Sentences with phrase «includes oral history»

• Provide recommendations to the Commander regarding historical documentation and conduct independent historical research that includes oral history interviews for accuracy and consistency.

For instance, urban place - based lessons could include oral history projects where students collect the stories of community members, or historical parks or buildings, or learning about urban agriculture and community gardening in large cities with food deserts.

Their collection includes oral histories, like this one about the early history of the Legal Services Corporation in Arkansas:

You'll witness the first assessment session, including the Oral History Interview and Conflict Interaction exercise.

Not exact matches

Higher criticism includes an analysis of the literary genre of the text, its historical background, the history of the oral tradition behind the text, and the cultural and psychological factors at work on the author and editor (or editors) of the text.

Make sure the mother is getting AWESOME LACTATION SUPPORT AND GUIDANCE which includes a thorough history taking, a full oral assessment of the baby to rule out tongue tie, a detailed plan (short term and long term) for the mother and baby on where to go from here which includes different options.

This clinic includes assembling a full lactation history, a pre and post-feed weighing to determine intake, an observation of feeding and an infant oral exam.

Thanks to efforts of this collective, the revived Loisaida Festival of 2014 expanded beyond a one - day music and street fair to include culturally relevant and meaningful activities, including documentary screenings, oral histories, performances and poetry, during the entire weekend.

Stern, Virginia - Articles and Presentations by Stern, Virginia - Correspondence Stern, Virginia - Testimony before Federal agencies Gavin, John J. - Correspondence, 1973 - 1975 Sharpless, Nansie - biographical information and correspondence, 1975 - 1987 Sharpless, Nansie - booklet on her life, 1991 Tombaugh, Dorothy - correspondence and materials, including photos, 1978 - 1991 Tombaugh, Dorothy - oral history, 1981 AAAS Bulletin - Request for Scientists with disabilities to volunteer and responses, June, 1974 AAAS Project on the Handicapped in Science - Origins AAAS Project on the Handicapped in Science, 1975 AAAS Project on the Handicapped - Info From Resource Group, [2 folders] 1977 AAAS Council Resolution on Rehabilitation Act of 1973, Feb. 23, 1977 AAAS Project on Science, Technology and Disability - 30 Years of Making A Difference AAAS Project on Science, Technology and Disability - Presidential Award for Excellence in Science, Mathematics and Engineering Mentoring, 2001 AAAS Project on Science, Technology and Disability - Brochures AAAS Bulletins on Science and Technology for the Handicapped, 1980 - 1984 US House of Representatives, Panel on Research Programs to Aid the Handicapped - correspondence in response, 1976 - 1978 Various Reports on disability, education and access issues

From August 30 to September 2, about 2,000 participants met in Dresden, Germany, for eleven plenary lectures (two from Nobel Prize winners), oral presentations, workshops, and poster presentations covering the broad range of chemistry including synthesis, catalysis, materials, energy, resources and environment, life sciences, analytical chemistry, history of chemistry.

Factors examined as potential confounders or effect modifiers included age (at breast cancer diagnosis for cases, at time of study enrollment for controls), age at first birth, number of children, birth of a son, history of breastfeeding, miscarriage, abortion, oral contraceptive use, smoking status, age at menarche and number of cell equivalents tested for detection of FMc.

Though Vidor passed away just over thirty years ago, he is included via four excerpts of his oral history recorded for the Director's Guild.

October 16, 2012 • A new oral history of women working in comedy includes stories from the world of stand - up, the world of late - night, and the world of comedy.

Especially interesting are the oral histories from many of his colleagues and friends including special interviews from such notables as Billy Graham and Robert S. McNamara.

Researchers can learn how to access the other materials held at the Niels Bohr Library, such as the collection of oral history interviews that includes over 3,000 hours of interviews with thousands of physicists, astronomers, and others.

Other strategies for sharing the oral histories with a larger audience include dedicating class or homework time to reading other students» oral histories, sending copies of the narratives to local schools and libraries, or creating classroom or campus exhibits based on the project.

It's an array of materials including Pulitzer - prize winning magazine articles, news stories past and present, photographic essays, maps, charts, research and case studies, autobiographies, biographies, oral histories, films, and the universe of multimedia materials.

Historiographical methods include archival research and oral history interviews.

Offering a rich oral history, this collection is read by 13 outstanding narrators, including Kevin R. Free, Michael Early, Patricia R. Floyd, Dion Graham, Robin Miles, and others, reciting more than 50 first - person poems.

Multiple first - person quotes drawn from primary source documents, including letters, slave narratives, and oral histories, fill the text.

Our transcription services are designed for the client who only needs the occasional audio file transcribed as part of a project, e.g., the doctoral student with a handful of interviews to be included with a dissertation or the family historian who needs an oral history included in a manuscript.

The steps include: a history and physical exam, an oral survey checking for such things as cancer and missing teeth, ultrasonic scaling of the teeth and subgingival scaling.

In addition, the archives contain materials collected since Mitchell's death in 1992, including exhibition catalogs and other publications, research files, symposia proceedings and recordings, a nascent oral history collection, and records of the Estate of Joan Mitchell and the Joan Mitchell Foundation.

Featuring historical and contemporary work, the exhibition includes several experimental positions that draw from city planning, architecture, choreography, advertising, and oral history.

Other activities included: Learnosaurus with Sean Cusack BSE» 98, The Cooper Union Oral History Project with the Cooper Union Associates (Sangu Iyer CE» 99, Noemi Charlotte Thieves A» 11, Laura Napier A» 98, and CB Wayne AR» 75), Tealightful, Ping Pong with SPiN, The NY Knicks Groove Truck, Art Showcase with Susan Detrich A» 66, The Saturday Program, Milestone Architecture (Margaret Matz AR» 83)-- The Torcello Project, Green Festivals, The Cooper Union Student Origami Club, NEXTDOOR, and Susan Pillay.

This digital exhibit documents the development of these two notable architects» affiliation, and includes nearly 150 photographs; plus primary source materials such as correspondence; lectures; musings and writings; and other media, including a video interview with Fay Jones's wife Gus, created by the David and Barbara Pryor Center for Arkansas Oral and Visual History.

Drawing on vernacular forms and collaborative and performative actions, the Iraqi - Kurdish artist makes work inspired by political events, chance encounters, oral histories, and his own experiences, including fleeing Iraq on foot in the late 1990s.

Many artists were in the audience for this oral history lesson presented as part of the 50th anniversary show ICA@50, including Billy Dufala whose ICA@50 micro-exhibition RAIR: Simon Kim and Billy Dufala / Made in Philadelphia (1973) opened in the gallery earlier that day along with Robert Morris: Tracks / Robert Morris / Projects (1974) and Videoarte Brasil / Video Art (1975).

The sound collection includes all forms of recorded sound, extending from the early days of wax cylinder recordings to today's digital creations, with recorded music, oral histories, lectures and many other types of recording held on formats such as shellac and vinyl records, reel to reel tape, audio cassettes and CDs.

AS - AP's website provides access to information about the history and existence of these centers of artistic activity, as well as access to unique primary resources, including transcripts of oral history interviews, and other types of documentation.

Once installed, each artwork will include a QR code that will allow visitors to access an audio recording of the artist explaining the work along with the oral history that inspired it.

This has included finding the founding members of the Guerrilla Girls through the secret network, flying to meet them, photographing them, recording their oral histories and archiving their story, researching their alias, assembling the alias» works, and creating artworks from the combination of all these elements to spin a red thread that runs through ancient time to now, and into the future.

Drawing on vernacular forms and collaborative and performative actions, Iraqi - Kurdish artist Hiwa K (b. 1975, Sulaymaniyah, Iraq) makes work inspired by political events, chance encounters, oral histories, and his own experiences, including fleeing Iraq on foot in the late 1990s.

Rabinovich is included in the Oral History Program of the Smithsonian Institution Archives of American Art.

She often works collaboratively: forthcoming such projects include a public art / activism action in DC (fall 2016, co-organized with Saisha Grayson); a painting exhibition at the American University Art Museum (2017, co-organized with Danielle Mysliwiec); and an oral history of visual arts practices inside the I - 495 Beltway (as part of the DC - based collective FURTHERMORE).

The project expanded beyond the archive to include works of art and oral histories, as well as research in The Fales Library and Special Collections at New York University.

Her essay «Was There Ever Really a Mission School: A Partial and Incomplete Oral History» is included in the catalogue for the exhi - bition Barry McGee at the Berkeley Art Museum.

Lydia continues to manage production for artist Brandan «Bmike» Odums, including his first solo exhibition «Ephemeral Eternal» at Studio Be and, in collaboration with Welcome Table New Orleans, the Algiers Oral History and Public Art Intensive through which 24 high school youth are creating a freestanding mural based on interviews they conduct with elders on the evolution of race relations.

Catalogue and oral history Featuring exhibited artists, the oral history expands into their vibrant community of artists, gallerists, musicians and poets, including Tariq Alvi, Devendra Banhart, Amanda Eicher, Matt Gonzalez, Jack Hanley, Xylor Jane, Kevin Killian, Donal Mosher, Darryl Smith, Margaret Tedesco, and others.

The creation of this catalogue will capture the scope of the project with beautifully documented plates of the 64 works of art, reproductions of memorabilia, and over 14 written submissions which include culinary history, poems, short fiction, oral history, and lecture transcriptions.

Chicago - based Nate Young employs a range of mediums including text, drawing, woodcraft, sculpture, and performance in this very personal exhibition in which he draws on his own family archives and oral history.

Advisors to the project include curator / producer Carla Peterson, artist / educators Lenora Champagne and Holly Hughes, as well as Susan Kraft, Coordinator of the Oral History Archive and Project at the Jerome Robbins Dance Division of the New York Public Library for the Performing Arts.

The publication also features a personal and revealing essay by David Zwirner, who began showing Rhoades's work in the early 1990s, new scholarship by Julien Bismuth, and selected interviews from the Jason Rhoades Oral History project, conceived by Dylan Kenny and Lucas Zwirner, who have interviewed over fifty artists, curators, friends, collaborators, art historians, and others who intimately knew the artist — including curator and art historian Linda Norden.

And, like the exhibition, the catalogue presents a diversity of opinions and oral histories from artists working in the «post-internet» realm, including those of artists Cory Arcangel and Bunny Rogers, critic Ben Davis, and museum professionals like Ben Vickers and Omar Kholeif.

The exhibition features more than 40 drawings and paintings (oil, acrylic and watercolor) and the gallery has published an accompanying catalog that includes a previously unpublished oral history interview with Thomas.

The current release includes chapter essays on the seven neighborhoods, two scholarly essays on the early history of collecting contemporary art in Dallas, an interactive gallery map documenting the history and locations of over 150 commercial galleries and nonprofit institutions in North Texas from the mid-1950s, and media - rich appendices that feature oral histories, interviews, and detailed listings of collections in the DMA Archives related to the DallasSITES research project.

Selected interviews will also be included from the Jason Rhoades Oral History project devised by Lucas Zwirner, who has interviewed over fifty artists, curators, and others who intimately knew the artist.

Since then, an ambitious, multiyear cataloging initiative has allowed the library to launch an online catalog, which includes finding aids, oral histories, and other resources.

Add to this the complexity of dealing with oral history evidence and extensive expert evidence from a range of fields including history, archaeology, linguistics, anthropology and ethno - history and you may start to understand why Aboriginal rights cases can stretch over months, if not years.

Other precedent - setting court cases include: Delgamuukw v. British Columbia (1997), which set a precedent for using oral histories as evidence of land use and further defined Aboriginal rights and title; R. v. Sparrow (1990), which further defined the scope of Aboriginal rights; and Mikisew Cree First Nation v. Canada (2005), which further defined the duty to consultand accommodate Indigenous communitiesin regard to taking up land / land use (see Aboriginal Rights).