Sentences with phrase «includes photographic series»

Her most recent bodies of work include the photographic series The Book of Kings (2012), The Home of My Eyes (2015), and the trilogy Dreamers, comprised of three video installations: Illusions and Mirrors (2013), Roja (2016), and Sarah (2016).

Ballen's well - known works include the photographic series «Dorps, Small Towns of South Africa» (1982 — 1986), «Platteland, Images from Rural South Africa» (1986 — 1994), «Outland» (1995 — 2000), «Shadow Chamber» (2000 — 2004) and «Boarding House» (2004 — 2008).

Not exact matches

The nine rooms of the apartment, each one different from the other, all delightfully decorated with intricate tapestries, gilded stuccoes and marble floors, each contain different photographic selections, including a full series of unpublished portraits of Rihanna — outtakes from an album cover shoot.

The first book to examine the practice of Sara Rahbar, including her early installations for the Queens Museum of Art, a photographic series made in Tehran, and the politically inspired textile - based works, all which use historically charged materials and forms.Essay by Catherine Grenier, adjunct director of Centre Pompidou, and interview with Elaine W. Ng.

Her early photographic works include the Women of Allah series (1993 - 1997), which explored the question of gender in relation to Islamic fundamentalism and militancy.

Her current exhibition, 6 out of 5 at White Cube Mason's Yard in London, is a broad survey of her work across the decades, including her well - known photographic series from the 70s, frottage drawings from the 80s, and more recent paintings.

The exhibition includes more than 125 paintings, drawings, watercolors, and sculptures by O'Keeffe as well as selected examples of Alfred Stieglitz's famous photographic portrait series of O'Keeffe.

Ruell has a multitude of projects currently in the works, including a feature film and two photographic series.

It includes the debut of Liz Sterry's photographic series Drinking Alone with the Internet, which documents a succession of online performances in which she put out an open call for people online to join her in dressing and drinking like a Star Wars character, creating a virtual party in which everyone is both together but very much alone.

Esopus 23 presents specially - commissioned projects exclusive to this issue including a series of images printed on translucent and metallic stocks by Marilyn Minter, a portfolio of die - cut works by Mickalene Thomas, a collection of images and documentation by Jody Wood relating to her ongoing «Beauty in Transition» series, a new series of paintings by Stefan Kürten; drawings by Karo Akpokiere dealing with the challenges of living and working between Berlin and Lagos, and a series of abstract photographic «landscapes» created in the darkroom by master black - and - white printer Chuck Kelton.

The solo exhibition will feature work from several of Hanzlová's photographic projects, including Rokytnik and Forest, taken in the Czech village and surrounding forest where the artist grew up; Cotton Rose, taken in Gifu, Japan; as well as the artist's three most recent series, Horses, Flowers and There Is Something I Don't Know.

His critically acclaimed photographic series Crowds and Riots, 2008, explores crowd phenomena in the twentieth century, focusing on subjects including the clashes between police and protestors that defined Vancouver's Gastown neighbourhood in the early 1970s.

This exhibition affords a fascinating look at the output of some of South Africa's major artists, and will also showcase from our Johannesburg spaces works not yet shown in Cape Town, including Kudzanai Chiurai's Revelations, a series of photographic tableaux exploring politics and power in Africa, new wood sculptures by Willem Boshoff, and a selection of drawings, linocut graphics and sculpture by William Kentridge.

In this German - language - only installment of Hans Ulrich Obrist's Conversation Series, the acclaimed curator - conversationalist speaks with the German Pop Surrealist painter Konrad Klapheck, and includes the German conceptual photographer Hans - Peter Feldmann — who was there to document the afternoon's activities with a series of photographic portraits — in theSeries, the acclaimed curator - conversationalist speaks with the German Pop Surrealist painter Konrad Klapheck, and includes the German conceptual photographer Hans - Peter Feldmann — who was there to document the afternoon's activities with a series of photographic portraits — in theseries of photographic portraits — in the talk.

Included alongside Hirst's work were a large series of Dominic Denis's oil on canvas paintings, «Directions» (1990), and a new series of Angus Fairhurst photographic works layered with gel.

That includes Talbot's Pencil of Nature (1844), the first published book of photographic images in her photographic work Law of the Series # 1 (2012), and 1950's American cinema in From Here to Eternity (2013).

Following its 2015 debut, Paris Photo will once again present PRISMES, a sector dedicated to the presentation of exceptional projects including large formats, series, and installation works exploring the diverse practices of the photographic medium.

Each instantiation features new works, and in Beijing these will include a major installation by Sudarshan Shetty, a Bharti Kher triptych, a new photographic series by Dayanita Singh from her House of Love book project, and video work by Ayisha Abraham and Hetain Patel.

The show included two mixed - media works from Hirst's series «When Logics Die» («When Logics Die (figs. 134/135)» (1991)-RRB-, shown alongside an important early work, a photographic print sealed on aluminium, «With Dead Head» (1991).

The book documents the CLUI's methodology in a series of interviews and includes a photographic essay on land use in Houston featuring a panoramic, foldout section and a comprehensive chronology of the CLUI's projects and publications over the past 14 years.

Recent works include a series of beautifully coloured photograms, Lycopodium, created by burning the spores of Lycopodium moss against photographic paper and Replaying the mistake of a broken hammer (2011), a shimmering metal rod with the brittle properties of glass, created by deliberately interrupting the steel - tempering process.

The works included in Haunted range from individual photographs and photographic series, to sculptures and paintings that incorporate photographic elements, to videos, film, performance and site - specific installations.

Curated by Abdellah Karroum, the exhibition will feature Neshat's existing and newly produced works, including the major photographic series, The Book of Kings (2012) as well as a selection of video installations commenting on the historical, cultural and political realities that she has focused on for over 30 years.

Also included are select press and project descriptions, along with a series of photographic portraits of the artist.

Standout pieces at SP - Arte include Vik Muniz's Op Art abstraction from his «Handmade» photographic series at São Paulo's Carbono Galeria, Haegue Yang's wooly beast sculpture at Mexico City's kurimanzutto, Saint Clair Cemin's surreal ballerina cast in copper at Porto Alegre's Bolsa de Arte, the Campana Brothers» stool made with toy stuffed animals at São Paulo's Firma Casa, Wolgang Tillmans» photographic still - life of a big peach with other fresh fruits, and Lynda Benglis» biomorphic gold - leafed sculpture at Cheim & Read.

It includes Albers's early drawings of country churches and cathedrals; «Rosa Mystica,» his stained glass window for St Michael's Church, and other glass works containing religious imagery; his abstractions of crosses and geometric abstractions with spiritually themed titles, from his Black Mountain years; his prints of Mexican gods; photographic interpretations of the theme of angels; and a selection from the Homage to the Square series.

Neshat's early photographic works include the Women of Allah series (1993 — 1997), which explored the question of gender in relation to Islamic fundamentalism and militancy.

The exhibition will feature other major works from Shonibare, including Revolution Kid (Calf), 2012; photographic series Fake Death, 2011 and Climate Shit Drawing, 2009.

The collection also includes central works from her photographic series of urban spaces, her poster paintings and rubbish bins, as well as elements from larger installations, which shows how Kagge concentrates on collecting across time, formats, media and thematic structures.

The Pop Life exhibition also includes works from Jeff Koons's series Made in Heaven, large - scale photographic images that depict the artist and the porn model La Cicciolina having sexual intercourse.

, these include Rasheed Araeen's Chaaryaar (1968/2014), a sizeable sculpture of different - coloured cube - shaped wood frames; Hassan Sharif's series of documentary photographs with the self - explanatory title Drawing Squares on the Floor Using a Cube (1982); Saloua Raouda Choucair's small carved - wood sculpture Poem (1963 — 5); and Dóra Maurer's Seven Rotations 1 — 6 (1979), an infinity - mirror - like set of photographic self - portraits, in which Maurer starts by holding a blank square, which in the second in the series is replaced by the previous photograph, and so on.

He is perhaps best known for his colourful photographic portraits, including the Kesh Angels series, from which many new works feature in the exhibition.

The exhibition will include Yinka Shonibare MBE's photographic series «Diary of a Victorian Dandy» (19...

Here a color photographic series was included titled Breaking Waves.

The exhibition will include work from Yinka Shonibare's renowned photographic series «Diary of a Victorian Dandy» 1998.

These enclosed tranches of landscape, culturally displaced and geopolitically charged, relate to Land Art exponent Robert Smithson's Non-Site series; while other homages to recent heroes of art history include Blow Up, which reveals itself as a playful destruction of the photographic work of German couple Bernd and Hilla Becher and the life - sized, white ceramic Pig (2012) which is both a scaled - up version of a piggy bank from Monk's childhood and an imagining of an unrealised sculpture by Jeff Koons.

Collier's exhibition includes recent works from her ongoing series «Women Crying»; two text - based photographic works based on printed materials originally used in group - therapy and self - analysis; works from her latest series «Crying (Comic)» and «Tears (Comic)»; and a 35 mm slide projection piece «Women With Cameras (Self Portrait)».

Soth's photographic style has continued to develop in subsequent series beginning with his iconic Sleeping by the Mississippi, and including NIAGARA, The Last Days of W and Broken Manual.

This exhibition includes a selection of Wilke's early sculptures, films, drawings and collages alongside photographic works from her S.O.S. Starification Object Series.

«Tulkus 1180 to 2018,» a tremendous survey - in - progress by Paola Pivi of over 1,100 photographic portraits of tulkus, or officially - recognized reincarnations of Tibetan lamas, includes the large - scale portraits of Tibetan exiles from David Zimmerman's One Voice series.

Lake's groundbreaking early work includes «A Genuine Simulation of...» (1973 — 74), a series of photographic self - portraits retouched with Covergirl makeup, and Miss Chatelaine (1973), a grid of black - and - white photos of the artist, each embellished with a different hat or head of hair cut from Chatelaine, a Canadian women's magazine.

An extensive archive of photographs produced in silver gelatin print, taken since 1999 (and still on going), this series focuses on marginalized rural communities in Western Rajasthan, portrayed through a range of local photographic methods including studio portraits, religious calendar art and Bollywood posters, at times collaborating with subjects, and sometimes not including them at all.

«Cindy Sherman», May 28 - October 3, 2016 at Brisbane's Queensland Art Gallery of Modern Art with 56 large - scale photographic works from six series, all produced since 2000, including works completed in 2016.

In addition to premiering a series of color photographs, the exhibition includes two new aluminum sculptures based on his 2004 photographic series «Conceptual Forms.»

She is a recent graduate of Bard College International Center of Photography where she earned an M.F.A. in Advanced Photographic Studies, and has exhibited internationally and regionally in solo and group shows including, The Exquisite Landscape, ICP, New York; Interiority Complex: A Conversation Series, Camera Club of New York, New York; and «Wrestling with the Image: Caribbean Interventions», organized by the World Bank and the OAS, and «About Change».

This latest photographic series includes such artists as Marietta Robusti, Lavinia Fontana, Mary Stevenson Cassatt, Lilly Martin Spencer and Leonora Carrington.

The three bodies of work represented in FOCUS: Adam Fuss include images of water droplets, butterfly chrysalises, and children, and each of these series was produced with a different photographic technique.

On view from November 10 through March 7, 2010, the exhibition features 21 dramatic paintings, photographic series, films and sculptural tableaux, including his famous headless mannequins that portray the complexities of cultural identity.

Unique offerings from Andy Warhol include the recently acquired Polo, a silkscreened outlined image on a collage of colored papers from a delightful series revolving around various incarnations of the photographic subject, created by the artist in 1985.

Other highlights include Edgar Arceneaux's nine - channel video installation «The Alchemy of Comedy... Stupid» (2006), featuring a performance by comedian David Alan Grier; Tammy Rae Carland's «I'm Dying Up Here» (2011), a series of large - scale color photographs of female stand - up comedians captured mid-act, emphasizing the vulnerability of performance; Stanya Kahn's absurdist, pathos - filled video «Lookin Good, Feelin» Good» (2012), shown alongside a selection of her humorous line drawings; and an installation of Sara Greenberger Rafferty's visceral photographic works, for which she manipulates images from the history of late 20th century comedy.