Zealand tele - movie Piece of my Heart (2009) and a small role in Star Wars Episode III: Revenge of the Sith (2005).

Other new features include The Restoration of «Jaws», which is a short piece on the restoration of the film.

Extras include audio commentary by film critic Stephen Farber; a retrospective piece surrounding the making of the movie; a vintage behind - the - scenes short; and a vintage (and entertaining) half - hour TV production on Camelot's world premiere.

Blu - ray extras include a making - of featurette; deleted scenes; and a piece on the incident that inspired the film.

Extras include audio commentary by Cameron and various cast and crew members; an introduction by Cameron to the Special Edition; deleted scenes; a piece on the film's design; pre-production art galleries; and an isolated track of the late James Horner's Oscar - nominated score.

Anderson's latest film, «Phantom Thread,» a lush, romantic chamber piece focused on the shifting dynamics between Reynolds Woodcock, a temperamental fashion designer, and Alma, the woman who begins the story as his muse, had earned six nominations, including best picture and director.

Blu - ray extras include four separate audio commentaries, with participants including the late O'Bannon, Matthews and author Gary Smart (The Complete History of The Return of the Living Dead); a making - of documentary; the final interview with O'Bannon; pieces on the film's effects and music; and a featurette on»80s horror films.

There's little doubt, then, that the film begins to demonstrably improve once Rogers undergoes his metamorphosis, with the effectiveness of that sequence paving the way for a second half that's rife with unexpectedly captivating set pieces - including a finale that's not quite as over-the-top as one might've anticipated (and feared).

Editor H. Nelson Tracy (who also made the Captain Fantastic book video) has put together a new video essay examining how these two films are very similar, essentially companion pieces, looking at aspects including structure, style and story.

The 24 - minute piece includes some candid footage from the set, film clips, and interviews with director J.B. Rogers, screenwriter Adam Herz, producer Chris Moore, and actors Jason Biggs, Thomas Ian Nicholas, Eugene Levy, Chris Klein, Tara Reid, Natasha Lyonne, Mena Suvari, Shannon Elizabeth, Alyson Hannigan, Seann William Scott, and Eddie Kaye Thomas.

Blu - ray extras include new interviews with Ballard and Deschanel; a piece in which award - winning photographer Mary Ellen Mark (who passed away in May) discusses the pictures she took on set as the film's unit photographer; and five short films by Ballard.